2020- What I Should Have Read

Here’s my annual post which I face with equal measures of pleasure and guilt (a winning combination I’ve always found!).  I’ve selected 10 titles which I feel I should have got round to reading this year.  Perhaps they slipped under my radar on publication and I’ve only found out about them in round-ups of the year, perhaps I’ve always been aware of them but just haven’t got round to them for one reason or another.  Probably like most people I have read more books this year (although not by a huge amount) but there are still a great number of desired titles that I just have not been able to fit in. 

Looking back on last year’s list I can see that I did eventually get round to reading 50% of the titles that I felt I had missed out on (the same as in 2018) and have 40% of them on my shelves ready to be read, (hopefully in 2021) leaving just one, the YA adult novel “Chinglish” by Sue Cheung, which continues to elude me.  So, without further ado, here in alphabetical order by author  are the titles I felt I missed out in this strange old year, 2020.

No Shame – Tom Allen (Hodder Studio)

It’s been a good year for memoirs and I have read a few of them but haven’t yet got round to comedian Tom Allen’s work. On the cover fellow comic Sarah Millican says it is “wonderfully funny, utterly charming and sharp as all hell” which pretty much sums up how I feel about the man so it makes me look forward to reading his writing. I anticipate that there will be a focus on his feelings as an outsider growing up gay and I wonder how much it can be seen as a kind of companion piece to Will Young’s 2020 publication which focused on gay shame which I did read, “To Be A Gay Man“. I’m very interested in reading Tom’s perspective on this issue. He is one of the few comedians out there now that I have seen live and would certainly pay to see him again. In the meantime there is this book to savour.

Djinn Patrol On Purple Lines – Deepa Annaparra (Chatto & Windus)

This is a debut novel I seem to have been putting on my personal to be read lists all year. It is one I have kept reading about but to be honest haven’t yet come across a copy. I’ve seen it on various best of the year in crime lists and I’m fascinated by its premise of a nine year old detective in modern India . It appeared early on in the year, has a striking cover and made the 2020 Women’s Prize for Fiction longlist. On the cover Ian McEwan describes it as “brilliant” and Anne Enright hits home for me when she says “We care about these characters from the first page and our concern for them is richly repaid”  which is so often something I look for in a novel. It does seem that the pandemic has been particularly hard on debut novelists as they were unable to promote their books in the traditional ways and we as a nation tended to turn in large numbers to authors who we already knew.

The Vanishing Half – Brit Bennett (Dialogue Books)

I did read a book about separated twins this year, Edmund White’s “A Saint From Texas” but it seems like the one I should have read is this American writer’s second novel which I have seen described in end of year round ups as “a stunning family saga”. My colleague Louise who continues to put so many good book recommendations my way has this in the running for her book of the year vying for the title with a book which may very well be my own very favourite read of the year so that is a good enough recommendation for me.

The Windsor Knot – S J Bennett (Zaffre 2020)

Whilst everyone was going nuts for Richard Osman’s quirky, cosy crime caper “The Thursday Murder Club” I found myself favouring a secret yearning to read this book which has the potential to be a real guilty pleasure. The premise is nicely set out on the back cover “On a perfect Spring morning at Windsor Castle, Queen Elizabeth II will enjoy a cup of tea, carry out all her royal duties…and solve a murder”. Amanda Craig describes it as a mash-up between Miss Marple and “The Crown” which seems like a potent combination. QEII is no stranger to fiction, think Alan Bennett’s “The Uncommon Reader” and it is his depiction of her that I am imagining as the main character in this work. What’s with all these Bennetts that have appeared in this post?

Troubled Blood – Robert Galbraith (Sphere)

One of the few crime writers who I was up to date with until this doorstep of a book arrived in September by J K Rowling’s alter-ego. I am daunted by the size and the long waiting list for a library copy and will probably wait until it appears in paperback. I don’t think I will be disappointed when I eventually get round to it. I have enjoyed all of the Cormoran Strike novels so far (and the BBC TV adaptations) but so far they have never featured in my end of year Top 10. I wonder if this book will be the one to change that situation?

