Tag: Michael Rosen

Looking Back…..Looking Forward

On By philshanklinIn 100 Essential, Books, New Books1 Comment

This is my end of year report, looking back at the 10 titles I had eagerly anticipated last year and seeing how many of them I actually got around to reading as well as picking ten more choices for 2022. In 2020 I got round to reading five out of the ten titles , in 2019 three out of the ten and four out of ten the year before. Let’s see how I did in 2021.

Memorial – Bryan Washington (Atlantic Books)

I read this in January, the month it was published, and it was my first five star read of the year and narrowly missed out on my end of year Top 10. I’d read Washington’s prize-winning short story collection “Lot” but this cranked up to a higher gear for me. The central male couple straddle cultures and the set-up leaves Black American Benson with his partner Mike’s Japanese mother, who he had never previously met, whilst Mike goes to Osaka to be with his dying father who had deserted the family years before. Cue much family tension and bonding over cooking.

The Prophets- Robert Jones Jnr (Quercus Books)

An astonishing debut which ended up as number 2 in my end of year list with its haunting appeal hanging over me from January for the rest of 2021. I said “it could very well become a contender for the twenty-first century Great American novel.” I hope this becomes a big seller in paperback when it is published later this month.

Girl In The Walls- A J Gnuse (4th Estate)

This was a four star read for me in March. Debut writers are really having to be original and inventive to stand out from the crowd and Gnuse certainly did this with his creepy thriller. 11 year old Elise lives in the space of a house she formerly lived in, now owned by a new family and their teenage boys. Nobody suspects she is there until a younger boy turns up unannounced to the house. This is a high-quality commercial thriller which will really have readers holding their breath.

Lamplighters – Emma Stonex (Picador)

This is a book that seems to have done quite well sales-wise since I read it in February. I’ve asked a few people who read it their opinion and it feels that it doesn’t quite match the expectations which readers have when starting it. I found it entertaining but it did not blow me away and I gave it a three star rating. The 1970’s lighthouse setting is great, as claustrophobic and intense as you might expect. A modern day narrative strand sets out to explain what is set up as a classic locked-room mystery. I said at the time; “After months of lockdown I think we are all in a better position to appreciate better Stonex’s writing and have stronger ideas of these lives than we would have done a year or two ago, making this a very commercially apposite proposition.”

Hot Stew-Fiona Mozley (John Murray)

I rated this three stars in March, an enjoyable urban tale which is very different from the author’s Booker shortlisted debut “Elmet” and I applauded the author for that. Early reviews compared to it to a modern day Dickens, I said of this. “It’s all likeable and in a way I can appreciate those that are seeing this as modern day Dickens but it all feels a little unresolved which Dickens would not be.”

Many Different Types Of Love – Michael Rosen (Penguin)

Read this in March and gave it a five star rating with it ending up at number 4 in my Books of The Year. I said “This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic.” Moving, funny and with loads of heart from Rosen and those who cared for him.

Kitchenly 434- Alan Warner (White Rabbit)

This one passed me by. It got good reviews so I will hopefully get round to this butler and rock star tale. This year saw a well-received film adaptation of the book of Alan Warner’s I’ve read which I love “The Sopranos” retitled “Our Ladies” which suffered from multiple rescheduling because of the pandemic which I also haven’ t seen but hope to do so.

Harlem Shuffle – Colson Whitehead (Fleet)

Like Fiona Mozley, here was an author who did something very different, with this book I rated three stars in September, an understated crime novel which featured on quite a few end of the year lists but I think perhaps my own expectations were a little too high which led to me feeling a tad disappointed. I said “I found plot development a little stop-start and the novel does not flow as well as I would have hoped.” 

People Person – Candice Carty-Williams (Trapeze)

This was scheduled for September but didn’t materialise. I’ve seen it listed on the BBC news website “Books To Look Forward To In 2022” and it is now due for publication at the end of May.

Diary Of A Suburban Lady – Lucy Mangan (Souvenir Press)

Retitled “Are We Having Fun Yet?”, I certainly did when I read it in September and rated it four stars. Written in diary format, I said  “It is a very commercial work, written in a genre where fans will be loyal and supportive, it feels fresh and contemporary, so it’s a shrewd move which could sell very well indeed.” The paperback is due in June.

Woo-hoo! That’s 8 out of 10 read and one of those I couldn’t read because it hasn’t been published yet. Here are ten more titles which have attracted my attention pre-publication and I will certainly be looking out for in 2022.

