The Hollow – Agatha Christie (1946)

I’ve been meaning to read some Agatha Christie for some time.  I’ve checked back and it was 15 years ago since I read 1949’s “The Moving Finger”.  She was perhaps the main author who turned me into an adult reader as around the age of 12/13 I really got into her books, interspersing them with the less appropriate horrors of James Herbert, “Jaws” and “The Godfather”.  Reading her as an adult I can’t say I’ve ever really fallen in love with any of her titles but it is generally always a pleasing experience.

Recently I spotted the year long Read Christie challenge set up at agathachristie.com, the official home for this important twentieth century British author.  The challenge is to read each month a book within a theme, there is a main title specified with other suggestions made.  For January the theme is a story set in a grand house and the choice is “The Hollow” which I have never read.  It’s not too late to sign up for the challenge at the website and receive a Read Christie 2021 postcard to track your progress and take part in social media activities and a Facebook/Instagram Book Club meeting on 28th January.

I found a copy of “The Hollow” available on Borrowbox, the online e-book/audiobook site which is part of my local authority (Isle Of Wight) library membership. (I have returned it now if anyone on the island is after it!) 

I know that my attitude towards Agatha Christie is somewhat quirky.  I have tended to shy away from anything featuring her most famous creation, Hercule Poirot.  I have never seen David Suchet’s famous depiction in the TV adaptations yet I will always watch any standalones that have been filmed and my favourite Miss Marple is not the archetypal characterisation by Joan Hickson, but the 60’s black and white of Margaret Rutherford, or even, which might upset Christie purists further, Julia McKenzie.

Here, however, we are indeed in Poirot territory, but he does not really have that great of a role to play.  “The Hollow” is the name of the country house, specified by my challenge, the home of Lord and Lady Angkatill and it begins with the prospect of a weekend gathering at the property which will be attended by (mainly) cousins and other family friends.  I thought the characterisation here was much stronger than I remembered of this author and I became really invested in those desperate to escape to “The Hollows” for a couple of days and those dreading it.  I really enjoyed the build-up to the murder (not a plot-spoiler, you knew there was going to be one, didn’t you).  I have felt in the past that the investigations (especially when Poirot is heavily involved) can be a little turgid but here much less so.  I think putting the eccentric Lady Angkatell and sculptor Henrietta at the centre of things helped as they are both sparky characters, intent on doing and saying their own thing and not letting a murder in the country house hold them back.

The weaker element here was the resolution which wasn’t as clever as I had hoped and Poirot’s success was largely just to him being in the right place at the right time. I did find my return to Christie after a lengthy absence very satisfactory.  The book was always involving and, although unlikely to be amongst many Christie fan favourites top picks I would have thought, it certainly whetted my appetite for the next challenge.  One month ticked off on my postcard.  February, appropriately for the month of St Valentine’s Day, asks for a story involving love to be read.  I hope February does not pass me by without me experiencing a bit of love Christie-style.

“The Hollow” was published in 1946.  I read the Harper Collins e-book.  Details of the Read Christie 2021 challenge can be found at agathachristie.com

The Windsor Knot – S J Bennett (2020)

This was a title from my “What I Should Have Read in 2020” post.  I liked the idea of this but recognised it could go either way.  Get it wrong and it could be embarrassing but I was spurred on to read it by positive reviews and Amanda Craig’s on-cover observation “Miss Marple meets The Crown.”

It has been done very well.  S J Bennett introduces us to a new sleuth for her series (with second title due November 2021) but it is someone we all feel we know well – The Queen.  From Windsor Castle, Elizabeth II indulges in something, we are assured, she has done from time to time during her reign, some amateur detective work.

Here, following a rather lively dine and sleep at the Castle a young Russian pianist is found dead in his room in circumstances nobody wants to share with the Queen.  Unfazed by the position the corpse was found in but distressed by what looks like a murder in one of the Royal bedrooms the Queen begins her investigations alongside those of the official channels of the Metropolitan Police and MI5.

