A new John Boyne title is always a reading highlight for me. I’ve read 7 of his up to now, 4 of which have ended up in my end of year Top 10s. I was both thrilled and made nervous by his decision to write a sequel to his most famous and my 2nd favourite of his, (“The Heart’s Invisible Furies” is probably still my most loved book of the 21st Century so far), “The Boy In The Striped Pyjamas” (2006) which I read in 2018 when it was runner up in my Books Of The Year to “The Count Of Monte Cristo.”
It is such an impressively self-contained piece that it seems an unlikely and perhaps unnecessary book to have a sequel. In his Author’s Note John Boyne says he’s been mulling the idea over for years and the isolation of lockdown felt like the right time. The question for me was, did I want to revisit these characters in another setting?
This is the first-person narrative of Gretel, the sister to Bruno, main character in “Striped Pyjamas” and it follows a dual narrative, one which moves through time from the end of World War II and one taking place in modern day London. Here, Gretel is a sprightly 91 year old living in a smart apartment in Winterville Court, overlooking Hyde Park, the other narrative explores how Gretel has reached this point in her life.
Unsurprisingly, the central theme in the novel is guilt. Gretel has got to 91 living daily with her family’s involvement in the hostilities in the place Bruno thought was called “Out-With”. The immediate post-war years saw a need for re-invention in different locations until she settles in London.
My dilemma here, and I think this will be the case for many readers, is Gretel. She is realistically rather than sympathetically drawn but I couldn’t help rooting for her and I struggled whether this was the right response, and this was likely to be the author’s intention. Obviously she has got to an old age thousands were deprived of and there are some extraordinary moments in her past which will stop you in your tracks and will fundamentally change the way you feel about this character in “Striped Pyjamas” and Boyne does extremely well to also convey her effectively as an elderly woman still struggling after many decades to come to terms with her past.
Supporting characters do not seem as well drawn as in other of this author’s novels (especially in the contemporary section) but we are seeing them from Gretel’s perspective and words and she is very wrapped up in herself, so perhaps this is appropriate. As “The Boy In The Striped Pyjamas” builds to a big twist there are a couple of those along the way for those readers looking for a big reveal.
I did enjoy this and wanted to know what was going on but my ongoing niggle as to whether a sequel was necessary was unresolved and so I take that as meaning that this book is not as Essential as “The Boy In The Striped Pyjamas”. All of the now 8 Boyne works I have read have had something in them to enrich my life but this for me does not quite make it into my Top 5 of his novels. It is thought-provoking and at times really gripping but remains slightly in the shadow of his 2006 masterpiece.
All The Broken Places is published by Doubleday on September 15th 2022. Many thanks to the publishers and Netgalley for the advance review copy.
No stranger to my end of year Top 10, John Boyne wrote my 2017 book of the year “The Heart’s Invisible Furies” (2017) was runner-up in 2018 with “The Boy In The Striped Pyjamas” (2006) and also made it to 4th that same year with his 2018 “A Ladder To The Sky“. These were all very different books and this biting comic satire was also very much a departure and inspired by social media response of his YA novel “My Brother’s Name Is Jessica“. This is an author who loves to take risks and I like that. Reviews, have unsurprisingly, because it is such a departure, been a little mixed and I can understand why some people have thought this fell short of what they were expecting from Boyne. I however, stand by my description of it as “a great comic novel of our time which should provide a great tonic for these strange times we live in“.
This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic. His writings on his illness and recovery are interspersed with extracts from a diary those caring for him maintained to show him how much they cared. I said of this “These people were exhausted, often redeployed from their usual job and no doubt stressed beyond belief but they made the time to communicate with this comatose man in this way and these diary entries form an extremely moving section of the book.” There’s much humour in the darkness and when I read this on the anniversary of the first lockdown I felt strongly that; “When we are moaning about lockdown restrictions and posing conspiracy theories it’s important to feel the voice of those affected and Michael Rosen’s experience speaks for the thousands who have been similarly affected and for those thousands we have lost.” This was a title I had highlighted from the start of the year and I did think it would end up as one of the year’s biggest sellers, with numbers comparable to Adam Kay. This hasn’t happened which suggests that maybe we are not all totally ready for this yet but it will be a lasting testament both to the man and the times in which we have been living.
