Hungry – Grace Dent (Mudlark 2020) – A Real Life Review

I know who Grace Dent is.  I occasionally read her restaurant reviews in The Guardian and in other publications over the years and she generally makes me laugh.  I know her as a talking head on nostalgia programmes reminiscing about a biscuit or forgotten gem of Children’s TV. I don’t know much more than that about her but my interest was certainly piqued by the arrival of this work.  Subtitled “A memoir of wanting more”, when I finished it I was the one who was certainly wanting more.

Grace won me over from the Epigraph which conveys the wisdom of Coronation Street’s Ena Sharples circa 1965; “When I was a little lass, the world was half a dozen streets, an’ a bit of waste land, an’ the rest was all talk.”  Grace’s all talk is an upbringing in Carlisle and the importance food played in her working class Cumbrian home runs throughout as she develops a palate from the tinned Fray Bentos pie to unimaginably posh food at top London restaurants.  As Grace moves into a world of journalism, London magazines, working with Piers Morgan (life’s not always a bowl of cherries, I suppose) she remains the girl who swung around lampposts waiting to be called in for her tea.

Her relationship with family is beautifully conveyed, especially her parents and particularly her Dad as he begins to slip away from them with dementia which as the book moves towards the present day has a potent pull on Grace’s priorities. 

It is full of superb observations on life and the recalling of the 80’s and 90’s is palpable.  I relished her reflections, such as the most significant person in eighties Cumbria being the woman who worked in the big Asda in Carlisle with the price reduction gun.  I like a memoir where the writer carries you along establishing points of common contact and yet telling their own story and I think Grace Dent does this brilliantly here. 

I haven’t enjoyed a food-based memoir as much since Nigel Slater’s “Toast” (2003) and like that book it is the people fuelled by the food who really are memorable.

Hungry was published by Mudlark on 29th October 2020.  Many thanks to the publishers and Netgalley for the review copy.

To Be A Gay Man – Will Young (2020) – A Real Life Review

I am a big Will Young fan.  A quick scan down my 100 Essential CD lists would illustrate this with his “From Now On” at #52, “Friday’s Child at #54 and “The Hits” compilation at #58.  He is somebody who I have written about a lot and who over the last 18 years has established himself as a significant national figure and especially within the cultural history of British LGBTQ+ issues.  This book is an inevitable choice for me to want to read soon after publication.

Some may be surprised by Will’s unflinchingly honest, forthright tone in this book but those of us who have listened to the “Homosapiens” podcast which he started with friend Chris Sweeney (I’ve gone through every edition with Will and Chris, the current series sees Will on sabbatical with Alan Cummings now alongside Chris) will be aware that the issues raised in this book are of great importance to the author.

Will has been upfront in the past about mental health issues and here deals with the notion of “gay shame” which for most of his life has overwhelmed him, threatening his ability to function.  Will very impressively explains the ways this becomes internalised, often at a very young age, in LGBTQ+ individuals and offers his strategies he has over time employed to help.

I did start off being slightly puzzled as to the extent of Will’s agonies over gay shame.  I am older than him and closer to the time when being gay was still considered a crime in the UK and grew up in a time when the only visible people who may have felt like I did (although this was never acknowledged by them at the time) were the camp comedians such as Kenneth Williams, John Inman, Larry Grayson and Frankie Howerd, none of whom were especially good candidates for the title of role model.  This history of LGBTQ+ culture is very well accounted for in Paul Flynn’s 2017 “Good As You”, my review of which can be read here.

In fact, it was really only when Russell Davies’ “Queer As Folk” was aired and Brian Dowling winning “Big Brother” and Will himself conquering the first season of “Pop Idol” that gay men could recognise something of themselves being portrayed.  Although Will seemed at the time an ideal, positive role model he was still grappling with the issues and shame of being gay which had been projected upon him by society and as a visible representation of a gay man he suffered considerable shocking homophobia from members of the public and in the media.  Will is right to air these here including the DJ Chris Moyles, the Mail Newspaper and correct once again to revisit the Mail’s hateful inclusion of an article on the death of the Boyzone singer Stephen Gately which is the reason why I will never pick up a copy of that newspaper again.  Incidentally, those most likely to suffer homophobia are young straight men who often in the form of “banter” have to face more putdowns and questioning of their sexuality than their gay male counterparts.

