No One’s Home – D M Pulley (2019) – A Murder They Wrote Review

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Every month Amazon Prime subscribers are offered a free “First Read” of an e-publication. I generally take them up on the offer but until now haven’t actually read any of them. I chose this from the August selection.

It’s American author D M Pulley’s 4th novel. Her debut “The Dead Key” won an Amazon Breakthrough Novel Award in 2014.  Her latest is a creepy house novel with an acknowledged nod towards Shirley Jackson’s horror classic “The Haunting Of Hill House” and there’s references also to the movie “Poltergeist” within the text. It also brought to mind the first season of “American Horror Story” known as “Murder House”, the residence within Pulley’s novel also very much fits this description.

Everything we would expect from a haunted house tale is here, beginning with the house being for sale and being purchased by a not particularly likeable family before the odd things start to happen. In this case there’s a lot of individual members of the Spielman family spooking themselves by wandering around the house when alone. Obviously, to begin with this new family to the house, Myron, Margot and awkward teenager Hunter know little about the history of the place other than it was a bargain buy. We get to know about previous owners through parallel narratives and for most, things do not end up well. The house has been built on the remains of a Shaker community and from the Rawlings family who lived there in the late 1920’s lives have been steeped in tragedy. In many cases the presence of ghosts are fuelled by characters’ inability to communicate with one another, making it a tale of outsiders haunted by their pasts which influences how they deal with the present.

These parallel narratives make this novel seem less formulaic with echoes of one generation touching others. I can’t say I was particularly chilled at any point but I was intrigued by the interweaving of the past with the present. At times plausibility is strained which is not uncommon with tales dealing with the supernatural. Anyone looking for a creepy (ish) read in the run up to Halloween might wish to consider this.

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I read a Kindle edition of No One’s Home which was published in 2019 by Thomas and Mercer.

The Murder Bag – Tony Parsons (2014) – A Murder They Wrote Review

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I’ve never before read any Tony Parsons (other than journalistic pieces for the New Musical Express and the many other publications he has contributed to over the years). Best known for his “Man and Boy” trilogy of novels, in 2014 his writing took a very different approach when he began his first crime series featuring DC Max Wolfe.

To date there have been six novels (the latest “#Taken” published this year) and three shorter works. I was tempted to start at the beginning by a recent special offer on Amazon Kindle which focuses on first of series (I was obviously in a crime novel mood at the time  and also purchased Craig Russell’s “Lennox” and Don Winslow’s “The Power Of The Dog, neither of which I’ve read yet).

“The Murder Bag” certainly begins with a punch with a prologue set in 1988 which provides the historic framework for the events in what is clearly going to be a revenge novel. This prologue makes for uncomfortable reading and is continued with a high-octane first chapter which is how I imagine a Lee Child novel would read (I haven’t read one) and which also reminded me of the explosive show-piece openings of the BBC TV series “Line Of Duty”. The purpose of all this action is to give Max Wolfe a back story which explains his transfer to the Homicide and Serious Crime Division.

Wolfe is a newcomer in his post and a single parent with a 5 year old daughter Scout and a young King Charles Spaniel he is trying to settle into the family. There’s a lot of dog references in Wolfe’s first-person narrative, this is a man who notices dogs in his everyday life and investigations, they are a central part of his life, which gives him a little individual quirk compared to all the other fictional DCs out there.

When men of the same age meet a violent death with the same M.O a connection is made to their privileged past and after the sheer intensity of the first two sections this settles into a police procedural.

As a crime novel I’m not totally convinced that Parsons on this initial outing has got everything spot on. It feels a little inconsistent. You know with a Peter James what you will be getting and there’s few better at the police procedural novel which, when on his best form,  is so carefully executed that it is totally convincing. I know I’m comparing Parsons with one of the very best but I wasn’t always convinced here and felt that for a first-person narrative that the style wasn’t consistent, which made it unpredictable, true, but also a little jarring. I appreciate that it’s early days for DC Max Wolfe but I feel as a character he does not feel as assured as I would have expected. I know Parsons is trying to show different facets of personality with sentimental scenes involving his daughter and the dog, macho boxing scenes and within his professional life where as a newcomer he is bound to make mistakes but I don’t think all the pieces here come together. It seems as if the author is trying to play to his existing readers as well as those like myself, discovering him primarily as a crime writer and this is causing a slight struggle with style. But I think he will get there and I’m looking forward to reading more to confirm this.