Here’s one I kept flagging up before I got round to reading it. I featured it in my “What I Should Have Read In 2020” post and in my “Looking Around” post so I was building up the expectations. It delivered. Two twin girls escape their small time life for a new home in New Orleans. One eventually returns to her home town whilst the other is “passing” as a white woman in a decades-spanning saga. I felt that “There are so many discussion points in this novel regarding identity that one might expect it to feel issue-driven but no, plot and characterisation are both very strong and that together with its immersive readability provides an extremely impressive rounded work.” Over the past year I’ve selected it for reading groups and have recommended it probably more than any other book. I always ask what people think of it and it’s always a thumbs up- however, there are often reservations voiced about the ending, and I do agree with them.
An astonishing debut. When I read it I was convinced that this would be my book of the year and posted it within my “100 Essential Books” strand. It’s a book which has got the odd nod from awards committees but hasn’t swept the board winning awards as I had expected it to. I was convinced a Booker nomination would be assured but it was not even longlisted. The paperback is expected in the UK in late January and hopefully this will generate the serious sales this book deserves. I said this slave plantation-set novel “could very well become a contender for the twenty-first century Great American novel.” Don’t just believe me, check out the Amazon reviews where it has 61% five star and 22% 4 star which is excellent going for a book which is demanding, poetic and at times overwhelming. Extraordinary.
2020 was the year that the Booker Prize judges got it exactly right. I’d become a little wary after the year they awarded it to “Lincoln In The Bardo” (I must stop harping on about that!). I featured this in my “What I Should Have Read In 2020” but this year this book’s reputation has continued to grow as more and more people have fallen in love with it. It’s another I’ve selected for reading groups throughout the year and admittedly, some people are never going to give it a go, put off by its working class Glasgow 1980’s setting but those who do generally praise it to the skies. And deservedly so, as this study of a relationship between Shuggie and his mother has provided us with two of the most memorable characters in modern fiction. I said “It’s gritty and raw but at its heart is an incredible beauty and humanity which even when the reader is dabbing away tears of sadness, frustration or laughter is life-affirming.” I cannot wait for this Scottish author’s second novel “Young Mungo” which is due in April. This is the first time in nine years I have awarded my Book Of The Year to a UK writer. Douglas Stuart deserves his place in my own special Hall Of Fame. Here are my other top titles going back to 2008.
Special mentions for the three five star reads which did not make it into the Top 10. “Next Of Kin” by Kia Abdullah (2021) just missing out on two consecutive Top 10 recommendations by the narrowest of margins, Bryan Washington’s “Memorial” (2021) and “Love After Love” by Ingrid Persaud (2020).
Here it is! My 800th post! To celebrate I thought I’d choose to revisit 8 posts -my creme de la creme. This is a celebration of the best books/music/TV/film which makes up reviewsrevues.com which I have discovered or rediscovered and most enjoyed during the last six+ years.
Feel free to visit the reviews by clicking on the titles, hopefully it will spur you on to discover or rediscover some of my favourite things. Many thanks for supporting me in ever increasing numbers over the last 800 posts. Here’s to plenty more!
Anyone looking for the best, most versatile author of our times? Here’s a suggestion – John Boyne, and I’m making this claim after only reading 7 of his 21 books. There’s two timeless classics in his “The Heart’s Invisible Furies” and “The Boy In The Striped Pyjamas” and this novel becomes the 5th of his five star reads, alongside “A Ladder To The Sky” and “The Boy At The Top Of The Mountain”. When he has missed out on a 5* rating his work is also extraordinary, the tightly structured stylistically so impressive “A Traveller At The Gates Of Wisdom” and his 2019 YA novel “My Brother’s Name Is Jessica”, with its focus on the family of a transgender teen which I found “marvellously empathic” but it missed out on 5* because I didn’t feel totally convinced by the main characters’ family set-up and felt it lacked some of the subtlety of his best work. My reviews for all of these titles can be found by following the links on this site.
What I did not appreciate was the fuss “My Brother’s Name Is Jessica” caused in the months after I read it. An interview with Boyne in last week’s Guardian (17/07/21) details this with backlash against it leading to online harassment, misrepresentation, death threats and a period of depression for the author. It also, far more positively, sowed the seeds for this, his latest novel for adults.
I cannot remember laughing out loud so much at a novel since another Irish author Paul Murray’s “The Mark And The Void” from 2015 and like that novel the humour is rooted very much in the present making it a book for 2021. Already, I’m acknowledging this may not have the longevity of his greatest work but it warrants five stars for the sheer enjoyment it gave me.