As well as being an honest and sensitive work this is extremely thought-provoking.  It made me wish I was part of an LGBTQ+ book group (or in fact any book group could valuably discuss this) to further explore the issues raised as it would be fascinating to hear others’ perspectives in the safe environment that should a group should provide. I may not have agreed with everything Will raises here but there is no doubt how his personal issues regarding being a gay man have caused a considerable struggle and his willingness to air these issues to help others is to be highly commended.

To Be A Gay Man was published in September 2020 by Virgin Books.

The Shapeless Unease – Samantha Harvey (2020) – A Real Life Review

Novelist Samantha Harvey endured a year of insomnia and this is her account of that time.  As well as the physical act of not sleeping, the dilemma of whether to stay in bed becoming increasingly anxious or getting up to wander frustratedly or do jigsaws is her inevitable examination of why she had forgotten how to sleep.

I had to time this book carefully into my reading schedule.  I was aware of it during the national lockdown but felt that by reading it then Harvey’s insomnia might be contagious at a time when the balance between sleep and anxious tossing and turning was precarious.  In my head it just seemed to follow nicely after the thriller I have just read “Before I Go To Sleep” where the lead character’s restful nights wipes her memory clean.  There’s a superstitious literary balance going on here.

Samantha Harvey’s lack of sleep causes her to address guilt, loss, death and her past.  She also inserts parts of an unresolved short story.  At 176 pages it can be read in a couple of hours (I made sure they were daylight hours).  Her writing is enthralling and makes me want to seek out her four novels.  After finishing it I felt less convinced as to her motive behind the book than when I started it, it flows in a nebulous way like the dreams she was largely missing out on. I like the story of a man who robs a cash machine which creeps in from time to time but am not sure what it is doing here.  It is the quality of the writing I will remember this book for rather than the work as a whole.  There’s a story from her past regarding a dog which would keep me awake at night and I did enjoy her writing in her accounts of doctors’ appointments where on one occasion, a plea for a blood test led to a rebuke of “This is not a shop”.  I could appreciate her reaction to those people who tried to make helpful suggestions (sleep hygiene?) and her search for answers.  Ultimately, she concludes “This is the cure for insomnia – no things are fixed.  Everything passes, this too”. This seems more potent than prescription remedies and therapy but, boy, did she have to struggle to get to this viewpoint.

The Shapeless Unease was published by Jonathan Cape in 2020.

Mama’s Boy – Dustin Lance Black (2019) – A Real Life Review

In the UK Dustin Lance Black is best known for being the husband of Olympic diver and national treasure Tom Daley but anyone expecting this memoir to be an examination of their relationship is going to be disappointed.  Tom barely features (although his importance in Black’s life is both acknowledged and shines through).  The author who won an Oscar for his screenplay “Milk” in 2009 even pushes himself and his career left of centre as this memoir has a different principal character- his mother Rose Anne.

Hers is a story of survival through sheer determination.  She contracted polio as an infant and spent her whole childhood in hospitals, away from home, defying doctors and not allowing anything to limit her life choices.  Medical opinion said childbirth would kill her yet she had three sons and Dustin (Lance to friends and family) certainly inherited similar drive.  Mother found support in the strong community of the Mormon Church but by the age of six, young Lance knew his sexuality would cause a major conflict which he truly believed their relationship would never recover from.

The author’s drive led him to a highly promising film career and that Oscar for “Milk” (If you have never seen this film it is magnificent) yet he eschews this to devote time to activism, becoming one of the leading players in overturning California’s discriminatory gay marriage ruling, developing from a chronically shy, almost mute introverted child to speaking on huge public platforms and dealing with threats and bigotry.

But it is the relationship between mother and son which sparked a whole range of emotions in me – at times I felt tearful, angry, baffled, delighted the list goes on and this is why this book ticks every box for how a memoir should be written.  Relationships are complex and this illustrates that perfectly.  Time moves on and the boy turns into a man but there’s still the pull of family and mother and it is recorded in a strikingly honest way.  If this was a novel I’d really be praising the author in his skill at getting us to really know the characters.  I have read some memoirs with no great sense of even the person writing it but this is certainly not the case here.

I think it is hard for us Brits to understand the pull of religions like The Church Of The Latter Day Saints in parts of America and some of the workings of the US legal system seem bewildering but the rest of the world is now well used to being bewildered by America.

