Looking Back…..Looking Forward

This is my end of year report, looking back at the 10 titles I had eagerly anticipated last year and seeing how many of them I actually got around to reading as well as picking ten more choices for 2022. In 2020 I got round to reading five out of the ten titles , in 2019 three out of the ten and four out of ten the year before. Let’s see how I did in 2021.

Memorial – Bryan Washington (Atlantic Books)

I read this in January, the month it was published, and it was my first five star read of the year and narrowly missed out on my end of year Top 10. I’d read Washington’s prize-winning short story collection “Lot” but this cranked up to a higher gear for me. The central male couple straddle cultures and the set-up leaves Black American Benson with his partner Mike’s Japanese mother, who he had never previously met, whilst Mike goes to Osaka to be with his dying father who had deserted the family years before. Cue much family tension and bonding over cooking.

The Prophets- Robert Jones Jnr (Quercus Books)

An astonishing debut which ended up as number 2 in my end of year list with its haunting appeal hanging over me from January for the rest of 2021. I said “it could very well become a contender for the twenty-first century Great American novel.” I hope this becomes a big seller in paperback when it is published later this month.

Girl In The Walls- A J Gnuse (4th Estate)

This was a four star read for me in March. Debut writers are really having to be original and inventive to stand out from the crowd and Gnuse certainly did this with his creepy thriller. 11 year old Elise lives in the space of a house she formerly lived in, now owned by a new family and their teenage boys. Nobody suspects she is there until a younger boy turns up unannounced to the house. This is a high-quality commercial thriller which will really have readers holding their breath.

Lamplighters – Emma Stonex (Picador)

This is a book that seems to have done quite well sales-wise since I read it in February. I’ve asked a few people who read it their opinion and it feels that it doesn’t quite match the expectations which readers have when starting it. I found it entertaining but it did not blow me away and I gave it a three star rating. The 1970’s lighthouse setting is great, as claustrophobic and intense as you might expect. A modern day narrative strand sets out to explain what is set up as a classic locked-room mystery. I said at the time; “After months of lockdown I think we are all in a better position to appreciate better Stonex’s writing and have stronger ideas of these lives than we would have done a year or two ago, making this a very commercially apposite proposition.”

Hot Stew-Fiona Mozley (John Murray)

I rated this three stars in March, an enjoyable urban tale which is very different from the author’s Booker shortlisted debut “Elmet” and I applauded the author for that. Early reviews compared to it to a modern day Dickens, I said of this. “It’s all likeable and in a way I can appreciate those that are seeing this as modern day Dickens but it all feels a little unresolved which Dickens would not be.”

Many Different Types Of Love – Michael Rosen (Penguin)

Read this in March and gave it a five star rating with it ending up at number 4 in my Books of The Year. I said “This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic.” Moving, funny and with loads of heart from Rosen and those who cared for him.

Kitchenly 434- Alan Warner (White Rabbit)

This one passed me by. It got good reviews so I will hopefully get round to this butler and rock star tale. This year saw a well-received film adaptation of the book of Alan Warner’s I’ve read which I love “The Sopranos” retitled “Our Ladies” which suffered from multiple rescheduling because of the pandemic which I also haven’ t seen but hope to do so.

Harlem Shuffle – Colson Whitehead (Fleet)

Like Fiona Mozley, here was an author who did something very different, with this book I rated three stars in September, an understated crime novel which featured on quite a few end of the year lists but I think perhaps my own expectations were a little too high which led to me feeling a tad disappointed. I said “I found plot development a little stop-start and the novel does not flow as well as I would have hoped.” 

People Person – Candice Carty-Williams (Trapeze)

This was scheduled for September but didn’t materialise. I’ve seen it listed on the BBC news website “Books To Look Forward To In 2022” and it is now due for publication at the end of May.

Diary Of A Suburban Lady – Lucy Mangan (Souvenir Press)

Retitled “Are We Having Fun Yet?”, I certainly did when I read it in September and rated it four stars. Written in diary format, I said  “It is a very commercial work, written in a genre where fans will be loyal and supportive, it feels fresh and contemporary, so it’s a shrewd move which could sell very well indeed.” The paperback is due in June.

Woo-hoo! That’s 8 out of 10 read and one of those I couldn’t read because it hasn’t been published yet. Here are ten more titles which have attracted my attention pre-publication and I will certainly be looking out for in 2022.

