The Very Best Of – Kathy Kirby (Spectrum 1997)
Now this is a real guilty pleasure. Back when I was reviewing the retrospective by Cilla Black “Best Of The Emi Years”, there was a little bit of discussion about who was the best of the Britpop girls from the mid 60’s. There was definitely a Premier League of Cilla, Dusty, Sandie and Lulu who stood apart from the myriad of names including Marianne Faithful, Twinkle, Julie Rogers, Anita Harris, Kiki Dee, Susan Maughan, Helen Shapiro, Shirley Bassey (bigger in the 50’s) and Petula Clark (likewise) but there was one other name that I would put in that league of big-hitters, an artist who has perhaps less stood the test of time but at one point in the mid 60’s was the highest paid woman on British television – the woman dubbed “The British Marilyn Monre”, the sublime Kathy Kirby.
Now, I’ll admit it, from a very young age I was always a bit obsessed with Kathy Kirby. It might have been the old-school glamour kick I found so fascinating- there wasn’t too much glamour around in Britain at that time. Her run of five Top 40 chart hits (all included on this CD) were before my time but at home we had one of her singles her Top 10 cover of an 1954 American hit by Teresa Brewer “Let Me Go Lover” (just writing the title causes nostalgia to prick up the hairs on the back of my neck). I played this and its B-side (remember them?) “The Sweetest Sounds” (also on this CD) to death over a period of many years. It’s a family story that as a toddler I would like to regale relatives with my own version of this song with incorrect lyrics- at the time I obviously did not know what a “lover” was, I sang the more baffling “Let Me Go Wooda”. Older members of my family never want me to forget that.
Kathy’s was a star who burnt brightly only for a short time but throughout the late 60’s and early 70’s she would crop up now and again on television, on things like “The Golden Shot” and I would always seek them out, fascinated by this blonde, lipglossed vision with great diction and a fantastic voice. She would also appear regularly in the Sunday papers, with some story which I didn’t ever know whether I should be reading or not. There were tales of bankruptcy, inappropriate relationships, incidents involving the police and throughout it all Kirby seemed to be smiling on through, apologising and explaining in a very British way. This was a lady who was one of the early examples of life through the media which we just take for granted nowadays. She became the go- to-lady for stories about fame which had been lost- which although would have paid her money in many ways compounded her problems.
How many 60’s stars can you recognise? Kirby with Cilla Black, Freddie & The Dreamers, Kenny Lynch amongst others
There’s another issue with “Let Me Go Lover” which gets those goosebumps forming. Fast forward to about 12 years ago. What started off as a drink in a Brighton pub to celebrate my sister’s birthday became a pub crawl and probably one of the most drunken evenings of my life. Waking the next morning I found a crumpled raffle ticket by the side of the bed. Not exactly having much recall of events but vaguely remembering the places we frequented I did know the significance of that ticket – it meant for the first and only time in my life I had done Karaoke. Not only did I have a massive hangover to deal with but no doubt public humiliation. The story got pieced together during the day. My sister and I had got up on stage and put quite a crowded pub through our rendition of “Let Me Go Lover”. I asked people who had witnessed this event – but how did I read the screens as I knew I was having trouble focusing? “You didn’t even use the screens,” I was told, “you knew every word.” From nowhere came every word of a song that I had spent my childhood listening to but probably hadn’t heard for ten years before that night. Proof that Kathy Kirby is somehow ingrained into my soul.
This twenty track CD came out in 1997. CD’s of her hits on the Decca label were slow to appear but there are a couple to choose from now. This is the collection I would go for although I also have a 30 track Best Of from Marginal released in 1996 and there are a couple of harder to find “Hits, Rarities and Lipgloss” compilations and a 2005 double CD called “The Complete Collection” (which collects together her Decca recordings but not those from other labels). I’ve chosen this one because of its good range of hits, the inclusion of the aforementioned “Sweetest Sounds” and its avoidance of some of the cheesier moments of Kirby’s career (pub singalong tracks like “Show Me The Way To Go Home”).
Kathy Kirby was born Kathleen O’Rourke in Ilford, Essex in 1938. She came to fame as a protégée of big band leader Bert Ambrose who had been around since the 40’s and saw Kirby as a way of bringing a more youthful audience to his performances. As manager he dominated her career and the two became lovers, an open showbusiness secret because of the difference in ages. Kirby was a natural for television and starred in “Stars And Garters” a variety series set as in a pub. TV appearances became regular and in 1963 the hits started coming.
Kathy Kirby with Ambrose
It was when Ambrose died in 1971 that Kathy’s career went into freefall, but by then the hits had long dried up although her legion of fans forever wanted and expected there to be more. Kathy’s somewhat turbulent life can be read about in books such as “Secrets, Loves And Lipgloss” by James Harman (2005) which I have recently re-read and the more recent, published after her death in 2011- “No Secret Anymore- The Real Kathy Kirby” by Mark Willerton (2013) which is on my reading wishlist.
It’s the music I want to focus on here. What I like most about it is the big sound, the almost cavernous wall-of-sound feel which is evident from the first moment of the CD’s opener and the biggest hit. The Doris Day hit “Secret Love” took Kathy to number 4 at the end of 1963 and it’s Kathy’s excellent voice that bangs in right from the start after a dramatic drum roll. Her really quite startling elongated “Now” is almost an ecstatic howl of joy after pain. Then it kicks in with a more uptempo version of the song and a cha-cha-cha rhythm. This was the track which really established Kirby as a star, although it was not her first hit nor her best track. It was, however, given what we know about Kathy and her relationship with Ambrose (and also entertainer Bruce Forsyth) an appropriate song, as it was 36 years later as the best track on “Songs From The Last Century” by George Michael.