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The Murder Bag was published by Arrow in 2014. I read the Kindle edition.

The Language Of Birds – Jill Dawson (2019) – A Murder They Wrote Review

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This is not exactly a crime novel, although a murder is very much at its centre and it focuses on a case most readers would have some sense of familiarity with, that of children’s nanny Sandra Rivett killed by absconding aristocrat Lord Lucan in what was believed to have been a case of mistaken identity (Lucan had intended to kill his estranged wife).

The real life events from 1974 are here turned into fiction with changed names, Dawson’s reasons for this are stated in an Afterword; “The life of a victim is a hard story to tell when there are living descendants (of the Lucan family too) and others who might still be hurt. My solution was to invent new characters whose story you have just read.” I think we as readers will respect the author’s decision here. Since reading this I haven’t gone into what was known about this grubby case other than what Dawson has told us in the Afterword and my vague recollections but she does seem to have followed the framework of events closely.

The narrative switches between a third person retelling and the first-person views of Rosemary, a friend of the doomed nanny. The two meet as voluntary patients in a psychiatric hospital and when a recovered Rosemary finds work as a nanny in London, Mandy follows and finds herself in charge of the two children from the fractured Morven family assisting the fragile and not-coping Lady Katherine who is trying to break free from the enigmatic but charismatic Dickie, wrapped in underhand tactics in a custody case. The two girls waver as to who should get their sympathies.

I think what Jill Dawson does very well here is to get the feel of the mid 1970’s just right not only in its many references but particularly in the attitudes. Mandy and Rosemary feel like two young girls new to the London of 1974. There’s a lot of anger in the novel, rightly so, in a case in which time has tended to lionise the disappearing perpetrator. In many ways just as Hallie Rubenhold aimed to reclaim the victims from the hype of Jack The Ripper in her non-fiction work “The Five” Dawson here has managed to move the focus back to the real-life victim Sandra Rivett perhaps even more effectively, especially as the character of Mandy is so vibrant and well-drawn.

There’s an element of imagery going on in the title and on occasions within the text based upon bird communication. At one point it takes the form of auditory hallucinations by swans and pigeons which caused Rosemary’s mental health episode but I’m not sure that this fits into the feel of the novel or understand why it is there. The relevance of this and of the title of the novel has passed me by.  It is not what I will remember this book for which is the great feel for the period, strong characterisation and the build up of dread as to how what we know is inevitable will pan out and the ramifications for those caught up in the grisly events.

fourstars

The Language Of Birds was published in hardback by Sceptre in April 2019.

Oct 19 Update – Read about Jill Dawson at the Isle Of Wight Literary festival here.

The Art Of Dying – Ambrose Parry (Canongate 2019) – A Murder They Wrote Review

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Ambrose Parry’s “The Way Of All Flesh” was one of my crime novel highlights of 2018. I found its Victorian Edinburgh setting refreshing and the combination of an unpredictable crime set-up and a seamlessly incorporated history of medicine at the time was extremely effective. Two strong lead characters also helped, implying a lot of potential for this series.

This was Ambrose Parry’s debut novel but writing under that name is highly established crime writer Chris Brookmyre in collaboration with his anaesthesia expert wife Marisa Haetzman. This follow-up moves things on around a year with Dr Will Raven coming to the end of a tour of Europe and a violent incident in an alleyway before returning him back to the more familiar ground of Edinburgh where he has accepted the job of being his mentor Dr Simpson’s assistant. Here, he meets up again with another of Simpson’s employees, Sarah, but this time her circumstances have changed and it seems the authors are committed to keeping this couple who seem destined for one another apart.

The character of Simpson is based upon a real-life doctor noted for his discoveries with chloroform, which featured largely in the first book. Here, there is still experimentation with its usage, at one point it is served up as an alcoholic beverage but medically, anaesthetics have become more established and the issue now seems to be how to keep a patient alive after work has been done on them internally. Infection is the new priority.