The Heretic – Liam McIllvanney (Harper Collins) ( due out on 20th January)

Follow-up to Scottish Crime Book Of The Year “The Quaker” which I read back in 2018 which introduced DI Duncan McCormack in a late 60’s Glasgow setting. This location was the setting for my current Book of The Year. Could McIlvanney’s Glasgow make it two in a row? This book shifts forward in time to the mid 70’s. Last time round I was impressed by the feel of the period and the character of McCormack so this is certainly one I want to read.

Devotion – Hannah Kent (Picador) (due out on 3rd February)

It’s been five years since Hannah Kent’s last novel “The Good People“. “Devotion” is her third, I’ve read both her others and have given them four star ratings. Set in Prussia in 1836, I’ve found Kent’s previous works to “be saturated with the feel of the times” so expect real authenticity in its setting. We are being promised “a stunning story of girlhood and friendship, faith and suspicion, and the impossible lengths we go to for the ones we love.

Love Marriage – Monica Ali (Virago) (due out on 3rd February)

This is Monica Ali’s 4th novel. I haven’t read her, inexplicably, since her most famous novel, 2003’s “Brick Lane” ended up as runner-up of my favourite reads of 2004. Featuring doctors as the main characters this is being touted as “a story about who we are and how we love in today’s Britain – with all the complications and contradictions of life, desire, marriage and family. What starts as a captivating social comedy develops into a heart-breaking and gripping story of two cultures, two families and two people trying to understand one another.” That description certainly get the thumbs up from me.

Flicker In The Dark – Stacy Willingham (Harper Collins) (due out on 3rd February)

A debut book already picked up for a television adaptation. This is a tense, edge of the seat thriller. I don’t actually read that many of these but there is something about this Louisiana swamps set serial killer tale which I find very appealing. I like small town mentality in my thrillers, where everyone knows everything about everybody and apparently this book will really deliver on this. Author Jeffery Deaver has said of it; “Author Willingham takes us on an unstoppable journey through the psychology of evil, and of courage (in many senses), all told in a pitch-perfect literary style.”

A Good Day To Die – Amen Alonge (Quercus Books) (due out on 17th February)

Another debut with a big buzz, the first in a British crime series which will feature a character called Pretty Boy and his desire for revenge. It’s being talked about as a British version of “The Wire” and we can expect it to be gritty, brutal yet full of dry humour. The author is currently training to be a solicitor but might find himself needing to change the day job if this book really takes off in the way some suspect it will.

Mother’s Boy – Patrick Gale (Tinder Press) (due out on 1st March)

A Cornish historical novel from a writer who can really impress me and who is a great storyteller. I think, judging by what I’ve read it is a fictional account of the life of poet Charles Causley focusing on his war experiences. His last novel, 2018’s “Take Nothing With You” was the best of his books I have read and featured in my 100 Essential Books strand. I hope this will be as good.

Mouth To Mouth- Antoine Wilson (Atlantic Books) (due out on 3rd March)

Lots of praise for this American author’s first novel already. The story of an author who wants to find out more about a man’s life he saved. Andrew Sean Greer who wrote “Less” which won him both a Pulitzer Prize and a four star review from me says it is; “the best book I’ve read in ages. Narratively ingenious, delicately written, intriguingly plotted, it is literature of the highest quality. I see you now, dear Reader, with this novel in your hand and already losing track of time “ That is an impressive recommendation.

Memphis – Tara M Stringfellow (John Murray) (due out on 7th April)

A debut from African-American writer who here explores three generations of a Memphis family. It comes with a recommendation from my runner up for Book Of The Year author Robert Jones Jnr who describes it as having “an endearing and unforgettable cast of characters who find strength in vulnerability, safety in art, and liberation in telling the truth.

Young Mungo – Douglas Stuart (Picador) (due out on 14th April)

The author of my Best Book of 2021 looking to make it two in a row. A love story between two men from working class Glasgow- one Catholic and one Protestant. The publishers are promising “a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.” Considering how well everything was handled in the Booker winning “Shuggie Bain” I have high hopes for this one.

