Radical Love – Neil Blackmore (Hutchinson Heinemann 2023)

Neil Blackmore’s latest novel is set in Georgian London.  Radicalism is in the air- spread by seeds sown in the French Revolution.  Established ideas are being questioned, slavery has been abolished, it seems like the start of a new age.

Only it’s not, the rot is still there and hatred and prejudice still prevalent.  William Wilberforce, celebrated for his achievements in ending slavery still placed black dinner guests behind a screen to keep them separate from the white diners.  Main character and narrator John Church has set up his own place of worship, the Obelisk, to preach tolerance in well-attended services which attracts free thinkers as well as those unimpressed by his motives.  For many the limits come with any suggestion of acceptance for homosexuality and yet molly-houses thrive.  John Church accepts an invitation to attend rooms above a pub where he will attempt to alleviate some of the gay shame and self-hatred by marrying any men who wish to be coupled with one another.  Is he beginning a path of greater acceptance in London or is this just a step too far?

What I like very much is this reclaiming of history, of developing the true stories behind the established facts, as certainly here the novel is based upon actual events.  Over the last few years this has been done very successfully by Black British writers. Paterson Joseph and his “Secret Diaries Of Charles Ignatius Sancho” (2022) and Sarah Collins’ “The Confessions Of Frannie Langton” (2019) immediately spring to mind. Neil Blackmore does this to an extent with black experience but particularly here with gay men’s stories.  Tom Crewe has done similar so successfully earlier this year with “The New Life” (2023) and Blackmore attains a high standard with this.

If you don’t already know about John Church (and I didn’t) greater pleasure will be had from this book by not finding out too much beforehand, especially as in his main character the author has created a gloriously untrustworthy narrator.  We can tell from the start that this is a man of contradictions and it is with great relish that these contradictions are brought to life.

This probably comes as close as a novel is going to get this year to being five stars without me actually awarding my top rating.  (I don’t believe that was because the review copy I was sent was so badly formatted that it did affect my reading flow and thus some of my enjoyment, luckily the book rattles on at such a pace the effects of this were diminished) but I think with John Church so central we only see the other characters from his (sometimes) off-skew perspective which doesn’t give them as much chance to shine as I would have liked.  The radical aspects come across strongly, are well balanced and the ideas very accessible (more so than Tom Crewe’s novel, actually, which is set in a repressed Victorian London of the late nineteenth century).  I also feel that, Neil Blackmore is here just like a cat that toys with a mouse for just a little bit too long before going for the kill in his development of his plot.  It is full of appalling hypocrisy, there’s hope and despair but above all a vivid bringing to life of a forgotten man whose attempts to find and bring love to Georgian London produce this extraordinary tale.

Radical Love will be published on 1st June 2023 by Hutchinson Heinemann.  Many thanks to the publisher and Netgalley for the advance review copy.

Black Drop – Leonora Nattrass (Viper 2021)

It’s London in 1794 and those with power are nervous. A fragile treaty with America is being attempted, relations with France have become further rattled by events following the French Revolution, and their own subjects fill the pungent air with talk of sedition and treason. This provides the starting point for Leonora Nattrass’ historical  debut novel.

Nattrass has combined fictional characters with those really around at the time and provides us with a useful cast list at the beginning (I consulted this a number of times).  Largely the confession of Foreign Office clerk Laurence Jago, who is hiding his French ancestry and offering information to a shadowy female spy (an underdeveloped character I felt here and perhaps the only one the author does not bring fully to life).  Jago becomes implicated in leaking information which would hurt the British army in France but he is innocent and the house of cards he had built up around himself begins to fall.

This is Jago’s narrative throughout and he meets some lively characters, most notably Philpott, a loyalist journalist who the author states she based upon William Cobbett, who brings a lot of life to the scenes he is in, including one set in a menagerie.  There’s much political intrigue in this well-researched novel but I found it most gripping away from the main plot to uncover spies when it deals with the human cost and the changing loyalties of the volatile mobs.  A trial for treason follows closely along historical facts and involves the Prime Minister William Pitt and provides a high point of the novel.  The title refers to a laudanam type medicine Jago becomes addicted to but this is somewhat underplayed.  This is a strong debut from a promising author.  There were, admittedly, times when my attention wandered but I was pulled back in and found myself caring about the outcome for these characters.

Black Drop is published by Viper on October 14th 2021.  Many thanks to the publishers and Netgalley for the advance review copy.

