Strike: The Cuckoo’s Calling (BBC1 2017)- A What I’ve Been Watching Review

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(To be read in the style of  a Craig Charles “Gogglebox”voiceover) “In a week where a Cookery Programme found its own soggy bottom and lost over four million viewers by switching to Channel 4 we watched lots of great telly”.  I was one of those missing four million as I decided not to tune in to the revamped “Great British Bakeoff”, the first time I have ever missed an episode.  Sometimes you have to take a stance!

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I did, however, watch BBC1’s Bank Holiday potential crowd-pleaser, “Strike- The Cuckoo’s Calling”, the first two episodes of a three parter based on the JK Rowling 2013 thriller written as Robert Galbraith.  I was a little late getting to the novel, having only read it earlier this year and my motivation for doing so was because I had heard about the tv adaptation and wanted to experience the book first.  I wanted my own pictures to form in my head.   I really enjoyed the book and in my review focused in on the warmth and humour in the relationship between down-on-his-luck private detective Cormoran Strike and temporary secretary, Robin.

Much hinged I felt on the casting of Strike, an undeniably larger-than-life character. I got the impression of a kind of man-mountain from the book and at six foot Tom Burke doesn’t quite have the bulk that was in my head.  Best known to me as Dolokhov in the BBC1 “War and Peace”extravaganza, he is perhaps generally best known as swashbuckling Athos in “The Three Musketeers” series.  The 36 year old son of noted thespians Anna Calder-Marshall and David Burke has scooped one of the most prestigious TV roles of the year with the other Galbraith novels already having been filmed for later transmission. 

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Within the first half-hour Burke had become Cormoran Strike as the book-derived image in my head faded and he became the perfect fit. Not quite as convinced by Holliday Granger as Robin, but that will come in time.  After her turn as Lucrezia Borgia in “The Borgias” I’m finding it hard to trust her wholesomeness.  In the first two episodes there was a little less Robin than I was expecting- we had less of her putting her mark onto the office than I remembered from the book and a little less of developing the relationship between the two characters although it took only the odd glance from Strike to make us realise how valuable she is making herself to his enterprise.

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Characters nicely established the plot followed along expected lines.  The presence of acting heavyweights, the great Sian Phillips and Martin Shaw in the cast gave the whole thing kudos and showed the BBC’s commitment to the project.  I was a little concerned after the TV adaptation of “SS-GB” which the BBC had sat upon after filming and put it out without a great deal of fanfare where it limped along somewhat in dark scenes and mumbled lines, but this was altogether a very different proposition.  Liked the music, liked the opening credits, which gave it a moodiness and recalled the opening of some of those great ITC Entertainment series like “Man In A Suitcase” and “Danger Man”.  In days of technological glossy thrillers this seemed pleasantly old-fashioned, making it perfect Bank Holiday viewing, when we don’t want anything too demanding.

There was always going to be an issue with Strike’s false leg and there was a “how did they do that?” moment as well as some obvious cut-aways.  The leg almost feels like a character in the novel so I was pleased it was given air-time here.  It was hard to forget that the television Strike had lost a leg, just as it is in the novel.  I wondered if three episodes would cause the plot to rattle along too quickly but it established a good, steady pace.  I wonder if the decision to film “The Silkworm” and “Career of Evil” as two-parters will impact on the overall pace.  I hope they are going to be hour-longs and not “feature length” as the hour long format seems most fitting for this.  I wasn’t as struck on the book of “The Silkworm” which will air on television straight after “Cuckoo’s Calling”- I felt it was overlong, so perhaps two episodes will suffice.  It is a much darker piece and it will be interesting to see how it translates to Sunday evening television.  I’ve yet to read “Career Of Evil” but I am pushing it up the To Be Read list so I can get to it before it is shown.

With two parts down of “The Cuckoo’s Calling” and one to go I’m looking forward to the conclusion of this.  To be honest, even though I only read the book six months or so ago some of the plot details have blurred in my mind so I’m getting plenty of enjoyment as the story unfolds. It does seem perfect for television, will push up sales further of the three novels and is likely to give the BBC another big worldwide hit.

