British crime writer Edgar Wallace’s fourth publication in his “Four Just Men” series appeared three years after “The Just Men Of Cordova” and shows a marked change in structure as instead of being a novel this consists of 10 short stories. I was very interested in finding out how the author was able to use this form and hoping that it might be used to provide a bit of back story. Within the three novels I have read there are a number of references to previous cases which seem to represent a so far uncatalogued glory days for the foursome and this seemed like a perfect opportunity for Wallace to explore some of these cases in a short story format.
He hasn’t done this. Instead these unlinked stories fit chronologically into the pattern the Wordsworth “Complete Four Just Men” uses being probably set after the events of the previous novel where, confusingly, considering the title, there are only two Just Men operating. This does allow a little more insight into character, perhaps the most significant is Leon Gonsalez, who has remained fairly under the radar in the previous novels who here has an interest in linking physical attributes and crime, which was probably a bit of an issue around the time this was published. So, large and long front teeth = probable murderer in “The Man With The Canine Teeth”. In a number of the stories it is the quirks of an individual which stands them out as a suspect, thus we get “The Man Who Hated Earthworms”, “The Man Who Loved Music” (well, the 1812 Overture) and “The Man Who Hated Amelia Jones” as titles.
Luckily, Wallace did not offer the same incentive to purchase as he did with his “Four Just Men” debut where readers were offered £500 to solve the case in a move which almost brought about financial ruin as people did and he was obliged to pay the sizeable amount to all those who did for this is very predictable fare with the odd twist but nothing like we have come to expect in short crime fiction in the intervening years.
This collection passed the time but probably wouldn’t be one that I would return to. I enjoyed the trickery involved in obtaining justice, my favourite being in the downfall of a drugs pusher in the elaborate “The Man Who Died Twice”.
The formula of these stories is pretty much the same as in the novels, a criminal has evaded justice and this has come to the main protagonists’ attention, somebody usually says something like “isn’t is a shame the Four Just Men aren’t around anymore” and the plan for retribution swings into action. Starting with this collection wouldn’t necessary put you off reading the novels but Wallace might be better at the more extended form.
The Law Of The Four Just Men was first published in 1921. I read the version printed in the Wordsworth paperback “The Complete Four Just Men”.
First published in the last year of World War I this was Edgar Wallace’s third novel in his “Four Just Men” series. There had been a ten year gap between “The Council Of Justice” and this reflected a time when he was writing prolifically as well as getting very involved in horse racing, starting up his own newspapers on the subject. Horse racing does feature as a major set piece which for its duration reads like a predecessor of a Dick Francis work.
The Just Men take more of a back seat with their identity still foxing and fooling those they come up against. The identity of one of the four is not even known by two of the others and that also builds up in the plot until this particular mystery is revealed.
Once again there is the odd turgid moment in the build-up. Central to this novel is Colonel Black a dodgy businessman whose opponents seem to be dying suddenly. There’s undetectable poison administered with a feather which keeps the plot ticking over until, and this seems to be typical of a Wallace novel the tension is cranked up for a more tautly written last third. This is where we get the aforementioned horse race where whole fortunes are staked and its aftermath which makes for some gripping reading and which excuses the business machinations in the earlier part of the novel which are not always easy to fathom for the modern reader and which may get the attention wandering slightly.
Typical of many adventure novels where the audience demands action some of the characters are underwritten but Wallace has here created one of his strongest characters I’ve read to date in Police Constable Frank Fellowe who has his own reasons for attempting to resolve the foul play.
Once again, by the end of the novel Edgar Wallace has whetted my appetite for more of the same which would go some way to explaining his contemporary popularity and longevity as a writer. There are three more novels to go in this Wordsworth “Complete Four Just Men” collection.
The Just Men Of Cordova was first published in 1918. I read the version printed in the Wordsworth paperback “The Complete Four Just Men”.
The second novel in the “Complete Four Just Men” collection was published three years after the first and in this time Wallace had rethought his anti-heroes. In the opening work they were pitched against the establishment in actions that looks, especially to modern eyes, like terrorism. In a bid to keep readers’ sympathies to the characters in this longer novel they are pitched against a group of anarchists, known as the Red Hundred, who begin their own campaign of terror in London. Significant amongst these is the first female character in this series. Known only as the Woman of Gretz she has established herself strongly amongst the anarchic group. She is a very welcome addition to the cast of characters but Wallace is not sure what to do with her- rabble-rouser, heartless bitch or displaying humanity, she’s all a bit of a mish-mash which doesn’t come off.
