Stronger (2017)- A What I’ve Been Watching Special

 

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The good folks over at Nudge-book.com in conjunction with publicists Thinkjam contacted me regarding a book to film adaptation.  Due to unforeseen circumstances the book has not yet arrived but I have had the opportunity, thanks to Liongate to view the film which opens this week.

Stronger is the real-life story of Jeff Bauman who, in an attempt to win over his ex-girlfriend decided to stand at the finishing line of the Boston Marathon in 2013 with a congratulatory poster praising her achievement.  This meant he was at the wrong place at the wrong time as a terrorist bomb explosion shattered his life and led to a double above-knee amputation.  “Stronger” is the tale of Jeff’s attempts to fight back and get his life back on track.

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To be honest, this is not the sort of film I would normally seek out.  It makes for tough viewing and there is little in the way of light relief but it is undeniably very well done.  The film is directed by David Gordon Green, a screenwriter and producer, who has worked in different film genres and also in television since his critically acclaimed 2000 debut “George Washington” (not about the President) which he wrote, directed and produced.  It stars Jake Gyllenhaal as Bauman and Miranda Richardson as his mother, Patti.  Both performances deserve to be given consideration at Oscar nomination time.

We first meet Jeff in the middle of a losing streak.  His relationship with Erin has ended, he is botching things up in his job as a chicken roaster for Cost Co, he’s living with his mother who has a drink problem and socialises with a group of boorish macho sports fans.  His relationship has ended because “he never shows up”, the irony being when he does show up to cheer Erin on he gets blown up. 

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I do think that this is a film which will resonate more with an American audience.  There’s an entrenched Americanness which is inescapable.  It’s rooted in American working- class culture, depicting Jeff as an ordinary guy, which here comes across via sport, beer and macho male banter.  I did initially feel quite distanced.  There’s also the American sense of “Gung-ho” and flag-waving patriotism which we British viewers find a little strange.  In many ways the film does challenge this.  In a very unsettling scene Jeff has become a beacon of hope for the Boston community and the embodiment of the “Boston Stronger” campaign.  He is asked to come on to the rink with a flag at an ice-hockey game far too early in his rehabilitation and is unable to accept the title of “hero” which is bestowed upon him.  His family find this difficult to comprehend leading to a showdown with his mother when she invites Oprah Winfrey to interview him.

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The whole thing is extremely sobering and powerfully brings home the long- lasting repercussions for Jeff and those around him.  A couple want their photo taken with him because they seem him as an example of “don’t let the terrorists win”.  Jeff’s response is that the terrorists have won- they have taken his legs from him.  It’s not possible to watch without sensing that taste of bitterness in the mouth.  A scene of reckless behaviour whilst drunk and high and the official response to it would have seemed too much if it was not obviously rooted in truth.  None of this makes for easy viewing.

We can tell from the title and the existence of an autobiography that at some point Jeff has to begin to put his life back together, but it does seem a long time coming.  A long-delayed meeting with the man who saved his life begins that process and we are left, inevitably and thankfully, with a feeling of hope for this extraordinary survivor.

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Jake Gylennhaal is a fair chunk older than Bauman who was 28 at the time of the bombing but he gives the part the right sense of experience and gravitas to make the painful scenes plausible yet watchable as it is hard to keep your eyes off him.  Moments where I felt an urge to close my eyes (there’s removal of bandages) I found myself fixed on Gylennhaal’s reactions.  Tatiana Maslay as Erin is so often the voice of reason and Miranda Richardson as his mother plays a significant part in the success of the film.

DSCF7354_RJake Gylenhaal with Jeff Bauman

It’s not an easy film to watch and would certainly not be first choice for a festive night out but one man’s determination to succeed should entice audiences.  I did emerge from it feeling like I had been pulled through the wringer but Jeff Bauman’s fight-back deserves to be told and this production has done his real-life story justice.

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Stronger is released in cinemas nationwide in the UK on December 8th.  View the trailer here. Many thanks to Nudge for the opportunity to do this.