Hot Stew- Fiona Mozley (John Murray 2021)

Fiona Mozley’s debut “Elmet” was my pick from the shortlist for the 2017 Booker Prize which I described as a “traditional, poetic, literary novel which packs a good punch”.  I found it haunting with a sense of timelessness about it all and that “plot and characterisation gives it a commercial pull”.  It lost out to George Sanders’ “Lincoln In The Bardo” which in my opinion fell short of Mozley’s achievement.

Here comes her second novel and it is very different from the first showing an author with real versatility.  The rural lyricism is replaced with an episodic, very urban tale.  I was impressed enough by this prospect to make this book one of my potential highlights of 2021 in my Looking Back Looking Forward post.  First things first, I did very much enjoy it.  It’s written in the present tense which is something I don’t always warm to but here it is very readable.  It’s been picking up very good reviews but I don’t think there’s anything within it which will remain with me in the way “Elmet” did.  I liked the feel of a harsher world in the debut which gave it, I felt, a 1970’s air, here, although the setting is also contemporary it has an 80’s feel as redevelopers threaten the traditional ways of life in Soho.  The echoes I felt here stirring in my subconscious was of Nell Dunn’s 1981 play “Steaming” where a group of women stand up against eviction.

Fiona Mozley introduces us to a range of characters, perhaps the central is Agatha, aiming to redevelop the investments of a father she never knew.  Of all of the characters she feels a little cartoony.  Pitched against the pretensions of big business is the oldest profession in town represented by sex workers Precious and Tabitha who lead the resistance against eviction.  A group of homeless people residing in a cellar under the brothel and regulars of a local pub add to this hot stew of characters.  Not all characters contribute much to the central plot and so exist as vignettes of their lives in and around Central London.  It’s all likeable and in a way I can appreciate those that are seeing this as modern day Dickens but it all feels a little unresolved which Dickens would not be.  I am certainly applauding an author prepared to go off in a very different direction for a second novel and her publishers who have supported her in this.

Hot Stew is published by John Murray in the UK on 18th March.  Many thanks to the publishers and Netgalley for the advance review copy.

London Belongs To Me- Norman Collins (1945)

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This is a book I read as a teenager. I can remember the quite plain but striking blue covers of this British author’s work in the public library of my youth and I either read this just before or after an ITV adaptation from 1977 which featured a very memorable Patricia Hayes and which I loved. There’s also a 1948 film version which stars Alastair Sim and Richard Attenborough which is good but hasn’t lingered as long in my memory as the book and TV series.

These memories were brought to the forefront when I found Norman Collins listed as one of Christopher Fowler’s picks in his “The Book Of Forgotten Authors” (2017). Collins (1907-1982) was a fascinating, very twentieth century character. His writing career saw him working for the Oxford University Press, editor of “The Daily News”, a role which Charles Dickens (quite significantly) had taken before him and deputy chairman of Gollancz publishing firm. Moving to broadcasting in the early 1940s he moved up the ranks in the BBC to being in charge of the Radio Light Programme where he created the immortal “Dick Barton-Special Agent”. Not long after this novel was published he was Controller of the fast-growing world of television and in the early 1950’s helped set up the Independent Television Authority becoming one of the important early figures of ITV. Throughout this time he was publishing with a total of 16 novels and two plays of which the vast majority are now out of print. This book and his London set “Bond Street Story” are the most significant of his works.

Rereading this many years on I think it is excellent. I highlighted the Dickens reference earlier because Collins’ writing style is reminiscent of a mid-twentieth century Dickens, the way he pulls back as narrator, gives us overviews and then focuses back on a set of very memorable characters in this London setting feels appropriately Dickensian. It’s a real warm hug of a book focusing on a group of residents of 10, Dulcimer Street, Kennington over two years from Christmas 1938 to Christmas 1940.

It is a closely observed novel with no real ongoing narrative drive or issues other than the lives of the characters. This gives it a feel of early soap-opera and that again has the feel of Dickens. It doesn’t have the burning social issues of the Victorian novelist but it works beautifully as a commentary on everyday existence. With its focus on ordinary folk at a time of uncertainty making their preparations for war it is first class and its sense of impending doom whilst the everyday continues resonates with our recent events.

And there’s great characters. The kindly, stolid, central Mr Josser, struggling home with a retirement gift clock at the very beginning, the canny canary-loving Miss Coke and the charlatan spiritualist Mr Squales will linger on in the memory. There’s a German spy who pops in for the odd vignette who seems a little out of place and the adenoidal glutton Mr Puddy’s speech patterns might have worked better in its day but he is still a character to be reckoned with. There’s also the unsettled youth Percy Boon whose involvement in a crime is the closest the novel gets to a central thread involving all the characters in some way.