The Four Just Men on this their second outing still seem underdrawn, merging into one another but given their need for anonymity this might have been intentional. One of them, George Manfred, is established more strongly as a separate character this time around. As in the first book in the series what works best of all here is the build-up to the climax. In that book it was the projected assassination of a British minister and here it is a potential jail break which ramps up the tension extremely effectively.
I must admit that I am not yet gripped by these books from their start to finish but there is certainly enough in the first two instalments to keep me wanting to read on.
The Council Of Justice was originally published in 1908. I am reading the 2012 Wordsworth paperback compendium “The Complete Four Just Men”.
Edgar Wallace was one of the authors featured in Christopher Fowler’s “Book Of Forgotten Authors” who I fancied discovering. I’d heard of this prolific and popular English writer (1875-1932) and also of his most famous work “The Four Just Men” but had never read anything by him.
To put this right I purchased a Wordsworth edition of “The Complete Four Just Men” at a bargain price, a weighty tome which features not only his 1905 publication but the other five works about his creations which he continued to revisit sporadically until 1928’s “Again The Three”.
Looking at this sizeable volume I have decided probably the only way I would get through it at this time is to fit in a Wallace novel between other books I want to read, so I’m starting here with the title work, which is actually more of a novella coming in at just over 100 (although in quite dense print) pages.
I fully expected an action tale full of valiant deeds and derring-dos but the Four Just Men of the title can best be described nowadays as terrorists, a quartet of men who take the law into their own hands and operate their system of justice internationally dispatching those they consider to have done wrong. When I started this novel it did remind me in terms of style of G K Chesterton’s “The Man Who Was Thursday”, a novel I really didn’t get on with at all. I think that this was because it also dates from the first decade of the twentieth century (1907) and that was how popular fiction was written in those days. This is a much more entertaining work.
There’s far less going on in terms of sub-plot than I would have imagined. The British Foreign Secretay is on the verge of bringing in a law (the details of which I’m rather vague on and which probably don’t matter) which The Four Just Men, originally in their hideout in Spain do not agree with and the politician’s life is threatened if he does not drop the issue. The location shifts to London and becomes a how-will-they-do it type novel.
Edgar Wallace got much publicity for this by offering a £500 reward for readers who could work out what was going on when it was serialised in The Daily Mail for whom Wallace worked at the time. A slip up in the small print meant that everyone who guessed correctly would get the money and people began to guess correctly in larger numbers than anticipated. This meant Wallace had to borrow money to save face with his employers and had to sell a lot of copies to break even. I’ve read the whole book and I’m not really sure if I got the “how will they do it?” part at all.
I did, however, very much enjoy the tension of the police pitted against the inscrutable Four and the sense of time running out for the Foreign Secretary. You get the feeling that The Four Just Men would soon sort out Brexit! As they made their escape at the end of the novel (not a plot spoiler as I’ve already told you there are five more in the series) I found myself looking forward to what they will get up to next. In the style of the best Edwardian serialisations this is….To Be Continued…
The Four Just Men was originally published in 1905. I read the 2012 Wordsworth paperback compendium “The Complete Four Just Men”
The first book in British author Patrick Ness’ “Chaos Walking” trilogy really does span boundaries. Aimed at a teen audience it works well for adult readers. Its Sci-Fi/Fantasy elements are well thought out and do not get in the way of first class storytelling and there’s so much running in it that I’ve classed it amongst my adventure novel/running man thread.
I’ve never read Patrick Ness before but I know he has many fans mainly through this trilogy and “A Monster Calls” which was recently made into a film. Main character Todd Hewitt is approaching manhood as a settler in a New World. A battle with aliens living on the planet has wiped out the human female population, made animals talk and all men’s thoughts expressed out loud as “The Noise”. Todd makes a discovery which challenges all he has been told and the only option open to him is to run.
Patrick Ness has got me eating my words as here he does something I normally gripe about yet here it works. Much of the novel is written in present tense. I moaned about this in Andrew Pyper’s “Demonologist” a horror novel made significantly less scary as a lot of the action becomes reported rather than letting us readers experience it. Ness avoids this largely because of his “The Noise” device. With all thoughts coming out as a stream Todd’s narrative can be filled with interactions from other characters which enables it to remain in the present.
