One of the featured titles in my “What I Should Have Read In 2018” post which I’ve now put right by making it my first read of 2019. This attracted much publicity through its long-listing for the Man Booker Prize in a rare nod towards commercial crime fiction and recently took home the Crime/Thriller Book Of The Year at the National Book Awards. The buzz around the title made it too good to miss, with expectations that this is going to be a top-notch title.
I have read Belinda Bauer before, her debut “Blacklands” was a very dark novel which certainly impressed me but I haven’t got around to reading any of her six publications between that and this.
I did have those high expectations which for me, is not always a good thing, as they tend to make me more disappointed with a book which doesn’t fully hit home than I would otherwise be. The title refers to instant decision-making, also not always a good thing and which can have long-lasting repercussions.
A pregnant woman whose car has broken down on the motorway leaves her three young children in a car on the hard shoulder to seek a phone and is never seen alive again. The plot focuses on this disappearance and her teenage son’s attempts to come to terms with her fate over the next few years. His is the most vibrant characterisation in the novel as he attempts to hold the family together, tries to solve his mother’s case and becomes notorious around the Tiverton area where they live for his own crime sprees.
It is a compelling read which I enjoyed immensely but I’m not sure how well it stands up to analysis as a crime novel. A lot here hinges on coincidence (and I do acknowledge that a lot of real life crime is solved through coincidence) and some characters’ actions seem questionable, but then perhaps we’re back to that snap decision aspect again.
Given that the novel is about a horrific disappearance it is nowhere near as bleak as I was expecting. Bauer’s writing style is lively and there is often humour and sharp observation which here works very well.
This book provided a very good start to my 2019 reading and hopefully this year I will be able to delve into Belinda Bauer’s novels I have missed out on. She is a very good writer, confident in her genre but (and I think it’s down to those pesky expectations again) this didn’t quite blow me away in the way I was expecting it to.
Snap was published in 2018 by Bantam