I’ve always been very impressed by Tom Allen. A couple of years back he performed locally at what we thought was an absolute bargain price compared to many comedians who show up at our local theatre. Having really enjoyed the show my partner posted positive comments on social media whilst sat in the pub afterwards. By the time we got home he’d had a personal message from Tom thanking him for coming and for saying he’d enjoyed it- how nice was that!
Since then Tom has become a more regular face on TV. I particularly enjoy him on “Bake Off’s Extra Slice” and “Bake Off: The Professionals”. Over the Christmas period there was a new Channel 4 show “Tom Allen Goes To Town”, was one of three comedians locked overnight in Hamleys and co-presented a festive Bake Off.
He has written a memoir which is of a much higher quality than many celebrity biographies. The reason for this is partly his natural wit and aptitude at handling his material but also the focus he places on shame, which does influence his stand-up work and has had a significant effect on his life and mental health. This gives his writing a sense of purpose and development.
Like Will Young in his “To Be A Gay Man” also published in 2020 much of this shame is linked to sexuality but it is also about the fear of standing out. His upbringing in Bromley, South East London where nobody seems to want to stand out holds an influence here, but, as so often happens, not wanting to stand out is what causes him to stand out. His well-spoken, clear diction is at odds with his family and his neighbourhood, nobody seems to know where that has come from; as a teenager he dresses as a Victorian dandy and there is a wonderful story as to how he opts to deal with homophobic name-calling by doing something theatrical for a PTA event at school in Year 8 which he hopes will make him seem more cool but chooses an Alan Bennett monologue as famously performed by Julie Walters playing an actress on a porn set which becomes even more inappropriate when he does it in a ballgown.
Tom is so good at recreating these “shameful” moments of his life that you laugh with him, never at him. If you have seen his stand-up routine some of the material will be familiar, for example, his childhood experiences at Bromley Leisure Centre was a highly memorable part of the stand-up show I’ve seen performed but it is great to have it again here and the familiarity had me laughing in anticipation as much as at the events.
This is thoroughly entertaining with serious points to make. Tom is a product of an educational system tainted by Margaret Thatcher’s Conservative Government Section 28 ruling and as a youth grappling with sexuality his sense of being an outsider was reinforced directly because of this. It takes years for Tom to begin to accept himself and this growth is catalogued in a well-written, funny, significant text.
No Shame was published in 2020 in hardback in the UK by Hodder Studio.
Here’s my annual post which I face with equal measures of pleasure and guilt (a winning combination I’ve always found!). I’ve selected 10 titles which I feel I should have got round to reading this year. Perhaps they slipped under my radar on publication and I’ve only found out about them in round-ups of the year, perhaps I’ve always been aware of them but just haven’t got round to them for one reason or another. Probably like most people I have read more books this year (although not by a huge amount) but there are still a great number of desired titles that I just have not been able to fit in.
Looking back on last year’s list I can see that I did eventually get round to reading 50% of the titles that I felt I had missed out on (the same as in 2018) and have 40% of them on my shelves ready to be read, (hopefully in 2021) leaving just one, the YA adult novel “Chinglish” by Sue Cheung, which continues to elude me. So, without further ado, here in alphabetical order by author are the titles I felt I missed out in this strange old year, 2020.
No Shame – Tom Allen (Hodder Studio)
It’s been a good year for memoirs and I have read a few of them but haven’t yet got round to comedian Tom Allen’s work. On the cover fellow comic Sarah Millican says it is “wonderfully funny, utterly charming and sharp as all hell” which pretty much sums up how I feel about the man so it makes me look forward to reading his writing. I anticipate that there will be a focus on his feelings as an outsider growing up gay and I wonder how much it can be seen as a kind of companion piece to Will Young’s 2020 publication which focused on gay shame which I did read, “To Be A Gay Man“. I’m very interested in reading Tom’s perspective on this issue. He is one of the few comedians out there now that I have seen live and would certainly pay to see him again. In the meantime there is this book to savour.
This is a debut novel I seem to have been putting on my personal to be read lists all year. It is one I have kept reading about but to be honest haven’t yet come across a copy. I’ve seen it on various best of the year in crime lists and I’m fascinated by its premise of a nine year old detective in modern India . It appeared early on in the year, has a striking cover and made the 2020 Women’s Prize for Fiction longlist. On the cover Ian McEwan describes it as “brilliant” and Anne Enright hits home for me when she says “We care about these characters from the first page and our concern for them is richly repaid” which is so often something I look for in a novel. It does seem that the pandemic has been particularly hard on debut novelists as they were unable to promote their books in the traditional ways and we as a nation tended to turn in large numbers to authors who we already knew.
The Vanishing Half – Brit Bennett (Dialogue Books)
I did read a book about separated twins this year, Edmund White’s “A Saint From Texas” but it seems like the one I should have read is this American writer’s second novel which I have seen described in end of year round ups as “a stunning family saga”. My colleague Louise who continues to put so many good book recommendations my way has this in the running for her book of the year vying for the title with a book which may very well be my own very favourite read of the year so that is a good enough recommendation for me.