And yes, there is going to be some controversy again over this. At the centre is social media and the effects this has on one notable family, the Cleverleys. Father George is a BBC light entertainment staple, a chat-show host famous for many years (I’ve already seen Graham Norton praising this work and jokingly wanting to make clear this character is not based on him), his wife Beverley, a best-selling romantic novelist who now provides the ideas which are written up by a ghost-writer, who is herself celebrated enough to be having an affair with her Ukranian “Strictly Come Dancing” partner, a man who has spread his charms amongst the next generation of the Cleverley family; Nelson, in therapy and only able to cope with social interactions whilst wearing a uniform; Elizabeth, an online troll who gave me a great number of laugh out loud moments and Nelson, a teenage extortionist. They inhabit a world where the number of likes on your social media is what validates you as a person. Modern life is a minefield for this family and things soon go wrong with attempts to escape situations only making it worse. John Boyne is happy to tread on everyone’s toes using real-life celebrities to add to the humour.
“This is a work of satirical fiction and is not intended to be factual” states the publisher’s note at the beginning but satire is often not funny (as anyone attempting to watch the Britbox “Spitting Image” reboot will testify) but here it is. Another trap for the comic novel is that the humour often wanes before the mid-way point but Boyne is able to sustain it for the length of his work (only in a couple of places does the pace falter and that is occasionally due to over-reiteration which the author needs to employ to ensure we, as readers, are keeping up) and too often the humour in books becomes predictable whereas here I had no idea where this book was going which was a joy in itself.
Maybe some people will be upset by this and some people deserve to be upset by this but I think John Boyne has written a great comic novel of our time and which should provide a great tonic for these strange times we live in.
The Echo Chamber will be published by Doubleday on August 5th 2021. Many thanks to Lilly and the team at Penguin Random House for the opportunity to read an advance review copy.
Here is an author who, in my eyes, achieved virtual perfection with his “The Heart’s Invisible Furies” (2017), certainly one of my all-time favourite novels. I still have plenty of John Boyne to read, having only read three of his children’s/young adult titles and two of his adult works but I’ve experienced enough to know that his latest is a marked departure from what I’ve read before.
This Irish writer is no stranger to the historical novel but here, in a book which can truly be called epic, he has taken on the whole of world history starting from Palestine in AD1 to the present day and beyond to 2080. This has been done, and here is the conceit of this novel, with ostensibly the same main character, or different manifestations of this character throughout history. It can certainly be seen as a novel of reincarnation with the main character (never named) moving on with his life in different times and different locations. There’s an obvious spiritual element here with its implied growth towards wisdom which initially made me a little nervous as to make this too explicit often results in leaden writing I’ve found (Paolo Coehlo springing to mind). I hoped Boyne would handle this with a lightness of touch to make it work.
He has to a very large extent. The novel reads like a series of interlinked short stories. At one point we move from Sweden in 1133 to China in 1191 and to Greece in 1223 with the narrative thread remaining fairly constant and with easily identifiable characters having regional variations of their names so the reader can pick up from where the plot left off each time adapting to the new setting and the often subtle changes which keep the narrative appropriate. This sounds confusing but it works well and builds an involving plot. Admittedly, there were times when I was enjoying a tale so much that I felt disappointed when it shifted onwards. He really has written 52 mini-novels in one, the amount of historical research must have been phenomenal.
This shifting means Boyne can have us visiting significant places at significant times introducing us to characters such as Michelangelo, Shakespeare, Attila The Hun and Donald Trump (he’s certainly not going to like this book!) This at times does run the risk of feeling laboured, a literary version of the TV series “Quantum Leap”. I actually prefer this novel when the historical figures are in the background and the location imbues the narrative with its sense of time. There are also occasional echoes of former lives through a sense of déjà vu with the Mayan figure Spearthrower Owl periodically creating a presence.
I’ve read books with a similar epic scope in terms of time (Edward Rutherford likes to do this) but nothing as ambitious as this which is extraordinary and I’ve begun to expect nothing less from this man but as a reading experience it is not quite up there with his very best. I think it just falls short of my rarely given five star rating. If you are interested in historical fiction and can’t quite decide what era to read about this is a perfect entry into discovering whole new literary worlds.
A Traveller At The Gates Of Wisdom will be published in hardback by Doubleday on 23rd July 2020. Many thanks to the publishers for tracking me down and providing me with an advance review copy.