The Heretic – Liam McIllvanney (Harper Collins) ( due out on 20th January)

Follow-up to Scottish Crime Book Of The Year “The Quaker” which I read back in 2018 which introduced DI Duncan McCormack in a late 60’s Glasgow setting. This location was the setting for my current Book of The Year. Could McIlvanney’s Glasgow make it two in a row? This book shifts forward in time to the mid 70’s. Last time round I was impressed by the feel of the period and the character of McCormack so this is certainly one I want to read.

Devotion – Hannah Kent (Picador) (due out on 3rd February)

It’s been five years since Hannah Kent’s last novel “The Good People“. “Devotion” is her third, I’ve read both her others and have given them four star ratings. Set in Prussia in 1836, I’ve found Kent’s previous works to “be saturated with the feel of the times” so expect real authenticity in its setting. We are being promised “a stunning story of girlhood and friendship, faith and suspicion, and the impossible lengths we go to for the ones we love.“

Love Marriage – Monica Ali (Virago) (due out on 3rd February)

This is Monica Ali’s 4th novel. I haven’t read her, inexplicably, since her most famous novel, 2003’s “Brick Lane” ended up as runner-up of my favourite reads of 2004. Featuring doctors as the main characters this is being touted as “a story about who we are and how we love in today’s Britain – with all the complications and contradictions of life, desire, marriage and family. What starts as a captivating social comedy develops into a heart-breaking and gripping story of two cultures, two families and two people trying to understand one another.” That description certainly get the thumbs up from me.

Flicker In The Dark – Stacy Willingham (Harper Collins) (due out on 3rd February)

A debut book already picked up for a television adaptation. This is a tense, edge of the seat thriller. I don’t actually read that many of these but there is something about this Louisiana swamps set serial killer tale which I find very appealing. I like small town mentality in my thrillers, where everyone knows everything about everybody and apparently this book will really deliver on this. Author Jeffery Deaver has said of it; “Author Willingham takes us on an unstoppable journey through the psychology of evil, and of courage (in many senses), all told in a pitch-perfect literary style.”

A Good Day To Die – Amen Alonge (Quercus Books) (due out on 17th February)

Another debut with a big buzz, the first in a British crime series which will feature a character called Pretty Boy and his desire for revenge. It’s being talked about as a British version of “The Wire” and we can expect it to be gritty, brutal yet full of dry humour. The author is currently training to be a solicitor but might find himself needing to change the day job if this book really takes off in the way some suspect it will.

Mother’s Boy – Patrick Gale (Tinder Press) (due out on 1st March)

A Cornish historical novel from a writer who can really impress me and who is a great storyteller. I think, judging by what I’ve read it is a fictional account of the life of poet Charles Causley focusing on his war experiences. His last novel, 2018’s “Take Nothing With You” was the best of his books I have read and featured in my 100 Essential Books strand. I hope this will be as good.

Mouth To Mouth- Antoine Wilson (Atlantic Books) (due out on 3rd March)

Lots of praise for this American author’s first novel already. The story of an author who wants to find out more about a man’s life he saved. Andrew Sean Greer who wrote “Less” which won him both a Pulitzer Prize and a four star review from me says it is; “the best book I’ve read in ages. Narratively ingenious, delicately written, intriguingly plotted, it is literature of the highest quality. I see you now, dear Reader, with this novel in your hand and already losing track of time “ That is an impressive recommendation.

Memphis – Tara M Stringfellow (John Murray) (due out on 7th April)

A debut from African-American writer who here explores three generations of a Memphis family. It comes with a recommendation from my runner up for Book Of The Year author Robert Jones Jnr who describes it as having “an endearing and unforgettable cast of characters who find strength in vulnerability, safety in art, and liberation in telling the truth.”

Young Mungo – Douglas Stuart (Picador) (due out on 14th April)

The author of my Best Book of 2021 looking to make it two in a row. A love story between two men from working class Glasgow- one Catholic and one Protestant. The publishers are promising “a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.” Considering how well everything was handled in the Booker winning “Shuggie Bain” I have high hopes for this one.

Theatre Of Marvels – Lianne Dillsworth (Penguin) (due out on 28th April)

A debut from a Black British author. I love a Victorian London setting and anything with a hint of the Gothic and here the author is said to come up with the goods in her tale of an actress from Crillick’s Variety Theatre. The author has an MA in Victorian Studies and early reviews are praising her ability in bringing the setting and location to vivid life. There’s a real buzz about this author and this book which will continue to build up to publication.

