Lux- Elizabeth Cook (Scribe 2019)

lux

A deft melding of the biblical and the historical, Elizabeth Cook has as her central figure King David in this novel of three sections.  From the boy hero slaying Goliath against the odds to the successful King who becomes morally wayward when he views, from a distance, one of his subjects Bathsheba, washing herself.   Exercising his right to possess he impregnates the previously barren Bathsheba and either has to get her husband Uriah to take responsibility for her condition or get him permanently out of the way.

 This first section “Ark” is the most successful as far as I was concerned, the biblical retelling largely from the Book of Samuel feels both fresh and familiar and with the miraculous powers of the Ark of The Covenant present in the background it gave the writing a feel of a quality fantasy novel.   

 In the second section whilst Bathsheba cares for her new-born a prophecy from Nathan leads David to contemplate and atone for his wrongdoings in a cave.  The third section “Poet” shifts to Thomas Wyatt, who translated the psalms attributed to King David as he watches his old friend Anne Boleyn adjust to her position as Queen and faces his own spells of contemplation in the Tower of London.

 There is no doubt that the author weaves her tale as beautifully as the tapestries Henry VIII purchases which depict the tale of Bathsheba.  The language has a poetic force which impresses.  I felt it a little lacking as a novel as the subject matter just didn’t engage me consistently.  I didn’t feel an emotional response which I would have hoped for in such a novel so there was a bit of a mis-match here for me.  It is quality writing throughout although I would have appreciated a closer tying in of the third section with the first two.  I felt that I read and absorbed the writing and followed the plot-lines yet the novel just wasn’t for me.  I haven’t really felt this way since I read Ali Smith’s “How To Be Both” which ended up a major award winner so Elizabeth Cook is in very good company here.

threestars

Lux was published in hardback  by Scribe in April 2019.  Many thanks to the publishers for the review copy.

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This Brutal House – Niven Govinden (Dialogue 2019)

 

brutalhouse

 

I’ve been itching to read this since I first heard about its impending publication in a number of 2019 previews.  This is the fifth novel for British author Govinden, which was a surprise as I read the novel assuming it was an American work.

Set around the time of the New York vogue balls which had their heyday in the late 80’s/early 90’s this book probably has the documentary film “Paris Is Burning” (1990) as its strongest influence.  (If you haven’t seen this catch it on Netflix- it is outstanding).  Since I read of this book in January we have had the UK transmission of Ryan Murphy’s “Pose” (BBC2) which was also very strong and touches very similar ground.

 The vogue ball scene, although underground, has had a strong cultural link in the decades which have followed it influencing fashion and music particularly Madonna and “Rupaul’s Drag Race”.  Central to the set up were the “houses” who competed in various dance/drag categories to win trophies and who were dominated by the “mothers” who provided support and often food and accommodation for those lost in NYC in return for their participation in the contests in order to raise their particular house to the desired “legendary” status.

 The balls may have shifted into the background in this novel but those who participate in them are paramount.  A group of “mothers” stage a silent protest on the steps of City Hall because of official incompetence at investigating disappearances of their “children”.  Teddy, one of the few characters to be named in the book, is both one of the children made good by education and a City Hall employee placed into the middle of this situation.  And plot-wise that is largely it.

 It’s written with great energy and is direct and forthright throughout becoming at times almost sermon-like, an intense flow of the perceptions of Teddy and the collective group of mothers.  As well as giving this novel its impetus it does also at times cause it to drag as there is not enough variation in the narrative style.  The vogue-caller (think Pray Tell in “Pose”) has his section but it is merely a list of categories and pages of little more than the word “work” which would normally have me hurling the book across the room but which here due to the rhythmic nature of the piece (and because I find the subject matter fascinating) Govinden gets away with it.  I think I would have welcomed another plot thread perhaps based upon the balls themselves in a more naturalistic style which would add greater potency to the elevated language of the narrative.