At over 700 pages of quite small print in the Penguin Modern Classics paperback edition this is lengthy but it’s a real treat and I felt quite sad coming to the end. If Norman Collins has other books of this quality in his canon (Christopher Fowler’s favourite is “The Governor’s Lady”) then this is a seriously under-rated author due for a revival with this five star twentieth century classic leading the way.

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London Belongs To Me was first published in 1945. I read the Penguin Modern Classics paperback edition.

Incendiary – Chris Cleave (2005)

 

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When I read Chris Cleave’s 4th novel “Everyone Brave Is Forgiven” (#5 on my Books Of The Year 2017 and one of my 100 Essential Reads) I said “I can tell that this writer is going to be spreading much more delight my way” and it has taken me this long to find out whether this is true as I have just read his debut novel. Back in 2005 he was being heralded as a major new voice as this picked up a Somerset Maugham Award for writers under 30.

I’m not surprised this made an impression as it certainly feels original and I can say I’ve not really read anything like it before. The whole thing is written as a letter in a chatty, self-deprecating style from a young mum which would certainly not be out of place in a chick-lit novel. The narrator (whose name we never know) is a highly memorable vibrant character, but, here’s the twist, the letter is being written to Osama Bin Laden and the woman has lost her policeman husband and four year old son in a terrorist attack.

Immediately there is a tension between the style and the content which adds much to the power of the piece. The fictional atrocity obviously both changes the woman’s life and everyday life in London as barrage balloons take to the skies and curfews are set up. Written over a year she addresses this to Bin Laden in order to get the victim’s point across in an extraordinary fashion that manages to be chilling and at times laugh out loud funny. Within this Cleave has much to say about guilt, class, our society and treachery. Unsurprisingly, the humour is very often black and the novel does take on an increasingly nightmarish quality which inevitably bubbles over to another situation fuelled by fear and panic. At this point I did feel temporarily distanced by the action but the author did draw me back in to an extent for the concluding section.

I was impressed with this easy style to express such darkness and at times felt guilty about how much I was enjoying it. The dark subject matter does lead to a disturbed, unsettled feel. You never quite know in what direction the narrator will pull the story. “Everyone Brave Is Forgiven” is a much more straightforward work with an excellent creation of wartime London based on the author’s personal history and has great richness and depth in plot, style and characterisation showing how the writer matured over the years between that and this but there is no denying the power and audacity of Cleave’s debut.

fourstars

Incendiary was published by Chatto and Windus in 2005. In the UK its publication date was 7th July, disturbingly and coincidentally the same day as the London bombings which killed 52 and injured over 700 which certainly would have affected responses to this book from those who came to it soon after publication.  I read a 2009 Sceptre paperback edition.

Ten Second Staircase – Christopher Fowler (2006) – A Murder They Wrote Review

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Christopher Fowler is the clear leader on my most read authors list. Since first discovering what is still my favourite of his books, the Faustian “Spanky” as a new publication in 1994 I have now read 16 of his works. He is strongest with horror novels with dark comic undertones, both “Soho Black” and “Calabash” have impressed me and last year I was inspired by his “Book Of Forgotten Authors” to make a reading list from which I’ve sampled so far Patrick Dennis, Margery Allingham, Edmund Crispin and Barbara Pym.

Since 2003 Christopher Fowler has really established himself with a crime series featuring elderly detectives Arthur Bryant and John May from The Peculiar Crimes Unit. I have read now four of the to-date 18. This is obviously a very successful enterprise for him – I have still to be convinced.

In a number of ways these novels strengths are also their weaknesses. This is written with a playful quirkiness which when it works well explores the puzzle-solving aspect of the crime novel making the author’s role in manipulating and misleading readers more explicit but there is a danger this can make the book seem gimmicky. There’s also an odd use of time which I find disorientating. Nobody knows how old Bryant and May really are but judging from what they say about their past they are very old indeed which makes them feel less plausible as characters in this modern-day setting. But does that matter? Well, it does and it doesn’t. The plots are led by the detectives’ eccentric approaches of dealing with crime with much referencing to their past and sometimes this feels like a distraction to what is going on.

What is done well is London itself, whose history and mythology is incorporated to give a sense of timelessness to the piece. It can at times feel like an alternative reality novel where octogenarians are still putting themselves professionally into precarious positions but it is not as references are regularly made to past events we all know about. It’s clear from the above that I am still struggling to make full sense of the concept and feel of this series.

