Double Falsehood – Vaughn Entwistle (2020)

Vaughn Entwistle has featured here before.  I have read and enjoyed two of his books and in 2016 he agreed to an interview in my Author Strikes Back thread.  My favourite of his books to date has been his 2015 publication “The Angel Of Highgate” which I described as a “splendid romp, fast-paced and very readable with extremely memorable characters”.  The same description applies here in a very different feeling historical novel.

One of the most impressive aspects of this author’s work is that he writes with such great relish.  I wasn’t sure whether an Elizabethan-set “Shakespearean Thriller” as this novel is described would perhaps be a little dry.  I’d obviously forgotten his writing style because this certainly is a vibrant tale bringing history to life.

William Shakespeare is travelling with the rest of his acting troupe, the Lord Chamberlain’s Men to Marlborough because the London theatres have been closed down amidst cries of sedition.  En-route they discover a corpse and an apparition in the woods and flee to a nearby inn.

Fast-forward to the present day and a first-person narrative from Harvey Braithwaite, recent owner at the now fairly down-at-heel ancient pub “The White Hart” who makes a discovery which could change his fortunes but threaten his life.

The Elizabethan characters have the bulk of the action and it is an explosive mix of murder, treason, religious persecution and a lust for life with underground passages, deception, disguise and sex having their part to play.  Both sections are full of a bawdy energy.  Braithwaite has a lot in common with these lusty Elizabethans- at time it can border on a “Carry On Film” script but here that works very well and Entwistle does not let the humour get in the way of him telling a good yarn and having it present in both parts of the narrative gives the whole thing balance and symmetry which I very much approve of.

The history is incorporated well, the author does not feel the need to bombard us with his research and in many ways it does not matter if he has veered away from historical fact as the energy wins the reader over.  The title itself refers to a play controversially attributed to Shakespeare which also feels appropriate to the action here.  I got a lot about the dangers of not towing the line, on an everyday basis, religion-wise through the characters of the Pursuivants hunting out Jesuits and the fear instilled by the Queen’s odious torturer Topcliffe, probably picking up more history on the way than in many more serious (dare I say drier) works.

Once again Vaughn Entwistle has given me a lot of enjoyment, there’s a good balance of darkness and light in a well-structured pacy tale which all in all leaves me to conclude he may have written his finest novel yet.

Double Falsehood was published by Masque Publishing in August 2020.  For more about the author and his books visit https.//

The Revenant of Thraxton Hall – Vaughn Entwistle (2014)– A Murder They Wrote Review



Vaughn Entwistle very kindly sent me this book following our Author Strikes Back interview  which was based on his subsequent novel, the highly enjoyable “The Angel of Highgate”.  This 2014 publication is the first in his “Paranormal Casebooks of Sir Arthur Conan Doyle” and features two prominent Victorian literary figures in Doyle and Oscar Wilde.  Neither of these are strangers to fictional characterisations.  TV presenter Giles Brandreth has written a whole series of sleuthing novels featuring Oscar Wilde and Conan Doyle has  perhaps been most famously fictionalised in Julian Barnes’ “Arthur And George”.

The pair, who were friends in real life, lend themselves very well to Entwistle’s crime romp.  It is not so much a whodunit as a who will do it.  It is set at the time when Conan Doyle’s wife is in the latter stages of consumption and he has tired of his great creation, Sherlock Holmes, and killed him off amid much public outcry.  An invitation to do some detective work at Thraxton Hall seems a perfect short-term getaway from his troubles and Wilde comes along for the ride.  These are  individuals who most readers would have some impression as to what they were like and Entwistle very nicely fleshes out our impressions of the larger than life Wilde and the conflicted Conan Doyle.  This unlikely friendship is a real highspot of the novel.

What Entwistle does with these two is to place them in a classic country house set-up reminiscent of the golden days of crime fiction.  A meeting of the Society for Psychical Research allows for a supernatural element.  Otherwise there’s a group of likely suspects from above and below stairs, a locked-room death and enough tunnels and secret passageways to delight the classic crime fan.  There wasn’t as much out and out fun as the more gloriously unpredictable “Angel of Highgate” and the darker side of the author’s writing was not as evident but it did provide me with considerable enjoyment and is worth seeking out as a successful modern slant on classic crime fiction.  In 2015 the second of this series entitled “The Dead Assassin” was published.


Vaughn Entwistle


“The Revenant Of Thraxton Hall” was published in 2014 by Titan.


