The House Of Impossible Beauties – Joseph Cassara (2018) – A Rainbow Read

rainbow

 

cassara

I feel like I’m on familiar ground here. Since publication I’ve been aware of this title and was delighted to see it chosen as an end of year pick by Cathy @ 746 Books as featured in my “Looking Around…” post in January. Familiar because this is the third work I have experienced this year that has taken as its source the 1990 documentary “Paris Is Burning”, which I have also re-watched this year and which once again blew me away (it’s on Netflix). Actually, it may very well be the 4th because the whole set-up of “Rupaul’s Drag Race” is indebted to the 1980’s New York Drag Balls scene which is the subject of this documentary but more explicitly this year we’ve had the Ryan Murphy TV series “Pose” which aired on BBC2 to much acclaim. British author Niven Govinden’s take on this with his 2019 novel “This Brutal House” and now American author Cassara’s debut which was published last year.

Comparisons are inevitable especially as the source material and all of the off-shoots have so far all impressed. Govinden’s novel had as its centre a silent protest against official incompetence in a narrative stream of great energy and rhythm in what was very much a literary take where the plot was less essential than the language and its cast of characters seeking their own family groupings for support and safety. This is also very much the case in “Pose”, character led with great performances and an unprecedented visibility of trans actors but had the Drag Balls themselves more as its focus.

Cassara has focused even closer on the characters, here, the real-life House Of Xtravaganza family, mothered by Angel and comprising of runaways; her lover Hector, transsexual Venus, “banjee boys” Daniel and Juanito and the older observer Dorian, characterisation which will feel familiar to those who have watched “Paris Is Burning” from where their stories are developed.

“The House Of Impossible Beauties” has a wider chronological spread from 1976-1993 which for gay New Yorkers means it has an essentially epic sweep featuring a remarkable period of their history. This encompasses the defining of identity in the hedonistic days of disco, to the forging of their own groupings through the “families” and Drag Balls in the early 80’s leading to a move towards their own self and society’s acceptance and having that shattered through the years of the AIDS epidemic and its aftermath.

I think the subjects Cassara deals with are always going to draw me in. This novel is sparky, touching, funny, fiery and yet becomes increasingly tinged with the inevitability of tragedy. Cassara has both followed the plotlines of the Xtravaganzas as featured in “Paris Is Burning” and broadened their existence with his fictional twists. Perhaps more than “Pose” it shows the struggles in terms of coping with discrimination, poverty, prostitution and mortality but like the television series it is all done with great humanity and compassion and more than a fair share of glitter. That is why, like “Pose” this is an important piece of work, which in terms of the journey the author puts the reader through does outshine the slightly later-to-be published “This Brutal House”. For this reason I am awarding it five stars but take note, this is enough now. No more Drag Balls or “Paris Is Burning” inspirations for a while. I am very happy having this novel, “Pose” and “This Brutal House” all representing this era because they are all high quality works, let’s not oversaturate this particular market.

fivestars

The House Of Impossible Beauties was published by Oneworld in 2018.

On Earth We’re Briefly Gorgeous – Ocean Vuong (Jonathan Cape 2019) – A Rainbow Read

 

rainbow
ocean vuong

Thirty-one year old Ocean Vuong is a Vietnamese-born poet who moved to Connecticut with his extended family whilst still a toddler. Dyslexic, gay and agoraphobic his first collection of poems which explored some of these areas together with his experience of being from a background influenced by traumatic experiences was entitled “Night Sky With Exit Wounds” and achieved huge critical acclaim including the TS Eliot Prize in 2017.

Vuong has decided to follow this up with an autobiographical novel focusing on his childhood which has the main character exploring his relationship with his mother to whom the narrative is addressed in the form of a letter. Vuong’s gift for language rings clearly throughout as his writing is full of vivid images and episodic snapshots of memory that are clear and powerful. This is obviously a novel written by a poet. In fact, it was the deliciously poetic title that first drew me to this work. Having said that there is enough plot narrative in his tale of the boy known as “Little Dog” to ensure that this works very well as a novel.

Little Dog’s mother is a manicurist who works long hours and can erupt in explosions of violence. His grandmother, Lan, far more uprooted from her Vietnamese life than the other characters is ailing and is very much seen in terms of the damage inflicted on her via years of conflict, becoming increasingly distant to her family, but whose strength of spirit is evident in Little Dog’s memories. Perhaps more than the relationship between mother and son it is with the grandmother and grandson where the heart of this novel really lies.

