The Village That Died For England -Patrick Wright (1995)

December 1943- The sleepy coastal Dorset village, Tyneham, is taken over by the British Military for use as a firing range, incorporating it into neighbouring areas such as Lulworth and Bovington, already being used for manoeuvres and tanks.  The village, which included a school, church and post office is emptied of its residents who are relocated to other parts of Dorset.  They are told they can come back when the war is over.  They never return.

These are the bare bones.  It’s certainly not as simple as this idyllic bit of lost England being subsumed by officialdom suggests and Patrick Wright is on hand to tell this story which feels as British as an Ealing film comedy.

Having recently moved to Dorset after only ever holidaying here decades ago I’m finding myself stirred by long distant memories and back in the early 1980s I could recall a visit to a lost, abandoned village.  I hadn’t thought about it for years but moving here I began to wonder about it, I couldn’t even recall its name.  I saw this in Dorchester’s Waterstones and realised this was just the book to fill in the memory gaps.

I read the 1995 hardback edition from the library but it was reissued in paperback in 2021 by Repeater Books with a new introduction which brings the story up to date.

This is an unusual non-fiction choice for me and I wasn’t totally at ease with the author’s style, initially.  I found it slightly wandering to begin with and he didn’t bring me in  as a newcomer to his subject- I felt he assumed I’d know things I didn’t and with the passage of time there will be fewer of us who remember the national controversy over Tyneham which simmered from the war years onwards so a new edition would seem a good idea.

It is far less about the good, dislocated people of Tyneham than the reasons for the decisions made for them and the development of this part of the Dorset coast in National Defence.  There’s some memorable characters who made their home in this area before the war, including Rolf Gardiner, who promoted youth work camps and of whom there’s quite a bit here; the literary set of the Powys family as well as the writer Sylvia Townsend Warner and her same-sex partner Valentine Ackland; the fiery squire of the Lulworth Castle who may or may not have been tainted by the Curse of Tutankhamun and who sat and watched  his castle burn down in 1929 (I’ve just found out it was restored and is now an English Heritage site).  In his bringing these people back to life Wright’s account shines brightest.

There’s some mileage to be had in the rival associations aiming to repopulate Tyneham in the late 1960s-70s where hippy idealism both works with and clashes against the established order with young firebrand Rodney Legg taking central stage.

It is more than a story of lost England as within Tyneham’s takeover and the decades spent in trying to get it back for the residents there’s really a pocket guide to the shifts in values and priorities of the nation.  Class, unsubstantiated fears and prejudices and relationships with authority all play their fascinating part in this tale which is equally complex and straightforward.  A measure of the success of this type of book is whether it makes me want to read more about the subject and although I feel that most of the texts would be bucolic reminiscences from those who lived thereabouts at the time Wright has certainly piqued my interest.  I also think a visit to Tyneham might be on the cards.

I read the Jonathan Cape 1995 hardback edition but it would probably be easier to find the 2021 Repeater paperback reissue.

The Whalebone Theatre- Joanna Quinn (Penguin 2022)

Dorset author Joanna Quinn has produced a very strong debut here.  Her depiction of the Seagrave family between 1919 and 1945 is full of wonderful moments.  The manor house at Chilcombe, a village which actually exists 10 miles from Dorchester (last estimated population in 2013 was 10!) is lovingly created and provides the central focus although the action splinters to other locations during the war years this house is the lifeblood for this novel.

A great favourite of mine is Dodie Smith’s “I Capture The Castle” (1949) and I am regularly tempted by works which aim to get the feel of that novel, with its memorable characters, excellent set-pieces and its superb balance of being heart-warming, funny and poignant within a family setting.  Get this balance slightly off and it shows and I tend to end up not really responding positively but Joanna Quinn, whether this is an explicit aim or not, gets the feel of this type of novel beautifully and the first half was a thing of sheer of joy which I loved reading.  At the mid-way point I thought I’d got a strong contender for my Book of The Year.  From the outbreak of war, when the characters inevitably leave to play their part, I felt it slipped into more standard fare, which I still very much enjoyed but for me the real magic of the first half was not sustained.

Playing a part is an important theme of this novel.  Fish out of water Christabel is a toddler when her father arrives at Chilcombe with a new wife and the family dynamics further change in time leaving Christabel very much an outsider.  Her life changes when the corpse of an errant whale washes up on the beach.  With younger siblings and others originally encountered on the beach where the whale lies dead Christabel develops a theatre on Seagrave land using the whale bones in its construction.  The theatre where friends and family all have a part to play brings Christabel into the fold.  This “Swish Of The Curtain” aspect gives this novel  a vitality and the notion of the theatre simmers away in Christabel’s heart when war takes her far away from Chilcombe.