The Author Strikes Back – Vaughn Entwistle


I was very pleased to be contacted recently by Vaughn Entwistle whose novel “The Angel Of Highgate” I found so entertaining.  Vaughn left a comment on my review (always a little nerve-wracking when an author does this).  I contacted him to thank him for his kind words and was thrilled that he has agreed to answer questions about his book.  I am also delighted that he dressed up for the occasion.    So without further ado…………….


What is it about Highgate Cemetery that made you choose it as a central location for your novel?

The inspiration for the novel came many, many years ago when I was a  graduate student. I was wandering the stacks of the university library when I happened to pick up a book entitled: Highgate Cemetery: Victorian Valhalla, by Felix Barker.


There wasn’t much text: just a brief introduction to the history of Highgate Cemetery and a few simple maps of the grounds. But what made the book so compelling were the atmospheric black and white photographs taken by John Gay, a professional photographer. The book was published in 1988 and many of the photographs were taken around that time. They show a Highgate in full surrender to nature with its tombs and statuary (many since lost to erosion or attacks by vandals) wreathed in vines and slowly submerging beneath foliage. At this time, West Highgate had long gone out of business as a cemetery and was derelict and overgrown.  A volunteer society: The Friends of Highgate Cemetery, have since taken it over and are working to restore the cemetery, which now also serves as a wildlife sanctuary and is home to many species of birds, as well as foxes, badgers, and the occasional wallaby. (Yes, really!)


Highgate Cemetery

As I pored over the book, I was immediately struck by the sheer gravitas of the place:  gothic, mysterious, and suffused in entropic decay. Here’s a few words you may or may not be familiar with: tapophile (one who loves graves, cemeteries and funerals) and coimetromania (an abnormal compulsion to visit cemeteries). Both words aptly describe me. I grew up in northern England watching Hammer films and loved all things spooky and eldritch. At any rate, the book affected me deeply and I immediately recognized that Highgate would make a magnificent setting for a novel. After university I went on to have a career as a writer/editor working in various industries, but part of my mind was still back in Highgate cemetery, spawning a cast of characters to inhabit this moody necropolis. Decades later, I finally sat down to write The Angel of Highgate, a novel in which the cemetery functions as a major character in the dramatic action.

Described as “the wickedest man in London”, a description which certainly seems fitting at the start of the novel where there’s a little bit of playful misleading from yourself, main character Lord Geoffrey Thraxton has to win us readers over, which he does.  How did you develop the character of this unlikely hero?

My protagonist, Lord Geoffrey Thraxton is a louche lord with Byronesque pretensions and a morbid fascination with death. Like Highgate, Thraxton is a dark mirror of the Victorian era, whose outward veneer of Empire, modernity and wealth concealed a seething underworld of vice and crime, crushing poverty, and rampant disease such as consumption (tuberculosis), which prematurely snuffed out rich and poor alike. It could be argued that the Victorians fetishised death with their elaborate mourning rituals and their creation of London’s Magnificent Seven cemeteries—Highgate, Kensal Green, etc.  A more shocking example currently circulating the web is photos of Victorian families posing with dead relatives/children.  Although ghastly and ghoulish to modern eyes, the photographs were taken as treasured mementos of a lost beloved.

Like many of the time, Thraxton suffered a deep trauma in early childhood when his mother died.  Thraxton’s brutish father soon remarried and withdrew all love from the young boy, who was left to wander the cold halls of Thraxton hall, forgotten and alone. By chance the young lord strayed into the family mausoleum and found that the screws of his mother’s coffin had been removed. Thraxton opened the lid . . . and crawled inside, seeking the comforting embrace of his mother’s arms.

 “The Angel of Highgate” is a highly enjoyable Victorian novel.  Which novels from the Victorian period have given you the most enjoyment?

Anything by Dickens, of course. Bleak House is arguably my favourite. I read Oliver Twist at very young age and still remember it vividly (especially the scene where he is apprenticed to a coffin maker and spends a terrifying night alone with the coffins). This scene is probably what gave me the twisted sensibilities that later drove me to write The Angel of Highgate. The Woman in White and Moonstone by Wilkie Collins, are other faves. The Mill on the Floss by George Eliot is poetic and beautiful. And of course, Austen is represented by Pride and Prejudice and Sense and Sensibility. The Victorians produced a singularly amazing coterie of poets/playwrights and novelists. 


Some of Vaughn’s Victorian picks

One section which is written with real relish is how Lord Thraxton deals with a critic who savaged his poetry.  Thraxton describes critics as “leeches sucking on the body of art” and his subsequent treatment should make us reviewers wince.  What’s the worst criticism you have had to endure?