The bullied, abused Little Dog has to grapple with his sexuality in a tough world of prescription drug addiction and struggling to get by. Alongside the narrative it is the visual images conjured continually by Vuong’s writing which brings this debut to life. Recurring images including butterflies migrating long distances and  herding buffalos plunging off a cliff top feel very appropriate for the fragility, tenacity and bewilderment of these characters’ situations.

This work is less plot-driven than I would normally recommend but its sensitivity and power and linguistic richness would ensure a valuable reading experience.

fourstars

On Earth We’re Briefly Gorgeous is published by Jonathan Cape in June 2019. Many thanks to the publishers and Netgalley for the review copy.

Breaking Down The Walls Of Heartache – Martin Aston (2016) – A Rainbow Read

rainbow

breaking

Treading similar ground to Darryl W Bullock’s “David Bowie Made Me Gay” (2017) this was published first and is subtitled “How Music Came Out”.  It’s an exhaustive study of LGBTQ+ music and musicians from the 1920s to the present day.  Martin Aston, who was written books on Pulp and Bjork is a celebrated music journalist and has certainly carried out his research here.  I chose to read it to give an alternative viewpoint to Bullock’s study and it does feel more global in its outlook as we move to the present day where you can sense Aston’s greater enthusiasm for the subject matter and an attempt not to leave anyone out which can make it feel, at times, sketchy.

 Although in this work there are probably far more names and the scope is wider I did prefer the Bullock book which feels more of a celebration.  There’s more of the author  within that work right from the title onwards, Aston’s feels more objective throughout and makes little comment on the quality of the music- good or bad.  Whereas I finished the first publication with a strong sense of wanting to discover some of these trail-blazing artists I finished this one with a sense of being overwhelmed and being bombarded with too many names.  Also oddly, Aston’s title references a Northern Soul favourite by Johnny Johnson and The Bandwagon who have no part to play within the text.  I’m sure there could have been more relevant song titles to use.

 But, and as the more academic work, this has a significant part to play in the recording of LGBTQ+ history.  Aston seems stronger on trans artists and in unearthing the obscure from a 50s lesbian Rockabilly Group the Roc-A-Jets who barely made it out of Baltimore, to 60s Brit-pop singer Polly Perkins, touted as a rival to the Dusty/Cilla/Sandie triumvirate but now best remembered for her role in ill-fated BBC soap El Dorado.  I may be wrong but I don’t recall these artists getting as much focus in Bullock’s book and there are many others like this.

Thinking about the two books I considered which would be the one I would most likely read again for pleasure and the Bullock work has the edge.  I think some kind of playlist suggestions or select discography from what really excited Aston or what he thought most significant would have made this seem more personal, especially as in this age of Spotify it would be so easy for readers to rediscover the obscure.  This is, however, a valuable examination of the development of an important aspect of LGBTQ+ culture.

threestars

  Breaking Down The Walls Of Heartache was published by Constable in 2016.

The Madonna Of Bolton – Matt Cain (2018) – A Rainbow Read

rainbow

mattcain2

A nine year old boy living in Bolton in the mid 1980s becomes obsessed with Madonna when given a copy of her single “Lucky Star” for his birthday.  This is the story of his next twenty years with the music of Madonna always very much a focus in his life.  Need I say any more, you are going to know already whether this book is for you.

 Madonna provides an opportunity for the young Charlie to escape into himself to avoid the anxieties of knowing he is growing up different, magnified by living in an unsophisticated, football-orientated working-class environment.  Later her talent for reinvention guides him as he makes life choices.

 Matt Cain writes well (this is his third novel and he has considerable journalistic experience) and has produced a very readable, entertaining book.  He has chosen to head each chapter with an appropriate Madonna song title which is a nifty enough idea, although at times can feel a little forced.  Over twenty years Charlie faces situations that every gay man will recognise as will every family member or friend of a gay man.  There’s virtually the whole gamut of experience in these 416 pages and it may very well be this which stops this good book from becoming a great one.