In this fourth instalment a killer in highwayman garb is killing celebrities which may possibly have links to an unsolved crime Bryant and May were involved with decades before which ended in personal tragedy for them. It begins with their immediate boss contacting the Home Office to get the detectives removed because of their age and competency and Bryant goes on to show how out of touch he is with the modern world when he addresses a group of private school boys where neither his past nor the boys’ present rings true to me. It twists and turns with some memorable characters along the way, yet at this stage, some of the series regulars are still feeling underdeveloped (but admittedly, I do have a lot of the series to go).

Summing up, I very much enjoyed aspects of this book but its unorthodox approach to crime solving did cause my interest to wane. I think it is better than both the first and third of the series neither of which I particularly enjoyed and I do feel that there is so much potential and that seeds are being sown which will elevate this series once I get more of a complete grasp of what is going on.  My befuddled view is reminiscent of what I felt about much of the BBC TV adaptation of “Sherlock” and look how popular that became. I wouldn’t have read 16 books by this author, however, if I didn’t feel in some way committed to his writing (and I do have a few more unread copies of this series on my shelves) so I’m not giving up yet.

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Ten Second Staircase was published by Doubleday in 2006

The Five- Hallie Rubenhold (2019) – A Real Life Review

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I like this author.  A previous work of hers “The Covent Garden Ladies” (2006) a study of Victorian prostitution ended up in my Top 5 Books Of The Year when I read it in 2011.  I very much applaud what she has set out to achieve with this new meticulously researched work but I would give her earlier publication the edge.

 “The Five” attempts to redress a wrong which has existed for 130 years- the public perception of the five women believed to have been killed by “Jack The Ripper”.  From the early press reports, to the way the case was handled, to the coroners’ reports and the development of the whole macabre industry which has built up around the perpetrator these women have been misrepresented.  They have become very much the foils to The Ripper’s dastardly crimes, their whole lives tainted by the sordidness of their demise.  They have been labelled “prostitutes” with an implication that they may have invited or deserved their fate.  Their individuality and humanity has been forgotten in the telling of a lurid tale.

 Through the sifting of contemporary reports, including the patchy coroners’ transcripts, newspapers and journals and the census returns which all provided a deluge of contradictory evidence Hallie Rubenhold has explored each of the five women in turn and tracked their lives to the point where they ended up, completely out of luck, in the Spitalfields area in 1888. 

 The most horrific thing which runs throughout is how the lives of the Victorian working classes were so on edge, one change of circumstance and a downward spiral was begun from which there was no escape.  This was especially true for women where the miseries of lost loves, dead children, loss of reputation etc. could lead to turning to drink and from then on there was little hope.  And, despite the odd bright moments in most of their lives this is what happened to Polly Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly.

 The author has certainly achieved her aim in giving them a different place in The Ripper story and used the evidence well to bring them back to life.  The nature of the type of evidence she is using after 130 years of them being treated differently means that looking back after finishing the work I felt that individually they blurred into one another.  The author might not have found their voices individually but certainly as a group I very much felt their presence.  Little is actually known about the last victim Mary Jane Kelly, who lived her life enigmatically as many who became lost in Victorian London chose to do.  This is where non-fiction can let us down, lack of information leads to more generic non-specific writing thus affecting the narrative flow which a novelist would enjoy in bringing their work to conclusion.  I think this was why I wilted a little as a reader towards the end.

The character who is kept very firmly in the shadows throughout is Jack The Ripper himself, moving in only in the last few lines of each section.  I understand and applaud this but I don’t know as much about The Ripper Cases as the author assumes I do and by keeping the perpetrator so far in the background I feel I need to know more about what actually happened and how it was dealt with and to do this I’m likely to have to read one of the works Rubenhold is challenging.  But when I do I know I will have this author’s new perspective in mind and will not forget that these women existed and lived a valuable life before perishing in the London streets.

fourstars

 

The Five was published in hardback by Doubleday in February 2019.  It has this week been longlisted for the non-fiction dagger award from the Crime Writers’ Association.

100 Essential Books – The Wicked Cometh – Laura Carlin (Hodder & Stoughton 2018)

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“If I have learnt one thing from my life in London, it is that sometimes it is necessary to descend to deceit, and that those who survive have the wit to know that.”