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Strike- The Cuckoo’s Calling is shown on Sundays at 9pm on BBC1.  The final episode is due to air on the 3rd September.  Previous episodes are available on the BBC I-Player.  “The Silkworm” is due to be transmitted from Sunday 10th.

 

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The Silkworm – Robert Galbraith (2014) – A Murder They Wrote Review

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I read JK Rowling’s first adult crime novel written as Robert Galbraith earlier this year and was impressed.  I thought “The Cuckoo’s Calling” (2013) was highly entertaining and had a generous helping of humour and warmth alongside the crime.  I liked the relationship between dogged private detective Cormoran Strike and his PA, Robin, and felt the whole thing seemed plausible and very real.

“The Silkworm” feels like a bigger novel, in terms of size; in its nod towards Jacobean revenge tragedies; with its literary quotes and setting in the world of publishing and literary fiction and in its more lurid, darker crime.  I so wanted to like it as much as its predecessor but for me it fell a little short.  Perhaps this was inevitable.  I’d always felt the debut Harry Potter novel was better than the follow-ups and with “The Silkworm”, Rowling as Galbraith falls into the same trap as Rowling as Rowling as the pace falters due to the length of the novel.  Both “The Philosopher’s Stone”and “Cuckoo’s Calling” are tightly written little gems but with “The Silkworm” as in the later Hogwarts epics my attention wandered.

Author Owen Quine disappears after his latest book which attacks his so called friends and colleagues is being touted to publishers by his agent.  Is the whole thing some kind of publicity stunt or is something much darker about to happen?  Cormoran Strike, asked by the author’s wife to locate him seems more in control here, fuelled by the success of the case in “The Cuckoo’s Calling” which has brought him greater kudos as a private detective and a continuing difficult relationship with the Police.  Strike has favours he can call in and with Robin still motivated to find out as much as she can abut detective work the reader is confident Strike will solve the crime before the authorities.

Like “The Cuckoo’s Calling” the case is involving and well-plotted but Galbraith here takes a little too long to get to the solution, there’s a few too many meetings with suspects and the literary analysis of the work causing the disappearance makes the book feel not as plausible as last time round and slightly irritated me.  It is no means a failure but now the characters have been established I was expecting a real cracker of a novel and that Galbraith would have me eating out of his/her hand but it didn’t quite live up to my high expectations.

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The Silkworm was published by  Sphere  in 2014

The Cuckoo’s Calling – Robert Galbraith (2013) – A Murder They Wrote Review

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A lot of people read this novel on publication assuming Galbraith was a debut novelist and word of mouth about this exciting new talent grew, ensuring it sold well.  Then, it was revealed that Galbraith was none other than JK Rowling dipping a toe into the murky waters of adult crime fiction and sales exploded.  With hindsight, there is in its focus on the relationship between characters and its awareness of popular culture and celebrity enough to suggest a female author at work, but then the main character is so well drawn with an awareness of the foibles and shortcomings of the male species that it feels like he must have been created by another man, so the subterfuge was convincing.

Cormoran Strike is certainly a larger than life character whose vitality is central to the success of this novel.  He is the result of a rock star’s fling with a supergroupie.  Following army service in Afghanistan, where he lost a leg he has given up his military career and become a fairly unsuccessful private detective.  He’s physically large, known to his acquaintances by a range of nicknames, is failing in a relationship with a woman better looking than he thinks appropriate and is struggling to cope with the ramifications of that relationship’s demise.  Into this comes a temporary secretary, Robin, and a case concerning the death of a model which just might enable Strike to make his mark.

“The Cuckoo’s Calling” is a rich, highly entertaining novel which given its crime tag has more than its fair share of humour and warmth.  The relationship between Cormoran and Robin, the employer whose life is in tatters and the employee who steadfastly attempts to ignore her boss’ shortcomings whilst finding herself drawn into his investigation is very strong and demands further adventures.  The case is well-thought out and keeps the reader guessing.  Rowling has spent many years now in the privileged realm of the multi-millionaire world renowned author yet her down at heel detective and the world he inhabits feels plausible and very real.  True, there is a lot of wealth in the case with paparazzi, fashion designers and the super-rich all playing their part but throughout I was rooting for the so likeable but so often unappealing Cormoran Strike.

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The Cuckoo’s Calling was published by Sphere in 2013