 By covering all bases Cain doesn’t allow himself to write with the depth which will provide a different viewpoint for the reader other than recognition.  Charlie himself can be somewhat shallow as a character but by narrowing the focus down and exploring certain of his issues with a greater depth I think could have proved an even more satisfactory experience.  Getting all those song titles to fit the structure and all of the stages of Charlie’s development has made the book overlong.  There were quite  few places (I read a Kindle version so my reading experience was influenced by this) where I thought it had reached a natural end and turned the page to find it hadn’t.

 I feel like I am being churlish because I would very much like people to read this book, but I can’t help feeling that with this subject matter and with the author’s accessibility and energy that there’s an even better book lurking inside.  Its episodic nature means that chapters build and end and then are followed with something which occurs months afterwards when occasionally it is the parts that fall in the gaps between chapters which would have been the most interesting to read.  This is always the danger with this type of structure and I don’t think Cain fully avoids it.  But then again, I did enjoy it.  My three star rating might seem mean and if I was reviewing this book, say, for Attitude or Gay Times magazine I would award it an extra star because I think that the readership of these titles would get much from it.  But for the more general reader….

 My current Book Of The Year, John Boyne’s “The Heart’s Invisible Furies” covered  some of the same ground and also used this risky episodic structure and was hugely successful because as I noted then “but what comes next was just as involving or even better.”  Boyne’s book is far stronger, which in itself justifies the two star difference between them but Matt Cain certainly has a story to tell and does it well.  I will be certainly keen to read his previous novels.

 This book has been published by “Unbound” and has been funded by pledges from potential readers.  This is an idea from centuries ago given an up to date twist by using the internet to develop a fan base for a title.  The names of those who subscribed are listed at the back of the book.  This type of active participation from readers is a fascinating proposition.  I had not heard of “Unbound” before this but a visit to their website provides opportunities to find out about future projects and to sign up for their newsletter, which I have done . 

threestars

 The Madonna Of Bolton was published by Unbound in 2018

City Boy – Edmund White (2009) – A Real Life Review

realives

cityboy

Edmund White is best known for his trilogy of autobiographical novels.  I read the first of these “A Boy’s Own Story” not long after it was published in 1982 and it has since become the classic coming out tale.  I’ve read all three as well as his 2000 novel “A Married Man” which probably ranks as my favourite out of these.  White is a highly esteemed novelist, literary biographer and essayist but I haven’t yet read anything by him which has really blown me away.

From a British gay man’s perspective I value very much his contribution to gay-themed literature but I have never had the emotional response from his work that I have had from Armistead Maupin, Alan Hollinghurst, Sarah Waters, John Boyne, for example.  Compared to these authors I think he can come across as a little too academic in his writing and lacking warmth- perhaps investing his novels with a richness of technical skills rather than empathy.  Admittedly, it has been a while since I’ve read anything by him and I’ve not read all but this is my impression so far and throughout the years I have been choosing my Best Books of the Year he has never featured in my Top 10.

Things could change with this.  Subtitled “My Life In New York During The 1960s and 1970s”, a memoir in which the struggling author relocates to New York and benefits from the cheapness of rents and the richness of the creative and literary minds he is able to surround himself with.  It is a significant period for New York as it heads towards bankruptcy and areas become violent and dangerous as well as a hub for civil rights and in 1969 a fracas at The Stonewall Inn changed lives for gay men and women across the globe.  White was there.

During these years White met many important figures in the Arts and provides almost rapid-fire character sketches and gossip.  Many readers nowadays will only recognise a handful of these names but that doesn’t matter as we’re drawn into White’s associations.  He also catalogues the increasing sexual freedoms of the era as lived mainly by those who escaped the repression of small-town America for New York City life. There are lovers, friends and sex partners and the many men he met tended to fall into one of these separate categories.  It was only in the era of AIDS, White proposes, that one person could fulfil all three roles.

My interest in this book was as much to do with the city in this period as much as the man and he conveys the feel of New York very well.  There are sojourns in San Francisco and Venice but the pull of Manhattan wins out. White takes us to the point at the end of the 1970’s where a new virus is looming menacingly, poised to wipe out many of the characters in this book.  (White moved away from NYC and lived in France for much of the 80’s).  He ends his account with a metaphor which I find effective and very much gives the feel of this book;

“I suppose that finally New York is a Broadway theatre where one play after another, decade after decade, occupies the stage and the dressing rooms- then clears out.  Each play is the biggest possible deal (sets, publicity, opening night celebrations, stars names on the marquee) then it vanishes.  With every new play the theatre itself is just a little more dilapidated, the walls scarred, the velvet rubbed bald, the gilt tarnished.  Because they are plays and not movies, no one remembers them precisely.  The actors are forgotten, the plays are just battered scripts showing coffee stains and missing pages.  Nothing lasts in New York.  The life that is lived there, however, is as intense as it gets.”