Rainbow Milk – Paul Mendez (Dialogue Books)

As soon as I read a review of this debut novel I knew I wanted to read it. A gay black man escapes his Jehovah’s Witness upbringing to come to London and ends up a sex worker. Adjectives such as “explosive”, “ground-breaking” and “daring” have seemed to follow it round and I was further intrigued by Booker Prize winning Bernardine Evaristo promoting it as her choice on Richard and Judy’s teatime lockdown book club programme. (I hope a large number of those viewers thought “I’d like to give that a go”). I really don’t know why I haven’t got round to purchasing a copy, I have been close to doing so a number of times but it is only a couple of months now until the paperback is scheduled to arrive so I think I will end up waiting until then before discovering a writer who is being described as a major new British talent.

Let’s Do It- Jasper Rees (Trapeze)

Another big book, this time about a really big talent. This is Ree’s authorised biography of my favourite comedian of all time, Victoria Wood. I think Rees is going to be good at separating the performer from the very different real Victoria. I saw her a number of times in her professional guise live in stand-up and of course devoured all of her television shows and am still able to quote whole scenes and also in her personal guise as many years ago her children went to the school I was working at. End of year round-ups have described this as “impeccable” I cannot wait to find out if I agree.

Shuggie Bain – Douglas Stuart (Picador)

I went through a spate of reading the Booker Prize winning novels as soon as possible after their win and for a couple of years worked my way through both short and longlists but the book that put me off this was “Lincoln In The Bardo” by George Saunders, a book I did not see winning one of literature’s most prestigious prizes back in 2017. I know I should have read by now last year’s joint-winning “Girl, Woman, Other” which featured on this list last year but I will do and I hope I won’t hesitate as long before reading this. I have been on the list for a library copy since this made the shortlist but I’m likely to end up buying it before long. It seems a book which is getting both critical and popular acclaim for it’s tale of a tough upbringing in 1980’s Glasgow. The Telegraph was one of a number of publications who had it as their book of the year saying that “it will scramble your heart and expand your mind“.

The Devil And The Dark Water – Stuart Turton (Raven Books)

Aha, Stuart Turton. No stranger to this list. His debut “Seven Deaths Of Evelyn Hardcastle” featured in my 2018 picks and ended up picking up The First Novel award at the Costas. It has been sitting on my Kindle since then and I just haven’t got round to it. This may be because I’m always asking people who have read it what they thought and their opinions have been a bit more mixed than I was expecting but now he has written something else which seems right up my street. This is a chunky, historical whodunnit set on board ship in the seventeenth century. Chosen by the very watchable TV series “Between The Covers” as a Book of The Week, this got the thumbs-up from the celebrity reviewers and has been described in end of year round-ups as a “fiendish maritime mystery.” The chronological obsessive reader in me is pushing me towards “Evelyn Hardcastle” first, but then that might mean it would take me some time to get to this and I’m not sure if I am prepared to wait.

A Dutiful Boy- Mohsin Zaidi (Square Peg)

I’m finishing my list as I started with another memoir which has attracted a good share of praise. Subtitled ” A memoir of a gay Muslim’s journey to acceptance” this feels like it would have parallels to a couple of other books I have read “Unicorn” by Amrou Al-Kadhi, which this year has gone on to win both a Somerset Maugham and Polari award and a flawed but very enjoyable YA novel “How It All Blew Up” by Arvin Ahmadi. It’s combination of religion and sexuality also brings to mind the “Rainbow Milk” novel I highlighted earlier. Of this Lord Michael Cashman has said it is “A real page-turner that sparks with humanity and hope“. After the year we have all had this would seem like a great reading choice.

What books did you not get around to reading this year?

Lethal White- Robert Galbraith (2018) – A Murder They Wrote Review

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Why exactly do people read the crime novels J K Rowling writes as Robert Galbraith? Is it for the intelligently crafted plot and the satisfaction of the tying up of the interweaving threads of a detective novel? I suspect not, they are read more for the dynamics between the two main characters, private detective Cormoran Strike and his business partner Robin Ellacott both here on their fourth outing.

If this is the case then this lengthy work will delight as there is more relationship than crime plot going on here. I was very happy that it picks up where “Career Of Evil” (2015) left off, at the wedding of Robin and her disappointing fiancé Matthew. Cormoran had stumbled into the wedding proceedings leaving the “will she/won’t she?” aspect very much in the air last time round and here in a Prologue the story we all wanted to read about is resumed. I’m not plot spoiling by saying the wedding goes ahead but given the circumstances the marriage might not last that long. I applaud JK Rowling for beginning the novel at this point.