 This book is not going to be to everyone’s taste but often if I have high expectations of a book before reading it they can be completely dashed but I found myself more or less involved throughout.  It’s a story about outsiders attempting to conform but seeking their own refuge through their own special kind of family grouping and of throwing shade and shapes on the dancefloor.

fourstars

This Brutal House is published by Dialogue in hardback on 6th June.  Many thanks to the publishers and Netgalley for the advance review copy.

The Seven Or Eight Deaths Of Stella Fortuna – Juliet Grames (Hodder & Stoughton 2019)

 

stellafortuna

Last year’s surprise publishing sensation was the debut novel by American author Stuart Turton “The Seven Deaths Of Evelyn Hardcastle” which won the Costa First Novel Award and climbed up bestseller lists as well as appearing on a considerable number of “Best Of The Year” lists. I haven’t read it yet but anticipate a time-bending novel along the lines of Kate Atkinson’s “Life After Life” which I loved. We all know that from the very early days of publishing there’s nothing like a surprise success to start off the bandwagon jumping and I couldn’t help but feel that this might be the case when I saw the title of this debut by another American author (even more so when you consider Turton’s US title for his novel is “The Seven and A Half Deaths Of Evelyn Hardcastle”). This may just all be coincidence but I’m doubtful.

There was, however, something about the description of this novel which appealed and hopefully that potential cash-in of a title will not hinder its chances in the marketplace. Unlike “Life After Life” these are not actual deaths anyway but near-death experiences for the main character, a woman with undoubted survival instincts and these experiences provide the structure of the book. It actually needn’t as this is one of the weakest aspects of the story. Before publication I would have made these near-death encounters less prominent and just titled the novel “Stella Fortuna” allowing it to stand more on its own merit rather than on the coat-tails of another title. It would have also ended up with something which would have felt more self-contained and original.

This novel does not need this hook. It works very well on its own as a tale of the long-living Stella Fortuna and her family from sun-soaked days in a village in Calabria, Italy, to their emigration to the US just before World War II and their experience of life over the decades as an American-Italian immigrant family narrated by her grand-daughter.

The Italian section does feel a little unsure of itself in terms of style. At times it reads almost like a fairy tale with whimsical touches borne out of the superstitions of the simple mountain folk. I quite liked it but I’m a little allergic to anything too whimsical. Once it gets to America it feels more realistic and at times disturbingly hard-hitting, even brutal in its writing. As a result I’m not totally convinced Juliet Grames has found her style consistently with this debut. It did occur to me at one point that it might be a translation into English and that the translator did not quite get the author’s voice quite right, but it’s not.

However, she did keep me reading and that was because of strong characterisation. Stella will undoubtedly frustrate and irritate, she has a stubborn streak and lives her life attempting to avoid what she does not want rather than going after what she actually wants. She is haunted by these near-death experiences and her belief that they are to do with incidents from before she was born. Her parents, her mother taken away from the simple life she loves and her disturbing macho father are equally well drawn as are many of those who come into Stella Fortuna’s life over the generations. As a family story it works very well. I just can’t help thinking that the title might hold it back implying it is something that it’s not and forcing unnecessary comparisons. This is a strong, memorable debut but I do feel with a slightly different emphasis, viewpoint and a more consistent style it could have been first-rate.

fourstars

The Seven Or Eight Deaths Of Stella Fortuna is published by Hodder and Stoughton in hardback on May 7th 2019. Many thanks to the publishers and Netgalley for the advance review copy.

The Taking Of Annie Thorne – C J Tudor (2019)

 

anniethorne

I read C J Tudor’s critically acclaimed debut “The Chalk Man” (2018) earlier this year.  It was a book that became a word of mouth hit and I realised I was missing out when I saw it appearing on a number of “Best Of The Year” lists.   I really liked the tense atmosphere she created throughout and the touches of horror and these aspects are all present and correct in her second novel.