“City Boy” recounts Edmund White’s time in this vanished world.

fourstars

City Boy was published by Bloomsbury in 2009.  I read the 2010 paperback edition.

Isle Of Wight Pride 2018

rainbow

pride2018

This weekend was the second ever Isle Of Wight Pride Celebration. It took place in Ryde amidst glorious sunshine. The Island has had a reputation of being backward- looking, set in the past. This was not helped by our previous MP of long-standing, a man who had control of one of the largest constituencies in the UK and who voted against any proposals in government to give equal rights to his LGBT+ constituents. When last year a Pride gathering was proposed, an event which would bring about a boost to the fading island economy there was some backlash from journalists in the local press which made news worldwide and was used as further evidence of how unready the island seemed to face the present day. The MP then sealed his own fate by informing a group of sixth formers that gay people were a danger to society and when one of these posted her outrage on Twitter it was not long before this MP resigned, at last accepting that he was out of step with the modern world.

IMG_20180721_125807
The Pride parade went ahead and hundreds thronged the streets, families, well-wishers who all entered the spirit of the event. The organisers, flushed by the success and positive feelings from a community who we were often informed were not keen on the idea of Pride by those in power decided to go one further and applied to become the hosts of UK Pride, a prestigious event which would bring many more over to the island. Other towns and cities applied but the bid for the Isle of Wight was the successful one and through hard work and dedication of a small group of people UK Pride at the Isle of Wight took place. Everyone was aware that it needed to be more than just a one day event and there has been many fund-raisers and events which have stressed the cultural and political importance of being able to accept and be accepted for your identity. The hashtag- I Own My Destiny has become the theme for the events. My partner Karl organised art exhibitions which displayed work from those artists on the island who identify as being LGBT+ and also from those who were finalists in a UK Pride art competition. His short interview with Solent Radio can be found here.

https://www.bbc.co.uk/programmes/p06dk58p

 The 15,000 tickets went incredibly quickly and a parade through the streets of Ryde was cheered by the thousands more who came to see it.  We stood to watch the parade on Union Street, which is steep and heads down to the seafront. As well as the floats and marchers representing many different organisations there was a 150m rainbow flag which looked absolutely fantastic as it billowed down the steep hill, being lifted by the breeze and covering the whole street as far as the eye could see. This was a breath-taking moment.

IMG_20180721_231307

Celebrations continued on the beach for those lucky enough to be ticket-holders. Pride on the Isle Of Wight is apparently the only Pride event to take place on a beach in the world. This is a little bit of a risk if the weather is not so good but Saturday was fabulous and we enjoyed a sun-drenched afternoon watching performers, wandering around the stalls and soaking the atmosphere of a truly inclusive event at which there were people of all ages and very positively, lots of families. It seems a little mean to single out certain performers but there were three which will stick in my mind. The crowd was really lifted by a Dolly Parton tribute act Kelly O’Brien who went down an absolute storm, as did Britain’s Got Talent 2016 semi-finalist Danny Beard who has a great voice and whose version of “Bohemian Rhapsody” was terrific. Promoting EuroPride 2019 in Vienna was its ambassador and top of the bill act, Eurovision song contest winner Conchita who charmed the audience and who also really can sing live.

 

Danny Beard and Conchita – two of the main stage performers

It was a great day, superbly organised and must put Isle Of Wight Pride, on just its second year in the list of the best Prides in the UK alongside London, Brighton, Birmingham and Manchester. It brought in a lot of tourists who were prepared to spend money boosting the island economy (unlike the IOW Festival) and most importantly showed that the Isle of Wight is a relevant place, no longer rooted in the past, but with a vision of the future.
I’ll leave you some words from the official guide publication.

“We really want to capture the essence of Pride, celebrating how far we have come, but realising who much there is still to do. Pride has always been about fighting for rights, for the right to be yourself without fear or prejudice. The right to be in control of your own life and to OWN your destiny.”

IMG_20180721_130102 (1)

On a hot afternoon in Ryde this weekend this was achieved.