The crime aspect comes via a woman not so keen on keeping the patients she is nursing alive and her narrative is interspersed throughout the text. I felt initially that the crime was taking a back seat compared to the medical history side of things but this is just Parry setting things up very nicely for us. Once again there were unpredictable twists and the novel builds just the way I always hope a crime novel will do.

Once again this is good quality fiction which is very readable, characters are developed (although Dr Simpson himself is more in the background) and I really want to know what is next for Will and Sarah. This series, in the space of two novels has established itself very well indeed.

fourstars

The Art of Dying is published in hardback by Canongate on 29th August 2019 . Many thanks to the publishers and Netgalley for the advance review copy.

The Meaning Of Night- Michael Cox (2006) – A Murder They Wrote Review

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“Revenge has a long memory”

My first re-read for some time is this historical thriller which was my Book Of The Year back when I read it as a new paperback in 2007. It has sat on my shelves since then and the reason I picked it up for a revisit was although revenge may have a long memory (a dominant theme in the book) I obviously do not as I could remember nothing about it other than I loved it. I wasn’t alone in my admiration as at the time it was shortlisted for the Costa First Novel Award but was beaten by the eventual overall winner Stef Penney for “The Tenderness Of Wolves”.

I can remember feeling that Michael Cox, a writer and academic known for anthologising Victorian short stories was a major new novel writing talent. Sadly, there was only to be one more novel, a sequel “The Glass Of Time” before he succumbed to cancer aged 61 in 2009. His debut was a work in progress for decades before reputedly a prescription for a steroid drug as preparation for treatment for tumours and loss of sight caused a significant burst of energy which resulted in him beginning to put this work together and saw him bring it and the sequel to completion following his temporarily successful treatment. This moving sequence of events of a writer driven to finish his magnum opus seems fitting for this large, intense, dark novel and this truly is a testament to the talents of Michael Cox.

The author’s feel for the Victorian period is evident throughout and it has real authenticity with strong elements of Wilkie Collins and Dickens making it a rich but in no way a quick read. It begins with a random murder carried out on the streets of London in 1854 by the narrator Edward Glyver whose confession we are reading. The reasons for this, the events leading up to and following this crime form the whole narrative. It is a tale of revenge and betrayal with the central location the country estate of Evenwood and the family who live here. The usual suspects of opium, prostitution, class and hypocrisy are all present but none of it feels any way cliched. This is because the author has really assimilated the period and obviously knows so much about it, garnered from years of research and this permeates the text in a natural and convincing way, particularly in the field of book collecting. An “editor’s” footnotes to the text gives the fiction a further air of authenticity as do other documents pertaining to the events in much the same way as Graeme Macrae Burnet’s “His Bloody Project” (2015).

I will admit there were times when I felt I was ploughing through this somewhat (as indeed I have done with many Victorian novels that I have ended up loving) and throughout I was concerned about how little I had remembered from last time round but like many of the novels from the period it emulates it did pull me right in and any effort in the reading was rewarded. On completion the feeling was of total satisfaction for a high quality reading experience. This novel does seem to have faded from public consciousness but I can’t help feeling that a sensitive tv or film adaptation could bring it back to the top of bestsellers lists.

I haven’t read the sequel from 2008 (this was so far under the radar that I didn’t even know it existed until researching for this but given the circumstances of the author’s health issues at the time this is not surprising) but have just ordered it hopefully to read while this novel is still fresh in my mind and I will not be parting with my (now quite well worn) paperback copy of “The Meaning Of Night” anytime soon.
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The Meaning of Night was published in 2006. I read the 2007 John Murray paperback edition.

Ten Second Staircase – Christopher Fowler (2006) – A Murder They Wrote Review

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Christopher Fowler is the clear leader on my most read authors list. Since first discovering what is still my favourite of his books, the Faustian “Spanky” as a new publication in 1994 I have now read 16 of his works. He is strongest with horror novels with dark comic undertones, both “Soho Black” and “Calabash” have impressed me and last year I was inspired by his “Book Of Forgotten Authors” to make a reading list from which I’ve sampled so far Patrick Dennis, Margery Allingham, Edmund Crispin and Barbara Pym.