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La La Land (2016) – A What I’ve Been Watching Review

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Now here’s a confession………..In the last 10 years I have been to the cinema exactly twice.  I saw “Dreamgirls” which I loved and “The Grand Budapest Hotel” which I didn’t.  It wasn’t so bad that it put me off going but the two cinemas where I live on the Isle of Wight are not exactly local and the running of the guest house meant that I did not often have the leisure time to go to the cinema and when I did have the time sitting in a darkened room with an overpowering smell of tortilla chips and popcorn was not top of my priority list.  It’s not that I don’t watch recent films, it’s just that by the time I get my act together they are out on DVD anyway.

So, was it this much-hyped film which caused me to return to the multiplex after so long an absence?  You might conclude that seeing one of the last films I ventured out to see was a musical.  You might think “he’s a musical buff waiting for the right film to come along”.  Fair assumption, but it’s largely wrong.  The main reason was 2 for 1 cinema tickets for a year thanks to those meerkats and a switched insurance policy when I moved from the guest house.  They can be used on Tuesdays or Wednesdays and I’ve had them three months already and not had time to use them.  This week I merged the fact that I was available on a Tuesday with more than a passing interest in what this film is about and returned to La La Land.

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I’m not sure what my preconceptions about this film were or really knew why it was receiving such critical acclaim.  When I returned from the cinema I discovered it received the highest ever Oscar nominations for a musical beating Mary Poppins and is up there in the all-time list of nominations ever.  Is it partly to do with a need for escapism in a nervous post-Brexit vote, Trump-ridden world.  I cannot normally predict what my response to musicals are, I’m a little wary of relating to actors not known for singing and dancing (Ryan Gosling).  Sometimes (in the case of “Les Miserables” I’m blown away, other times “Into The Woods” springs to mind I’m seriously underwhelmed).  There’s also my ultimate can’t make- up- my- mind- about- it movie that fits into this category.  I’m strangely fascinated by “Moulin Rouge” but watching it makes the hairs stick up uncomfortably on the back of my neck and my hands go clammy with what I think is embarrassement.  Part of this response is the way in which familiar pop songs are used in a manner reminiscent of the old children’s TV favourite, the “Crackerjack” finale with Peter Glaves and Ed “Stewport” Stewart fitting chart songs into some lame comedy sketch but I discovered I did not need to worry about this.  “La La Land” has its own score of surprisingly melodic songs which work really well in the context of the film and a couple which might last beyond that.  (The Oscar panel seem to think so as two are nominated for Best Original Song “City Of Stars” and “Audition”).

I was nervous about the two leads but needn’t have been.  Ryan Gosling (Seb) has charm if not brimming with charisma and Emma Stone (Mia) is well cast.  I’m not totally convinced that both should be up there for Best Actor Awards but there is undeniable chemistry between them.  (They have worked together in films before).  The singing is okay and much of the dancing is up to mid-season level of “Strictly Come Dancing” but it all works well.  Some of the quite elderly audience on this Tuesday afternoon showing were expecting Fred and Ginger all the way, but it’s not and that needs to be accepted if you are going to get the most out of it.

Undeniable chemistry between Ryan Gosling and Emma Stone

It does come out of the stalls running with a colourful, brash choreographed traffic jam scene which is visually very impressive and the first half of the film certainly lived up to the audience’s expectations of a musical.  By mid-way through the story had moved to more standard boy meets girl/loses girl fare and there was momentary snoring in the audience (now I remember why it’s been ten years – other people).  I think the audience (and maybe me if I’m honest) expected the glitz and glamour of the first half to last but then it might have ended up a visually impressive but ultimately shallow experience.  We had the glitz, then we had story, with an alternative story glitzy ending which made a lot of sense.  We can’t have too much of a good thing – it is 2017 after all!

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I enjoyed John Legend’s contribution to the film which gave it a more contemporary feel and I loved  that it was a film about passion, for acting in Mia’s case and (especially) for Jazz in Seb’s.   There’s a quote in the film, and I don’t have it verbatim (I wasn’t taking notes!) when Mia is persuading Seb to follow his dream and open a jazz club which he thinks would be unprofitable about how people are seduced by the passion of others and this rang very true with me.lalaland7

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All in all I had a really good couple of hours.  It has brought me back into the world of cinema, which I adored for most of my life so really not sure what this hiatus has all been about, other than I got out of the habit of going.  I don’t think “La La Land” will be the best film I’ll see this year but I’m certainly praising it for triggering my latent enthusiasm and getting me back to the cinema.  I’ve already made a mental note to seek out “Figures” starring the excellent Taraji P. Henson (Cookie in “Empire”) as soon as it comes out.