Theatre Of Marvels – Lianne Dillsworth (Penguin) (due out on 28th April)

A debut from a Black British author. I love a Victorian London setting and anything with a hint of the Gothic and here the author is said to come up with the goods in her tale of an actress from Crillick’s Variety Theatre. The author has an MA in Victorian Studies and early reviews are praising her ability in bringing the setting and location to vivid life. There’s a real buzz about this author and this book which will continue to build up to publication.

That’s 10 books to look out for all in the first four months of the year with that date of 3rd February looking like a good one for book-lovers. Here’s to lots of good reading in 2022!

Top 10 Books Of The Year – 2019- Part One (10-6)

Even though we’re not quite at the end of the year I now know that I am unlikely to finish the book I am currently reading so it’s time to look back again to the 10 books which made the most impression on me during the year.  These are not necessarily published this year (just 3 out of the 10 were) if I read it this year then it was up for inclusion.  The total number of books I finished in 2019 is 56, which is down on previous years where I usually hit the mid to late 60’s mark, apart from the golden year of 2016 when I read 80.  I’m not sure why this figure is down so this year probably due to a change of commitments.  Out of those 56 nine of them I classed as five star reads which nicely fills up most of my Top 10 places, the spread of the other star ratings is 28 at 4*,15 3* and 4 at 2* (didn’t have any two star reads last year where the spread was (12/32/22)- I must have been feeling a bit stingier this year.

It does seem like quite a bit of my reading has been books which I missed out in 2018, obviously a bit of a vintage year as 50% of the titles were published then.  Gender wise the men have pushed ahead with a 60-40 split putting an end to last year’s perfect balance.  Nobody makes the list more than once this year and there are two authors who are no strangers to my end of year Top 10.  It does seem, however, and perhaps it is no surprise given the state of the world currently, that for much of 2018 I have been rooted in the past as all of the fiction choices are set in earlier times with a significant chunk (4) being set in the Victorian era or earlier.  Right, let’s get on with the list.  The full reviews for each title can be found be clicking on the link.

10. The Library Book -Susan Orlean (Atlantic 2019)  (Read and reviewed in August)

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My non-fiction pick of the year is this extremely memorable book which works both as a love letter towards libraries and their continued importance and as a true crime work where the author explores the fire which destroyed the Los Angeles Central Library in 1986.  It wasn’t just because I work in libraries that I found this work so inspirational although it was one of the reasons behind me applying for (and getting) a promotion.  Susan Orlean reinforces everything I believe about libraries although the systems in place in the UK seem decidedly impoverished compared to the USA.  I said “The book itself was inspired by Orlean’s memories of going to a public library with her mother when she was a child and them bonding over their piles of chosen books. This seems to me a valuable inspiration for a fascinating work.”

9.Things In Jars – Jess Kidd (Canongate 2019) (Read and reviewed in March)

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I’m up to date with Jess Kidd having read all three of her novels and this marks her first time in my end of year Top 10 with her best book yet.  This built on the supernatural elements which have been present in all her works yet with its nineteenth century setting it seemed to work better here than it has in the past.  I said of this “Here we have the Victorian love of the unusual and freakish and the developments in medicine which attracted the honourable and the disreputable sitting beautifully in with what becomes a gripping mystery peopled with characters about whom I wanted to know so much more.”

8. Bridge Of Clay – Markus Zusak (Doubleday 2018) (Read and reviewed in July)

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We had to wait years for it to arrive but Australian author Zusak manages to get his follow up publication to my 2008 Book of The Year, “The Book Thief” into my Top 10.  I would have thought that a publication from an author of a modern classic after a lengthy wait would have been a major literary event but it seemed to creep under the radar somewhat when it arrived in hardback last year and this year in paperback.  That made me initially a little anxious but I needn’t have been.  I said “Its chatty, scattered narrative actually masks the emotional depth of the content.  It was only looking back as I neared the end that I realised how much I knew about the characters’ lives and how involved I had become, a testament to a great novel.” I read a library copy and then had to go out and buy it to have it readily on hand for a re-read.

7.The House Of Impossible Beauties – Joseph Cassara (Oneworld 2018) (Read in July, reviewed in August)

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2018 was the year when the New York Drag Balls of the late 70’s and 80’s went mainstream in the UK thanks to TV series such as “Pose” and “Rupaul’s Drag Race” and at least a couple of novels of which this was the best.  In my review I compared it to what else was out there (as well as the documentary “Paris Is Burning”, available on Netflix, from where Cassara’s characterisations are developed) and concluded “Perhaps more than “Pose” it shows the struggles in terms of coping with discrimination, poverty, prostitution and mortality but like the television series it is all done with great humanity and compassion and more than a fair share of glitter.”