This novel is not due to be published until February 2018 but I’m giving you plenty of warning as you should be adding it to your to-be-read-lists for it is an absolute gem of a novel.  Regular readers will know that I have a huge soft spot for big, Dickensian style Victorian-set novels like Sarah Waters’ “Fingersmith” and Michel Faber’s “Crimson Petal And The White”.  I’ve been a little disappointed by some offerings in this area over the last year so (particularly the much-acclaimed “The Essex Serpent”) and others including Australian author M J Tjia’s crime series debut “She Be Damned”(2017) and Canadian Steven Price’s doorstep sized “By Gaslight” (2016) showed promise but neither quite pulled off the authentic feel of London in the nineteenth century.  If they did not live up to my expectations this debut from Derbyshire resident Laura Carlin certainly does.  I think she has got everything more or less spot on here and has written an authentic historical novel and a really good thrilling page-turner.

Young people have been going missing from the London streets for some time and eighteen year old Hester, the narrator of the novel, has fallen on hard times.  An incident in Smithfield Market leads her to an association with a family who could provide her with a future or who may bring about further downfall.  The story builds beautifully, and although the situations and characters may feel familiar for Dickens fans Carlin puts it all together in a way which is inventive, thrilling and feels new.  It is rich in atmosphere throughout.

At the heart is a relationship between Hester and the daughter of the family, Rebekah Brock, who has been persuaded Pygmalion-like to educate Hester in a plan arranged by her brother Calder, a leading light of The London Society for the Suppression of Mendicity and it is this connection between the two women which will attract all Sarah Waters fans to this novel. 

Like Dickens, secrets are revealed gradually by characters brought in to move the plot along and Hester’s account turns into a quite extraordinary tale of grim London existences underneath the cloak of the respectable and socially acceptable. The last third sees the plot move up a gear considerably as revelations follow one after another and the danger Hester puts herself into had me holding my breath.  The plot twists keep coming giving the real feel of a Dickens serialisation

This novel is proof alone that Carlin is a major new talent and her brand of literary historical fiction should provide her with big sales.  I absolutely loved it. 

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The Wicked Cometh is due to be published by Hodder and Stoughton on 1st February 2018.  Many thanks to the publishers and Netgalley for the advance review copy.

She Be Damned – M J Tjia (Legend Press 2017) – A Murder They Wrote Review

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I have a big old soft spot for novels set in Victorian London.  I love the mix of classes, the hypocrisy of the wealthy and the poor struggling to get by through any means.  From Dickens to “Fingersmith” to Michel Faber’s “Crimson Petal And The White” this kind of fiction has the tendency to end up amongst my all-time favourites, especially when there is a strong female lead to stand against the patriarchal society.

Enter Heloise Chancey, main character in the first of a proposed historical crime series by Australian author Tjia.  This is the first full-length novel for a Brisbane-based novelist much lauded for her short stories and novellas.  Heloise is a strong, complex character- a well off courtesan with a background on the stage and as a celebrated beauty, posing as a widow, who helps out an aristocratic private detective with his cases.  Heloise is able to move fairly effortlessly thorough the ranks of society from the upper echelons who may have used her courtesan services, their wives who cannot imagine these services and to those who have remained in the less respectable strata of society, the “renters” in the brothel houses where Heloise passed through in what is evidently a very rich back story.  As such she is a character who has been carefully thought out for a series of novels.

In “She Be Damned” she is asked to investigate a missing girl who has left home after revealing her pregnancy to her family and where her only option is to sink towards harder times.  Prostitutes are being mutilated and murdered around the Waterloo area and Heloise gets caught up with all of this.

Interspersed with the narrative are the back-story experiences of Amah Li Leen, Heloise’s oriental maid and this is done in such a way that we know she will be a supporting character in subsequent mysteries.  Tjia keeps a lot up her sleeve about both characters, good for the future but not without risks as by holding back too much in an introductory novel these characters may end up not as well-rounded as we’d like.  I think the author just gets away with this, but only just in the case of Amah.

There’s a fair evocation of nineteenth century London.  It’s not as drenched in atmosphere as I might have wanted but there can be a tendency to over-egg this leading to cliché and melodrama, both of which are avoided here. 

All in all it’s a very readable introduction to a series and I would certainly seek out follow-ups.  I don’t think Heloise Chancey is going to challenge my favourite investigators but I certainly enjoyed spending time in her company.

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She Be Damned was published in the UK in August 2017.  Many thanks to Legend Press for the review copy. 

Queer City – Peter Ackroyd (2017) – A Real Life Review

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With this book Peter Ackroyd eases himself into my Top 3 most read authors from the last 22 years that I’ve been keeping count. This is the 11th book of his I have read (plus there’s a couple I’ve read twice). The crowning glory of his 30+ year writing career (so far) is his monumental “London: The Biography” (2000), the best history of a geographical location I have ever read and my Book of The Year in the year I read it. Some of his London-based fiction has also been first-class.