It makes for action all the way and works here as a narrative style just about as well as it can. It also makes it quick to read but it can feel a little like it is all on one level. He maintains a fairly high octane pace throughout which may frustrate readers looking for a little more light and shade. Being much older than the intended audience I wasn’t sure about the talking animals but I was soon won over by Todd’s dog Manchee who becomes a great character in his own right. Animals in novels always cause me anxiety in case bad things happen to them. (I’ve discussed this before on here. I can read all kinds of things happening to humans without flinching but put an animal in the mix and I become squeamish. I used to think that odd, but a number of you have agreed with me). The relationship between Todd and his dog adds much to the novel.
This kind of dystopian future feels right on trend and if this appeals then I’d urge you to seek this book out as it is so well done. The world in which they live is revealed to us very much as it’s revealed to Todd and that provides a great opening for the trilogy. We’re left with a cliffhanger and the edition I read had a bonus short story “The New World” (published 2013), which, because I knew by then how it fits into the general narrative proved to be chilling reading. The whole thing would seem to be of lasting appeal to young adult readers and possesses the qualities to win over a much wider audience.
The Knife Of Never Letting Go was first published by Walker Books in 2008
Prior to this I have read two Michael Crichton novels and they are not the ones you might expect. He is most famous for creating “ER” for which I will be eternally grateful; but also for “Jurassic Park” (1990) and its sequel (1995); his debut in his own name “The Andromeda Strain” (1969) and “Westworld” (1974). I haven’t read any of these, the two books I have read are “State Of Fear” (2004) a startlingly complex merge of environmental issues and science combined with a gripping, readable thriller which I thoroughly enjoyed and “Timeline” (1999) which grappled with quantum physics and time travel and which unfortunately did not work nearly as well and came across as tosh masquerading as science. It’s the application of science which Crichton specialises in and with “Next” it’s the complex (for my little brain anyway) field of biogenetics.
If like me, your sole knowledge of biogenetics is limited to an awareness of the existence of GM crops, cloned animals (Dolly the sheep) and that nightmarish picture of a mouse with a human ear growing on it then you might think that all this might be a tad too complex for you. Well it is, but that actually doesn’t matter as Crichton guides us along the issues in another very readable novel.
Interestingly, there’s no discernible main character in “Next” which is a little off-putting for those of us who like a central character for relationship dynamics to bounce off and this does mean that there isn’t really the depth of characterisation that a main protagonist and their relationships with others would provide. What is there are a lot of interweaving plot strands, which Crichton keeps good control of. I did find myself having to leaf back a number of times to recall what was happening to certain characters as and when their story was resumed although that often proved to be needless as the author is good at prompting our memories. You can see from this how he could manage long-running television drama with its ongoing story lines. I know some readers balk at this style of writing but here it has been done well.
Basically, it is a novel of ideas with the plot developed to illustrate these. The practice of patenting genes has impeded medical research and has potentially ludicrous legal ramifications when “ownership” of genes, cells and tissues gets called into question. This is an area Crichton is keen to highlight, using real news stories along the way, demonstrating that he is not dealing with fictional flights of fancy here as his ideas are embedded in fact. There’s a couple of genetically-modified animal hybrids including ape/human combinations who can talk and an African-grey parrot who can not only talk like a human but think like one too. At times these plot threads come across as a little “cutesy”, but it’s the way they fit into a tale of medical research so rooted in fact that becomes alarming.
This sits in the middle of the three Crichton novels I have read. It’s not as good as “State Of Fear” which had a stronger element of gripping thriller writing and was the novel which immediately preceded “Next” but it is considerably better than “Timeline”. Michael Crichton died in 2008 yet his 18th novel under this name, the recently discovered “Dragon’s Teeth” was published earlier this year.
Next was published by Harper in the UK in 2006
Here is a debut novel that I missed out on when it was first published in 2013 and I’m delighted to put that right as it is a thoroughly entertaining read. Combining the adventure and puzzle-solving of a superior example of the “Da Vinci Code” genre with old books certainly gives it an original slant. I’ve never read a novel with so much information on book binding and preservation and which has got across so well the appeal of old books.