6. Take Nothing With You – Patrick Gale  (Tinder 2018) (Read in February, reviewed in March)

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This marks British author Patrick Gale’s fourth appearance in my end of year Top 10’s out of the nine books of his I have read which must mean that he has settled into being one of my most favourite authors.  Previous end of year positions have been 4th for “Facts Of Life” (1995) in 1996, 9th for “Rough Music” (2000) in 2001 and 6th for “A Perfectly Good Man” (2012) in 2013.  His latest matches this position and I can’t help but note that the books of his I really like I miss out on at the time and catch up with in the following year.  This has the most modern setting of any of the books on this year’s list with one narrative strand actually being set in the present (gulp!) with the main character contemplating his past whilst receiving treatment for cancer, but it was the past that Gale really drew me into with his story of Eustace, the young gifted cellist.  I said “I fell in love with the boy growing up in his parents’ old people’s home in Weston-Super-Mare in the 1970s with ambitions to be a musical great if only his mother and father and society will let him realise his dreams. It is haunting, nostalgic and sensitive and has all the qualities to make it an essential read.”

Find out the Top 5 in my next post.

2018 – What I Should Have Read

I am fairly certain that I am now reading my last book of 2018.  This is because I am just mid-way through the massive “Count Of Monte Cristo” which I have never read before and the Penguin edition amounts to 1276 pages of pretty small print.  If I get through these it will end up being perhaps the longest book I have ever read.  I’ll let you know how I get on but that will unlikely be before the new year.

With newspapers, bloggers, websites coming up with their favourite books of the year I thought I would delay my choices until the very end of 2018 but look at some of the books I have missed out on reading this year.  So here is my Top 10 what I should have reads.

Snap – Belinda Bauer (Bantam Press)

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The first popular crime novel to be longlisted for the Man Booker Prize but it seems not even the presence of huge fan Val McDermid on the judging panel could get this onto the shortlist.  I read Bauer’s dark debut “Blacklands” in the year it was published and enjoyed it but have not read any of her others.  Luckily, I found a copy of this on the library shelves and have borrowed it so Alexandre Dumas-willing I will get round to it before hoards start reserving it because of its regular appearances on “best of the year lists”

Chalk Man – C J Tudor (Penguin)

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Another one I have out from the library.  This debut has been compared to Stephen King and is set in 1980’s Britain. Now out in a paperback edition featuring high praise from writers of the calibre of Lee Child, John Boyne, Celia Aherne, Kimberley Chambers, Julia Heaberlin and King himself.  Can’t wait to read this one.

Seven Deaths Of Evelyn Hardcastle – Stuart Turton (Raven)

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Another much praised debut.  Val McDermid had it as one of her books of the year.  The little I know about it sounds a bit like Kate Atkinson’s “Life After Life” in structure (an all-time favourite) within a classic murder mystery frame.  I saw this going cheap one day as a Kindle Daily Deal so it is sitting there waiting for me.  This has been shortlisted for the first novel Costa Awards, a National Book Award and scooped the independent booksellers Books Are My Bag novel award.  Not sure why there is an extra half of a death in the American title.  Suppose I will have to read it to find out.

Washington Black – Esi Edugyan (Serpent’s Tail)

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A Booker shortlisted roller-coaster of a novel and the only one that made me feel sorry I did not read the shortlisted titles before the winner’s announcement this year as I have done the past couple of years.  I do have this Canadian author’s earlier novel “Half Blood Blues” unread on my bookshelves and I may just have to start to this but I am certainly looking forward to discovering her writing in 2019.

Warlight – Michael Ondaatje (Jonathan Cape)

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A book which is certainly popping up on best of the year lists.   It was championed by Kamila Shamsie in “The Guardian’s” look back on the year.  I have never read any of  the Sri-Lankan born Canadian novelist Ondaatje’s 8 novels before, not even “The English Patient” (nor have I seen the film version) but this novel set in London in the aftermath of World War II seems to me to be a tempting place to start.  I had this as one of my 2018 highlights at the start of the year.

