The Lost Brother – Susanna Beard (Joffe 2021)

I have saluted the UK publishers Joffe here before for the sterling work they have been doing in lockdown to provide very affordable good quality commercial fiction.  This new publication which they invited me to review is the fourth novel by Susanna Beard.

It begins in the summer of 1987 when it is decided that 12 year old Ricky should, in the New Year, attend the same boarding school as his father did – in South Africa.  This fills Ricky with horror, he does not want to leave the UK and does not feel he is the right sort of person for boarding school but is particularly unhappy because of his close relationship with his 10 year old sister Leonora, and the thought of leaving her with his cold, cruel father and emotionally distant mother.  No amount of cajoling on the children’s part can stop the inevitable and once Ricky has left their father is determined to drive as big a wedge as possible between the boy and Leonora.

This novel is about the damage families can do to one another alongside the lasting bond of a positive sibling relationship.  Characterisation is solid and the sense of desolation endured by the separated pair is conveyed very effectively.  Leonora has always experienced synaesthesia, in her case letters are represented by colours, which is an unusual device on the part of the author but one which I wish had been made more of as it feels slightly under-realised.

The plot is always involving.  As the years pass the brother and sister are unable to forget how much they mean to one another as circumstances continue, through twists, to keep them apart.  Although I did not feel the ending was as “electrifying” as the cover suggests it all added up to a very satisfactory reading experience.

The Lost Brother is published on 11th February 2021 by Joffe Books.  Many thanks to the publishers for the advance review copy.  

The Greenway – Jane Adams (1995) – A Murder They Wrote Review

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I have recently become aware of and pretty fascinated by independent UK publishers Joffe. They seem to be rewriting the rules of publishing and as a result are doing extremely well with 2.2 million books sold in 2019 from 116 books published in e-book editions with big plans to launch paperbacks this year. They develop a fan-base for their authors by drawing readers in with free and low-price offers. Proof this works is suggested by the latest title from one of their biggest authors Faith Martin (2 million books sold and rising) which is currently sitting atop the Bookseller monthly E-Book ranking with another of their authors (Joy Ellis) at number 4.

I picked up ten free titles recently on an excellent one-day offer many of which are debut crime novels. I’ve sung the company’s praises now all I have to do is read one of their books, which up to now I haven’t done. They have also purchased a number of backlist titles and relaunched them and this which was first published by Macmillan in 1995 has been revised by Joffe in 2019. It is the first of a series of four novels published by them featuring detective Mike Croft.

Set in a small town about 15 miles from Norwich, it opens with a dream sequence (which is not my favourite way to open a novel and there are actually quite a few dreams in this) but then settles into introducing Cassie returning with her husband and friends for a break in a place that 20 years before as a child she’d visit frequently to stay with an aunt. This ended abruptly when her cousin disappeared from a wooded passage known as The Greenway. Cassie returns to deal with demons from the time and when another child disappears under similar circumstances we have a case for recent arrival Mike Croft.

The tension is especially well cranked up at the beginning but that dissipates somewhat once we get into the police procedural aspect. The rural location has a history of supernatural legend which Adams touches on nicely from time to time and I particularly enjoyed the relationship between Croft and Tynan, the retired detective from the earlier case. I hope that this is something developed in the future novels. I found this a satisfactory crime thriller experience and will certainly look out for further titles by this author. Fans of the psychological thriller genre will find lots to enjoy and I like it that Joffe are giving their readers opportunities to discover their authors on their publishing list for little or no cost. If you haven’t read a Joffe title perhaps it is time to explore these innovative publishers who have certainly been doing their bit to keep readers occupied during lockdown.

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The Greenway was originally published in 1995. I read the 2019 Joffe e-book edition.