Author Charlie Lovett is also a playwright, and significantly, for the authenticity of this work, a former antiquarian bookseller and this love for the quest of a miraculous find which is surely present in all those who deal with old and precious books certainly permeates this novel.
American Peter Byerly is drawn into the world of books when he is working at his University’s library and finds his way into Special Collections. He’s also drawn, for the first time, into connecting with another human being when he meets Amanda, another student, in the library. Lovett’s tale switches from their courtship to Peter adapting to the early death of his wife some years later and a much older tale of a book which would provide ultimate proof that Shakespeare wrote his plays. A discovery of a portrait inside a book in a shop on Hay-on-Wye provides the link for these strands.
It works well as an adventure tale but it is more than this as it also works as a love story and an account of obsession, in this case towards book collecting. It features (and Dan Brown and some others of his ilk need to take note here) well rounded characters. There’s a clear motive behind every action and we’re not hurtled around the world in wearying globe-trotting fashion. True, the use of coincidence does begin to pile up, but then the author’s following a time-honoured tradition headed by Hardy and Dickens who were both masters of coincidence to further the plot. Some of the love scenes are also a little clunky but the two young people have never really related that well to anyone before so perhaps its applicable for the characters if the early days of their relationship seem a little stilted. I was won over by the obvious devotion for all-things-book-related and by the skill in which this perhaps rather unsexy passion has been incorporated into what is rather a thrilling read.
The Bookman’s Tale was published by Alma Books in 2013.
It struck me whilst reading Deighton’s 1978 thriller how little British fiction I have read from the 1970’s. Even for the (very small) part of the decade when I had moved on to adult fiction it was thrillers from an earlier era and American blockbusters that were fuelling my reading habit. For some reason, contemporary British fiction did not appeal to me as a youngster and I haven’t really revisited the era to any great deal since.
I think this is largely due to the style of writing in vogue then. Deighton’s 12th of the 26 novels he has published to date (the last being “Charity” in 1996) is admittedly a brilliantly realised alternative history. Victory for the Nazis was an idea which cropped up from time to time in film and fiction since the end of the War. Philip K Dick’s “Man In The High Castle” appeared in 1962 but the very British feel of Deighton’s novel would certainly have caused a stir on publication. Small details have been thought out and worked through as if Deighton really inhabited this nightmarish world. In his introduction he states;
“Using (the) German data I drew a chain of command showing the connections between the civilians and the puppet government, black-marketeers and quislings, and the occupying power with its security forces and bitterly competitive army and Waffen SS elements.”
This level of detail, research and projection as to what might have been is very effective. I think, however, Deighton’s style of writing, typical for the time, has dated and led to me feeling somewhat let down by the reading experiences. It’s all strangely clipped, like a lot of the fiction of the day geared towards a male audience I feel it should be read out of the corner of the mouth with a cigarette on. I feel this way about, amongst others, Ian Fleming and Alastair Maclean so Deighton is in good company. This style, developed from American “hard-boiled” crime writers and film noir doesn’t allow for the characters to really connect emotionally and that for me is one of the real joys of reading. Main character Douglas Archer, a Scotland Yard Detective having to solve crimes in the new Nazi regime apparently has had a strong bond with colleague Harry Woods since Archer was a child when Woods was a father figure. Now his mentor’s senior this relationship just seemed like it should really sizzle, but I didn’t feel any real connection between them.
When Archer decides he has fallen in love it was one of the biggest surprises of the novel as from the scenes with his loved one there didn’t seem to be anywhere near enough of a spark for this to happen. What jars now is how understated it is all is. There’s a big action centrepiece which crept up on me and I found myself having to re-read to see what happened. In fact I did quite a lot of re-reading and what I missed what this real sense of feeling and emotions. It was no doubt a sign of the times (of the 70’s as well as the 40’s).
I think we’ve just got used to brasher, noisier, more emotional adventure novels. So I’m interested to see how this relates to the big-budget BBC five part adaptation which would have started by the time you are reading this. That was the reason I wanted to get this book read first. I’ll let you know what I think………………
SS-GB was published in 1978. It is currently available as a Harper Collins paperback
Interesting marketing concept this. Although this is Tom Fox’s debut published novel two “digital shorts” – a prequel and sequel are also available as e-books. Fox has a background of academic research on the Church and puts it to good use here.