Following this Prologue we fast forward a year and Strike’s agency is doing well after its high profile cases featured in the previous novels and some of the work is having to be shared out to sub-contractors.  Robin and Cormoran get involved in a blackmail scenario involving a government minister with Robin going undercover at the Palace Of Westminster.  Strike is perturbed by a distressed visitor to his office with a tale from the past which may be linked to the blackmail attempt. The plot simmers along nicely and I do think the balance between a character led narrative and any actual action works well and would please more of her readers than it would disappoint. It’s a long time before an actual corpse makes an appearance and the whole thing is a lot less gruesome and more understated than in the last two novels. I can appreciate this balance as for me the more plot-driven second novel “The Silkworm” (2015) is the weakest of the four and both through her writing and the TV adaptations the two main characters are so strong that I found myself really relishing the scenes when they are together.

This book achieved somewhat mixed views on publication mainly concerning its length. I actually found that there was enough to keep me from grumbling about its number of pages. It could have been tightened a little but that is the case for most books which come in at over 600 pages in a hardback edition. On reflection, I feel I should have cared more about the “whodunnit” aspect of the novel, this is crime fiction after all, which is why this is not quite up to “Career Of Evil” standards but it is a close run thing as we are provided with another highly enjoyable read. “Career Of Evil” was more effective in ramping up the tension. I feel also that Strike’s London has come across stronger in previous novels but this doorstep of a read certainly shouldn’t put people off this series of novels and those that have read the four will be eagerly anticipating the fifth- myself included.

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Lethal White was published in hardback by Sphere in September 2018. The paperback edition is out this week on 18th April.

2018 – What I Should Have Read

I am fairly certain that I am now reading my last book of 2018.  This is because I am just mid-way through the massive “Count Of Monte Cristo” which I have never read before and the Penguin edition amounts to 1276 pages of pretty small print.  If I get through these it will end up being perhaps the longest book I have ever read.  I’ll let you know how I get on but that will unlikely be before the new year.

With newspapers, bloggers, websites coming up with their favourite books of the year I thought I would delay my choices until the very end of 2018 but look at some of the books I have missed out on reading this year.  So here is my Top 10 what I should have reads.

Snap – Belinda Bauer (Bantam Press)

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The first popular crime novel to be longlisted for the Man Booker Prize but it seems not even the presence of huge fan Val McDermid on the judging panel could get this onto the shortlist.  I read Bauer’s dark debut “Blacklands” in the year it was published and enjoyed it but have not read any of her others.  Luckily, I found a copy of this on the library shelves and have borrowed it so Alexandre Dumas-willing I will get round to it before hoards start reserving it because of its regular appearances on “best of the year lists”

Chalk Man – C J Tudor (Penguin)

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Another one I have out from the library.  This debut has been compared to Stephen King and is set in 1980’s Britain. Now out in a paperback edition featuring high praise from writers of the calibre of Lee Child, John Boyne, Celia Aherne, Kimberley Chambers, Julia Heaberlin and King himself.  Can’t wait to read this one.

Seven Deaths Of Evelyn Hardcastle – Stuart Turton (Raven)

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Another much praised debut.  Val McDermid had it as one of her books of the year.  The little I know about it sounds a bit like Kate Atkinson’s “Life After Life” in structure (an all-time favourite) within a classic murder mystery frame.  I saw this going cheap one day as a Kindle Daily Deal so it is sitting there waiting for me.  This has been shortlisted for the first novel Costa Awards, a National Book Award and scooped the independent booksellers Books Are My Bag novel award.  Not sure why there is an extra half of a death in the American title.  Suppose I will have to read it to find out.

Washington Black – Esi Edugyan (Serpent’s Tail)

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A Booker shortlisted roller-coaster of a novel and the only one that made me feel sorry I did not read the shortlisted titles before the winner’s announcement this year as I have done the past couple of years.  I do have this Canadian author’s earlier novel “Half Blood Blues” unread on my bookshelves and I may just have to start to this but I am certainly looking forward to discovering her writing in 2019.

