The Adventure genre has calmed down somewhat since its mid noughties peak when Dan Brown and a host of similarly slanted authors dominated best-seller lists. I read quite a few of these at the time but found they became too samey, I wearied of reading about symbols of great powers but hidden meanings, Nazis, a myriad of locations and often confusing plot lines.
I was, however, tempted by this title I selected from a list of upcoming publications, the first of a trilogy entitled “The Black Sun”. I thought its French slant (this is a translation) might just breathe new life into a genre which was in danger of becoming stale. Eric Giacometti worked as a journalist and was involved in the uncovering of French medical scandals before teaming up with Jacques Ravenne and writing according to the blurb “over 15 books together” (I really don’t know why this is such a vague statement!). This was originally published as “La Triomphe Des Tenebres” and has been translated by Mauren Bauchet-Lackner.
Have the authors breathed new life into this genre? Well, here we have Nazis chasing symbolic artefacts which will give them ultimate power in a novel which switches from location to location just as each section starts to get good. So, the answer to that is sadly no.
A discovery in a Tibetan cave encourages the outbreak of World War II and leads to a belief by some in power that if similar treasures are tracked down the Third Reich will become unstoppable. In the way of the Nazis is a French mercenary, Tristan, fresh from his involvement in the Spanish Civil War, a British SOE team and French resistance fighters. The action feels distinctly stop-start to begin with and there are some examples of Nazi sadism that the authors certainly do not shy away from.
The success of books in this genre lies for me in whether the author makes me care about multiple plot strands and shifting location settings and the secret behind getting me to care is often in characterisation. To begin with I found everybody cardboardy but by the end I was beginning to be drawn in enough by them to make me interested in the next part of the trilogy, but the characters, good and bad did take a while to establish themselves which may cause readers to fall by the wayside.
This was a very flooded market ten years ago so whether a title which isn’t fundamentally different from what we were reading then will resonate much in the UK today is another matter. I think it being the first part of a trilogy might help as readers may come to feel invested in the authors’ perceptions of the War Years.
The Four Symbols will be published by Hodder & Stoughton as an e-book on 14th May 2020 and as a paperback on 3rd September. Many thanks to the publishers and Secret Readers for the advance review copy.