During a Sunday morning mass officiated by the Pope at St Peter’s Basilica a stranger enters the building and approaches the Pontiff. After some words the Pope, who has been crippled since birth. stands up straight for the first time in his life. The Vatican City goes into lock-down after this and the world is rocked by news of other “miracles”.
Central character Alexander Trecchio is a poorly regarded religious correspondent for La Repubblica and an ex-Priest. Sent to research the story he encounters men who have obviously been silenced. He enlists the help of old flame Police Inspector Gabriella Fierro to find out if the world is in the grip of some kind of a second coming or an elaborate conspiracy.
Much of this would seem familiar to fans of the adventure novel genre for whom conspiracy within the Catholic Church is a staple. Fox offers a new twist with a stronger reliance on the concept of faith and the nature of miracles and if the reader is able to buy into this a little it is an entertaining read. The book has pace and reads well but for me lacks the plausibility factor of some of the best in its genre. Not too long ago I read Michael Benoit’s “The Thirteenth Apostle” written also by someone with a background in theological studies and I felt he managed to use this to get a stronger feeling of authenticity and avoided with his struggle between good and evil the trap of having the evil seem cartoonish. I’m not convinced Fox avoided this struggle.
It also recalled a reading of Thomas Gifford’s 2004 novel “The Assassini”, another tale of church corruption within a Vatican City setting which was memorable only because of the length of time it took me to plod through it, but “Dominus” is considerably more successful – so all in all I’m wavering somewhat in the middle. It’s an enjoyable book for adventure fans and a welcome new read in a genre which became saturated after the success of Dan Brown and has now calmed down to seeing only those that are stronger or offering something slightly different being published. I don’t think this will kick-start a publishing fervour along the lines of “The Da Vinci Code” (Dan Brown still referenced on the cover of “Dominus). I would be interested to see what the digital only “Genesis” and “Exodus” add to the mix, however.
Dominus was published by Headline in 2015. Many thanks to the publishers and Bookbridgr for the review copy.
The Doomsday Project (2009)
The Heretic’s Treasure (2009)
I previously reviewed Scott Mariani’s earlier Ben Hope novels “The Alchemist’s Secret” (2007) and “The Mozart Conspiracy” (2008) and in an attempt to catch up (there are now 11 novels in this series together with a couple of novellas here are my thoughts on the next two. So far Ben has faced near disaster linked to the work the alchemist Fulcanelli and the composer Wolfgang Amadeus in two outlandish but enjoyable plots.
“The Doomsday Project” might be moving towards greater realism but perhaps is not as much fun. Hope has given up finding and rescuing kidnap victims and has developed ambitions to become a vicar (!) This seems to be as a result of being involved in too many tragedies and at the beginning of this novel we find him re-embarking on the Oxford theology degree he gave up on many years before. He reconnects with his tutor, a family friend, whose daughter has gone missing in Corfu. Hope is reluctant to return so soon to the life he thought he had abandoned until circumstances force him to do so. The daughter has discovered something that challenges prophecies in Revelations regarding the End of The World. Cue the American End Of Time evangelists who will resort to anything to ensure their Doomsday theories will not be challenged. The plot feels (slightly) more plausible, the villains less cartoonish but perhaps the actions sequences are more outlandish, and there are plenty of action sequences in this book. All in all, third book into the series and the standard is being maintained although it does look like Hope will never get that Theology degree!
The follow-up to this is “The Heretic’s Treasure” (2009). This felt a little less quirky than some of the others in the series. Ben has (surprise surprise!) abandoned his Theological studies and seemingly more fittingly has set up a business to train those involved in hostage situations based on a large property he has bought in France. Not that he is there for long, however, as an old Army Colonel who Hope feels beholden to (a life-saving incident) wants help as his Egyptologist son has been killed on the brink of a big discovery. Unfortunately for all, terrorists with destruction on their mind are also close to the same discovery. Exactly who can be trusted twists and turns as Ben finds himself getting ever deeper. It feels, for the most part, a little more serious, with a little less adventure, a little more hardware and with a usual share of big set pieces and people being in the right place at the right time. Hope finds love again (very quickly, it must be said) but is it all too good to be true? I do really quite enjoy these very readable books and there is nothing in either of these books which will put me off selecting the next one in the series.
Scott Mariani’s Ben Hope books are published in the UK by Harper Collins (Avon)