That’s 10 books to look out for all in the first four months of the year with that date of 3rd February looking like a good one for book-lovers. Here’s to lots of good reading in 2022!

Top 10 Books Of The Year 2021- The Top 5

On By philshanklinIn 100 Essential, BooksLeave a comment

Happy New Year! I’m celebrating the start of 2022 by having a look back at my favourite reads of 2021. Those I rated between 10 and 6 can be found here. On with the Top 5!

5. The Echo Chamber – John Boyne (Doubleday 2021) (Read and reviewed in July)

No stranger to my end of year Top 10, John Boyne wrote my 2017 book of the year “The Heart’s Invisible Furies” (2017) was runner-up in 2018 with “The Boy In The Striped Pyjamas” (2006) and also made it to 4th that same year with his 2018 “A Ladder To The Sky“. These were all very different books and this biting comic satire was also very much a departure and inspired by social media response of his YA novel “My Brother’s Name Is Jessica“. This is an author who loves to take risks and I like that. Reviews, have unsurprisingly, because it is such a departure, been a little mixed and I can understand why some people have thought this fell short of what they were expecting from Boyne. I however, stand by my description of it as “a great comic novel of our time which should provide a great tonic for these strange times we live in“.

4. Many Different Types Of Love – Michael Rosen (Penguin 2021) (Read and reviewed in March)

This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic. His writings on his illness and recovery are interspersed with extracts from a diary those caring for him maintained to show him how much they cared. I said of this “These people were exhausted, often redeployed from their usual job and no doubt stressed beyond belief but they made the time to communicate with this comatose man in this way and these diary entries form an extremely moving section of the book.” There’s much humour in the darkness and when I read this on the anniversary of the first lockdown I felt strongly that; “When we are moaning about lockdown restrictions and posing conspiracy theories it’s important to feel the voice of those affected and Michael Rosen’s experience speaks for the thousands who have been similarly affected and for those thousands we have lost.” This was a title I had highlighted from the start of the year and I did think it would end up as one of the year’s biggest sellers, with numbers comparable to Adam Kay. This hasn’t happened which suggests that maybe we are not all totally ready for this yet but it will be a lasting testament both to the man and the times in which we have been living.

3. The Vanishing Half – Brit Bennett (Dialogue 2020) (Read and reviewed in June)

Here’s one I kept flagging up before I got round to reading it. I featured it in my “What I Should Have Read In 2020” post and in my “Looking Around” post so I was building up the expectations. It delivered. Two twin girls escape their small time life for a new home in New Orleans. One eventually returns to her home town whilst the other is “passing” as a white woman in a decades-spanning saga. I felt that “There are so many discussion points in this novel regarding identity that one might expect it to feel issue-driven but no, plot and characterisation are both very strong and that together with its immersive readability provides an extremely impressive rounded work.” Over the past year I’ve selected it for reading groups and have recommended it probably more than any other book. I always ask what people think of it and it’s always a thumbs up- however, there are often reservations voiced about the ending, and I do agree with them.

2. The Prophets – Robert Jones Jnr (Quercus 2021) (Read and reviewed in January)

An astonishing debut. When I read it I was convinced that this would be my book of the year and posted it within my “100 Essential Books” strand. It’s a book which has got the odd nod from awards committees but hasn’t swept the board winning awards as I had expected it to. I was convinced a Booker nomination would be assured but it was not even longlisted. The paperback is expected in the UK in late January and hopefully this will generate the serious sales this book deserves. I said this slave plantation-set novel “could very well become a contender for the twenty-first century Great American novel.” Don’t just believe me, check out the Amazon reviews where it has 61% five star and 22% 4 star which is excellent going for a book which is demanding, poetic and at times overwhelming. Extraordinary.

1. Shuggie Bain – Douglas Stuart (Picador 2020) (Read and reviewed in April)

2020 was the year that the Booker Prize judges got it exactly right. I’d become a little wary after the year they awarded it to “Lincoln In The Bardo” (I must stop harping on about that!). I featured this in my “What I Should Have Read In 2020” but this year this book’s reputation has continued to grow as more and more people have fallen in love with it. It’s another I’ve selected for reading groups throughout the year and admittedly, some people are never going to give it a go, put off by its working class Glasgow 1980’s setting but those who do generally praise it to the skies. And deservedly so, as this study of a relationship between Shuggie and his mother has provided us with two of the most memorable characters in modern fiction. I said “It’s gritty and raw but at its heart is an incredible beauty and humanity which even when the reader is dabbing away tears of sadness, frustration or laughter is life-affirming.”  I cannot wait for this Scottish author’s second novel “Young Mungo” which is due in April. This is the first time in nine years I have awarded my Book Of The Year to a UK writer. Douglas Stuart deserves his place in my own special Hall Of Fame. Here are my other top titles going back to 2008.