I thought this was a marvellous book, a little intense and very thorough but I would imagine that would match the nature of the author pretty well.  It is written with great sensitivity and his desire to introduce his mother to the world demands a large readership.  I don’t think this book has yet got the attention it deserves.  Its nature suggests a lasting classic which should continue to inspire generations.  It has been shortlisted for the Polari Prize (as have a number of the books I have read “”Life As A Unicorn” (retitled since I read it) and “The Confessions of Frannie Langton for first book awards and “This Brutal House” in the main category alongside this book).  This is an award to celebrate the best in LGBTQ+ writings and “Mama’s Boy” would be a very deserving winner.

Mama’s Boy was published in 2019 by John Murray.

Memorial Drive – Natasha Trethewey (Harper Collins 2020) –  A Real Life Review

realives

 

trethewey

Subtitled “A Daughter’s Memoir” this is an account which needed to be shared by ex US Poet Laureate and Pulitzer Prize winning Natasha Trethewey.  In 1985, when Natasha was nineteen her mother, Gwen Grimmette, was murdered by her ex-husband after ten years of domestic abuse and a period of extremely chilling stalking and threats.

This is Natasha’s attempts to both celebrate her mother and come to terms with her demise.  Towards the end she states: “The whole time I have been working to tell this story, I have done so incrementally, parsing it so that I could bear it; neat, compartmentalized segments that have allowed me to carry on these three decades without falling apart.” This is also the approach she takes in her writing of it, a not totally chronological account which moves from dreams to observations to moments of their lives but at the backbone there is a story of a girl brought up in Mississippi, a mixed race child, loved by her mother’s family with whom she lives amongst with her white Canadian University Professor father gradually drifting away from her.

In the early 1970’s Mum makes a break from the supportive family and moves to Atlanta where she meets the wrong guy.  Part of the account is a physical revisiting thirty years after the event, there’s a fascinating visit to a medium and a chance encounter which leads Trethewey to possessing the case notes.

Throughout the work there is the inevitable build-up to the murder, brought home shockingly for the reader through complete transcriptions of telephone calls.  The police were monitoring the situation aware of the step-father’s threats but acted too slowly to save her mum.

The sense of loss and ongoing pain is evident throughout and any real sense of celebration of her mother’s life is dampened by her eventual fate.  There’s an extraordinary calmness which both distances the reader from the events and drives them on through the text.  It is a hauntingly tragic read but it is ultimately inspiring in the author’s quest to move on some way from this inexplicable crime.

four-star

Memorial Drive was published in July 2020.  Many thanks to the publishers and Netgalley for the review copy.

Broken Greek- Pete Paphides (2020) – A Real Life Review

realives

paphides

Music Journalist Pete Paphides has taken me off into a time machine with this memoir of his childhood.  It felt like I was back in the 70’s and early 80’s as he recreates the Acocks Green area of Birmingham so vividly and with excellent recall.  Running alongside his memories (and no doubt enhancing them greatly as there is nothing like music to recreate past times) is what is amounts to a soundtrack of his young life.

Paphides was the second son of Greek-Cypriot parents who had come over to Birmingham and soon found themselves running chip shops.  His father never lost the intense yearning to go back to Cyprus and only listened to music from his homeland which the young Takis found intense and mournful.  (His father shifted a little when Abba and Boney M came along).  His son attempted to make sense of his position in a culture different to his parents but struggled and became an elective mute speaking only to parents, his brothers and the occasional teacher when no other children were around.  His brother introduced him to the telephone Dial-A-Disc service which became a bit of an early obsession with him not quite able to process the magic of hearing The Rubettes’ “Sugar Baby Love” through the phone line.  Lack of self-esteem led him to think his parents didn’t want him and that they would return to Cyprus without him leading him to select Eurovision winners The Brotherhood Of Man as his substitute family.

Eventually Takis starts speaking, calls himself Peter in order to feel more of a part of school life and thus begins his struggle to be accepted by a father too busy with the demands of his business and also by those at school. He used music constantly as his crutch becoming obsessed with Top Of The Pops, chart positions (I can identify with this) and Abba and eventually seeing the gang of outsiders who were Dexy’s Midnight Runners as possible salvation.

