I Am The Messenger – Markus Zusak (2002)

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On the strength of the two novels by Markus Zusak that I have read I would count this Australian author in any list of significant living writers. I waxed lyrical here about his “The Book Thief” (2007) one of my all-time favourite novels and his latest “Bridge Of Clay” (2018) is sat cosily at 8th place in my current end of year Top 10.

This book I have had on my shelves for some time. It is an earlier work aimed at the YA market (although like all Zusak it works well for an adult readership) and my reluctance to read it was because I did not want it to diminish the author’s reputation in my eyes. It does come with a pedigree, although something of a protracted one. Gaining much critical acclaim in his homeland where it is known as “The Messenger” it picked up a Children’s Book Council Of Australia Book Of The Year For Older Readers Award in 2003. Three years after that the US edition won the American Library Association’s Michael L Printz Award for Teenage Fiction and in 2007 it gained a major German children’s literature award. This is a slow burner of a book which has taken its time to get its presence felt.

I don’t think it has diminished Zusak’s reputation but it does feel very much a minor work compared to his others I have read. It is the work of a young author still learning the skills which will allow him to publish an all-time classic five years later. This is not a classic but a less polished entertaining read which shows once again Zusak’s skills as a story teller.

Its quirky opening places the main characters bang in the middle of a bank raid where whilst prostrate on the floor there’s much banter between 19 year old cabdriver Ed Kennedy and his three mates. A surprising act of heroism brings about media attention for Ed who soon afterwards is sent playing cards with cryptic messages for him to work out and deliver.

This is the story of how (not so much the why which I’m still slightly puzzled by) Ed carries out what is asked of him and learns much about himself along the way. Zusak’s writing style is chatty and endearing as Ed, in a first-person narrative, faces some difficult decisions, some disturbing violence and a spattering of praise working out his tasks. Some seem trivial, others life-changing for those involved but from each Ed, whose future had seemed mapped out due to a lack of ambition, a fractured family, unrequited love, a fondness for card games with his friends and caring for his elderly pungent dog, The Doorman, sees his life change.

Plot-wise there’s not the richness and depth I have come to associate with the author but in his creation of Ed as an everyday superhero Zusak is touching on very appealing YA themes. I’m not sure that the resolution was what I was expecting or hoping for but here we have a memorable character in a likeable work.

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I Am The Messenger was first published in 2002. I read an American 2005 paperback edition published by Knopf. In the UK the most readily available version seems to be a paperback published by Definitions in 2015.

Top 10 Books Of The Year – 2019- Part One (10-6)

Even though we’re not quite at the end of the year I now know that I am unlikely to finish the book I am currently reading so it’s time to look back again to the 10 books which made the most impression on me during the year.  These are not necessarily published this year (just 3 out of the 10 were) if I read it this year then it was up for inclusion.  The total number of books I finished in 2019 is 56, which is down on previous years where I usually hit the mid to late 60’s mark, apart from the golden year of 2016 when I read 80.  I’m not sure why this figure is down so this year probably due to a change of commitments.  Out of those 56 nine of them I classed as five star reads which nicely fills up most of my Top 10 places, the spread of the other star ratings is 28 at 4*,15 3* and 4 at 2* (didn’t have any two star reads last year where the spread was (12/32/22)- I must have been feeling a bit stingier this year.

It does seem like quite a bit of my reading has been books which I missed out in 2018, obviously a bit of a vintage year as 50% of the titles were published then.  Gender wise the men have pushed ahead with a 60-40 split putting an end to last year’s perfect balance.  Nobody makes the list more than once this year and there are two authors who are no strangers to my end of year Top 10.  It does seem, however, and perhaps it is no surprise given the state of the world currently, that for much of 2018 I have been rooted in the past as all of the fiction choices are set in earlier times with a significant chunk (4) being set in the Victorian era or earlier.  Right, let’s get on with the list.  The full reviews for each title can be found be clicking on the link.

10. The Library Book -Susan Orlean (Atlantic 2019)  (Read and reviewed in August)

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My non-fiction pick of the year is this extremely memorable book which works both as a love letter towards libraries and their continued importance and as a true crime work where the author explores the fire which destroyed the Los Angeles Central Library in 1986.  It wasn’t just because I work in libraries that I found this work so inspirational although it was one of the reasons behind me applying for (and getting) a promotion.  Susan Orlean reinforces everything I believe about libraries although the systems in place in the UK seem decidedly impoverished compared to the USA.  I said “The book itself was inspired by Orlean’s memories of going to a public library with her mother when she was a child and them bonding over their piles of chosen books. This seems to me a valuable inspiration for a fascinating work.”

9.Things In Jars – Jess Kidd (Canongate 2019) (Read and reviewed in March)

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I’m up to date with Jess Kidd having read all three of her novels and this marks her first time in my end of year Top 10 with her best book yet.  This built on the supernatural elements which have been present in all her works yet with its nineteenth century setting it seemed to work better here than it has in the past.  I said of this “Here we have the Victorian love of the unusual and freakish and the developments in medicine which attracted the honourable and the disreputable sitting beautifully in with what becomes a gripping mystery peopled with characters about whom I wanted to know so much more.”

