Count Arthur Strong (BBC1 2017) & Count Arthur Strong- The Sound Of Mucus (Nationwide Tour) – A What I’ve Been Watching Review

 

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This week at my local theatre in Shanklin on the Isle Of Wight I had the great pleasure to see live for the very first time Count Arthur Strong who brought his three man show “The Sound Of Mucus” over to the island.

Despite three series of his half-hour comedy shows on BBC television there were still a number of people who were asking locally “Who is Count Arthur Strong?”  It does seem that this comic creation by Steve Delaney whose inspiration stems from some of the comedy greats of the past is still under-rated.

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For the uninitiated the Count began his broadcasting life with in 2005 with “Count Arthur Strong’s Radio Show!” which first brought to attention the  everyday life of this bewildered ex-Variety star.  The TV series is written by Steve Delaney with Graham Lineham and has been nominated for both Comedy Awards and for Best Sitcom at the BAFTAs.  The third series is currently on BBC1 on Friday evenings at 8.30pm.  This is an earlier transmission time which should bring in a younger audience as the Count is perfect Friday night family entertainment.  So far two episodes of Series 3 have been shown. This week’s gave way to Question Time but should be back with us when the General Election has been and gone.

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Predicting the election result?

The first episode of Series 3 saw Arthur roped into carrying out an exorcism and it was amusing but not classic Arthur.  I laughed more at the second episode where Michael (Rory Kinnear) ,whose association with Arthur began whilst researching a biography on Michael’s father (and Arthur’s ex-comedy partner) and who has been stuck with him ever since, was called for jury service and Arthur and odd-ball pals from the local cafe went along to support him.  There have been quite a few classic comedy moments in the previous two series.  Anyone wanting to dip into the world of the Count might want to seek out “The Radio Play” and “Arthur’s Big Moment” from the first series.  In “The Radio Play”, Arthur believes his acting career is due for a revival when he gets a small part in a radio play and “Arthur’s Big Moment” sees him, in a hilariously surreal sequence performing his variety act for a captive audience.  From Series 2 I won’t forget in a hurry “The Days The Clock Went Back” which builds misunderstanding upon misunderstanding and sees Arthur mistaken for a flying instructor in a sequence worthy of the best of “Some Mother’s Do Ave Em”.  Also seek out “Still Life” where Arthur attempts a new career as a living statue – all these have had me laughing until it hurts and so was delighted when he was making a stage appearance just down the road.

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Count Arthur with Michael (Rory Kinnear)

Something I heard somebody say as we left the theatre was “I don’t know why it’s funny, it just is” and that’s actually the joy of Count Arthur Strong.  I think it’s very British humour and seems to be in direct descendant to comedians of the past such as Harry Worth (where there are physical similarities in the hat and coat and from what I remember of Harry through misunderstandings), Hylda Baker (in malapropisms and bungled sentences), a touch of Frank Spencer (in ineptness to function), Tommy Cooper (in his ability to get laughs just standing on stage) and in his pompousness there’s even a touch of  both Captain Mainwaring and  Hyacinth Bouquets  There’s also in its joyful humour and playing with words a childishness which evokes memories of the golden age of children’s television and those people that you either dimly remember or were told about such as Mr Pastry, “Crackerjack” and Peter Glaze, Jimmy Edwards and the humour of “Rentaghost” yet it is more than a nostalgic nod to comedy pasts as it seems rooted in real people.  Like the best of comedy writing and despite its surrealness and occasional flight of fancy it seems authentic  and based upon real  (admittedly eccentric) people.

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Harry Worth most remembered for his shop window routine

Steve Delaney is 63 years old and has been playing this lovable bumbling character for over thirty years from when he was a drama student, down from Leeds and studying at The Central School of Speech and Drama.  The Count was resurrected in the late 90’s where he became part of Delaney’s club act, got the radio show and became a success at Edinburgh Festivals.   It’s been a long process, rather like the whole Mrs Brown phenomenon, another perfect case where I find myself laughing without really knowing what’s funny.