I really enjoyed this.  It is enhanced by Paphides’ almost total recall of the era which gets so detailed (I don’t know if this is just memory, heaps of research or a bit of embroidering but it feels totally authentic). A lot of it will resonate to anyone growing up at the time but the author’s cultural and racial background gives it a fascinating slant.  Like all the best memoirs it feels both tragic and funny and oh so honest.  Many works of this era feel like wannabe memoirs, adopting what are now with hindsight seen as highlights of the culture.  You can’t get better than the young Pete’s obsession with pop comedy group The Barron Knights (until he gets to see them live) a section which is so realistic and so touchingly written and says volumes about the times in which we were living.  I have talked to people more about this book whilst reading it than I would usually do which is a good sign of the impression it has made upon me.  Definitely recommended.

four-star

Broken Greek was published in hardback by Quercus in March 2020.

Elizabeth – J. Randy Taraborrelli (2006) – A Real Life Review

realives

taylor

This is the fifth showbiz biography I have read by J. Randy Taraborrelli. Around this time last year I was enjoying his 2015 publication “Becoming Beyonce” knowing that I had this earlier work on my shelves.

Taraborrelli’s study of the life and work of Elizabeth Taylor was published five years before her death at the age of 79 in 2011. Reading this confirmed something I’d always felt about her- it was amazing that she lasted as long as she did. There were so many health scares throughout her life, so many times it was reported that she was teetering on the edge, the first time fifty years before her demise when in London she collapsed from pneumonia and according to the author “thousands gathered in the streets in front of the hospital to hold vigil for her.” She bounced back (until the next major health crisis), a true survivor.

I realised when I started this book that I didn’t know a huge amount about Elizabeth Taylor, I just thought I did because of the amount of publicity she stirred up in her lifetime. Born in England (which was why in 2000 she could be made a Dame) I never knew her American heritage, that both of her parents were American and who returned home with their young daughter as war was breaking out. I have seen a number of her films over the years. I of course knew about her relationship with Richard Burton (recently re-watching the involving “Burton & Taylor” TV dramatization with Helena Bonham-Carter and Dominic West piqued my interest enough to pick up this book). I also knew about her AIDS work, her jewellery, her perfumes all of which gave her greater celebrity at an age when most actresses would be finding leading roles harder to come by, but to me she was always one of those larger-than-life people who do not seem to function in the real world. I needed Taraborrelli’s work to give me a grounding of her reality, what it really meant to be Elizabeth Taylor.

I never fully appreciated how devoted her fans were towards her, especially in America. In a lengthy film career her movies nearly always made money, no matter how patchy they were (even if it took years to turn a profit like the expensive “Cleopatra”). She was forgiven for breaking up the marriage of sweetheart showbiz couple Debbie Reynolds and Eddie Fisher despite this being a huge scandal at the time. Taylor was still reeling from husband Mike Todd’s death in a plane crash turning to Eddie, his best friend, with him too rapidly becoming husband number 4 (and the one she had so little positive to say about in subsequent years).

The relationship with Richard Burton was central to Taylor’s life and career in the public eye. Everyone knew of their passion, their turmoil and manipulations of one another during their two marriages. He was the man Taylor could not let go. The section in the book which focuses on their marriage is perhaps the least absorbing. It was the time before, in-between and after the marriages which makes for a far more fascinating depiction of two people who just couldn’t stay away from each other and for whom the other person was both essential and toxic. Taraborrelli is too awe-struck by his subject to really join in with the tabloid frenzy some of Elizabeth’s actions stirred up, her friendship with Michael Jackson is played down as two kindred spirits with troubled childhoods and husband #8 (I’m counting Burton twice) Larry Fortensky, a younger construction worker she met in rehab which provoked an avalanche of sneering is handled sensitively and Fortensky (who died aged 64 in 2016) certainly does not get the ridicule he got at the time.

In fact, Taylor crammed in so much into her life that it’s hard to keep up and this book could easily have been twice its length. There’s a whole section on references and acknowledgements which goes on for 40 pages where Taraborrelli cites his sources. Elizabeth Taylor certainly generated a phenomenal amount of copy in her lifetime and we will never see anyone quite like this unique woman again.

four-star

“Elizabeth” was published by Sidgwick and Jackson in the UK in 2006.

The Rough Guide To Soul And R&B – Peter Shapiro (2006) – A Real Lives Review

realives

shapiro

I’ve read this before back in 2008 when I thought it was okay but this is a book which cranks up to another level in this music streaming era. An alphabetical listing of key figures in Soul and R&B over a span of approximately 50 years with recommended albums and playlists of their best work. Back when this was written it meant downloading tracks onto I-Pods or splashing out on CDs which would have turned out to be prohibitively expensive. Nowadays, it’s risk-free with streaming services. That is why after reading this a second time I now have placed the massive total of 101 albums into my Spotify playlists to see if I agree with the author’s judgements.