2021- Shuggie Bain – Douglas Stuart (2020) (UK)

2020 – The Great Believers – Rebecca Makkai (2018) (USA)

2019 – Swan Song – Kelleigh Greenberg-Jephcott (2018) (USA)

2018- The Count Of Monte Cristo – Alexandre Dumas (1845) (France)

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Special mentions for the three five star reads which did not make it into the Top 10. “Next Of Kin” by Kia Abdullah (2021) just missing out on two consecutive Top 10 recommendations by the narrowest of margins, Bryan Washington’s “Memorial” (2021) and “Love After Love” by Ingrid Persaud (2020).

Here’s to some great reading in 2022.

Many Different Kinds Of Love – Michael Rosen (2021)

On By philshanklinIn New Books2 Comments

I’ve mentioned here before that Michael Rosen is one of my literary heroes, especially for his work with children.  On a number of occasions I have been lucky enough to experience how this man can totally captivate a school hall full of children who hang on his every word.  His “Quick, Let’s Get Out Of Here” collection is one of my favourite children’s books ever.  And last year we almost lost him, hospitalised with Covid just around the time the first lockdown started, his illness made everything seem more grim and even more scary.

After 13 days in bed with what was diagnosed as just a viral illness the writer was hospitalised when a GP friend witnessed his blood oxygen reading of 58, the lowest she had ever seen on a conscious person. Following time in intensive care he was put in an induced coma on a ventilator remaining in the ICU ward for 46 days before beginning rehabilitation and having to relearn basic functions the disease had stripped from him like standing up and walking.

This collection is subtitled “A Story Of Life, Death & The NHS”.  In a sequence of prose poems Rosen catalogues his illness and recovery.  Alongside this is the extraordinary response from the staff who cared for him who maintained a diary throughout to boost his recovery.  These people were exhausted, often redeployed from their usual job and no doubt stressed beyond belief but they made the time to communicate with this comatose man in this way and these diary entries form an extremely moving section of the book.  Above the bed they placed a copy of his “These Are The Hands” poem produced for the 60th anniversary of the NHS.

I really always enjoy Michael Rosen’s poetic style, direct, closely observed and dealing here with painful honesty the effects this cruel virus has had on him.  When we are moaning about lockdown restrictions and posing conspiracy theories it’s important to feel the voice of those affected and Michael Rosen’s experience speaks for the thousands who have been similarly affected and for those thousands we have lost.

He always has the ability to find humour in the ridiculous even in the darkest moments.

“They’ve been worried

about my low blood pressure

but they’ve brought me the Daily Mail

so it’ll be fine in a moment.”

I read this on the anniversary of the first lockdown and there was no better way to get me to reflect on the year’s events and how it has hit this very special person.  This is a magnificent work which has been beautifully put together by the author and Penguin Books.  It will prove to be a lasting testament to the talent and tenacity of this man and of a reminder of the strange times we have been living in.

Many Different Types Of Love was published by Ebury Press, a division of Penguin Random House 18th March 2021. Many thanks to the publishers and Netgalley for the review copy.

How To Make Children Laugh – Michael Rosen (2018)

On By philshanklinIn Real Life4 Comments

 

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Here’s a quick and diverting lunch hour read. Quercus have produced a series of hardbacks entitled “Little Ways To Live A Big Life”. We may not all aspire to some of the other titles (How To Land A Plane/ How To Count To Infinity) but they’ve enlisted Michael Rosen on an admirable mission to get children laughing and that’s something that’s likely to be appealing to almost all of us.

