This is the third book of a series I’m picking up again after a five year gap. I really enjoyed the first two featuring DCI Simon Serrailler and the goings on in Lafferton when I read them in 2018 and very helpfully, at the start of this the author provides a “The Story So Far” to get me back up to speed. This could be read as a stand-alone but I think, perhaps more so than with many crime series there are strong ongoing elements which would make a read-in-order approach sensible.
Susan Hill, is arguably, still best known as a horror writer, often in slim, sparse volumes. This is because of the huge success with “The Woman In Black” and its associated stage/film adaptations. I’m not sure whether it’s this background that causes her to be a bit of a risk-taker when tackling the crime genre as she is very used to dealing with the unconventional and unexpected and making the reader jump within her scarier work. Here, there is an audacious twist quite early on which certainly caught me unawares and had me leafing back to see how she had so successfully hoodwinked me. There’s an unpredictable plot structure where a dramatic high point set-piece is also early on, there’s not the build we might expect to a final denouement which we would find in more conventional crime works. Here, the ending is pretty low-key, not all plot ends are completely tied and there’s more of an emphasis upon the characters and what they might be doing in the future. Maybe she will pick up on these in the next instalment, maybe she won’t. There are certainly distinct echoes of cases from the two previous novels which is why I’d suggest a read-in-order approach. She also takes risks with characters, is unafraid to move them from the action and even bumping off some who might seem to have much more mileage within the series. Main character Simon Serrailler is enigmatic. I still don’t feel like I’ve fully got the measure of him, or even if I especially like him.
This all makes for a very unpredictable plot which does give me the same sense of edginess as if I was watching a horror movie. There’s a lot of darkness coming from the crime alongside the pleasant everyday life experiences of life in Lafferton, set around the Church, doctors’ surgery, the main characters’ nice houses and gardens, good pub lunches all of which provide a fascinating contrast. The occupations of some of the characters means that they can see some of the misery behind the façade of small-town life.
It’s not a speedy read, I did find myself looking back occasionally to sort out who was who. There’s quite a large cast, not all with direct connections to the crime and the author does like to start chapters with “He” and “She” and it takes a while to work out who is being written about.
The standard of this strong series is maintained. I need to keep it in the forefront of my mind when selecting books as there are now to date thirteen full length and three novellas to enjoy- so no more five year gaps!
The Risk Of Darkness was published by Chatto & Windus in 2006. The Vintage paperback edition appeared in 2007.