8. Bridge Of Clay – Markus Zusak (Doubleday 2018) (Read and reviewed in July)

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We had to wait years for it to arrive but Australian author Zusak manages to get his follow up publication to my 2008 Book of The Year, “The Book Thief” into my Top 10.  I would have thought that a publication from an author of a modern classic after a lengthy wait would have been a major literary event but it seemed to creep under the radar somewhat when it arrived in hardback last year and this year in paperback.  That made me initially a little anxious but I needn’t have been.  I said “Its chatty, scattered narrative actually masks the emotional depth of the content.  It was only looking back as I neared the end that I realised how much I knew about the characters’ lives and how involved I had become, a testament to a great novel.” I read a library copy and then had to go out and buy it to have it readily on hand for a re-read.

7.The House Of Impossible Beauties – Joseph Cassara (Oneworld 2018) (Read in July, reviewed in August)

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2018 was the year when the New York Drag Balls of the late 70’s and 80’s went mainstream in the UK thanks to TV series such as “Pose” and “Rupaul’s Drag Race” and at least a couple of novels of which this was the best.  In my review I compared it to what else was out there (as well as the documentary “Paris Is Burning”, available on Netflix, from where Cassara’s characterisations are developed) and concluded “Perhaps more than “Pose” it shows the struggles in terms of coping with discrimination, poverty, prostitution and mortality but like the television series it is all done with great humanity and compassion and more than a fair share of glitter.”

6. Take Nothing With You – Patrick Gale  (Tinder 2018) (Read in February, reviewed in March)

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This marks British author Patrick Gale’s fourth appearance in my end of year Top 10’s out of the nine books of his I have read which must mean that he has settled into being one of my most favourite authors.  Previous end of year positions have been 4th for “Facts Of Life” (1995) in 1996, 9th for “Rough Music” (2000) in 2001 and 6th for “A Perfectly Good Man” (2012) in 2013.  His latest matches this position and I can’t help but note that the books of his I really like I miss out on at the time and catch up with in the following year.  This has the most modern setting of any of the books on this year’s list with one narrative strand actually being set in the present (gulp!) with the main character contemplating his past whilst receiving treatment for cancer, but it was the past that Gale really drew me into with his story of Eustace, the young gifted cellist.  I said “I fell in love with the boy growing up in his parents’ old people’s home in Weston-Super-Mare in the 1970s with ambitions to be a musical great if only his mother and father and society will let him realise his dreams. It is haunting, nostalgic and sensitive and has all the qualities to make it an essential read.”

Find out the Top 5 in my next post.

Bridge Of Clay – Markus Zusak (2018)

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It’s been a long wait.  13 years since the publication of one of my all-time favourite novels “The Book Thief” Australian author Markus Zusak is back.  For a writer of an acknowledged modern classic this book snuck out last year and has recently appeared in paperback.  This relative lack of fanfare and the time between the two novels made me a little anxious but when I saw a copy on the library shelves I knew I just had to rejig my reading schedule to fit it in.

 This is actually Zusak’s 6th novel, those before his major breakthrough being aimed at the young adult market, one of which “I Am The Messenger” (2002) has been sitting on my shelves unread for some time but I have not dared to read it in case my admiration for this author is any way diminished.  In fact both “The Book Thief” and this latest novel could be seen as being appropriate for young adults but both demand a wider audience.

 There are elements of the predecessor in “Bridge Of Clay”, especially in the narrative style.  Here, Matthew Dunbar slowly weaves the tale of his family, jumping backwards and forwards in time, half-revealing events that are explored fully later in much the same way as Death does when he narrates “The Book Thief”.  Here, however, the stakes are not so high, the plot is a family tale without the huge issues that makes “The Book Thief” such an important read.  Books are once again important, a well-thumbed biography of Michelangelo spans the generations and there’s a lot of running which reminded me of Rudy and his Jesse Owens obsession.

 Matthew narrates the story of his parents and his four brothers but especially Clay, a gifted runner who is attracted to his neighbour Carey, an apprentice jockey, and who is torn by the loss of both of his parents and determined to build bridges in every sense when a face from the past shows up.  To start with it does feel all over the place, as did “The Book Thief” (I always advise the many people I have recommended the book to stick with it until they are used to the narrative conceit) as initially some of the events are hard to follow but it all makes sense as we are drip-fed the story of the Dunbars.