Warlight – Michael Ondaatje (Jonathan Cape)

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A book which is certainly popping up on best of the year lists.   It was championed by Kamila Shamsie in “The Guardian’s” look back on the year.  I have never read any of  the Sri-Lankan born Canadian novelist Ondaatje’s 8 novels before, not even “The English Patient” (nor have I seen the film version) but this novel set in London in the aftermath of World War II seems to me to be a tempting place to start.  I had this as one of my 2018 highlights at the start of the year.

From A Low And Quiet Sea – Donal Ryan (Doubleday)

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I loved, loved loved this Irish writer’s debut  “The Spinning Heart” and was published in NB magazine citing it as one of the best books of the 21st Century, but since then, amazingly I have not got round to reading any of his three subsequent novels.  This was championed by Jonathan Franzen in The Guardian and is on the shortlist for the Costa novel Award.

Transcription – Kate Atkinson (Doubleday)

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This British author’s “A God In Ruins” is well in the running for being named my best read of 2018.  I wanted to read her Jackson Brodie series of novels next but then I borrowed this as a library e-book.  I’ve not noticed it much on end of year lists and a few people I know who have read it have been a bit lukewarm about it but she is one of our greatest living novelists so I really should find out for myself .

Lethal White – Robert Galbraith (Sphere)

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I’ve read all the others so of course I’m going to get round to this but I’m a little put off by the sheer size of the hardback so may need to wait until it arrives in paperback.  It does seem to be generally getting the thumbs up but most seem to mention that it is too long.

Take Nothing With You – Patrick Gale (Tinder Press)

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Admittedly I’ve got the odd Gale gap in my reading history but he is one of my Top 10 most-read authors.  I would imagine that this is a quieter, understated, less showy novel than some on display here so I might need to get myself into the right mood for that.  He can absolutely blow me away as a writer but this does not happen every time.

My Love Story – Tina Turner (Century)

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My pick of all the non-fiction I’ve missed this year.  I was a little concerned that this autobiography might have been a little air-brushed but reviews seem to say that this is not the case.  This living legend and performer of one of my 100 Essential CDs got huge publicity for this publication as it was her version of what has been an incredible life.  I haven’t rushed to buy this because I did read “I, Tina” written alongside Kurt Loder and I wondered how much of this was a rehash of that.  But I will get round to it.

Anyone looking for a last minute Christmas present for this reviewer could start here….!

 

 

 

Strike: Career Of Evil (BBC1 2018) – A What I’ve Been Watching Review

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strike1Having just got around to reading the novel, which I consider to be the best of the three JK Rowling- as- Robert Galbraith works I was looking forward to catching up with this two-parter shown over the last couple of Sunday nights.

I read “The Cuckoo’s Calling” a few months before the TV adaptation which was early enough to get my own visual impressions of one-legged man mountain Private Investigator Cormoran Strike and of his assistant Robin Ellacott and to initially feel that neither Tom Burke nor Holliday Grainger seemed right.  It took about 20 minutes to revise my opinion of Burke as Strike and admittedly a little longer to see Holliday as Robin but I’m there totally now with both portrayals.

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 Career Of Evil” is pushing 500 pages in the hardback edition and I did wonder how this could be compressed into two hour long episodes and how some of the darker fare on offer in the novel would be translated onto the screen for Sunday evening viewing.  That job went to writer Tom Edge, who also had some considerable condensing to do when “The Silkworm” was adapted into two hours.  The first episode seemed to rattle along, and was good quality story-telling and television.  I did have reservations about the second part as  in the rush to get things to the conclusion it inevitably became confusing.  “So who did it then?” my partner (who had not read the book) asked as the end credits came up- not the best result for a crime drama.

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 In my review of the book I mentioned my difficulty in distinguishing between two of the suspects.  Here I felt that they were introduced with more distance between them so thought they would get around this but there wasn’t the time to devote to them so it became equally confusing.  There was some too obvious sign-posting of one of the main twists in the book and an implausible touch about identity towards the end which would not have been out of place in an episode of “Scooby Doo”.