I wasn’t really intending to re-read this. First time round it was a library copy but I spotted it pre-lockdown in a charity shop and thought it would be a useful book to have as research (I do use another of Shapiro’s books“Soul: 100 CDs” quite a lot) . I just pulled it off my shelves this week to browse and found myself reading from cover to cover.

I have read Peter Shapiro before and he does come across as quite grumpy for a music fan. There’s loads of opinions here- very few artists seem to come away with unqualified praise, he is often dismissive of their bigger commercial hits, he’s certainly not a huge fan of much of 90’s R&B especially anything resembling “piercing whining” or excessive melisma or histrionics (Boyz II Men get a rough deal here and actually I have no issue with this). He can be sniffy about the type of soul music favoured in the UK and Disco can be love it or hate it (surprisingly as he wrote one of the seminal works in this genre in his study of the Disco Era “Turn The Beat Around” (2005) I actually felt that his individual style was to the detriment of this book. I said of it “He praises and snipes in the same sections. It’s obviously the journalist in him which is leading him to be controversial and overstate matters.”. Here, because his brief is wider and he cannot be expected to like everything from Aaliyah to Zapp it didn’t grate as much and I occasionally laughed out loud at his viewpoint. He is good with adjectives, which certainly gives his work his personal slant. Take Diana Ross, after acknowledging her star power and “unquenchable force” we get “wretched”; “surprisingly acceptable”, “mediocre”, “uptight”’ “disastrous”, “ generic, “rather hideous”, pointless” and “shockingly awful” all for an artist he acknowledges as significant and even can form a recommended playlist for. (True, it is only 8 tracks when he normally gives 10). Slightly more disturbing are textual inconsistencies, an example of this is Stevie Wonder and his 1972 album “Music Of My Mind” which was the first time he was given more control and independence by Motown. In the Wonder entry it is described thus ; “It was no masterpiece, it didn’t have the songs to back up his mercurial wanderings across the boundaries of texture, timbre and taste.”. Underneath the entry it is highlighted as one of his greatest recordings saying “he unleashed a set of songs that demanded attention, incorporating soul and gospel, melody and funk, every track is a smash.” Now we can all change our minds, but on the same page?

I do like the format of these musical Rough Guides but I think that this is the only topic that I would be interested about in reading all the way through. Shapiro also authors “Drum N’Bass” although it does seem that the company has abandoned its music titles in favour of the obviously more lucrative travel guides with none of them (on the back cover Jazz and Hip-Hop are advertised) being readily available. I would certainly pick up other copies if I came across them. I’ve enjoyed this more as a re-read than I did first time round and expect it will be staying quite a bit longer in my collection.

four-star

The Rough Guide To Soul And R&B was published as a Rough Guides paperback (distributed by Penguin) in 2006.

Keeping On Keeping On – Alan Bennett (2016) – A Real Life Review

realives

Bennett

Alan Bennett’s autobiographical and diary collections are no strangers to my end of year Top 3’s with his earlier volume of TV plays “Objects Of Affection” (1982) also being one of my favourite books the year I read it (2005).

Perhaps Britain’s best-loved and most recognised living playwright whose work also encompasses the extraordinary screenplay adaptation based on the biography of Joe Orton “Prick Up Your Ears” perhaps in decades to come Bennett will be best remembered for his occasional sizeable publications of a mixture of diaries and other writings which have really established him at the top of best seller lists and are highly critically acclaimed. This is the third such collection following “Writing Home” (1994) – my 3rd best read of 1996 and “Untold Stories” (2005) my 2nd best read of 2006.

I was put off from buying this in hardback because of its size, waited for the paperback and bought it in the first few days after publication, put it on the shelf and forgot about it until I decided last week it was the perfect coming-to-the-end-of-lockdown (hopefully!) reading treat. It fitted the bill and is every much as enjoyable as the preceding volumes.