I don’t know if it was apparent to readers (some material was edited out) but Thraxton was a pretty lousy poet and the unfortunate critic’s scathing review of Thraxton’s collection of poetry was entirely warranted.

I have to admit that bad reviews wound at the deepest level and are hard to recover from. At first I read every review, good or bad. But I have found that the bad reviews tend to stick in one’s mind much longer than the good reviews, so now I stop reading a review as soon as I gather that it is turning negative. (There is enough rejection in a novelist’s life; I don’t need to go looking for more.)

I will say that reviewers on web sites are generally fairer than the snarky comments one reads on sites like GoodReads or Amazon. There is a lot of obvious trolling and “sock-puppeting” taking place on these sites and reading some critiques it soon becomes apparent that the reviewer has not even read the book, as evidenced by confused character identifications and other giveaways.

One thing that helps me put criticism in perspective is to read reviews of books by authors that I greatly admire. Even terrific writers who have written terrific books receive the odd nasty review. On GoodReads you can check out reader reviews of books such as J.K. Rowling’s Harry Potter series. In amongst the five star reviews you will find a scattering of one and two star reviews by people trying to convince the rest of the world that, despite the massive success of these novels, the books are trash and that the rest of us are deluded fools. I don’t understand why these people can’t admit that the novel was just “not their kind of book.”

Speaking of which, I recently received the worst review I’ve ever had on the website Fandom Post. The reviewer opined that every character was a cliché, every situation in the book was a cliché, and basically hated every sentence.

The sheer vitriol of the review took my aback, since most of the reviews have been overwhelmingly positive. Makes you wonder, doesn’t it? I think the reviewer even hated the cover art and the type font. If only I could arrange a meeting between this critic and my antagonist, Dr. Silas Garrette (insert fiendish laughter here: Moohahaha!)

What’s next for Vaughn Entwistle?

I am currently writing the third novel in my Paranormal Casebooks series, entitled The Faery Vortex and I am also working on a collection of Ghost/Horror/Weird fiction stories. 

Lastly, I would like to end by thanking Phil Ramage and all the other independent book bloggers out there. Now that most major newspapers have decreased or reduced the size of their book review pages, independent Book Bloggers are vital resource for both readers and writers alike.

 Thanks, to you all for what you do.


Thanks for the thumbs up, Vaughn and for the considered responses to the questions which have certainly enriched the experience of “The Angel Of Highgate” for me.  Both this and his two novels  in his “Paranormal Casebooks of Sir Arthur Conan Doyle”  “The Revenant of Thraxton Hall” and “The Dead Assassin” are available from Amazon (Clicking on the titles should take you straight there).

For more information about Vaughn Entwistle you can visit his website or the website of his publishers Titan Books.



The Angel Of Highgate – Vaughn Entwistle (Titan 2015)


The publishers claim this book is a prequel to Entwistle’s “Paranormal Casebooks of Sir Arthur Conan Doyle”.  The eminent Victorian is not present in this tale but his sense of mystery, adventure and great storytelling certainly runs through this highly enjoyable novel.  All the elements for a popular Victorian melodrama are here – a raffish hero, dastardly baddies, opium dens, prostitutes, duels, disguise, séances, pea-soupers – you can tick all the boxes but it’s written with such relish that everything seems fresh.

A startling occurrence in Highgate Cemetery opens proceedings and the hero will certainly begin by shocking his readers.  I once lived very near this cemetery and it fascinated me almost as much as it does lead character Lord Geoffrey Thraxton in this novel (Audrey Niffenegger’s “Her Fearful Symmetry” from 2009 is also memorably set there).  I applied to be  a volunteer but they were keen to enrol me on a night patrol which I didn’t fancy.  Apparently there were strange nocturnal goings on at this time.  This seems, however, no different from the Victorian times as suggested by opening events in this novel.  Lord Thraxton’s philandering does give way to more appropriately heroic behaviour.  As the novel proceeds he becomes less of a cad, especially when he discovers romance amongst the gravestones.  The way he deals, however, with a critic who savages his poetry should make all of us reviewers wince.

This is a splendid romp, fast-paced and very readable with extremely memorable characters.  Thraxton’s friend Algernon Hyde- Davies combines being a man about town with head botanist at Kew Gardens and is extremely likeable and the villains have suitably Dickensian monikers such as Walter Crynge, Barnabus Snudge and Mordecai Fowler.  I haven’t had so much fun in Victorian London since James Benmore’s “Dodger” series.  I’m not sure how this book relates to Entwistle’s other novels but I am confident it would be great to find out.


The Angel Of Highgate was published by Titan Books in 2015