I’ve always had a huge soft spot for former Children’s Laureate Michael Rosen. From the early days of my teaching career I discovered his collection of poems “Quick, Let’s Get Out Of Here” and carried it around with me in my bag for as long as I was teaching. It was an invaluable resource, it filled the odd moment, it enriched whole school assemblies, it calmed things down and it livened things up. As a young inexperienced teacher fresh from training I became known as the kind of teacher who liked Michael Rosen and from that children understood I loved playing with words, with humour and reading children’s books. This really did forge my identity as a teacher which lasted throughout my career and for which I will always be extremely grateful. And yes, I did manipulate this, at the end of the summer term when I would meet my new class after the where you put your lunchbox and what days do we have PE I would always introduce them to my favourites (usually the poem “Chocolate Cake” was enough to win them over). For this I will always think highly of this poet.

Later on as a senior teacher and Head Teacher I was delighted to bring Michael Rosen in to meet the whole school on a couple of occasions. This man wins children over right away, he actually looks funny. I don’t mean that in a derogatory way. I remember using a Schools TV series he was involved in with a class of 7 year olds who didn’t know who he was but laughed as soon as his face appeared on-screen, which I was initially unsettled by, thinking I’d put the wrong videotape in, but it was him winning them over from the word go.

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And as a live performer. Wow! I’ve never seen anyone command a whole school group of Primary children from the wriggling youngest to the too-cool-to-listen oldest with such aplomb and for so long. They would hang on to his every word and the laughter was infectious and totally genuine.

So how does he do this? This book tells us how. He studies and totally understands his audience. He’s done the research, he knows what it is in the wider world that is currently making children laugh and he can pinpoint the rudiments of humour of children, which are, basically, building on anxiety, surprise, absurdity and language-play. If the first one seems a little odd you’ll need to read the book to see how he is able to deconstruct humour to these elements. It’s a convincing argument, used with examples of his and others work.

Nowadays, I don’t personally need to make children laugh but this book has relevance for performers and writers especially, as it is to these it is angled but those who work with children in whatever capacity and even parents would benefit from taking a look. I just enjoyed feeling as if Michael Rosen was talking to me once again- his voice comes through strongly in this. Due to its brevity this series is really only offering a taster so I don’t feel able to shower it in stars, rating-wise but it does exactly what it says on the cover in an entertaining way.

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How To Make Children Laugh was published by Quercus in 2018

Michael Rosen’s A to Z (Puffin 2009)- A Kid Lit Review

On By philshanklinIn Kid-Lit, Uncategorized1 Comment

 

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Subtitled “The Best Children’s Poetry From Agard To Zephaniah” and with a foreword and selections by Michael Rosen you know you are in safe hands.  Rosen’s “Quick, Let’s Get Out Of Here” is my all-time favourite children’s poetry book and this man has done so much over the years to get children excited and motivated by poetry, both to listen to it and read it aloud and also have a go at writing their own.  I consider him to be one of the most significant living children’s writers and I’ve met him a couple of times and he is an extremely affable man as well as possessing the great talent of holding a school hall full of restless youngsters in rapt attention.

With this collection Rosen has achieved very much what he set out to do- find us a selection of the best modern children’s poetry and present it alphabetically.  He smoothly gets round any difficulties with the format via his charm and good humour – “Q here for the poet/ Get in line/ No pushing” and for U “U are the poet and here is your poem:” with ruled lines for the reader to write own attempt on, but where the poets are accommodating and do have surnames which fit into Rosen’s alphabetical format they get two bites of the cherry, with two poems each.

Despite many years out of the classroom I still read poetry books like a teacher, looking for those I want to share further, making notes of titles and revisiting them until I’ve got the book summed up in around 10 poems and finding myself choosing the one that has made the most impression on me.  I know I shouldn’t be looking for a “winner” in a poetry book but can’t help myself doing it, I’m afraid.  As an adult I think I favour most the poems that offer a real snapshot of time which brings memories and associations of my own childhood coming back, rather more than the playing with rhymes and rhythms that children respond to so well and of which there are many poems in evidence in this collection. So for me the best on show is Alan Ahlberg’s magnificent “The Mighty Slide” which features 7 pages devoted to the playground ice slide.  I’m sure many of us would remember waking up on snowy school mornings realising there could be a patch of ice in the playground that we would be able to skid over.  Now, frowned at as a thing requiring its own risk assessment and a bag of grit it was full of excitement as it transformed the familiar school playground into something special and Ahlberg gets this just right – the first arrivals, the development of technique, the queuing, the moment when all is perfection quickly followed by the deterioration of the ice and the whistle which ends the fun;

“There’s shouting and shoving:  “Watch this!” “Watch Me!”

“I’m floating!” “I’m falling!” “Oh, Mother!” “Wheee!”