From A Low And Quiet Sea – Donal Ryan (Doubleday)

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I loved, loved loved this Irish writer’s debut  “The Spinning Heart” and was published in NB magazine citing it as one of the best books of the 21st Century, but since then, amazingly I have not got round to reading any of his three subsequent novels.  This was championed by Jonathan Franzen in The Guardian and is on the shortlist for the Costa novel Award.

Transcription – Kate Atkinson (Doubleday)

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This British author’s “A God In Ruins” is well in the running for being named my best read of 2018.  I wanted to read her Jackson Brodie series of novels next but then I borrowed this as a library e-book.  I’ve not noticed it much on end of year lists and a few people I know who have read it have been a bit lukewarm about it but she is one of our greatest living novelists so I really should find out for myself .

Lethal White – Robert Galbraith (Sphere)

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I’ve read all the others so of course I’m going to get round to this but I’m a little put off by the sheer size of the hardback so may need to wait until it arrives in paperback.  It does seem to be generally getting the thumbs up but most seem to mention that it is too long.

Take Nothing With You – Patrick Gale (Tinder Press)

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Admittedly I’ve got the odd Gale gap in my reading history but he is one of my Top 10 most-read authors.  I would imagine that this is a quieter, understated, less showy novel than some on display here so I might need to get myself into the right mood for that.  He can absolutely blow me away as a writer but this does not happen every time.

My Love Story – Tina Turner (Century)

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My pick of all the non-fiction I’ve missed this year.  I was a little concerned that this autobiography might have been a little air-brushed but reviews seem to say that this is not the case.  This living legend and performer of one of my 100 Essential CDs got huge publicity for this publication as it was her version of what has been an incredible life.  I haven’t rushed to buy this because I did read “I, Tina” written alongside Kurt Loder and I wondered how much of this was a rehash of that.  But I will get round to it.

Anyone looking for a last minute Christmas present for this reviewer could start here….!

 

 

 

A Place Called Winter – Patrick Gale (2015)

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This is the ninth Patrick Gale book I have read, taking him up to number 7 on my most read authors list from the twenty years I have been keeping records.  Our relationship has not always been rosy.  I really didn’t like “The Aerodynamics Of Pork” (1986) and it was only from his 1996 “Facts Of Life” (perhaps still my favourite) that he really began to win me over and I could see he had the potential to become one of Britain’s best novelists.  From then on, both “Rough Music” and his last novel “A Perfectly Good Man” confirmed that for me and this makes two in a row for him now as this is well up there amongst his best.

It is a bit of a departure for Gale- set largely in Canada in the years preceding to just after World War I.  Harry Cane is a well-off Englishman who has never had to work but when he suffers financial losses and a scandal threatens his family’s standing he sets off to Canada, seduced by posters suggesting he could make his fortune.  En-route he is befriended by Troels Munck, who with questionable motives finds Harry a way to set up his own homestead in newly allocated land.  In a primitive existence Harry has to battle with both the elements and his own sexuality.

For this novel Gale took as his inspiration his own ancestors finding his grandmother’s handwritten memoir and filling in the gaps about her own father and these gaps have been filled in beautifully.

Harry, thrust into manual work seems to view the world and his place in it with a detachment which leads to mental health issues.  The tensions of setting up his farm, family tragedy and the effects of the war itself have a part to play as does society’s inability to let him be the man he wants to be.  This book will no doubt be compared to “Brokeback Mountain” but plot-wise this is more satisfying.  I might, however, have liked to have got more of the sense of Harry the farmer, attempting to establish himself on such hostile terrain – I found this was a little glossed over in placing the emphasis on his relationships and the threat of Troels Munck who has the tendency to turn up when things are beginning to go well.

The historical setting is a new one for Gale and I think he equips himself admirably.  It is more focused upon one character than most of his other works but the subject matter dictates this.  There is a good balance of main plot and back story.  This book is making quite a few appearances on “Best of 2015” lists and has deservedly been shortlisted for Best Novel by the Costa Awards panel.

My Still to read Patrick Gale list:

  • Kansas In August
  • Facing The Tank
  • Little Bits Of Baby
  • The Cat Sanctuary
  • Caesar’s Wife
  • Tree Surgery For Beginners
  • Friendly Fire
  • The Whole Day Through
  • Gentlemen’s Relish

Any suggestions which should be next?

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A Place Called Winter was published in the UK in 2015 by Tinder Press