I began this as an exercise in listening.  A free month’s trial for Audible was initiated when I saw this was available so soon after publication.  It is narrated by Richard Armitage who has a very listenable voice and despite me never being successful at committing to audio books (Susan Hill’s slim “The Printer’s Devil Court” being the only one I’ve managed to listen to all the way through) I was determined to let Tudor’s easy approachable style be read to me.  I was enjoying the narration very much but it all just takes too long.  I don’t have ten hours listening time and because audio is new to me I have to really concentrate on it (of course, being male means multi-tasking and doing something else whilst listening is out of the question!).  I was also having to take notes at the end of every chapter, realising how much I must flick back in a physical book to check things.  I did, however, get well over half-way through and then I discovered a hardback copy in the library.  I did try to resist but couldn’t so checked it out and finished it off.  (I’ve also just cancelled my Audible trial- once again I’ve tried and been found wanting.)

The novel is set in the ex-mining village of Arnhill in Nottinghamshire, a location similar to where the author grew up.  Like “The Chalk Man” there are two time zones, a present day narrative and one set in 1992 when the main protagonists were in their teens.

There’s a grisly opening of a discovery of bodies in a cottage (which certainly spooked me listening to it) then it settles into a plot where Joe Thorne returns to Arnhill and engineers himself a teaching post at his old school.  He has come back in an attempt to put to rest trauma in his past- the disappearance and eventual death of his eight year old sister which occurred when he was fifteen.  The combination of the crime novel and horror is not as balanced as it was in “The Chalk Man” with the latter taking precedence.  Horror writing gives the text an openness which the crime novel with its demands to be tied up neatly to provide a satisfactory experience tends not to do.  The unexplainable horror touches comes from the old pit itself which has a history of being involved in disappearance and death and which commands a dark presence over the plot.

 If anything, the tale here is darker than “The Chalk Man”.  There is the odd flash of humour but this is generally black, bitter and barbed.  This has the effect of not making this novel seem as multi-layered nor as rich as its predecessor where the language felt more vibrant and less on one level.  Also readers who need to like their characters will struggle as not even main protagonist Joe comes across as having that many redeeming features.  There are aspects to the plot, particularly with regards to backstory events in Joe’s adulthood that seem underwritten and not as convincing.  As a result I did not feel as drawn into this world as I had with “The Chalk Man” but this is still an involving read, showing once again the author’s skill with tension and building up a creepy atmosphere.

threestars

 

I read the Michael Joseph published hardback version of “The Taking Of Annie Thorne” which was published in February 2019.  In the US it has been published as “The Other People”.  A paperback version is due to be published by Penguin in July 2019.

A Stranger City – Linda Grant (Virago 2019)

strangercity

I read and enjoyed Linda Grant’s last novel “The Dark Circle” back in 2o16.  It was set largely in a TB sanatorium in a post-war Britain very much on the cusp of a modern age as the richly drawn characters awaited developments which would cure them and allow them back into the society their illness had removed them from.

 The author’s latest places us into contemporary London where change is also anticipated and it is not good news as the city awaits the effects of Brexit.  It is a disorientating time in the city for the characters and becomes increasingly so as deportation trains begin to rattle through the night, “illegals” are held in prison ships and one sequence set in a dis-located part of London feels like Alice down the rabbit hole.

 This shifting uncertain London shimmers in the background of a plot with a mystery story at its heart.  A suicide off London Bridge by an unidentified woman occurs on the same evening a documentary maker witnesses conflict between a man and an Irish woman on a train.  This woman, a nurse, also disappears but the power of social media ensures she is identified and cannot stay missing for too long.  The contrast between the two in the same location leads the film-maker to produce a television programme in an attempt to uncover the dead woman’s identity.  The people caught up in this story are the main protagonists of the novel.

 As in the last publication characterisation is here a strong point, although the shifts of focus means that the reader is kept on their toes.  Nothing feels totally secure in Grant’s London as the novel shifts, undulates and unsettles throughout.  The real and the fictional blur from a character caught up in a terrorist incident on a London bridge to a nation where the tiniest error on paperwork can lead to expulsion from a country keen to rid itself of those it feels no longer belongs.  Concealing oneself in an attempt to fit in and disguise are themes developed within the novel.