 I quite like it when Rowling gets dark.  It’s like seeing Holly Willoughby swearing on “Celebrity Juice”, it feels so unexpected and naughtier.  Here the serial killer elements which darkened the novel considerably were very underplayed and the whole theme of Body Integrity Identity Disorder (a feeling that a limb does not belong by an otherwise healthy person and needs to be amputated) which was disturbingly explored in the novel was very much left on the shelf here with Cormoran’s appeal to the murdered girl being teen adulation rather than for his missing leg.  Strike was also made more of a suspect here when the plans to undermine his business came across more subtly in the book. Some characters had their parts bumped up (Matthew) and some reduced (Alyssa).  The Blue Oyster Cult, whose role I felt the author had overplayed in the book also moved more into the background.

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 Still, there were only two hours to play with and as much as for the crime most of us were tuning in to see the relationship and interplay between the two main characters, especially with Robin approaching her nuptials (no Royal Wedding element here as in the novel with its more specific time frame) and here we were certainly not disappointed.  I do like these adaptations but feel here an extra hour was required to bring out the richness there is in the novel, both in terms of plot-line and character.  The book is better than the TV adaptation but I still felt highly involved.

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Strike: Career Of Evil was shown in the UK on Sunday 25th Feb and 4th March 2018.  It is currently available on the BBC I Player . 

 

Career Of Evil – Robert Galbraith (2015) – A Murder They Wrote Review

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This book brings me up to date with the three crime novels J K Rowling has written under a pseudonym featuring crumpled Private Investigator Cormoran Strike.  And it’s not quite just in time as I wanted to read this book before the two part BBC TV adaptation started.  When it wasn’t on over the Xmas and New Year period (which was what I was expecting with a high profile series) I assumed the BBC would be holding it over to show over a Bank Holiday weekend so its sudden appearance on schedules surprised me into borrowing the book from the library.

 Now, before you start telling me details of the TV adaptation I’ll let you know I haven’t watched any of it yet.  The second of the two episodes was shown on Sunday and both are sitting on my Sky Planner and I am looking forward to see what is done with this (over what seems a short total running time of two hours) as book-wise this instalment is the best of the three.

 What I really like about these books is the relationship between Cormoran Strike and temp secretary/assistant/potential business partner (her role has evolved over the series) Robin Ellacott.  This took a bit of a back seat in the second novel “The Silkworm” which I did not enjoy as much as the debut “The Cuckoo’s Calling” but it is stronger here than ever before and Galbraith has given us a real character-led crime novel which works a treat.  Apart from some short chapters given over to the killer most of what happens is seen from the two main characters point of view (although not through a first person narrative) which on this occasion works very nicely.

 The actual case that the pair are working on is, like the last novel, pretty grisly.  A severed leg is sent addressed to Robin at the office and it looks as if someone is trying to frame Strike and to put him out of business.  Strike has to consider who he has upset enough for them to want to kill and dismember in an attempt to bring him down and comes up with three main potentials.  With the police moving in a slightly different direction and evidence pointing towards a Jack The Ripper-style serial killer on the loose, Strike sets out to solve things himself.  The one flaw I encountered as a reader was that throughout I found it hard to distinguish between two of the suspects and did have to keep leafing back to see who was who.  I’m not sure if I momentarily lost attention at the wrong place or if they were not clearly enough demarcated when introduced into the narrative.  Also, while I am nit-picking Rowling is obviously a fan of US Rock Band Blue Oyster Cult (best known for their 1978 #16 UK and #12 US hit “(Don’t Fear) The Reaper”) using lyrical references to head chapters and within the narrative.  Here it seemed a slightly artificial device and I’m not convinced it added much to the proceedings. 

Otherwise, giving me as much pleasure as the playing out of the crime strand was Robin’s on and off again marriage preparations, her concerns as to whether she is being seen as an equal partner in the business and effective back story on both characters which has really fleshed them out since “The Cuckoo’s Calling”.  Two of the three novels in the Strike series are every bit as enthralling as Harry Potter and I hope, especially now that I am up to date that there will soon be more to come.  (There has been talk about “Lethal White” as a title but no release date scheduled).  And there is still the TV series to watch – my  thoughts on which will appear here soon.