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The Amazing Mr Blunden (1972) – A What I’ve Been Watching Review

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An early morning Easter treat was on BBC2 on Bank Holiday Monday.  This is a film often tucked away in the off-peak schedules at holiday times.  When I first saw it as a child on its cinema release I became quite obsessed by it and have watched it quite a few times since and find myself looking out for it at Christmas and Easter.

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Based on the book “The Ghosts” by Antonia Barber (it was republished with the film’s title on its release- I know this as I had a much thumbed Puffin copy) the screen version was written and directed by Lionel Jefferies whose profile was hot after his much praised appearance as Grandpa in “Chitty Chitty Bang Bang” and who had garnered much critical and popular acclaim with his previous job at directing “The Railway Children” in 1970.  At the time I wasn’t that excited about that film because it came out too soon after a BBCTV serialisation (which also starred Jenny Agutter) that I much enjoyed and I really didn’t see the point of them releasing a film.  In later years I’ve revised my opinion as it is a lovely family movie but I also still have a strong attachment to “Mr Blunden” which on its release I vociferously preferred.

Dating from 1972, it seems earlier, especially in the early sequences set in Camden Town.  The print that appears on television always looks a bit dodgy in this section (would they have been filming on videotape then?).  One evening in 1918 a strangely out of place elderly gentleman turns up at a depressed looking basement flat to offer its occupants the job of a caretaker of a large, deserted house in Langley Park with free accommodation in a nearby cottage.  The offer is taken up by the mother and her three children (baby Benjamin need bother us no more) but Lucy (Lynne Frederick) and James (Gary Miller) will.  There’s heavy hints that this gentleman, a solicitor named Mr Blunden, is a ghost but I can recall that on my first viewing I didn’t pick up on this until quite some way into the film- Oh the naivety of youth!

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Once on the Langley Park estate we move into time-slip territory when two child ghosts from 1818 make an appearance and enlist the help of Lucy and James to try and change events.  This is what I would have loved as a child- anything to do with moving time fascinated me.  (“Tom’s Midnight Garden”, the truncated time of the Narnia Books.  Anyone remember the ITV series “Timeslip” with a barrier to different eras?  I adored all these).  The youngest boy, Georgie, is heir to a £30,000 fortune and in 1818 people want him out to the way.

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                    Lynne Frederick & Gary Miller    

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Madeline Smith & James Villiers

There’s familiar faces from the time – Lynne Frederick appeared regularly on television (this was her first film) and went on to marry David Frost and Peter Sellers.  James Villiers made a good living playing cads and Madeline Smith, a regular in everything from “The Two Ronnies” to Hammer horrors plays his child-like bride with aplomb.  There are two scene stealers, however, Deddie Davies as the put-upon cringing skivvy Meakin and an absolute revelation of a performance from ex-glamour puss and British national treasure, Diana Dors playing the hideous, warty and wicked Mrs Wickens.  This was her biggest part in a long time and reminded moviegoers who knew her more as a celebrity and via tabloid headlines that she was a great character actress.  If anything, I think she is underused in this film as she steals every scene she is in.

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Diana Dors & Deddie Davies

Watching this again I had a wry smile at the Isle Of Wight being advocated as an ideal honeymoon resort (“Cor, Strewth! The Isle Of Wight!) exclaimed Arabella and anyone wishing to follow up on this could do worse than follow the links to my guesthouse found on the side of this post.

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Wickens!!!!! Diana Dors and David Lodge

It all ends satisfactorily with a climactic fire scene which is better than the special effects capabilities of 1972 might suggest and I absolutely love the credits.  The fourth wall is broken down and the cast wave to us in turn and thank us for watching.  I adore this and think it should be the compulsory way to end things.  Even the near-perfect “Happy Valley” might have been improved by Sarah Lancashire, James Norton et al smiling and waving at us in the credits!  After watching this film I felt I’d had a real Easter treat and it helped me get over the disappointment of finishing all of my Rolo Chocolate Egg the day before.

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The Amazing Mr Blunden was shown on BBC2 on Monday 28th March.  It is available to buy used and new  as a DVD from Amazon.