I have read both of Jess Kidd’s previous novels and I was delighted to interview her for NB issue #90 following the publication of her debut. It was this book “Himself” (2016) that I expressed a slight preference for – a novel set in 1970s Ireland which absolutely fizzled throughout although both books have been very strong. “The Hoarder” (2018) had a modern West London setting and like its predecessor combined a good mystery with vibrant language, colourful characterisation and a supernatural element.
All of these factors are present in her third novel, with its setting always of particular interest to me, Victorian England, yet it is not just for this reason that I think that Jess Kidd has written her best novel to date and all that potential she has shown up until now has come into fruition with this hugely entertaining novel.
Like all of Kidd’s main characters to date Bridie Devine can see ghosts but here it’s just one, a half-naked ex-boxer she encounters in a churchyard who remembers her from her past. This supernatural touch is something which obviously means a lot to the author and I felt in “The Hoarder” it did not work as well as it had in “Himself” but the pugilist Ruby is a great character and becomes Bridie’s sidekick on some private detective work.
A child has been kidnapped from a country house in Sussex but it is soon apparent that this is no ordinary child and a gallery of rogues, richly-drawn characterisations worthy of the best of Dickens, seem to be involved in her disappearance. Bridie enlists the help of her seven-foot maid Cora, the spectral Ruby and crossing-sweeper Jem to locate the child.
I do read quite a few of these gutsy Victorian set novels and I’m aware that when they are done well they are likely to feature in my end of year Top 10. The actual case within the novel recalled for me another female amateur detective Heloise Chancey in MJ Tjia’s series of novels but here with greater depth and the sheer vivacity of the language reminded me of Michel Faber’s “The Crimson Petal And The White” and (although set in late eighteenth century London) within its themes of “The Mermaid And Mrs Hancock” by Imogen Hermes Gower- both great favourites of mine, but this novel certainly has a life of its own.
I particularly like it when the history of a historical novel is incorporated seamlessly. Here we have the Victorian love of the unusual and freakish and the developments in medicine which attracted the honourable and the disreputable sitting beautifully in with what becomes a gripping mystery peopled with characters about whom I wanted to know so much more. I hope this novel will be the making of Jess Kidd and will get readers discovering both her other publications. The effervescence of her writing will stay with me for some time.
Things In Jars is published in hardback by Canongate on April 4th 2019. Many thanks to the publishers and Netgalley for the advance review copy.