 Its chatty, scattered narrative actually masks the emotional depth of the content.  It was only looking back as I neared the end that I realised how much I knew about the characters’ lives and how involved I had become, a testament to a great novel.  Like “The Book Thief” which improves with each re-read I think the events that washed over me on first reading will have a much deeper significance on a revisit.  This is one of those books that when you finish you will be tempted to start all over again.  I’ve got to hand my library copy back but I will be purchasing this so I can read it again.  True, thematically, it is all on a much smaller scale than “The Book Thief” and lacks the power and perhaps some of the lasting resonance of that work but it is high-quality fiction which did everything to me that a very good book should.  After over a decade of waiting my expectations were shaky but really I couldn’t have asked for more from this book.

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 Bridge Of Clay was published by Doubleday in 2018.  I read the 2019 Black Swan paperback edition.

My Top Re-Reads of 2015

I re-read 8 books in 2015.  My Top three I have read at least three times- they are books I keep coming back to, so deserve a mention in my round-up of the year.  Just click on the titles to be taken to the full reviews.

3. Krindlekrax – Philip Ridley (Red Fox 1991) (Read in September. Reviewed in October)krindlekrax2  One of my all time favourite children’s book and superb to read aloud.

2. The Crimson Petal And The White – Michel Faber  (Canongate 2002)(Read in March.  Reviewed in September)

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Set in Victorian times this book is a monumental achievement. Unflinching and often explicit with excellent characterisation.

  1. The Book Thief – Markus Zusak  (Black Swan 2007) (Read in January.  Reviewed in April)

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The more I read this book the more I love it.  Just don’t make me watch the film!

World Book Night Special – 100 Essentials – The Book Thief – Markus Zusak (2007)

 

It’s World Book Night with thousands of free books being given out (form an orderly queue please!)  I confess I missed the deadline to volunteer to be a book giver but I have just discovered the organisers suggestion that we buy our favourite book to give to someone else.  That got me thinking (and unfortunately that’s all it would be for today as I am not near any bookshops) – favourite book – “The Book Thief” to be given to my friend Val who volunteers with me at the local library and has seen the film but not read the book.  So here for World Book Night is a special 100 Essential Book Review.images
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My Hopes For The Book Thief

1. That Everyone Reads This Book

2. That I don’t end up ever watching the film

Please excuse the bold type above. It’s a little device which is used so effectively by Markus Zusak in his 2007 publication “The Book Thief.” This original, thrilling novel is one of my all-time favourites and with each re-read I am blown away as to how superb it actually is. Excellent use of descriptive writing makes reading this a multisensory experience. Zusak’s narrator is none other than Death himself whose function is to gather up the souls of the departed. Kept very busy by World War II, he finds time to pick up an abandoned book written by a young girl he has had his eye on for some time. This is the writings of Liesl, the Book Thief. Death, as one would imagine is not a perfect narrator. He playfully toys with us, gives hints, makes lists and asides and reveals events before he should, but there is no doubt that he is captivated by Liesl and the residents of Himmel Street in the German town of Molching. He is not the only one. There are few characters in fiction I care for more than Liesl, her neighbourhood friend Rudy, and her foster parents, the accordion playing Hans Huberman and his wardrobe-shaped, potty-mouthed wife, Rosa.

Death narrates a tale which is full of memorable incidents which come to define the characters; Rudy’s obsession with Olympic athlete Jesse Owens which is taken a little too far; Hans’ acts of recklessly selfless kindness and for Liesl; the theft of books. Anyone who has a love for books should read this novel as it is undoubtedly the best book about books. Liesl’s first theft occurs in tragic circumstances in an icy cold cemetery, a useless acquisition for the illiterate nine year old but that inappropriate volume becomes her lifeline and when she learns to read from it her need for futher reading matter grows. There are a number of books within this book.   Zusak gives us the chance to experience a wealth of other titles, some stolen by Liesl and some produced for her by other characters. There is no greater testament to the power reading and words can have on our lives and for that alone Zusak should be celebrated. On a previous re-read I noted in my Book Journal that I hoped they would never make a film of it. It could only dilute the power of the book. At the start of last year the film I didn’t want to see made opened to a muted response and mixed reviews. I do not want to see it. I don’t like that there will be people out there who will say, “I’ve seen the film, I don’t need to read it.” You do. If you loved the film I’m sure the experience of the book will be even better, if you didn’t like the film just try and wipe it from your mind and give the book a chance. Hopefully it will find a permanent place on your shelves.

A SHORT LIST OF OTHER FILMS I AM UNABLE TO WATCH BECAUSE I LOVE THE BOOK TOO MUCH

  • The Time Traveller’s Wife
  • The Golden Compass (Northern Lights)
  • The French Lieutenant’s Woman
  • The Grapes Of Wrath (even though I know the John Ford 1940 version is an acclaimed masterpiece)
  • The Narnia books

 

“The Book Thief” is a beautifully told story, which will make you laugh, cry and fall in love with the characters. It offers the perfect reading experience.

Let me know what other books you would add to my short list of “love the book don’t want to see the film”……..  Do you agree with my suggestions?

This review appears in a slightly edited form in the current edition of  newbooks magazine (nb84) as my contender for the Best Books of The 21st Century.