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Career Of Evil was published by Sphere in 2015

Strike: The Cuckoo’s Calling (BBC1 2017)- A What I’ve Been Watching Review

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(To be read in the style of  a Craig Cash “Gogglebox”voiceover) “In a week where a Cookery Programme found its own soggy bottom and lost over four million viewers by switching to Channel 4 we watched lots of great telly”.  I was one of those missing four million as I decided not to tune in to the revamped “Great British Bakeoff”, the first time I have ever missed an episode.  Sometimes you have to take a stance!

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I did, however, watch BBC1’s Bank Holiday potential crowd-pleaser, “Strike- The Cuckoo’s Calling”, the first two episodes of a three parter based on the JK Rowling 2013 thriller written as Robert Galbraith.  I was a little late getting to the novel, having only read it earlier this year and my motivation for doing so was because I had heard about the tv adaptation and wanted to experience the book first.  I wanted my own pictures to form in my head.   I really enjoyed the book and in my review focused in on the warmth and humour in the relationship between down-on-his-luck private detective Cormoran Strike and temporary secretary, Robin.

Much hinged I felt on the casting of Strike, an undeniably larger-than-life character. I got the impression of a kind of man-mountain from the book and at six foot Tom Burke doesn’t quite have the bulk that was in my head.  Best known to me as Dolokhov in the BBC1 “War and Peace”extravaganza, he is perhaps generally best known as swashbuckling Athos in “The Three Musketeers” series.  The 36 year old son of noted thespians Anna Calder-Marshall and David Burke has scooped one of the most prestigious TV roles of the year with the other Galbraith novels already having been filmed for later transmission. 

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Within the first half-hour Burke had become Cormoran Strike as the book-derived image in my head faded and he became the perfect fit. Not quite as convinced by Holliday Granger as Robin, but that will come in time.  After her turn as Lucrezia Borgia in “The Borgias” I’m finding it hard to trust her wholesomeness.  In the first two episodes there was a little less Robin than I was expecting- we had less of her putting her mark onto the office than I remembered from the book and a little less of developing the relationship between the two characters although it took only the odd glance from Strike to make us realise how valuable she is making herself to his enterprise.

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Characters nicely established the plot followed along expected lines.  The presence of acting heavyweights, the great Sian Phillips and Martin Shaw in the cast gave the whole thing kudos and showed the BBC’s commitment to the project.  I was a little concerned after the TV adaptation of “SS-GB” which the BBC had sat upon after filming and put it out without a great deal of fanfare where it limped along somewhat in dark scenes and mumbled lines, but this was altogether a very different proposition.  Liked the music, liked the opening credits, which gave it a moodiness and recalled the opening of some of those great ITC Entertainment series like “Man In A Suitcase” and “Danger Man”.  In days of technological glossy thrillers this seemed pleasantly old-fashioned, making it perfect Bank Holiday viewing, when we don’t want anything too demanding.

There was always going to be an issue with Strike’s false leg and there was a “how did they do that?” moment as well as some obvious cut-aways.  The leg almost feels like a character in the novel so I was pleased it was given air-time here.  It was hard to forget that the television Strike had lost a leg, just as it is in the novel.  I wondered if three episodes would cause the plot to rattle along too quickly but it established a good, steady pace.  I wonder if the decision to film “The Silkworm” and “Career of Evil” as two-parters will impact on the overall pace.  I hope they are going to be hour-longs and not “feature length” as the hour long format seems most fitting for this.  I wasn’t as struck on the book of “The Silkworm” which will air on television straight after “Cuckoo’s Calling”- I felt it was overlong, so perhaps two episodes will suffice.  It is a much darker piece and it will be interesting to see how it translates to Sunday evening television.  I’ve yet to read “Career Of Evil” but I am pushing it up the To Be Read list so I can get to it before it is shown.

With two parts down of “The Cuckoo’s Calling” and one to go I’m looking forward to the conclusion of this.  To be honest, even though I only read the book six months or so ago some of the plot details have blurred in my mind so I’m getting plenty of enjoyment as the story unfolds. It does seem perfect for television, will push up sales further of the three novels and is likely to give the BBC another big worldwide hit.

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Strike- The Cuckoo’s Calling is shown on Sundays at 9pm on BBC1.  The final episode is due to air on the 3rd September.  Previous episodes are available on the BBC I-Player.  “The Silkworm” is due to be transmitted from Sunday 10th.