And all the while from the frosty ground

That indescribable sliding sound

Yes, snow’s a pleasure and no mistake

But the slide is the icing on the cake”

This is marvellous stuff and can also be found as the title poem in Ahlberg’s 1989 collection, one of his many beautifully observed poems that celebrate the life of the primary school. His closing couplet is magnificent;

“Some plough the land, some mow or mine it;

While others- if you let them-shine it.”

Whilst we are talking about beautiful observations of childhood Michael Rosen himself is one of the best and in the collection we get the very satisfying “The Noise” exploring his father’s reactions to the sheer volume of having two boys.  In a similar style I also loved Paul Lyalls’ “My Mate Darren” a tale of a friend whose living rooms games of war with toy soldiers are brought back to him ten years later.  I do not know his work but after this might very well seek out his collection “Catching The Cascade” (2009).  There’s the poignancy of memories in John Mole’s “The Shoes” and Gareth Owen’s discovery of what is making the noises in his “Empty House” would freak me out more than discovering an actual intruder.  It’s great to have a bit of peril in children’s poetry.  It’s ingrained in us our early rhymes such as “A Dark, Dark House” and “What’s The Time Mr Wolf?”

Of the poems where the sounds of the words rather than the theme are the central focus there are some solid examples on display, including a number with Caribbean heritage which would work well with a class of children.  I had a very big soft spot, however, for a Scottish dialect poem “Dino’s Cafe” by Matthew Fitt which tells the tale of Dino working in his cafe;

“In a brichtly-coloured peenie

Dino redds up a Panini,

And he dichts doon aw the tables wi a cloot”

Poetry for children should be read aloud and this really benefits from this (Accent not essential as the words lead you to the correct sounds).  The food-based punning of Andrew Fusek Peters’  “Attack Of The Mutant Mangos” comes thick and fast and would have a class of children groaning with joy.  To calm things down I would suggest Benjamin Zephaniah’s “People Need People”, a rational, thought-provoking verse on the importance of having others around us.

I’ve just picked out a handful of the poems as a taster for the whole book but I see what I’ve done and I’m going to air it before any criticism.  I haven’t mentioned any female poets.  There is a gender bias in the book anyway with, after a quick count, 16 of the 61 poets women and there are women poets of great calibre.  I really enjoyed the selections by Carol Ann Duffy, Dilys Rose and Coral Rumble, for example, but I’m also aware that on this occasion I found myself going back to re-read the poems by the men mentioned.  Is this some gender related thing in that I found when looking back to childhood it was the male poets that spoke most to me or is it just coincidence?  I don’t know and it’s probably best not to get stressed out about what is a highly readable, very entertaining selection of poems from the best of modern children’s poets.

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Michael Rosen’s A-Z was published by Puffin in 2009

Quick, Let’s Get Out Of Here – Michael Rosen (1983) – Kid-Lit Review

On By philshanklinIn Kid-Lit4 Comments

imagesYC433BKV                    quickThis for me is the greatest collection of children’s poems. My well-thumbed copy was always an essential part of my teaching equipment when I was teaching in Primary schools and it saved me many times during my career. How much I loved the enthusiasm that the children always had for these poems, especially the sequence of Eddie poems, which is what makes this collection stand out from the rest of Rosen’s work. In recent years these poems have added poignancy as Rosen’s son Eddie died from meningitis as a young man. This group of poems dotted throughout the book provides a memorial more vivid than baby photographs. “Eddie in Bed,” “Eddie & The Wallpaper”, “Eddie & The Nappy”, and “Eddie & The Birthday,” in particular are brilliant snapshots of life with a toddler. Poems that recall episodes in the poet’s past are full of the vitality of children’s language, something Rosen does so well, together with the tinge of guilt of recalling past ‘naughty moments’, which speaks directly to children hearing or reading these. “Washing Up”, “Chocolate Cake”, “The Watch”, “Go Kart” and “Gymnastics” take all adults back to their own childhoods and are superb examples of accessible poetry. I’d also like to single out a quieter poem, that when teaching I tended to overlook. “Platforms” is a sweet, mellow tale about waiting for a loved one and its inherent sense of anticipation, boredom and relief. In just a few lines Michael Rosen is able to encapsulate so much. You get a real blast of personal nostalgia just reading this. When teaching I was lucky enough to book Michael Rosen to come and talk to the pupils on a couple of occasions (at different schools) and children love this man. This book explains why.

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