It is very well written and feels more complex than “The Dark Circle” but is every bit as readable.  There is a freshness in the language which makes it feel it is produced  by a writer with a definite finger on the pulse.  It is another solidly impressive, intelligent work from this author whose reputation continues to grow.


fourstars
 

A Stranger City is published by Virago in hardback on  2nd May 2019 .  Many thanks to the publishers and Netgalley for the advance review copy.

You Will Be Safe Here – Damian Barr (Bloomsbury 2019)

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British writer and journalist Damian Barr’s first novel takes in over a hundred years of South African history beginning with the Boer War where a “scorched earth” policy led to those unwilling to sign a pledge of allegiance to the British Crown being evicted from their homes and into internment camps.  For the first section of the novel we follow Mrs Van Der Witt and her young son Fred through diary entries written in the camp intended for her husband fighting the English in 1901.

 A prologue introduces us to a modern camp which is picked up on again in the second narrative thread when teenager Willem’s parents send him to a conversion camp to make a man out of him.  The two narratives are linked through location and a school history lesson visit to the turn of the century site.

This is a powerful and chilling read and is, on consideration, the best book I have read so far this year ahead of critically acclaimed titles from big-hitters such as Kate Atkinson, Belinda Bauer and Liam McIlvanney.  The history of South Africa is complex but by touching on two time zones Barr manages to get an epic sweep and involves the reader through strong characterisation and an unpredictable and occasionally brutal plot.

 The aspect which stops me giving it five stars, thus keeping it as a book I would certainly like to hang onto to read again rather than a book I couldn’t bear to part with is its narrative structure which makes some significant moments seem a little unresolved and despite some connections makes the early narrative a little distant from the contemporary one.  I think running the two strands a little more side by side could have been more powerful, but probably as many readers would be frustrated by this structure.  Here, I felt the moving forwards through time at critical moments seemed a little jarring as these moments are left to dangle and not always be picked up immediately, which felt a little like producing cliff hangers for cliff hangers sake.  This can be done very successfully as in John Boyne’s “The Heart’s Invisible Furies” but here at times I found it slightly grating.

 Minor quibbles, however, for a very strong debut novel written with what I can best describe as a calm powerfulness which will stay with the reader for a considerable time.

fourstars

 You Will Be Safe Here is published in hardback by Bloomsbury on April 4th.  Many thanks to the publishers and to Netgalley for the advance review copy.

The Devil Aspect – Craig Russell (Constable 2019) – A Murder They Wrote Review

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devilaspect

I have not read Craig Russell before. Hailing from Scotland he has published five novels in his post-war Glaswegian series “Lennox” and seven set in Hamburg with his detective Jan Fabel taking centre stage. This is a stand-alone which could, especially with Hollywood interest in the film rights, be a big-selling title.

Set in Czechoslovakia in 1935 and it wasn’t long before I could appreciate Russell as a real story-teller with his fiction enriched by cultural stories, myths, urban tales and localised legends. Main character Viktor Kosarek begins work at the Hrad Orlu Asylum For the Criminally Insane housed in a foreboding castle. The Asylum houses just six inmates, the most dangerous and criminally insane of the lot. Dr Kosarek has a theory that pure evil lurks in an obscure part of the psyche and this “Devil Aspect” can be brought to the surface during therapy and then exorcised. Meanwhile, there is a killer stalking the streets of Prague viciously dismembering whilst clad in a blood- stained leather apron.

Russell is very good at cranking up the fear factor and tying it back to the darkness in our pasts. There’s even a scary clown, for goodness sake! The technique of the main character dealing with the six prisoners in turn and getting their backstories through the guise of therapy starts off extremely effectively but perhaps six were a little too many as it was here I found myself losing a little interest amongst their catalogue of hideous crimes.