On the strength of the four novels by Irish writer John Boyne that I have read to date (2 for adults and 2 for children) he is one of my very favourite writers, scoring four five star reads and appearing in my 100 Essential Books strand. Both his children’s novels “The Boy In The Striped Pyjamas” and “The Boy At The Top Of The Mountain” are subtly complex, emotionally charged novels where a child outsider is thrown into extraordinary circumstances and where their lack of communication with the world of adults lead to misunderstandings and confusion which only make things worse for them. In neither of these (nor in the two adult books I’ve read) do you know what you are going to get from the title. Boyne, as a writer, is excellent at leading the reader into a journey which he/she is initially unprepared for. With his latest title for the older children/young teenage market you pretty much know what is in store from the title.
In a contemporary setting Boyne tackles the issue of the transgender child, here facing mid-teens knowing he was born into the wrong body. This seems to be very much an issue for out times which we all should know more about but it is not Jason/Jessica’s path we follow here. Boyne has given the first- person narrative to younger brother Sam. This gives everything a new perspective as the emphasis shifts onto the effects of such a situation on the family.
Issues are compounded by the Wavers being in the public eye. Mum is a senior politician with an eye on the big job, Dad her secretary and there are the views of the electorate, press and colleagues to consider. Jason makes his announcement very early on in the proceedings but the parents want it all suppressed. I can see what Boyne is doing here. Mum has achieved in what is a male dominated field and Dad has the more passive role already challenging traditional gender stereotypes. But they cannot accept this new challenge. Mum seeks to lead the country yet cannot offer support to her own child. This adds dramatic layers to the narrative but it does feel a lot less subtle than his best work.
I very much like the focus on younger brother Sam who reaches his already insecure early teens with his family history uprooted. His brother is the school star football player (nice touch Mr Boyne), Sam has always been the dyslexic not popular younger sibling and discovers that his brother’s announcement turns all that he has had in his past upside down and makes him vulnerable to bullying and tension both at home and at school.
Reading through the bare bones of the story it might seem that the author is box-ticking sensitive areas and producing an issue-laden work (and he certainly would not be the first writer of young adult fiction to do this by any means) were he not so good with character, dialogue and the day-to-day communication situations which feel universal and a step away from a mother angling to be Prime Minister, which is the aspect of the novel I’m not totally convinced by.
So no five stars this time but this is a valuable resource for those questioning identity or anyone who wants to know more about how these kind of issues would pan out. It is a marvellously empathic work and a very involving read.
My Brother’s Name Is Jessica was published in hardback by Puffin in April 2019.
Another title (like Claire Hajaj’s #8 rated novel) that I would never have come across if it were not for the good folks at nb magazine who sent me a copy to help out with the longlisting for the Edward Stanford Travel Awards. The shortlist is due to be announced this month and this is one title that certainly should be up for serious consideration as for me it was the best debut novel I read and narrowly misses out on being my favourite novel published in 2018. Zimbabwe born Tshuma is a real storyteller and here tells the history of the last fifty years of her homeland using an unreliable narrator who plots his way through and manipulates the other characters. I said of it “Along the way there are some brilliantly memorable characters and writing often outstanding in its vibrancy and power. The horrors are not at all shied away from but there are also moments of great humour and to put at the centre the dark machinations of the narrator is a stroke of genius. It’s a prime example of how a location can be seamlessly embedded into a plot and used to inform and enrich.” This is unlikely to be as easy to find as some of the works on this list but is definitely worth seeking out.
A great year for books with ladders in the titles (cf: Anne Tyler’s # 6 rated book). Irish author John Boyne reached the top of my personal book ladder last time round with his outstanding “The Heart’s Invisible Furies” and this, his latest, is almost as good. Novels about writers tend to not be as good as they think they are but this look at the publishing industry with its emphasis on the creative process and the ownership of ideas is extremely strong. I said “this is a beautifully balanced book, another complete package, which offers a tremendous variety for the reader with humour, tragedy, twists, crime and moral dilemmas all present to form a heady brew.” For the second year running John Boyne has produced the best novel of the year published in the year I read it.
My favourite non-fiction read of the year. I’d highlighted this as one I really wanted to discover before publication and I was certainly not in anyway disappointed. In fact, I enjoyed it even more than I had anticipated. Lucy Mangan explores the reading material of her childhood in a superb “book about books”. I said of it; “Thank you Lucy Mangan. This book has brought me so much pleasure. I have relished every word, laughed out loud and been bathed in a warm, nostalgic glow which has made me late back from tea breaks and almost missing bus stops.” I don’t think there can be much higher praise! I have recommended this book so many times this year and will continue to do so.