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His stage show “The Sound Of Mucus” is Arthur’s attempt to bring to life that Rogers and Hammerstein musical classic only someone has made a mistake at the printers.  Julie Andrews is suddenly not available to take the stage with Arthur so we have to wait for his friend Renee to arrive on the coach and to do her shopping from Lidl.  It co-stars Dave Plimmer (Eggy from the TV series but here playing stage-hand Uncle Alan) & Terry Kilkelly, as the Count’s PA, Malcolm.  As the show progresses Arthur has a few snifters of his special “Scottish Lucozade” which both loosens and restricts, especially when he has to come to grips with his Sulky Monkey ventriloquist puppet when he aims to re-enact “The Hound Of The Baskervilles”.  The script is both clever and funny and yet I laughed just as much at the moments away from the script, at moments of stillness, even a bench being dragged along the stage..  So did the rest of the audience.  The Count is still a bit of a cult figure and there’s always a danger of the audience not really getting it but he had them eating out of the palm of his hand from the moment he walked on stage.  The response was warm throughout especially when Arthur turned his hand at singing (his version of Bill Wither’s “Lovely Day” was a treat) and when we eventually got to the songs from the “Sound Of Mucus”, “16 Going on 17” had me almost breathless with laughter.

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Steve Delaney taking time off from the Count

The show has quite a few more dates to run over the summer including Plymouth, Weston-Super-Mare, Crawley, Oxford, Derby, Weymouth, Bristol, Margate, Nottingham and finishing off at the Liverpool Empire.  For Tour Dates see http://www.countarthurstrong.com/events/.     If you are an Arthur novice I would suggest watching a few of his clips on “YouTube” to see if this quirky humour is for you.  I certainly had a highly enjoyable evening in his company.

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for both TV and stage show

 

The third series of “Count Arthur Strong” is being shown on Fridays at 8.30pm on BBC1.  Previous episodes are available on the BBC I-Player.  The DVD of Series 3 is released on 17 July.  The first two series are available on DVD.

Peter Kay’s Car Share – BBC1 (2017) – A What I’ve Been Watching Review

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The success of the first series of Peter Kay’s Car Share certainly took the  name-checked star and director by surprise.  It was a much lower-key  piece than we had come to expect from this larger-than-life stand-up.  It was subtle and character-led.  I was talking to a friend about it today who said they watched just one episode and it was like watching paint dry and in a way I know what she meant.  I think expectations were high for another series like “Phoenix Nights” which could make you laugh until your sides ache or something which reflected his live shows with not enough recovery times between jokes.  A series largely composed of two people sat in the car on the way to work needed time to work its magic.  But for those of us who stuck with it, the charm of the piece hit home.  It was almost a case of letting the jokes find you.  There were the big laugh moments but for much of the time this viewer would have little more than a wry smile.  Series 1 won the BAFTA award for Best Comedy and a viewer voted National TV Award.  This was a great surprise to Kay but not, perhaps for the majority of us who are now struggling to find TV comedy funny.  For the BAFTAs it was up against “Peep Show”, which I had given up with quite a few series back and “Chewing Gum” and “People Just Do Nothing”, two shows on smaller channels E4 and BBC3.  Kay’s uncommercial idea was the most commercial of the lot. The audience rating led National TV Award saw him a worthy winner against two comedy juggernauts, long past their prime “Benidorm” and “Birds Of A Feather” and “Not Going Out” of which I’ve seen only one episode.