The Windsor Knot – S J Bennett (Zaffre 2020)
Whilst everyone was going nuts for Richard Osman’s quirky, cosy crime caper “The Thursday Murder Club” I found myself favouring a secret yearning to read this book which has the potential to be a real guilty pleasure. The premise is nicely set out on the back cover “On a perfect Spring morning at Windsor Castle, Queen Elizabeth II will enjoy a cup of tea, carry out all her royal duties…and solve a murder”. Amanda Craig describes it as a mash-up between Miss Marple and “The Crown” which seems like a potent combination. QEII is no stranger to fiction, think Alan Bennett’s “The Uncommon Reader” and it is his depiction of her that I am imagining as the main character in this work. What’s with all these Bennetts that have appeared in this post?
Troubled Blood – Robert Galbraith (Sphere)
One of the few crime writers who I was up to date with until this doorstep of a book arrived in September by J K Rowling’s alter-ego. I am daunted by the size and the long waiting list for a library copy and will probably wait until it appears in paperback. I don’t think I will be disappointed when I eventually get round to it. I have enjoyed all of the Cormoran Strike novels so far (and the BBC TV adaptations) but so far they have never featured in my end of year Top 10. I wonder if this book will be the one to change that situation?
Rainbow Milk – Paul Mendez (Dialogue Books)
As soon as I read a review of this debut novel I knew I wanted to read it. A gay black man escapes his Jehovah’s Witness upbringing to come to London and ends up a sex worker. Adjectives such as “explosive”, “ground-breaking” and “daring” have seemed to follow it round and I was further intrigued by Booker Prize winning Bernardine Evaristo promoting it as her choice on Richard and Judy’s teatime lockdown book club programme. (I hope a large number of those viewers thought “I’d like to give that a go”). I really don’t know why I haven’t got round to purchasing a copy, I have been close to doing so a number of times but it is only a couple of months now until the paperback is scheduled to arrive so I think I will end up waiting until then before discovering a writer who is being described as a major new British talent.
Let’s Do It- Jasper Rees (Trapeze)
Another big book, this time about a really big talent. This is Ree’s authorised biography of my favourite comedian of all time, Victoria Wood. I think Rees is going to be good at separating the performer from the very different real Victoria. I saw her a number of times in her professional guise live in stand-up and of course devoured all of her television shows and am still able to quote whole scenes and also in her personal guise as many years ago her children went to the school I was working at. End of year round-ups have described this as “impeccable” I cannot wait to find out if I agree.
Shuggie Bain – Douglas Stuart (Picador)
I went through a spate of reading the Booker Prize winning novels as soon as possible after their win and for a couple of years worked my way through both short and longlists but the book that put me off this was “Lincoln In The Bardo” by George Saunders, a book I did not see winning one of literature’s most prestigious prizes back in 2017. I know I should have read by now last year’s joint-winning “Girl, Woman, Other” which featured on this list last year but I will do and I hope I won’t hesitate as long before reading this. I have been on the list for a library copy since this made the shortlist but I’m likely to end up buying it before long. It seems a book which is getting both critical and popular acclaim for it’s tale of a tough upbringing in 1980’s Glasgow. The Telegraph was one of a number of publications who had it as their book of the year saying that “it will scramble your heart and expand your mind“.
The Devil And The Dark Water – Stuart Turton (Raven Books)
Aha, Stuart Turton. No stranger to this list. His debut “Seven Deaths Of Evelyn Hardcastle” featured in my 2018 picks and ended up picking up The First Novel award at the Costas. It has been sitting on my Kindle since then and I just haven’t got round to it. This may be because I’m always asking people who have read it what they thought and their opinions have been a bit more mixed than I was expecting but now he has written something else which seems right up my street. This is a chunky, historical whodunnit set on board ship in the seventeenth century. Chosen by the very watchable TV series “Between The Covers” as a Book of The Week, this got the thumbs-up from the celebrity reviewers and has been described in end of year round-ups as a “fiendish maritime mystery.” The chronological obsessive reader in me is pushing me towards “Evelyn Hardcastle” first, but then that might mean it would take me some time to get to this and I’m not sure if I am prepared to wait.
A Dutiful Boy- Mohsin Zaidi (Square Peg)
I’m finishing my list as I started with another memoir which has attracted a good share of praise. Subtitled ” A memoir of a gay Muslim’s journey to acceptance” this feels like it would have parallels to a couple of other books I have read “Unicorn” by Amrou Al-Kadhi, which this year has gone on to win both a Somerset Maugham and Polari award and a flawed but very enjoyable YA novel “How It All Blew Up” by Arvin Ahmadi. It’s combination of religion and sexuality also brings to mind the “Rainbow Milk” novel I highlighted earlier. Of this Lord Michael Cashman has said it is “A real page-turner that sparks with humanity and hope“. After the year we have all had this would seem like a great reading choice.
What books did you not get around to reading this year?