The problem with Elizabeth II as a sleuth is that she can’t do very much.  She has to rely on others to do the door to door investigating and report back to her.  Here it is Rozie, a recently appointed assistant Private Secretary, who is taken into the Queen’s confidence and secretly begins to find things out for her.  This does tend to shift the emphasis away mid-way through the book where the main character’s role becomes passive.  This might become an issue in later instalments of the series but I forgive it this time around.

It works because it is convincing.  S J Bennett obviously knows her Royals and doesn’t overcomplicate things by putting in the whole family.  It is merely the Queen with Prince Philip in a supportive role yet it feels like we are being given titbits on their lives and life in the palace whereas it is just a work of fiction.  The author could have just made everything up but it feels authentic and imbued with a British charm which I very much enjoyed.

This would not normally be the sort of book I would read that often, if fitting it into a genre it is light-hearted cosy crime but I think that this is something which has an impressive amount of sparkle to it.  If the publishers Zaffre could get this book out there it could end up a very big seller, especially if continued lockdowns means we will be looking for something which is both reassuring and different.

The Windsor Knot was published in hardback in 2020 by Zaffre.

A Rising Man – Abir Mukherjee (2016) – A Murder They Wrote Review

This is a book which often appears in best crime series debuts and mystery/thriller recommendations lists.  I did the unusual thing (for me) of reading the third in this series “Smoke And Ashes” when it came out in 2018 and with the recent publication of the fourth in paperback I thought I’d start off at the proper place – the beginning- especially as I enjoyed very much the book I did read.

“A Rising Man” introduces Police Captain Sam Wyndham, recently arrived in Calcutta in 1919 and billeted in a British run guest-house where the food he is served up puts him at greater risk from illness than if he took his chances on the streets of Calcutta.

He is called to a street murder of a senior Civil Servant and he meets up with Surendranath Banerjee, nicknamed “Surrender-not” by British officers unwilling to learn the correct pronunciation of his name, who becomes Wyndham’s sidekick in this series.  The pair set out to uncover the murderer amongst growing unrest in the local population which comes to a head when news of a massacre by British troops in Amritsar travels to Calcutta.

This novel won the 2107 Historical Dagger at the Crime Writers Awards so I was expecting big things.  I was impressed by it but I think I just slightly preferred “Smoke And Ashes” which felt a little pacier and by which time Abir Mukherjee had confidently established the characters.  Wyndham’s flaw is a predilection for opium as a result of the trauma of the war years and the loss of his wife in the flu epidemic straight afterwards, an addiction which he will certainly have the opportunity to explore in early Twentieth Century Calcutta.

This is a strong debut with a satisfactory conclusion and has set the series up appealingly and I am keen to seek out the other titles.

A Rising Man was published by Harvill Secker in 2016.  I read the 2017 Vintage paperback edition.

Shadow Sands – Robert Bryndza (Sphere 2020) – A Murder They Wrote Review

I really enjoyed Robert Bryndza’s fairly grisly “Nine Elms” earlier this year and so was really looking forward to the second in his series featuring ex DC Kate Marshall, now working as a university lecturer and her assistant, Tristan.

At the end of the last novel it looked like a career change may have been in the offing with the duo moving on to private investigations but here two years later both are still at the university.

A new case is triggered when Kate, out diving with her teenage son in a reservoir near her home in Devon, encounters the corpse of a young man.  Initial post-mortem reports seem implausible and the youth’s mother gets in contact to get Kate to carry out her own investigations.  Alongside this we get more insight into the two lead characters who Bryndza is fleshing out nicely, especially the very appealing Tristan in this novel and their working relationship shows much potential for the future.

This is a strong crime novel.  Last time round I felt Bryndza was hovering too closely towards the horror of torture and abduction and said of it; “That’s quite a lot of evil for one book and it might be a little full on for the times we are living now.”  I do think here the author has reined it in a bit.  It’s still admittedly a dark tale with some difficult scenes to read but it feels less over the top and this lighter touch has made for a second in the series novel which is even stronger than the debut.