Peter Kay speechless at the BAFTAs

For those who had stuck with Series 1 and its more leisurely pace Series 2 was an essential.  The relationship between characters John Redmond (Kay) and Kayleigh, his car share partner from the supermarket where they work (Sian Gibson) was simmering nicely.  The warmth generated by these long-time off screen friends was palpable and it was this rather than laugh out loud jokes which made it special.  Series 2 consists of four episodes and once again followed the now more common but radical idea of having all four episodes available on BBC I-Player as soon as episode 1 has been transmitted.  Last time round I watched each episode as they were shown on a weekly basis, not really understanding why anyone would do anything different.  At time of writing two episodes of Series 2 have been transmitted, but for the purpose of this review I have found myself downloading and watching the other two.

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Checking reviewsrevues for a good review?

This series seems to be bookmarked at each end by two quieter episodes.  The first re-establishes the characters, carries on from Kayleigh giving John a copy of her all-time favourite album (Now 48) with a note to listen to a specific track (“Pure And Simple” by Hearsay).  According to news reports the reintroduction of Now 48 to Series 2 caused a huge demand for the 16 year old double compilation CD which led to appearing it on Amazon.co.uk’s Charts on the basis of its second-hand sales alone.  That demand is still continuing.  Now 47 and 49 are in plentiful supply for a penny, yet Now 49 will currently set you back £24.75.  I absolutely love that this has happened on the strength of its mention in a comedy show.

I bet that has got you going off to the CD shelves to see if you own this potential money-spinner.  (I’ve just checked Now 46 is the closest I’ve got).  I enjoyed this first episode with Kayleigh attempting to find her own way to work “I’m in court shoes, I’m not Zola Budd.”  Much of the humour came from the soundtrack of Forever FM and the character’s reactions to the ads and playlist (Eurovision runner-ups Bardo’s “One Step Further” being a little gem here).  The fourth episode has to deal further with the relationship between John and Kayleigh with some knockabout comedy when Kayleigh finds herself locked indoors and a nod towards “La La Land” for the resolution.  Once again there’s musical highspots in Grandmaster Flash’s “White Lines” and Neneh Cherry’s “Buffalo Stance”.  However, in both of these episodes I found myself wishing that there was just a little more to laugh at.

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Get it on E-Bay quick!

What lifted this series were Episodes 2 and 3 for different reasons.  Episode 2 (shown on BBC 1 last Tuesday) set the comedy up with John and Kayleigh on the way to a staff do fancy dress Chinese banquet but then handed the whole thing over to a new character, Elsie, who they give a lift home to dressed as a Smurf.  (“There’s no taxis, it’s the Ramadan”). Costume and make-up were so convincing that I wasn’t sure if it wasn’t Peter doing one of his double roles, which had fooled many people in “Phoenix Nights” days when he played Brian Potter and the bouncer Max.  It turns out that this comedy-tour-de-force was Conleth Hill, best known for his role as Varys in “Game Of Thrones”.  Peter played second fiddle and the result was comedy gold.  But for bigger belly laughs Episode 3, which will be shown on BBC1 this week is a gem.  When John and Kayleigh decide to skive off work for a day it leads to a section which had me laughing like I haven’t done for a TV comedy in ages- a sequence where laugh is piled upon laugh which was certainly nothing like paint drying!

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Not Peter Kay but it could have been!

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Elsie – 2017’s great new comic character

This second series of four episodes has felt familiar and yet surprising.  I love Peter Kay when he is unsubtle (presenting Royal Variety Performance and in the magnificent TV talent show spoof “Britain’s Got The Pop Factor….”), I love his stand-up (made Guinness Book of Records for most successful of all time playing to 1.2 million people) I loved the whole set-up of “Phoenix Nights”, have enjoyed his three number 1 UK hit singles, but admittedly was not wild about his “Max and Paddy’s Road To Nowhere” series.  This revitalised attempt at a very British road trip, a car share journey to work, has seen him once again getting close to comedy gold.

fivestars(On the strength of Episodes 2 and 3)

The third episode of “Peter Kay’s Car Share” will be shown on Tuesday on BBC1 at 9pm.  The whole series (4 episodes) is currently available to view on the BBC I-Player.