As far as I am concerned it’s the debut hit which really shines. A vocal version of an instrumental by the Shadows which had already reached number one earlier that year. “Dance On” gave Kathy her first chart placing in the summer of 1963 reaching #11. There’s a quirky blast of brass which gives the track real bounce and this ends up much stronger than the instrumental that inspired it. The Australian public certainly thought so as Kathy’s version topped the charts there for three weeks. There’s real Eastern promise in the number 17 1964 hit “You’re The One” which fairly gallops along and is the best example of how good Kathy was as a singer both in terms of range, pitch and diction.
This CD also includes the 1965 Eurovision Song Contest entry “I Belong”, which is certainly one of the stronger United Kingdom entries. It was the first time the song had been chosen by the public as the choices were performed on Kathy’s BBC TV series. It was much hoped that Kathy would give the UK their first Eurovision win in a competition which by this time was 9 years old. Kathy performed second (which is a position where no act has ever won from, I believe). It finished in a position which would become very familiar to the nation – 2nd place with the winner that year coming from Luxembourg with a song written by French icon Serge Gainsbourg. “I Belong” reached number 36 in the charts and was another example of the curse of the UK Eurovision entry as it became her last charting single. The UK would have to wait another couple of years to get its first Eurovision win with another Brit-Pop girl Sandie Shaw.
Of the other tracks there’s a good mix of standards beautifully performed such as “Body And Soul”, “Make Someone Happy” “I Wish You Love” and a fantastic version of “The Way Of Love” a song also associated with Cher. This track incidentally gave Kathy her only hint of chart success in America, reaching #88 in the Billboard Charts in 1965. There’s songs that perhaps shouldn’t work but do, especially Kathy’s version of “Havah Nagilah” and just the one oddity in “Old Man Mose”, a slightly tasteless song about a dead man. Throughout there is the quality in production, that big sound and the Kirby voice, which fascinated and entranced people years after she faded from the music scene. Not included here is a version of the Beatles’ “Here, There And Everywhere” which Paul McCartney reputedly said was his favourite version of the song. (Paul was a great champion of Kathy and like Sandie Shaw supported her when times got hard). There are some later recordings of hers which I have never heard which come from the mid 70’s, including a disco version of “My Prayer” and a changed-gender version of Charles Aznavour’s “She” which got radio airplay at the time but never reached the charts. A lot of Kathy’s television appearances no longer exist- her BBC series were lost as film was often recorded over in those days. There is a DVD of collected performances released at a time when another comeback was mooted but Kathy died not long afterwards.
Kathy with Ketty Lester – another much under-rated singer
She spent her last years in relative anonymity in South Kensington. I always had this little fantasy that one day I would meet her and she would ask me to pen what is a fairly amazing life story, but that never happened. It has since been said that Kathy was diagnosed with schizophrenia which would explain some of the real oddities in her life. She has aristocratic connections within the next generation. Her niece, Sarah, is now Lady Thatcher, the wife of ex-PM’s Margaret’s son Mark and another niece, Claudia, is Lady Rothermere. These connections seem to add to the sheer Britishness of the Kirby story. I’m prepared to dish the dirt a little more with a review of “Secrets, Loves And Lipgloss” but for now I’m just going to enjoy the music of one of Britain’s much loved singers of the 1960’s.
For a rare piece of existing footage of Kathy singing live and for those of you Eurovision fans out there- it’s back to 1965 when the show was on a considerably smaller budget!
The Very Best Of Kathy Kirby is currently available from Amazon in the UK for £3.99, and used from £0.19. and as a download for £3.49. In the US it is currently $8.70 new and used from $0.34.
8 thoughts on “100 Essential CDs – Number 79 –Kathy Kirby – The Very Best Of”
Goodness me. There’s a blast from the past. I has forgotten about Kathy Kirkby until a few days ago when one of hers was played on the car radio, a local channel that plays only ‘oldies’. Can’t remember which song now. Unless Alb was a huge fan of hers, always playing her records. I was too young to really appreciate the music of the time beyond the songs that were on the radio that I liked. (My mother was not a fan of modern music and declared it all to be rubbish, she never did move with the times in anything). As you know, I’m not a Cilla fan and liked Lulu even less. But Dusty, now that lady could sing. Kathy Kirkby as you rightly say did seem to court adverse publicity, today she wouldn’t get a mention a that behaviour is old hat. Nice to hear that Kathy is remembered fondly though.
I think a lot of people did forget about Kathy Kirby. This is my one man attempt to jog memories!! Thanks for the comments, Kay
Was going to say. A friend and I did karaoke ( I have a vague recollection of this). We apparently gave a rendition of Memory. A week later, the landlord of our village pub offered us a job. To get rid of straggling customers at closing time. 😂 we eventually forgave him. I no longer feel self conscious about this.
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oh the shame……………………!
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the acronym save the best for last. The lady is still the best and the last is yet to come.
Alfred Lord Tennyson wrote, Till last by Philip’s farm I flow to join the brimming river, “For men may come and men may go, But I go on forever”.
Just like the river, the Lady will flow on forever as long as we care to remember. We only have to open our hearts and our minds and her songs and memories will simply sink in.
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