At the novel’s satisfactory conclusion Kate announces her intention to give up academia for private detective work.  Whether this happens remains to be seen but I am certainly looking forward to more cases for her and Tristan.  This is a strong partnership in what is developing into a high-quality crime series.

Shadow Sands will be published by Sphere on 3rd November.  Many thanks to the publishers and Netgalley for the advance review copy.

Bluebird Bluebird- Attica Locke (2017) – A Murder They Wrote Review

Attica Locke is an American author I’ve been meaning to read for some time.  I chose to start with the 4th of her 5 novels, the first in her so far two novel series “Highway 59” which features black Texan Ranger Darren Matthews.

In this novel Darren uses a temporary suspension from duties to visit the small East Texan town of Lark where two bodies have been fished out of the Bayou in rapid succession; a black man visiting the area followed a few days later by a young mother who lived locally.  This is not the usual order for murder victims in a location where the Aryan Brotherhood of Texas still operates, historically, too often a black man has been killed in retaliation for a white woman killing so the Ranger’s interest and his local knowledge of both the black and white local communities leads him to risk his fragile marriage and stay to unravel the case, meeting up with the dead man’s widow in the process.

Tensions simmer and occasionally bubble to the surface in this oppressive atmosphere which the author very effectively conveys.  Her main character is flawed but driven by a background brought up by two uncles, one himself a Texan Ranger, the other a lawyer, and a strong sense to do the right thing.  The story behind his suspension adds another layer to the plot and feels like it will carry over to the next in the series.  Richly written, strong characterisation and subtle plot twists made this very enjoyable and I would certainly want to catch up with this author’s other novels.

Bluebird Bluebird was published by Serpent’s Tail in 2017.

Truth Be Told – Kia Abdullah (HQ 2020)

I haven’t read Kia Abdullah’s debut “Take It Back” but I will certainly be on the look-out for it after reading her first-class second novel.  I feel like I have been on a real journey with the author with what is ostensibly a legal thriller- but it is so much more.

I’m not going to say much about the plot other than not one of the twists did I see coming.  Thematically, it is rich.  It’s mainly a tale about consent, but also cultural pressures and entitlement.  We meet 17 year old Kamran, educated at boarding school (which seems alarmingly close to his house I always assume children board some distance from home but here not so)  who one night has too much to drink and changes his life forever and Zara, an ex-lawyer, now working in counselling and support who is coming to terms with an act of violence perpetrated against her.

This was a novel I found difficult to put down.  I was using my finger to cover up the bottom of the page at times as I was reading it, not wanting my eyes to slide down and pick up on events too soon.  I savoured every word and it is well written.  I admittedly had a slight issue with a group of male protesters who do not seem as well thought out as characters and whose presence in part of the narrative caused its only few clunky moments.  I socially distanced myself at work one lunchtime even more than necessary by seeking out a space alone so I could read the court case section of the novel.

I’m not even a huge fan of legal thrillers.  The only one (not including “To Kill A Mockingbird” which is loosely a legal thriller) which has really impressed me is Jodi Picoult’s “Small Great Things” (2016) and this is every bit as thought-provoking and good.

Truth Be Told will be published on September 3rd by HQ Books.  Many thanks to the publishers and Netgalley for the advance review copy.

Nine Elms- Robert Bryndza (Sphere 2019) – A Murder They Wrote Review

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Nine Elms: The thrilling first book in a brand-new, electrifying crime series (Kate Marshall)

This is a grisly crime novel with three characters who are wholly evil. That’s quite a lot of evil for one book and it might be a little full on for the times we are living in now. This is the first of a projected series featuring Ex-Detective Constable Kate Marshall from British author and Slovakian resident Robert Bryndza. I haven’t read him before but he has already had a best-selling crime series of 6 novels to date featuring Detective Erika Foster and has also written romantic comedy novels. The second instalment of this new venture is due to be published in November 2020.