I actually had this sat on my bookshelves for quite a few years unread. I’d seen the film but I was so enthralled by Boyne’s “The Heart’s Invisible Furies” that I had to explore a bit of his back catalogue and read this, his most famous work. He really is a great find for me as an author and got very close to doing the unprecedented and being named the author of the Book Of The Year for a second year running. In fact, everything I had read by this writer has been a five star read with his 2015 children’s novel “The Boy At The Top Of The Mountain“, pretty much a companion piece to this just missing out on the Top 10 this year because of the number of outstanding books I’ve read (the other non-Top 10 5 star read was Kate Atkinson’s “A God In Ruins“). Bruno is relocated with his family away from the grandparents he loved to a house in the grounds of a place he believes is called “Out-with” peopled by men and boys in pyjamas behind a wire fence. Painfully sad and extremely powerful and an essential read, even if you have seen the film.
And the reviewsrevues book of the year for 2018 goes to:
I’m sure that this is just coincidence but for the second year running the Book Of The Year has been the very last book I’ve read. I don’t think this is because I forget the books I’ve read earlier in the year because I do carefully go through everything, it may be because I’m keen to fit in a book which has the potential to be a big-hitter before the new year dawns and this was certainly a big-hitter in every sense of the word. It took me a month to get through the 1200+ pages but it was certainly time well spent as it introduced me to a classic novel dominated by a fascinating character which will stay with me for the rest of my life. Brought to life in a vibrant translation by Robin Buss and recommended to me by my friend Louise, whose mission is to get everyone to reading this book. I certainly now think she has a point.
I’ve never read Dumas before and I’m certainly looking forward to reading more and he is a deserved addition to my awards list. Dumas becomes my first French author to join my ultimate favourites and the fourth translated work. It is the best nineteenth century novel I have read since I read “Jane Eyre” in 2000. Here is my Hall of Fame for the past 11 years:
This is the book which made his name and although I have had it on my shelves for some years had never got round to reading it, despite my partner telling me it was one of the best books he has ever read. I have seen the 2008 film adaptation and it’s taken me quite a while to get over it!
This may very well be one of the saddest books ever. I knew what was going to happen because of the film and yet I consciously chose to read the ending in the public place of on the bus, thinking I would be less likely to break down in tears but it was a close run thing!
Boyne adopts an impassive narrative style making his writing reminiscent of a fairy tale or something within the oral tradition with its matter of fact sentences and fair amount of repetition for emphasis (for both the listener and the main character). This is a book which would read aloud extremely well. (Philip Ridley also did this very successfully with his much lighter tale “Krindlekrax”- a huge favourite of mine). This oral feel is powerful and draws the reader in but also provides some emotional distance from the action which may initially protect from some of the horror but it also carefully and cleverly informs the plot making it all very believable. The narrator sees everything from nine year old Bruno’s point of view but allows us to read between the lines with ever-mounting trepidation.
Like Pierrot in “The Boy At The Top Of The Mountain” Bruno is forced to relocate to a home very different from what he has been used to. For Bruno this means with his family but away from his beloved grandparents left behind in Berlin. In this new place which he pieces together is called “Out-With” there is no one to play with and instead of the view of Berlin from his bedroom window he sees groups of men and boys in pyjamas behind a wire fence. His decision to go exploring to combat his loneliness cannot end well.
Also like Pierrot in the later novel at times Bruno’s interpretation of events feels insufferable but perhaps more comprehensible because of the lack of communication with his family, which allows such a distorted picture of his environment to be developed. His view of the world is formed solely through his ignorance, there is not much that he gets right and that is a powerful thing to take from this novel.
Despite John Boyne’s development as a writer in the 9 years between this and the unofficial companion piece of “The Boy At The Top Of The Mountain” this eclipses it in terms of power and importance. It is a book which works well in the Children’s, YA and Adult sections of the bookshop. Frankly, everyone should read it. The film version, although good lacks the power of Boyne’s words and style.
Of those novels I have read which gives a child’s perspective of wartime only “The Book Thief” is better and that is arguably my all-time favourite novel. John Boyne continues his ascent as one of my all-time favourite authors.
The Boy In The Striped Pyjamas was first published in 2006. I read the 2008 Definitions paperback version.
