This is a difficult review to write for a white middle-aged man and I am sure that the author would appreciate the fact that I would find it difficult- it means that the issues she raises have hit home.
I selected this book on the basis of its subtitle “A Celebration Of Black Women In Pop Culture”. I have often used this site to applaud the contribution of Black women within music, the arts and literature and thought this celebration was something I really wanted to be a part of. The subtitle is not inaccurate, it is a celebration, but not quite what I had anticipated.
The author is central to this work, she is Ghanaian who has become an American citizen in recent years and works as a film critic and commentator on culture. She also has struggled with fragile mental health, with suicide attempts and attributes this, at least in part, as her experience of being a Black woman in America.
You can appreciate from this the tone would not be as celebratory as I had anticipated. An author’s note warns the reader to “be tender with yourself” if likely to be triggered by the issues in this book.
Zeba Blay studies the Black American female experience in terms of racist expectations and stereotypes borne from white supremacy including the body, sexual identity, skin tone, childhood and the quest to be “carefree” using women from popular culture as evidence. Her arguments are powerful and impressive. I do not feel it appropriate for me to comment on these truths other than to encourage a reading and an absorbing of what the author is saying. I’m just going to write 10 quotes from the book which will be enough for you to know whether you are prepared to go on this journey with her. I read the US edition before publication over here. I see the UK edition has a Foreword by radio DJ Clara Amfo which may put some of this into context for the British reader.
I’ll give you the quotes as they appear chronologically within the book and also the section in which you will find them. They will be out of context, perhaps, but I have not distorted them in any way.
“And writing about Black women is the thing that put me together again, that got me through and helped me become reacquainted with the concept of joy and freedom” (Introduction)
“To say that Black women are everything, are indeed essential to American Culture, to the global Zeitgeist is simply to observe things as they actually are” (Introduction)
“… to exist in a Black body is to exist in a persistent state of precarity, to be in constant anticipation of some form of violence” (Bodies)
“Black women’s bodies were once legally considered property. They were bought and sold, traded and loaned” (She’s A Freak)
“How can a piece of property be raped? Black women were therefore assumed as always being sexually available and this way of seeing them was sanctioned by the American government” (She’s A Freak)
“The fact that one in four Black girls will be abused before the age of 18, that one in five Black women are survivors of rape and yet for every fifteen Black women who are assaulted just one reports her rape comes as no surprise” (She’s A Freak)
“If Beyonce had a deeper complexion would her dominance within the Zeitgeist be as ubiquitous as it is” (Extra Black)
“My Blackness doesn’t make me depressed, but being Black in this world can be depressing.” (Strong Black Lead)
“the exuberance of Black joy springs forth from Black despair. Collectively, we made a way out of no way.” (Strong Black Lead)
“Black women are killed in America at a higher rate than women of any other race. Trans Black women are killed at an even higher rate.” (Strong Black Lead)
Carefree Black Girls is published in the UK by Square Peg on October 21st 2021. Many thanks to the publishers and Netgalley for the advance review copy.