The novels begins with a short section in 1995 where Kate’s direct involvement with a serial killer known as The Nine Elms Cannibal leads to her departure from the police and as the novel shifts to 2010 Kate is now a lecturer in Criminology at Ashdean University with a young assistant, Tristan, helping her out. Kate’s much publicised connection with the Nine Elms Cannibal, now incarcerated in a secure mental institution, leads to parents of a long-time missing teenager to ask her to carry out some private investigation work. At the same time a copycat killer begins recreating the Cannibal’s crimes and once again Kate is forced to face her past and fear for her future.

Before reading this I might have said I’d had enough of abduction and gruesome murders of teenage girls but this book did grip me, a couple of times I felt unsure about this as it hovers towards torture porn but Bryndza can certainly structure a gripping tale and there is considerable depth in this crime novel which makes it stand out.

I liked the past and present crimes overlapping and I actually responded better to the PI work of Kate and Tristan more than I did to the more prevalent copycat thread which is actually a good sign as this is the direction the series is going with. I particularly liked the blank canvas of Tristan and feel there is much mileage between the relationship of these two characters.

Elsewhere the copycat theme strays into horror territory in very much the way “The Silence Of The Lambs” did and there were echoes of this crime classic and if you enjoyed that then this is worth considering.

It is a strong series opener from a writer confident in this genre. I would certainly look out for the follow-up.

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Nine Elms was published by Sphere in November 2019 with the paperback due on June 25th 2020. Many thanks to the publishers and Secret Readers for the review copy.

We Begin At The End – Chris Whitaker (Zaffre 2020) – A Murder They Wrote Review

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A reviewsrevues.com favourite and former author interviewee is back with his third novel.  Chris Whitaker’s 2016 debut “Tall Oaks” was very strong and critically applauded but I think he got even better with his 5* 2017 offering “All The Wicked Girls“.  With this, his third novel Whitaker proves there’s few better at creating small town America all done with vivid and vibrant characterisation.  Thing is, Chris Whitaker is British.

In Cape Haven the impending release of a prisoner whose crime tore the community apart is causing much anxiety for those directly involved including ailing Police Chief Walker, a troubled mother, Star, and her two children Duchess and Robin.  A solid plot develops as the historic crime overlaps into a present day one but once again what Whitaker does best is characterisation, especially with quirky youngsters.  In “Tall Oaks” we had gangster wannabe Manny, a great comic creation, who really made the debut sparkle, in “Wicked Girls” it was teenage crime-solver Noah and his crew.  Here we have a choice of two with main character Duchess who copes with a miserable life by adopting the guise of an outlaw (I think the author could have made more of this perhaps even referencing it in the book’s title) and maybe even more so the adorably loyal Thomas Noble, a short-sighted black boy with a withered hand whose devotion to the not always appealing Duchess is unquestionable.

I found myself really caring for the characters and enjoying the book most when it focused on these and took a step back from the crime plot.

It feels like a more substantial novel than what has gone before and there is no doubt that Whitaker has matured as a writer.  For sheer reading pleasure I would give “All The Wicked Girls” the edge and I’m still not sure why it wasn’t amongst the big sellers of 2017 but this is still very good and should further enhance his reputation.  He is one of those writers that I am absolutely fascinated to see what he will do next.  Will he continue to recreate the intensity, prejudices and obsessions of small town America or have a go at setting fiction in  his homeland?  Will the crime aspect take more of  a back seat?  I feel that Chris Whitaker could, should he desire, have a good crack at producing The Great American Novel but I would also like to know how his writing would work within a British framework.

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We Begin At The End will be published in hardback by Zaffre on 2nd April 2020.  Many thanks to the publisher and Netgalley for the advance review copy.