Apart from this minor gripe the plot is handled well. I never saw what was coming with any of the twists in the tale. It is extremely dark and occupies the space where crime and horror blend which would make it a potent and highly commercial brew for a film adaptation.

Although at times some of the revelations seem audacious and over-the-top, Russell certainly gets away with it.  This is because of his seamless research, a good feel for the period and that enrichment of legends from the past juxtaposed with the psychological theories in his novel’s present which all builds up the spine-chilling elements.  This is a gory read, but a gripping one.

fourstars

The Devil’s Aspect is published in March 2019 by Constable in hardback.

Transcription – Kate Atkinson (2018)

 

transcription

Kate Atkinson’s previous two novels have been outstanding achievements based around the time of World War II.  The first, “Life After Life” played with structure in a way in which I (and many others including awards committees) found glorious and the second “A God In Ruins” had a more traditional narrative using characters from its predecessor.  Here, the author has kept pretty much within the same time-frame but produced a stand-alone novel.

 We meet main character Juliet Armstrong in two concurrent narratives ten years apart.  In 1940, as a young typist she is recruited to work for MI5 to produce transcripts of conversations between German sympathisers and in 1950 she finds she hasn’t fully escaped her wartime past whilst working for the BBC as a producer of Schools Radio programmes.  Atkinson gets the feel of London in both the war and post-war years perfectly, perhaps unsurprisingly as this is her third consecutive novel set in a period she must have certainly immersed herself in over the last few years.

 Juliet is involved in spying so the elements of who is finding out about who and who can be trusted provides a mystery element to the story which drives both narratives.  As always, characterisation is very strong and is written with the confidence, authority and playfulness that I have come to expect from this author.

It is a strong novel but I don’t think there is quite enough in the plot for me to consider it an excellent one, so no unprecedented three five stars in a row for Kate Atkinson.  I do very much like the juxtaposition of the war-time MI5 and post-war BBC and both work convincingly within the plot.  It does provide a fascinating insight into the workings of the secret service during the war, here involved in tasks which seem mundane but which can suddenly turn to the life-threatening and chilling and it is great to have Juliet’s back-room girl’s valuable contribution to all this given some limelight.

fourstars

Transcription was published by Penguin in September 2018.  The paperback version is due in  March 2019

Looking Around………

 

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For the last of my 2018 retrospectives I thought I’d have a little look at what some of the other bookbloggers out there have been saying about their favourite reads of last year.  This exercise means that I have now added even more titles to my Reading Wishlist and it may just introduce you to some other bloggers that you might not know about (but don’t stop following me!)

With so many books out there it is perhaps not surprising that I haven’t found any books on my Top 10 that have featured in others listings.  Also, we are each using our own criteria for inclusion, some restrict themselves to books published in 2018 others, like myself, believe if they read it this year then it’s up for contention.  I did find, over at Random Book Reviews Web , Kamila Shamsie’s “Home Fire” which I had at #6 in my 2017 list at number 7 in Lou’s, who runs this site, 2018 list.  She, like me gone for a classic as her top read by choosing Tolstoy’s “Anna Karenina”.  I’m also intrigued by a book I have never heard of which she has her number 8, “The Star Machine” by Jeanine Basinger, which is a non-fiction expose of the Golden Age of Hollywood.

shamsie

One book which does keep cropping up is “The Seven Deaths Of Evelyn Hardcastle” by Stuart Turton.  This week it scooped the Costa Prize for Best First Novel.  It appears on lists by amongst others The Owl On The Bookshelf and over at Secret Library where Nicki has adopted a self-interview approach to 2018 which enables her to celebrate books in categories and  we get mentions of this title for most original book together with the longest book (512 pages) she read and the best book read based solely on others’ recommendation.  This has been a real word of mouth hit and I did feature it on my “What I Should Have Read” Post.