Since 2003 Christopher Fowler has really established himself with a crime series featuring elderly detectives Arthur Bryant and John May from The Peculiar Crimes Unit. I have read now four of the to-date 18. This is obviously a very successful enterprise for him – I have still to be convinced.

In a number of ways these novels strengths are also their weaknesses. This is written with a playful quirkiness which when it works well explores the puzzle-solving aspect of the crime novel making the author’s role in manipulating and misleading readers more explicit but there is a danger this can make the book seem gimmicky. There’s also an odd use of time which I find disorientating. Nobody knows how old Bryant and May really are but judging from what they say about their past they are very old indeed which makes them feel less plausible as characters in this modern-day setting. But does that matter? Well, it does and it doesn’t. The plots are led by the detectives’ eccentric approaches of dealing with crime with much referencing to their past and sometimes this feels like a distraction to what is going on.

What is done well is London itself, whose history and mythology is incorporated to give a sense of timelessness to the piece. It can at times feel like an alternative reality novel where octogenarians are still putting themselves professionally into precarious positions but it is not as references are regularly made to past events we all know about. It’s clear from the above that I am still struggling to make full sense of the concept and feel of this series.

In this fourth instalment a killer in highwayman garb is killing celebrities which may possibly have links to an unsolved crime Bryant and May were involved with decades before which ended in personal tragedy for them. It begins with their immediate boss contacting the Home Office to get the detectives removed because of their age and competency and Bryant goes on to show how out of touch he is with the modern world when he addresses a group of private school boys where neither his past nor the boys’ present rings true to me. It twists and turns with some memorable characters along the way, yet at this stage, some of the series regulars are still feeling underdeveloped (but admittedly, I do have a lot of the series to go).

Summing up, I very much enjoyed aspects of this book but its unorthodox approach to crime solving did cause my interest to wane. I think it is better than both the first and third of the series neither of which I particularly enjoyed and I do feel that there is so much potential and that seeds are being sown which will elevate this series once I get more of a complete grasp of what is going on.  My befuddled view is reminiscent of what I felt about much of the BBC TV adaptation of “Sherlock” and look how popular that became. I wouldn’t have read 16 books by this author, however, if I didn’t feel in some way committed to his writing (and I do have a few more unread copies of this series on my shelves) so I’m not giving up yet.

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Ten Second Staircase was published by Doubleday in 2006

The Five- Hallie Rubenhold (2019) – A Real Life Review

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I like this author.  A previous work of hers “The Covent Garden Ladies” (2006) a study of Victorian prostitution ended up in my Top 5 Books Of The Year when I read it in 2011.  I very much applaud what she has set out to achieve with this new meticulously researched work but I would give her earlier publication the edge.

 “The Five” attempts to redress a wrong which has existed for 130 years- the public perception of the five women believed to have been killed by “Jack The Ripper”.  From the early press reports, to the way the case was handled, to the coroners’ reports and the development of the whole macabre industry which has built up around the perpetrator these women have been misrepresented.  They have become very much the foils to The Ripper’s dastardly crimes, their whole lives tainted by the sordidness of their demise.  They have been labelled “prostitutes” with an implication that they may have invited or deserved their fate.  Their individuality and humanity has been forgotten in the telling of a lurid tale.

 Through the sifting of contemporary reports, including the patchy coroners’ transcripts, newspapers and journals and the census returns which all provided a deluge of contradictory evidence Hallie Rubenhold has explored each of the five women in turn and tracked their lives to the point where they ended up, completely out of luck, in the Spitalfields area in 1888. 

 The most horrific thing which runs throughout is how the lives of the Victorian working classes were so on edge, one change of circumstance and a downward spiral was begun from which there was no escape.  This was especially true for women where the miseries of lost loves, dead children, loss of reputation etc. could lead to turning to drink and from then on there was little hope.  And, despite the odd bright moments in most of their lives this is what happened to Polly Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly.