IMG_20180721_123602

 

Less – Andrew Sean Greer (2018)

 

less1

American author Andrew Sean Greer is no stranger to my end of year Top 10s.  His 2004 “Confessions of Max Tivoli” impressed me much on the two occasions I have read it.  Its clever conceit of a man getting younger as those age around him may have been used before, but by putting a love interest in for main character Max and having their lives intersecting over the years gave it a fascinating dimension.  My only niggle with the book was the fictional world Greer created did not feel to me much like the turn of the twentieth century America he’d intended.

less2

 He is sticking with the present with this, his 5th novel which was a surprise winner of the 2018 Pulitzer Prize for Fiction.  Praised on the cover by writers such as Armistead Maupin and Ann Patchett  this seemed like a must for me to read.  It has scooped perhaps the top literary prize of all and yet it is a fairly straightforward romantic comedy rather than some heavy tome.  It just shows the world is in need of lightness right now.  But does this book actually deliver this?

 It’s just a few months since the judging panel of the Wodehouse Prize for comic novels took the controversial decision of not awarding this year as they did not consider any of the 62 novels submitted to be funny enough.  I think Greer would have missed the publishing deadline for this year as this comic novel with literary plaudits would surely  have given the judges something to think about. 

My only alarm bells were that this is a book about a writer and the publishing industry.  Is there much comedy mileage in this for the general reader?  Books about writers are often not as good as they think they are.  They can have a tendency to inflated importance and pretentiousness.  Would a comic novel about writers only be funny to those in the know (ie: those who promote and review books and sit on judging panels).  Would it be full of in-jokes?

 Title character Arthur Less is approaching 50 and faces rejection of his latest novel, his age milestone and his ex inviting him to his wedding by planning a world tour of writing-based activities, from taking part in festivals, teaching, attending award ceremonies and attempting to find space to revise his latest work.  The humour is largely in the character of Arthur Less, who did win this reader over (it took a while) by his vanity and self-absorption which actually becomes surprisingly quite endearing.

 Greer’s writing is infused with humour.  There are some of the pratfalls and misunderstandings which are all too common with lead characters in chick-lit but the humour here runs throughout the narrative and this is what works well.  I did laugh out loud a few times but there is a wit and a warmth which heightens this novel’s appeal.  There’s also the irony of the rejected novel being about a middle-aged gay San Franciscan on a journey, questioning the meaning of his life, when this is what “Less” is all about.

 I did find it very enjoyable but I am still surprised by its Pulitzer achievement as it seems very understated compared to the more showy novels which tend to be up for awards.  It just shows what an impression this must have made on the judging panel to garner the prize but I’m still not convinced I liked it more than “Max Tivoli” even though on paper it seems just like the sort of book I would adore.  For those who tend to steer away from prize-winning novels this might be the time to think again and see if Arthur Less can win you over.

fourstars

 Less was published in the UK by Abacus in 2018

Will Grayson, Will Grayson – John Green & David Levithan (2010)

willgrayson

I’m always fascinated when two people write a novel together.  What is the actual process?  Do they write alternate chapters, like the husband and wife who write as Nicci French, with one writer ending in cliffhangers that the other has to get out of or does one do the bulk of the work and uses the name of the writer with the bigger reputation to help sales, as I suspect some of our more prolific writers who are writing in tandem with others must operate.

 I found out how the writers of this 2010 Young Adult novel worked in a conversation between them printed at the back of the book and this partnership and process makes sense.  The novel is about two American teens with the same name who meet up in complex circumstances befitting a YA novel midway through the proceedings.  The boys have alternate narratives throughout the book helmed by one of the authors.

 John Green’s Will Grayson is overshadowed in every sense by his larger than life gay best friend Tiny Cooper.  They have stuck together since Little League with Will’s strong sense of justice proving him always ready to come to the defence of his friend from those who disapprove of him.  This is in spite of Will’s philosophy for life being to keep quiet wherever possible and to try not to care, which just isn’t working, particularly when he gets interested in Jane, one of Tiny’s entourage and another member of the High School Gay-Straight Alliance.

 David Levithan’s Will Grayson is prone to depression, has a simmering anger, knows he is gay and doesn’t yet feel the need to proclaim it.  He writes entirely in lower case, which I initially really didn’t like as it’s hard to follow but I get why the author has done this for what it says about Will’s self-perception.