So you can probably tell I would be excited to read this publication. I had anticipated another large volume but when I saw it in a bookshop I was surprised that it looked rather slim (232 pages + bibliography and index). That made me a little concerned and I was hoping that it wasn’t made up of material taken from “London: The Biography”. It isn’t; it’s a completely new history subtitled “Gay London from the Romans to the present day”. What I like about Ackroyd’s historical non-fiction is how it feels learned and academic and yet how very readable it all is. “London”, given its size might be a book a reader might just dip in and out of but I read it like a thriller and relished every word.

Well, here, I’m going to start with a personal gripe. I’m not thrilled by the title. Ackroyd defends his use of the term “Queer” as the word now commonly used by academics and “Queer Studies” appears in universities. A recent exhibition (and book) celebrating “Queer British Art” appeared at around the time of this book’s publication at Tate Britain and the word also appears now as the Q in the abbreviated LGBTQIA (although some will say it’s for “questioning”). The word rankles with its association of dodgy men in raincoats but I’m going to let it go and find out just what is in between the covers.

Ackroyd encompasses the raison d’etre behind the book with his final words: “This book is a celebration, as well as a history, of the continual and various human world maintained in its diversity despite persecution, condemnation and affliction. It represents the ultimate triumph of London.”

What was it about this city which led to its being, throughout time, a magnet for its sexually curious residents? According to Ackroyd; “The city was known to be both a jungle and a labyrinth where gay life could flourish, each street leading to another and then another; there was no end to the possibilities or to the adventures. It provoked the restless need to explore.”

He takes a chronological view of these Gay Londoners. For a good chunk of early history there were no terms for “homosexuality” and people just did pretty much what they did without labels. There is also a marked difference between genders. Lesbianism was never made illegal (Queen Victoria reputedly refusing to acknowledge its existence) and over the centuries Ackroyd makes mention of a number of instances where female partnerships caused little storm and they were occasionally even married by confused clergymen, sometimes by one impersonating a male in a ruse which might not be discovered until after her death. There have also been times when homosexuality was more ignored than tolerated, especially at Court (there’s been more than one gay royal) and within the Church but generally the plight of the gay man has not been especially happy. Obviously the nature of using existing evidence means that Ackroyd’s research will tend to be on incidents which moved over into public knowledge and these will most likely be court cases when something has gone wrong. There’s the odd surprising fact, however. He states that in terms of population, there were probably as many “gay bars” in 17th Century as in 21st Century London.

For many gay men, as we know, their sexual identity led to ruin and shame, punishment or their murder. Many faced public wrath at pillories and public hangings and Britain was slower than most to adopt change. By the eighteenth century much of Europe had abandoned execution for the “crime” of being gay. Britain, alarmed by the Continent and especially by France clamped down further in a bid to establish its separation from Europe (given events over the last year can’t stop the hairs rising on back of my head just a little here). Homosexuality was seen as “a foreign vice. It was un-English” (never mind that the French referred to certain sexual practices as “anglais”). The last two men hanged in England died in 1835 but the death sentence was not actually abolished until 1861.

After this date you might not hang for it but; “It is arguable that in the first half of the twentieth century, however, gays of both sexes were subject to a level of prejudice and intolerance not seen before in Western history, entrapment, imprisonment and sudden police raids became familiar characteristics of London life.”

So not especially a joyful celebration here then. I think Ackroyd does rush through the twentieth century somewhat in his race towards equality. I think I was expecting a little more focus on those places that had real history and importance for gay people. (Coincidentally, this was catered for, to some extent, by Channel 4’s “Britain’s Great Gay Buildings” first shown on 24th June 2017). Ackroyd seems more confident with dealing with the academic evidence than the popular culture which steeped places like Heaven, The Royal Vauxhall Tavern and The Black Cap. He does look to the future at what equality and gay marriage will end up meaning to the more subversive “underground” aspects of London (the “twilight world” that the News Of The World and Sunday People used to refer to) which is rapidly disappearing as we all settle down to domestic environments.

This is often a very readable, undeniably racy account of our capital city and its more diverse residents. There’s some wonderful characters along the way and far too many meet unhappy ends. It’s a good read but do not expect it to have either the magnitude or scope of “London: The Biography”,

fourstars

Queer City was published by Chatto and Windus in a hardback edition in May 2017.