 The author has certainly achieved her aim in giving them a different place in The Ripper story and used the evidence well to bring them back to life.  The nature of the type of evidence she is using after 130 years of them being treated differently means that looking back after finishing the work I felt that individually they blurred into one another.  The author might not have found their voices individually but certainly as a group I very much felt their presence.  Little is actually known about the last victim Mary Jane Kelly, who lived her life enigmatically as many who became lost in Victorian London chose to do.  This is where non-fiction can let us down, lack of information leads to more generic non-specific writing thus affecting the narrative flow which a novelist would enjoy in bringing their work to conclusion.  I think this was why I wilted a little as a reader towards the end.

The character who is kept very firmly in the shadows throughout is Jack The Ripper himself, moving in only in the last few lines of each section.  I understand and applaud this but I don’t know as much about The Ripper Cases as the author assumes I do and by keeping the perpetrator so far in the background I feel I need to know more about what actually happened and how it was dealt with and to do this I’m likely to have to read one of the works Rubenhold is challenging.  But when I do I know I will have this author’s new perspective in mind and will not forget that these women existed and lived a valuable life before perishing in the London streets.

fourstars

 

The Five was published in hardback by Doubleday in February 2019.  It has this week been longlisted for the non-fiction dagger award from the Crime Writers’ Association.

Lethal White- Robert Galbraith (2018) – A Murder They Wrote Review

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Why exactly do people read the crime novels J K Rowling writes as Robert Galbraith? Is it for the intelligently crafted plot and the satisfaction of the tying up of the interweaving threads of a detective novel? I suspect not, they are read more for the dynamics between the two main characters, private detective Cormoran Strike and his business partner Robin Ellacott both here on their fourth outing.

If this is the case then this lengthy work will delight as there is more relationship than crime plot going on here. I was very happy that it picks up where “Career Of Evil” (2015) left off, at the wedding of Robin and her disappointing fiancé Matthew. Cormoran had stumbled into the wedding proceedings leaving the “will she/won’t she?” aspect very much in the air last time round and here in a Prologue the story we all wanted to read about is resumed. I’m not plot spoiling by saying the wedding goes ahead but given the circumstances the marriage might not last that long. I applaud JK Rowling for beginning the novel at this point.

Following this Prologue we fast forward a year and Strike’s agency is doing well after its high profile cases featured in the previous novels and some of the work is having to be shared out to sub-contractors.  Robin and Cormoran get involved in a blackmail scenario involving a government minister with Robin going undercover at the Palace Of Westminster.  Strike is perturbed by a distressed visitor to his office with a tale from the past which may be linked to the blackmail attempt. The plot simmers along nicely and I do think the balance between a character led narrative and any actual action works well and would please more of her readers than it would disappoint. It’s a long time before an actual corpse makes an appearance and the whole thing is a lot less gruesome and more understated than in the last two novels. I can appreciate this balance as for me the more plot-driven second novel “The Silkworm” (2015) is the weakest of the four and both through her writing and the TV adaptations the two main characters are so strong that I found myself really relishing the scenes when they are together.

This book achieved somewhat mixed views on publication mainly concerning its length. I actually found that there was enough to keep me from grumbling about its number of pages. It could have been tightened a little but that is the case for most books which come in at over 600 pages in a hardback edition. On reflection, I feel I should have cared more about the “whodunnit” aspect of the novel, this is crime fiction after all, which is why this is not quite up to “Career Of Evil” standards but it is a close run thing as we are provided with another highly enjoyable read. “Career Of Evil” was more effective in ramping up the tension. I feel also that Strike’s London has come across stronger in previous novels but this doorstep of a read certainly shouldn’t put people off this series of novels and those that have read the four will be eagerly anticipating the fifth- myself included.

fourstars

Lethal White was published in hardback by Sphere in September 2018. The paperback edition is out this week on 18th April.

The Confessions Of Frannie Langton – Sara Collins (Viking 2019) – A Murder They Wrote Review

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Here’s a debut out in April with a big buzz about it which appeared in many highlights of 2019 listings (including my very own Looking Back Looking Forward … blog post) so I was delighted to get the chance to read an advance review copy.

 This is Frannie Langton’s account of how she got away from being a slave at a sugar plantation in Jamaica in the first quarter of the nineteenth century and ended up in London on trial at the Old Bailey for the murder of her employers.