Diary-wise this encompasses the years 2005-2015 and inevitably reflects the slowing down of a man in his 70’s/80’s (although I’m sure Alan Bennett would be the first to say he was never exactly speedy). Here we get a lovely domestic life in London, regular trips to Yorkshire and the professional demands which continue to push him more to the forefront than he would naturally want to be. There is the filming of “The Lady In The Van” (which, to be honest, I didn’t love) and “The History Boys” (which I thought was a much better film) which is contained in its own separate diary found after the main one. There is also his work on his Benjamin Britten/WH Auden themed play “The Habit Of Art” which I don’t know much about probably because the subject matter does not appeal.

More than the professional it is the domestic side of life which I find most enthralling here. There’s always the feeling, perhaps more than anybody in his field, that we, the readers, know Alan Bennett and are comfortable in his company. I am sure this must infuriate this private man as much as it fascinates him. Of course, the vast majority of us will live our lives having never met him, it is the quality and style of his writing that fools us into thinking otherwise.

The diaries are definitely the star turn here (lots of eating of sandwiches and visits to old churches) but the collection of other writings once again flesh out what we know about him. Whereas his diaries are never going to be as showy or as unputdownable as the diary superstars (the posthumous collections of Noel Coward, Joe Orton and Kenneth Williams immediately springing to mind) they illuminate the man and go a long way to explaining why Alan Bennett is a British national treasure.

four-star

 

Keeping On Keeping On was published by Faber & Faber in 2016. I read the 2017 paperback edition.

I’ll Be Gone In The Dark -Michelle McNamara (2018) – A Murder They Wrote Review

imagesN8KPZ1YT

goneinthedark3

I have an uneasy relationship with the true crime genre. I’ve mentioned this before and I think it all boils down to one book which so disturbed me – the account of Muswell Hill killer Dennis Nilsen in Brian Masters’ “Killing For Company” (1985). However, a couple of times in the last week I have held a copy of this in my hands and contemplated buying it and re-reading it. (I lent my copy to someone years ago and it never came back). So far I’ve held back the temptation but the reason for Masters’ book shifting back into my focus is this 2018 true crime publication.

I’ve also been thinking about true crime in relation to author Carol Ann Lee whose five star account of the Bamber killings “Murder At White House Farm” has deservedly ascended the best seller lists since the impressive recent ITV reconstruction of the case. When this book came out nearly five years ago I reviewed it and Carol Ann became an early interviewee in my Author Strikes Back Thread. I asked her for recommendations and I was convinced that reading-wise I would begin a true crime spree but this hasn’t happened. However, the on-paper bizarre mash-up of an arson case and a love letter to the public library system Susan Orlean’s “The Library Book” made it into my current Books Of The Year Top 10 but that’s been about it. I only read “I’ll Be Gone In The Dark” because friend Louise whose book opinions I very much value (she put both “Count Of Monte Cristo” and “Sanditon” my way) told me this was her Book Of The Year and I highlighted it in my “Looking Around….” Post.

Michelle McNamara’s obsession (and it was an obsession) was an individual who committed around 50 sexual assaults and at least 10 murders in California in a decade long frenzy (mid 1970’s -mid 80’s). Michelle dubbed him “The Golden State Killer” and he featured heavily in her true crime blog before she began to put this work together. She sadly died aged 46 in 2016 before completing the work.

This, unavoidably, does give the book a haphazard sketchy structure which did mean I kept having to refer back to the list of known victims and crime locations. The sheer number of offences and the lengthy period of time the killer was active also made for at times a stilted and repetitive read and affects the flow but I really can’t just judge this on how I feel it read as a book (I was also very aware of a surprising number of linguistic differences with many terms I was unfamiliar with) but the motives behind the work is what makes this extraordinary.

Michelle McNamara over the years became an expert on the case, came to have access to evidence even investigators did not have and pooled much of this vast amount of material for the first time. The thing I just cannot get out of my head as a British reader in 2020 is how was this man not apprehended at the time? There were a wealth of traits and characteristics that led nowhere. It’s hard I suppose for us looking back to what were largely pre-DNA days to appreciate how much luck was needed to solve cases and luck was certainly not with the many investigators. They could not seem to tap into the extraordinary level of planning that must have foreshadowed many of these crimes and the structure of US state policing at the time means evidence was not shared nor links made. If this was fiction we would deem it unbelievable.

Through her determination to unmask the Golden State Killer it is Michelle McNamara herself who shines through this work and it is this which will see it as an important and perhaps ultimately game-changing addition in the realm of true crime writing.

fourstars

I’ll Be Gone In The Dark was published in 2018 in the UK by Faber & Faber.