 This is a brash, very American book.  Tiny decides to mount a musical production of his life story and he is the link between the two Wills.  It took quite a while for me to see Tiny as anything else but cartoonish and implausible but he did manage to win me over.  There’s such great self-assurance in these characters, if only they can tear themselves away from social media, even from those who claim to feel anything but self-assured.  I think if I were a British teenager reading this such confidence would alarm me.  A whole musical gets staged without seemingly that much effort and their put downs to one another seem so resolutely sharp that I longed for more comradeship between them.  This is, after all, a novel about friendship.  The characters seem ready to rush into relationships without having friendship in a way which made me feel, well, just old and out of touch with modern youth.

 I do know that I’m not the target audience here but I think that even as a teen I might have liked the tone pitched a little subtler and a little less casual and I cannot recall a YA novel where a significant location is a porn shop.  However, if you come across this novel at the right age and with the right frame of mind I’m sure it could become a highly valued book with its own particular bespoke message to tell.  It does have a big heart at its centre and it did make me laugh out loud.

 Since the publication of this novel in 2010 John Green has achieved major bestseller success with “The Fault In Our Stars” and David Levithan’s subsequent work has been praised for its strong young gay characters.  I think they probably have both done better work independently but I did largely enjoy this collaboration and see it as a brave attempt to inject some serious sparkle into the Young Adult genre, which can at time take itself a little too seriously.

 threestars

 

Will Grayson, Will Grayson was published by Speak books in 2010.

David Bowie Made Me Gay – Darryl W Bullock (2017) – A Rainbow Read

rainbow

davidbowie

Subtitled “100 Years Of LGBT Music” Darryl W Bullock does a thorough job with his overview of popular music and the role played by LGBT artists.  If there is a central character then that is David Bowie whose “otherness” struck a chord with a whole generation who felt they didn’t fit in.  I was a little too young to comprehend the seismic shift which occurred in popular culture when Bowie appeared on the scene. Viewers who saw him put his arm around guitarist Mick Ronson on early evening “Top Of The Pops” (we obviously were not used to men touching then) were instantly divided into those who “got Bowie” and those (largely but far from exclusively split along generational lines) who most certainly didn’t. 

davidbowie4 

In 1972 Bowie interviewed in “Melody Maker” said “I’m gay and always have been even when I was David Jones”.  How much of this was the fame-hungry Bowie looking for headlines?  This statement was revised over the years and we know enough about him to understand that his sexuality was not as defined as he suggested at the start of his career but these words ensured the music world would never be the same again.

 But the questioning of sexuality did not begin in 1972 and Bullock provides a largely chronological study. He begins in early twentieth century New Orleans with its ethnic mix, red-light districts, poverty and party atmosphere which saw blues, ragtime and jazz emerging from the dives and honky-tonks.  Gay pianist Tony Jackson was a leading light and blues singers such as Ma Rainey and Bessie Smith led the way in hitting the big-time often with female lovers in tow.

 As the music business got more profitable and big fortunes were to be made record label executives did not want to do anything to rock the boat and so closet doors shut firmly on artists such as Liberace, Johnny Ray and Johnny Mathis and in the UK, Noel Coward and Ivor Novello.

 By the 60’s and 70’s the sexuality of big stars became a tabloid newspaper obsession and artists such as Dusty Springfield, Elton John and Freddie Mercury were hounded waiting for them to be caught out.  Closet doors creaked open a little and then shut.  Dusty left the UK, Elton married a woman and Freddie died of AIDS.  By the late 90’s another much-hounded performer George Michael was able to turn the whole thing on its head when he was outed following a “lewd act” arrest (something which had more or less killed the career of Johnny Ray in the US decades earlier) and he came out unapologetically with the celebratory, joyous “Outside” single and video.

 davidbowie2

Bullock does not just focus on the stars who made it and is perhaps even more illuminating on those who were unable to find success because of their sexuality.  Some forms of music opened doors (Disco, British 80’s pop, Folk music, New Romantics and Punk) and some did what they could to ensure LGBT artists would not succeed (Country, Hip hop, Reggae, Christian Rock).  Bullock examine these artists who have tried to change attitudes but it is a slow process in some areas.  In 2016 Trey Pearson of Christian Rock band Everyday Sunday’s coming out led to immediate axing from festivals and with the US veering more towards conservatism things might not change that quickly. 