 It is very much a novel of two parts.  Although we know from the outset of Frannie’s predicament, the first half is set in Jamaica where as a child she was taken up from the plantation shacks to be a house girl, and then, after being taught to read and write by her bored mistress becomes a scribe and assistant for her master, Langton.  He is involved in disturbing experimentation to discover the difference between the anatomies of whites and blacks.

 Damaged by what she has experienced she turns up in London joining the household of one of Langton’s academic rivals where she is drawn by the attention paid to her by his French wife.

 Through a first- person confessional interspersed with extracts from the court case we begin to piece together what has happened, but very slowly, as Sara Collins certainly keeps us dangling.  This might actually frustrate some readers who’ll think they missed out on something important as part of the Jamaican narrative seems underwritten and only becomes significant much later on.  All is eventually explained.  Characterisation is rich and gutsy with some strongly developed minor roles.  Pace is generally good although for me it dipped in the early London sequence when the relationship between Frannie and Marguerite takes a prominent role.

 Readers loving Sarah Waters’ novels such as “Fingersmith”, “Affinity” and “Tipping The Velvet” should certainly be made aware of this novel and with Waters  moving towards more modern history in her novels in recent years there seems to be a gap which authors are keen to fill.  Two debuts from last year spring to mind Imogen Hermes Gower’s splendid “The Mermaid And Mrs Hancock” and Laura Carlin’s deliciously Gothic “The Wicked Cometh” which also has a female-female relationship as its focus.  I don’t think Sara Collins’ work is quite as good as either of these top-notch novels but it is a close-run thing with the Jamaican slave dimension adding another level of complexity and richness.  All in all, this is a superior historical crime novel that does live up to pre-publication expectations and should end up selling well.


fourstars
 

The Confessions Of Frannie Langton is published on April 4th 2019 by Viking.  Many thanks to the publisher and Netgalley for the advance review copy.

The Quaker – Liam McIlvanney (2018) – A Murder They Wrote Review

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One of the more intriguing turn-ups in literary awards in 2018 came via the McIlvanney Prize given each year to the best Scottish Crime novel. In 2016 this award was renamed in honour of the writer known as “The Godfather Of Tartan Noir”, William McIlvanney who died in 2015. The previous winners since the rebranding had been Chris Brookmyre and Denise Mina and in 2018 the Prize went to Liam McIlvanney, William’s son for “The Quaker”.

There’s certainly no nepotism at work here as this is a very strong slab of crime fiction which fulfils the criteria perfectly and beat off the other shortlisted new titles by previous winners Brookmyre and Charles Cumming together with Lin Anderson.

This is Liam McIlvanney’s sixth publication which includes three fiction (a two parts of the way through trilogy begun in 2009) and three non-fiction works, two of these in conjunction with Ray Ryan. This novel is, hopefully the first in a new series, set in late 1960s Glasgow featuring DI Duncan McCormack, a member of the Flying Squad team who is seconded to an ongoing murder investigation to produce a report as to why a triple killer known as “The Quaker” has remained undetected. His interest in the case turns into a personal obsession whilst those above him want the investigation scaled down.

I like the feel of the period, clearly illustrated as a time when “the polis” operated with different standards. McCormack is a closeted gay officer at a time when homosexuality in Scotland still equalled a prison sentence and career ruin and this adds a fascinating dimension which stands this character out from the norm of crime fiction detectives.

The victims are also allowed to express their viewpoint in first person narrative sections, another thing which here is done well and adds to rather than impedes the flow of the piece.

I found this very readable and highly entertaining. I very much liked McCormack who is an outsider here in more than one sense and I would be very keen to read more novels featuring him.

McIlvanney currently works and lives in New Zealand but has convincingly conveyed the feel of Sixties Glasgow. There’s political incorrectness a-plenty with the nickname of a killer known to make biblical references a case in point. The novel was actually loosely based upon a real like killing spree by an individual known as Bible John, an undetected serial killer from the same time and location. Those who like their crime gripping and hovering around the edge of darkness should seek this out. I have limited experience of Scottish crime but this has certainly whetted my appetite to read more.
fourstars

The Quaker was published in hardback in June 2018 and in paperback by Harper Collins in Feb 2019. Many thanks to the publisher and Netgalley for the review copy.