sevendeaths

There were other titles praised that I had already felt I had missed out and had included in “What I Should Have Read”.  Fictionphile  has 25 picks of the year and these include one that I had read and enjoyed “The Visitors” by Catherine Burns and two I should have read “Snap” by Belinda Bauer and “The Chalk Man” by C J Tudor (both of these I’m putting right so look out for reviews for these two soon).  Inexhaustible Invitations has already read one of the books in my Looking Back, Looking Forward post, “The Library Book” by Susan Orlean and has made it his non-fiction pick of 2018.  This is an interesting list which has Capote’s “Breakfast At Tiffany’s” as his classic choice and two titles sharing the fiction pick Edouard Louis’ “History Of Violence” (I read and enjoyed this author’s “The End Of Eddy” this year and another translated from the French title “Disoriental” by Negar Djavadi, which I had never heard of but I think I have been won over by (another one for the wishlist).

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Other books which I know I should check out include three of Books On The 7.47’s choices “Normal People” by Sally Rooney (winner of “Waterstones Book Of The Year”, “Tin Man” by Sarah Winman and the biggest book of the year “Eleanor Oliphant Is Competely Fine” by Gail Honeyman.  I have read and enjoyed Book On 7.47’s non-fiction choice “This Is Going To Hurt” by Adam Kay.  Another that I have been after this year appears on The Owl On The Bookshelf’s list “The Corset” by Laura Purcell, but I have decided I need to read her previous publication first.  Cathy at 746books  has “The House Of Impossible Beauties” by Joseph Cassara on her list and I have nearly bought that book a number of times over 2018.  I know that I am going to love it and because I have to read things in chronological order it is probably going to be some time before I get round to Fiction Fan’s choice, the large tome that is C J Sansom’s “Tombland”, a book which I know a lot of people have enjoyed this year, his 7th in the Matthew Shardlake series.

tombland

Although I’m not sure how I will get on with Aperture Reads #1 pick “The Long Way To A Small Angry Planet” by Becky Chambers I am prepared to give it a go but Liam who runs this site does have a title in his Top 5 which I am aware of and which has also interested me this year, although I have not read it and that is “The Bedlam Stacks” by Natasha Pulley.

That leaves me with one title which I saw on a couple of lists (including  The Owl On The Bookshelf ) which I had not even heard of but which sounds a very good match for me.  It was Bookish Beck who won me over with her description of the book she had at number 3 on her list “Little” by Edward Carey which she describes as a “macabre Dickensian novel about Madame Tussaud”, I’m not sure how that passed me by in 2018 but I am adding it to my Wishlist.

little

So that’s just a taster of what delighted some of us bookbloggers last year.  Now, let’s get on with 2019!!

 

 

Looking Back Looking Forward…..

 

Some I read, some I didn’t ………….

This time last year in my “looking back looking forward ” post I highlighted nine titles which I would be looking out for during the year.  I thought I’d take a look back at these.  In 2017 I managed to read four of the ten titles I’d focused on then, how did I do last year.  Just as a reminder here are the titles and how I’ve got on.

The Only Story – Julian Barnes (Cape) – Came out in February.  After mentioning this here I seemed to forget all about it.  Didn’t read it and it hasn’t even really been on my radar.

Bookwork: A Memoir Of Childhood Reading – Lucy Mangan (Square Peg) – Read it, loved it.  Was number 3 on my Books Of The Year list.

Barracoon- Zora Neale Hurston (Harper Collins) Read it in September.  Based on interviews with the last known slave in 1927, Hurston’s non-fiction work remained unpublished to this year.  I said “This is a work which manages to be spine-chilling and endearing and is a thought-provoking and always relevant read.”  My four star review can be read here.

Warlight – Michael Ondaatje – Didn’t read it and I do think I have missed out because it appeared regularly on “Best Of The Year” lists.  I did highlight it again recently in my “What I Should Have Read” post and I will get round to it sometime.

My Year of Rest And Relaxation- Ottessa Moshfegh – Didn’t read this when it arrived in July but did read her earlier novella “McGlue” which was published in the UK following the success of her “Eileen”.  I said of that “I can appreciate it as writing but it does not satisfy me in the way that I feel a novel should.”  Therefore, I did not rush to seek her latest title out.

