Snap – Belinda Bauer (2018) – A Murder They Wrote Review

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One of the featured titles in my “What I Should Have Read In 2018” post which I’ve now put  right by making it my first read of 2019.  This attracted much publicity through its long-listing for the Man Booker Prize in a rare nod towards commercial crime fiction and recently took home the Crime/Thriller Book Of The Year at the National Book Awards.  The buzz around the title made it too good to miss, with expectations that this is going to be a top-notch title.

I have read Belinda Bauer before, her debut “Blacklands” was a very dark novel which certainly impressed me but I haven’t got around to reading any of her six publications between that and this.

I did have those high expectations which for me, is not always a good thing, as they tend to make me more disappointed with a book which doesn’t fully hit home than I would otherwise be.  The title refers to instant decision-making, also not always a good thing and which can have long-lasting repercussions.

A pregnant woman whose car has broken down on the motorway leaves her three young children in a car on the hard shoulder to seek a phone and is never seen alive again.  The plot focuses on this disappearance and her teenage son’s attempts to come to terms with her fate over the next few years.  His is the most vibrant characterisation in the novel as he attempts to hold the family together, tries to solve his mother’s case and becomes notorious around the Tiverton area where they live for his own crime sprees. 

It is a compelling read which I enjoyed immensely but I’m not sure how well it stands up to analysis as a crime novel.  A lot here hinges on coincidence (and I do acknowledge that a lot of real life crime is solved through coincidence) and some character’s actions seem questionable, but then perhaps we’re back to that snap decision aspect again.

Given that the novel is about a horrific disappearance it is nowhere near as bleak as I was expecting.  Bauer’s writing style is lively and there is often humour and sharp observation which here works very well.

This book provided a very good start to my 2019 reading and hopefully this year I will be able to delve into Belinda Bauer’s novels I have missed out on.  She is a very good writer, confident in her genre but (and I think it’s down to those pesky expectations again) this didn’t quite blow me away in the way I was expecting it to.

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Snap was published in 2018 by Bantam

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2018 – What I Should Have Read

I am fairly certain that I am now reading my last book of 2018.  This is because I am just mid-way through the massive “Count Of Monte Cristo” which I have never read before and the Penguin edition amounts to 1276 pages of pretty small print.  If I get through these it will end up being perhaps the longest book I have ever read.  I’ll let you know how I get on but that will unlikely be before the new year.

With newspapers, bloggers, websites coming up with their favourite books of the year I thought I would delay my choices until the very end of 2018 but look at some of the books I have missed out on reading this year.  So here is my Top 10 what I should have reads.

Snap – Belinda Bauer (Bantam Press)

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The first popular crime novel to be longlisted for the Man Booker Prize but it seems not even the presence of huge fan Val McDermid on the judging panel could get this onto the shortlist.  I read Bauer’s dark debut “Blacklands” in the year it was published and enjoyed it but have not read any of her others.  Luckily, I found a copy of this on the library shelves and have borrowed it so Alexandre Dumas-willing I will get round to it before hoards start reserving it because of its regular appearances on “best of the year lists”

Chalk Man – C J Tudor (Penguin)

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Another one I have out from the library.  This debut has been compared to Stephen King and is set in 1980’s Britain. Now out in a paperback edition featuring high praise from writers of the calibre of Lee Child, John Boyne, Celia Aherne, Kimberley Chambers, Julia Heaberlin and King himself.  Can’t wait to read this one.

Seven Deaths Of Evelyn Hardcastle – Stuart Turton (Raven)

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Another much praised debut.  Val McDermid had it as one of her books of the year.  The little I know about it sounds a bit like Kate Atkinson’s “Life After Life” in structure (an all-time favourite) within a classic murder mystery frame.  I saw this going cheap one day as a Kindle Daily Deal so it is sitting there waiting for me.  This has been shortlisted for the first novel Costa Awards, a National Book Award and scooped the independent booksellers Books Are My Bag novel award.  Not sure why there is an extra half of a death in the American title.  Suppose I will have to read it to find out.

Washington Black – Esi Edugyan (Serpent’s Tail)

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A Booker shortlisted roller-coaster of a novel and the only one that made me feel sorry I did not read the shortlisted titles before the winner’s announcement this year as I have done the past couple of years.  I do have this Canadian author’s earlier novel “Half Blood Blues” unread on my bookshelves and I may just have to start to this but I am certainly looking forward to discovering her writing in 2019.

Warlight – Michael Ondaatje (Jonathan Cape)

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A book which is certainly popping up on best of the year lists.   It was championed by Kamila Shamsie in “The Guardian’s” look back on the year.  I have never read any of  the Sri-Lankan born Canadian novelist Ondaatje’s 8 novels before, not even “The English Patient” (nor have I seen the film version) but this novel set in London in the aftermath of World War II seems to me to be a tempting place to start.  I had this as one of my 2018 highlights at the start of the year.

From A Low And Quiet Sea – Donal Ryan (Doubleday)

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I loved, loved loved this Irish writer’s debut  “The Spinning Heart” and was published in NB magazine citing it as one of the best books of the 21st Century, but since then, amazingly I have not got round to reading any of his three subsequent novels.  This was championed by Jonathan Franzen in The Guardian and is on the shortlist for the Costa novel Award.

Transcription – Kate Atkinson (Doubleday)

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This British author’s “A God In Ruins” is well in the running for being named my best read of 2018.  I wanted to read her Jackson Brodie series of novels next but then I borrowed this as a library e-book.  I’ve not noticed it much on end of year lists and a few people I know who have read it have been a bit lukewarm about it but she is one of our greatest living novelists so I really should find out for myself .

Lethal White – Robert Galbraith (Sphere)

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I’ve read all the others so of course I’m going to get round to this but I’m a little put off by the sheer size of the hardback so may need to wait until it arrives in paperback.  It does seem to be generally getting the thumbs up but most seem to mention that it is too long.

Take Nothing With You – Patrick Gale (Tinder Press)

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Admittedly I’ve got the odd Gale gap in my reading history but he is one of my Top 10 most-read authors.  I would imagine that this is a quieter, understated, less showy novel than some on display here so I might need to get myself into the right mood for that.  He can absolutely blow me away as a writer but this does not happen every time.

My Love Story – Tina Turner (Century)

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My pick of all the non-fiction I’ve missed this year.  I was a little concerned that this autobiography might have been a little air-brushed but reviews seem to say that this is not the case.  This living legend and performer of one of my 100 Essential CDs got huge publicity for this publication as it was her version of what has been an incredible life.  I haven’t rushed to buy this because I did read “I, Tina” written alongside Kurt Loder and I wondered how much of this was a rehash of that.  But I will get round to it.

Anyone looking for a last minute Christmas present for this reviewer could start here….!