Just occasionally the words I use in these reviews like to come back to bite me. It was only last week when I wrote in a review of Andrew Sean Greer’s “Less”; “Books about writers are often not as good as they think they are.” I excused Greer from this statement and certainly proving me wrong here is John Boyne, author of my 2017 Book Of The Year “The Heart’s Invisible Furies” who has produced another outstanding novel- this time about writers.
Sometimes reading choices turn up these unintentional patterns. Take the last two books I’ve read, “Less” with its gay writer as lead character and Boyne’s excellent children’s novel “The Boy At The Top Of The Mountain” with its Nazi Germany setting and then comes along this book which begins with a gay German writer looking back at his youth in Nazi Germany.
It is 1988 and prize-winning author and Cambridge lecturer Erich Ackermann has returned to his Berlin roots for a book event. At the bar of the hotel he meets an ambitious young waiter. Their story spans 30 years to the present day. It is told by a number of different voices and has an enthralling mixture of the purely fictional and real life literary figures (one section is narrated by Gore Vidal whose writing Boyne has certainly re-whetted my appetite for). Running through the narrative are the machinations of a fabulous baddie and I’m not even going to reveal who this is, only to say that John Boyne has created a compelling monster whose antics had me often open-mouthed in horror.
Like “The Heart’s Invisible Furies” this is a beautifully balanced book, another complete package, which offers a tremendous variety for the reader with humour, tragedy, twists, crime and moral dilemmas all present to form a heady brew. I also loved the publishing background even if a week before reading this I was down on it as an idea.
With more literary fiction being spawned from real life and the stories of others this novel raises some thought-provoking points about the creative process and the ownership of ideas in a way which is thoroughly entertaining. When I read “The Heart’s Invisible Furies” back in December 2017 I justified my stinginess (compared with many other reviewers/bloggers) by saying; “If you award the maximum to too many how can you ensure that the very, very best stand out.” This is the third John Boyne novel I have read and my third 5 star rating for his work. This shows just how highly I think of him as a writer and he’s not even given me the chance to do too much exploring of this back catalogue between his two latest publications. I still think “The Heart’s Invisible Furies” is his masterwork (of what I’ve read of his so far) but then it is probably my favourite read of this century but “A Ladder To The Sky” is also very, very good indeed. Be prepared for a real treat of a read and one which I would expect in the upper echelons of my end of year Top 10.
A Ladder To The Sky will be published in hardback by Doubleday on 9th August 2018. Many thanks to the publishers and to Netgalley for the advance review copy.
I’m more than happy to delve into the back catalogue of the writer of my current Book of The Year “The Heart’s Invisible Furies”. This book choice was thanks to me drawing from the Sandown Library Russian Roulette Reading Challenge: “Read A Book With A Red Cover”. I do have John Boyne’s newest adult title “A Ladder To The Sky” lined up to read next, thanks to Netgalley, but I thought I’d explore his writing for a younger audience first.
I am still to read “The Boy In The Striped Pyjamas” but I know enough about it (and I’ve seen the film version) to realise that there are parallels here. We begin in Paris in 1936 with 7 year old Pierrot living with his widowed mother. In the first few pages we get shell shock, domestic abuse and suicide all related to his German father unable to adapt to living in post-World War I France. Tragic circumstances pile up forcing Pierrot to leave France for Austria and a home at the top of Obersalzberg.
I actually didn’t know where this book was going (I read nothing about it beforehand) so I’m determined not to give away much plot for there are twists a plenty to satisfy its intended audience.
This is a great novel for an enquiring developing mind. It is a complex book, emotionally speaking. Perhaps elements of the plot might seem contrived if written for the adult market but it would all make sense for a younger audience and has a moral depth that I’m certainly unused to in Junior Fiction. Pierrot develops from being an extremely likeable character to something of a monster and this feels unusual and chilling. His actions become increasingly difficult to explain away even in a society where the old rules no longer apply. All this would resonate with every reader, child or adult.
There are throughout references to a children’s classic of an earlier generation “Emil And The Detectives” which I certainly loved as a child and Boyne’s novel should have an equally long life for future generations. He has written a powerful, compelling novel which I found difficult to put down and read in a day (which is unusual for me- even for a children’s book) and as in “The Heart’s Invisible Furies” he brought me close to tears on a number of occasions. The characters are memorable and the plot, as in “The Boy With The Striped Pyjamas” would be impossible to forget- and nor should we. It would be a great and lasting purchase for a sophisticated child/young adult. This is a children’s book now in its third year after publication and its reputation should continue to grow.
The Boy At The Top Of The Mountain was published by Doubleday in 2015.