 

The Silkworm – Robert Galbraith (2014) – A Murder They Wrote Review

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I read JK Rowling’s first adult crime novel written as Robert Galbraith earlier this year and was impressed.  I thought “The Cuckoo’s Calling” (2013) was highly entertaining and had a generous helping of humour and warmth alongside the crime.  I liked the relationship between dogged private detective Cormoran Strike and his PA, Robin, and felt the whole thing seemed plausible and very real.

“The Silkworm” feels like a bigger novel, in terms of size; in its nod towards Jacobean revenge tragedies; with its literary quotes and setting in the world of publishing and literary fiction and in its more lurid, darker crime.  I so wanted to like it as much as its predecessor but for me it fell a little short.  Perhaps this was inevitable.  I’d always felt the debut Harry Potter novel was better than the follow-ups and with “The Silkworm”, Rowling as Galbraith falls into the same trap as Rowling as Rowling as the pace falters due to the length of the novel.  Both “The Philosopher’s Stone”and “Cuckoo’s Calling” are tightly written little gems but with “The Silkworm” as in the later Hogwarts epics my attention wandered.

Author Owen Quine disappears after his latest book which attacks his so called friends and colleagues is being touted to publishers by his agent.  Is the whole thing some kind of publicity stunt or is something much darker about to happen?  Cormoran Strike, asked by the author’s wife to locate him seems more in control here, fuelled by the success of the case in “The Cuckoo’s Calling” which has brought him greater kudos as a private detective and a continuing difficult relationship with the Police.  Strike has favours he can call in and with Robin still motivated to find out as much as she can abut detective work the reader is confident Strike will solve the crime before the authorities.

Like “The Cuckoo’s Calling” the case is involving and well-plotted but Galbraith here takes a little too long to get to the solution, there’s a few too many meetings with suspects and the literary analysis of the work causing the disappearance makes the book feel not as plausible as last time round and slightly irritated me.  It is no means a failure but now the characters have been established I was expecting a real cracker of a novel and that Galbraith would have me eating out of his/her hand but it didn’t quite live up to my high expectations.

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The Silkworm was published by  Sphere  in 2014

The Cuckoo’s Calling – Robert Galbraith (2013) – A Murder They Wrote Review

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galbraith

A lot of people read this novel on publication assuming Galbraith was a debut novelist and word of mouth about this exciting new talent grew, ensuring it sold well.  Then, it was revealed that Galbraith was none other than JK Rowling dipping a toe into the murky waters of adult crime fiction and sales exploded.  With hindsight, there is in its focus on the relationship between characters and its awareness of popular culture and celebrity enough to suggest a female author at work, but then the main character is so well drawn with an awareness of the foibles and shortcomings of the male species that it feels like he must have been created by another man, so the subterfuge was convincing.

Cormoran Strike is certainly a larger than life character whose vitality is central to the success of this novel.  He is the result of a rock star’s fling with a supergroupie.  Following army service in Afghanistan, where he lost a leg he has given up his military career and become a fairly unsuccessful private detective.  He’s physically large, known to his acquaintances by a range of nicknames, is failing in a relationship with a woman better looking than he thinks appropriate and is struggling to cope with the ramifications of that relationship’s demise.  Into this comes a temporary secretary, Robin, and a case concerning the death of a model which just might enable Strike to make his mark.

“The Cuckoo’s Calling” is a rich, highly entertaining novel which given its crime tag has more than its fair share of humour and warmth.  The relationship between Cormoran and Robin, the employer whose life is in tatters and the employee who steadfastly attempts to ignore her boss’ shortcomings whilst finding herself drawn into his investigation is very strong and demands further adventures.  The case is well-thought out and keeps the reader guessing.  Rowling has spent many years now in the privileged realm of the multi-millionaire world renowned author yet her down at heel detective and the world he inhabits feels plausible and very real.  True, there is a lot of wealth in the case with paparazzi, fashion designers and the super-rich all playing their part but throughout I was rooting for the so likeable but so often unappealing Cormoran Strike.

fourstars

 

The Cuckoo’s Calling was published by Sphere in 2013