In the UK more positive attitudes have ensured that an artist’s sexuality is not a kiss of death career-wise and this has meant that LGBT artists are now amongst our best loved stars – Elton, Freddie and George Michael have been joined as household names by Boy George, Frankie Goes To Hollywood, Pet Shop Boys, Morrissey, Jimmy Somerville, Marc Almond, Andy Bell of Erasure, Tom Robinson, Will Young, Sia, Sam Smith etc.  That etc. suggests that we are hopefully fast approaching the point where sexuality does not matter. Since the 1980’s the British pop charts have been fuelled by the sound of gay and gay-friendly acts (Stock Aitken and Waterman had a significant part to play in this) but in other parts of the world this is not the case.  I like very much the scope of Bullock’s work and his ability to document the past and project into the future.  This made “David Bowie Made Me Gay” both a celebration and highly thought-provoking.

 fourstars

“David Bowie Made Me Gay” was published in 2017 by Duckworth Overlook

The Sparsholt Affair – Alan Hollinghurst (2017)

sparsholt

I’ve been really looking forward to the publication of this, Hollinghurst’s sixth novel in 29 years.  This highly talented British author is one of the few novelists whom I’ve read everything by.  I read his debut “The Swimming Pool Library” (1988) not long after it first came out and it is one of my all-time favourites.  The standard was every bit maintained for “The Folding Star” (1994) and both of these were my Books of The Year from when I first read them and have been re-read and much enjoyed since.  His Booker Award Winning “The Line Of Beauty” (2004) may very well be my favourite Booker winner.  This is an author I hold in very high esteem. 

But it is not all roses.  He has let me down in the past.  His third novel “The Spell” was nothing special and his last from five years ago “The Stranger’s Child” was good but didn’t make it onto my end of year Top 10 (and thus ended up at the charity shop).  I couldn’t shake off a slight disappointment over it.  His characters were strong but largely unlikeable and although I admired the epic sweep of British life from World War I to the present day I felt his “moments in time” structure a little artificial and felt that it led to him not following through with his characters.  It was undoubtedly haunting, but I also described it as “mannered and often dry.”

There has been five years between novels and I’ve been certainly eagerly anticipating the latest since the title was being bandied around in notifications of forthcoming releases at the start of the year.  I’ve changed a lot in the 29 years I’ve been reading Hollinghurst, but I’m not totally convinced that he has nearly as much.  He’s found his groove and has stuck to it.  Unfortunately, this means that the criticism that I aired for the last novel largely still applies, but this time more so. 

Once again he’s gone for a saga format with two generations of family and friends.  We move from Oxford during World War II to present day (ish) London.  A group of artistic friends notice another student working out which sparks an interest in him as a potential friend, lover or artist’s model (or some combination of the three).  We meet this athletic young man, David Sparsholt, at other times in his and his son’s life.

The most successful section features a tale of unrequited love.  David’s teenage son, Johnny, had a fling with Bastien on a trip to France.  A year later Bastien is with the Sparsholts in England and Johnny is keen to rekindle things but Bastien’s interest is now firmly in girls.  This is handled perfectly.  Once again, though, I found it to be too dry and mannered (which the first two novels are definitely not) and that I felt indifferent to many of the characters.  I think it’s that they take everything too seriously and there’s no humour in their relationships, which just doesn’t ring true with family and friends, where most of us need the humour to survive!  Also, a lot of the action in the lives, including the central “Sparsholt Affair” and most birth, marriages and deaths take place between the sections.  This reminded me of a production of “Madame Butterfly” I once saw where much of the action seemed to take place off-stage.  It leads to me feeling a bit cheated.  On that occasion I threw off Opera as being not for me, but I don’t wish to throw off Alan Hollinghurst, we go back such a long way!  I thought his early novels spoke to me directly as a reader in a way few novels of the time did.  As we have both got older this no longer seems to be the case.  The worlds he depicts, both in the distant and recent past and in the present feels somewhat alien and aloof. 

There are memorable sections and it is carefully plotted and so elegantly written and put together but there doesn’t seem to be much development from the last novel and it felt like I’d read it before, which after a five year wait and a nearly thirty years devotion to previous work made me feel somewhat disappointed on this occasion.  I’m sure that this is just a rocky patch between us but I hope I don’t have to wait another five years to find out.

threestars

The Sparsholt Affair was published in hardback by Picador in October 2017.