Playtime – Andrew McMillan (Cape) – I said “Hopefully I will read more poetry in 2018.”  Unfortunately I did not read any.

The Lost Magician -Piers Torday (Quercus) – I also didn’t read as much children’s fiction as I had anticipated .  Due out in paperback in March so perhaps I will get around to it then.

Transcription – Kate Atkinson (Doubleday) – This one I have scheduled as I have borrowed it in e-book form from the library.

Melmoth — Sarah Perry (Serpent’s Tail) – I forgot I had this on this list.  I’ve toyed with the idea of reading it a few times when I’ve encountered it but haven’t done so yet.  Once again I am sure I will.  Got slightly mixed reviews (and I was a little disappointed I couldn’t buy into the hype of “The Essex Serpent”) but readers seem to think it is certainly worth giving a go.

 

Some potential highlights from 2019

Well that’s my excuses for these books done.  Reading takes a different direction than planned and that is what is exciting.  20 of the books I read this year were as part of the Sandown Library Reading Challenge which I was certainly thrilled to take part in as it introduced me to authors such as Susan Hill, Elizabeth Taylor and, especially, my book of the Year “The Count Of Monte Cristo” which I would never have got round to reading.

On so onto the forthcoming titles that have piqued my fancy for this year.

The Library Book – Susan Orlean (Atlantic) – just published in last couple of days.  This non-fiction work examines a 1986 fire at the New York Public Library and becomes a love letter to libraries and how essential and relevant they are to modern societies.

What Hell Is Not – Alessandro D’Avenia (Oneworld) – Due Jan 24th- From one of my favourite publishers, a translation from the Italian of a best-selling novel set in the mafia run slums of Palermo

Out Of The Woods – Luke Turner (W&N) – Due Jan 24th – A memoir with Epping Forest at its centre which according to Olivia Laing is “electrifying on sex and nature, religion and love.”  There’s quite a buzz about this book

Black Leopard, Red Wolf – Marlon James (Hamish Hamilton) – Due in Feb – How do you follow a Booker Prize winning novel about an attempted assassination of Bob Marley?  I know, begin a fantasy trilogy set in mythical Africa.  There are “Game Of Thrones” comparisons being bandied about and I’m not a huge lover of fantasy novels but this seems such a brave (and potentially foolhardy) move that I’m certainly going to be looking out for it

Zuleikha – Guzel Yahkina (Oneworld) – Due in Feb – Books in translation seem to well in my end of year Top 10.  This one is translated from Russian and is apparently a stunning debut set in a Siberian camp in 1930.  A tale of survival and conquering terrible conditions can be a life-affirming read.

Narrow Land – Christine Dwyer-Hickey (Atlantic) – Due in March – I really liked this author’s “Tatty” published back in 2004 and this new title set in Cape Cod in 1950 looks stylish and highly promising .  We are promised a novel which takes in loneliness, regret and the myth of the American Dream

New Daughters Of Africa – Edited by Margaret Busby (Myriad) – Due in March- An anthology which takes in different types of writing from 200 women writers of African descent.

Confessions Of Frannie Langton – Sara Collins (Viking) – Due in April- This is a big buzz debut which sounds right up my street.  A nineteenth century tale with a good feel of the Gothic about a Jamaican slave girl ending up at the Old Bailey in London.

Big Sky – Kate Atkinson (Doubleday) -Due in  June – A new Jackson Brodie novel after a nine year wait.  Hopefully I can read those I still have outstanding before June.  I’ve been promising myself this for some time and I have most of them on my shelves so maybe this new arrival will be the impetus I need.

The Nickel Boys – Colson Whitehead (Fleet) – Due in August.  In his first publication since the five star rated, Top 3 Book Of The Year “The Underground Railroad” we are promised a tale of a 1960’s set novel of two black boys sent to a reform school, based on a hideous real-life institution which operated in Florida for over a century.

I think it’s going to be good year….Happy reading!