A Knock At The Door – T W Ellis (Sphere 2020) – A Murder They Wrote Review

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British writer Tom Hinshelwood has written 7 novels and 2 short story collections as crime novelist Tom Wood creating the Victor The Assassin series. Here he is writing his first thriller as T W Ellis locating it in an American suburb where the Chief of Police is an overweight demotivated marijuana smoking woman, Rusty, who blows up at her team if they make her coffee incorrectly.

Living in this town is Jem whose husband leaves her one morning for a business trip whilst she is breakfasting on avocado on toast. Jem is a yoga teacher with anxiety issues which are certainly exacerbated when she responds to a knock at her front door and finds two FBI agents on her step. Not only is Jem placing herself in danger when she lets them in but she begins to realise that she does not know her husband as well as she thinks she does.

Set largely within a twenty-four hour period with a couple of flashbacks Jem’s worst day ever plays out proving you can certainly pack a lot into a day if your very existence is threatened. Much is Jem’s first-person narrative as she tries to come to grips with what she is informed is the truth and has to deal with whom she can trust. There’s also a third-person narrative focusing on Rusty and her attempts to make sense of sudden events happening in her sleepy jurisdiction.

It was hard not to find Jem annoying at times and there was really only one character I warmed to, the elderly Trevor, who attempts to live a quiet life and is suspicious of all authority and the minute by minute breakdown of the action perhaps made it too thorough leading to a number of empty conversations but there’s plenty of action and twists which I’m still kicking myself for not spotting.

The style of the novel does make it a quick read and as most people coming to this will know the type of popular thriller it is they will not be disappointed. This is a good choice for a holiday read.

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A Knock At The Door will be published as an e-book in May 2020 and in hardback on July 9th. Many thanks to the publishers and Secret Readers for the advance review copy.

 

Again The Three – Edgar Wallace (1928) – A Running Man Review

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I’m celebrating!  On completing Edgar Wallace’s collection of 13 short stories that make up “Again The Three” I have finished the mammoth 900+ pages of the Wordsworth paperback edition of “The Complete Four Just Men” which I seem to have been reading for ages.

Written 23 years after the characters were first introduced in their successful debut I get the feeling that the demand was there for revisiting them in a short story format.  Wallace had a commercial mind (which sometimes backfired) and an enthusiasm for journalism throughout his life so may have produced these originally for some of the many publications he was associated with before putting them together as a published collection.  He certainly hasn’t trodden any new ground here, the story outlines seem similar and one “Mr Levingrou’s Daughter” is merely a tighter rewrite of earlier work collected in his 1921 “Law Of The Four Just Men“.  This is one of the sharper works on display, a couple of the stories I didn’t really get the resolution at all or did not find them  especially suspenseful.  Still, it was enjoyable to meet up with Manfred, Gonsalez and Poiccart for one further outing.  They have certainly evolved towards  respectability and now have a detective agency in Curzon Street, London, yet still trade on their disreputable past where their methods of dispatching offenders were more brutal (and permanent!).  Wallace rarely lets a story go by without a reference back to this.  It does seem a little odd to read crime/adventure fiction where past achievements are being saluted more than the present plotlines but readers would not have been sympathetic to these characters for a quarter of a century without them changing their ways.

I’ve probably read enough Edgar Wallace for a time.  David Stuart Davies who penned the introduction to the volume I read feels that Wallace would have gone on to produce more for these characters had he not died in 1932.  He does also acknowledge that, in this collection “The tales are entertaining and even amusing at times rather than thrilling.”

It was Christopher Fowler who reminded me of Wallace in his “Book Of Forgotten Authors” and he mentions the oft-repeated tale of this prolific writer that if anyone phoned him and was told he was busy writing a book they’d reply “I’ll wait.”  I have enjoyed, to varying degrees, these six of apparently 175+ novels he produced in his lifetime.

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Again The Three was published in 1928.  I read the version published in “The Complete Four Just Men” paperback from Wordsworth.