The war sees these memorable characters involved at home and overseas- some slip away at this point and have little part to play in future proceedings but others develop a stronger focus. Looking at my review of “I Capture The Castle” I also say that it is a book of two halves, with the first half more captivating for me than the second.  I’d actually forgotten about that when I read “The Whalebone Theatre” and even when I began writing this review but it’s interesting (for me anyway) that I felt the same way about a book I just can’t help comparing this to.

It is a splendid debut and this was enriched for me by the Dorset location, as a newcomer to the County myself I loved the references to places I have so recently visited and the mentions of my new home town in an earlier part of its history.  This book will charm and thrill many readers and could be a very pleasing commercial as well as critical success.

The Whalebone Theatre is published in the UK by Penguin on June 9th. Many thanks to the publishers and Netgalley for the advance review copy.

The Broken House- Horst Kruger (Bodley Head 2021)

This is the first English translation of a German memoir originally published in 1966 as “Das Zerbrochene Haus” and subtitled “Growing Up Under Hitler”.  In the Afterword the author (who died in 1999) reflects that it was a book which was developed backwards, in a way.  As a journalist in 1964 he was invited to attend the Auschwitz trials.  This forms the closing section of the book and is the most powerful and it was his attendance which caused Kruger to look back on his life.  In the 1960s he was stunned by how perpetrators of unthinkable crimes at the concentration camp had assimilated into society before having to answer for their actions at the trials.  I think if this book had been written more recently this central moment would have been the starting point but back in 1966 Kruger chose to employ a chronological approach which leads from his childhood outside Berlin, in Eichkamp, in an apolitical family where his environment would have made the rise of Adolf Hitler seem even more extraordinary.  Alongside this are the family dramas, the suicide of his oldest sister in 1939 and his own dallying with resistance and its repercussions.

There is a sense of detachment throughout which may feasibly be from the translation but I would imagine it is from the original text which does affect the flow and holds the reader at arm’s length.  There is little of Kruger’s own participation in the hostilities, it jumps to the end of his war, and indeed, this is acknowledged by the author in the Afterword which was written in 1975 and reflects back on the work, but this absence of this part of his life does seem a little odd.

In parts, it is magnificent, especially the second half of the book where Kruger feels to be on more certain ground, the actual growing up under Hitler sections in Eichkamp can feel a little tentative but there admittedly would have been so much that the town’s inhabitants would have been unsure about at the time.  It is not quite the masterpiece I had hoped but the author provides many moments that will linger long in my memory.

The English translation of “The Broken House” is by Shaun Whiteside. The book is published on 17th June 2021. The hardback is published by Bodley Head, the e-book by Vintage Digital. Many thanks to the publishers and Netgalley for the advance review copy.

Goodnight Mister Tom – Michelle Magorian (Puffin 1981)

Puffin have celebrated the 40th anniversary of this enduring children’s classic by issuing it in a new edition which also contains a story of the young Tom and lyrics Magorian wrote for the musical adaptation.  I had always thought I had read this book before but I hadn’t.  I have also never seen the acclaimed TV version which starred John Thaw.  It was one of those books where my vague ideas about it had cemented into what I believed was fact but I was often wrong.  I knew it was a tearjerker but what I had always thought occurred never actually happens.  The twists and turns of the plot were quite a revelation for me.

Will is sent from Deptford, South London, just before the outbreak of World War II, as an evacuee to the rural environment of Little Weirwold where he is allocated to Tom Oakley, an elderly widower who lives a very self-contained life with his dog Sammy.  Will’s arrival disrupts this but the malnourished, poorly treated Londoner wins Tom over from the start and the youngster begins to thrive under his care.

The country scenes have a direct line to earlier children’s classics such as “The Railway Children” where nothing much happens but it is still a ravishing read.  It’s a boy finding his feet amongst a new environment and new friends and the challenges he faces, a common enough theme in junior fiction but it is when the book reverts to London with a grimness which is shocking compared to what we have read before that it is elevated to another level.  Following this, with the war established in both town and country Magorian pulls no punches and conveys the sense of not knowing what is round the corner brilliantly.  As the war disrupts the lives of those in the country there’s a tension between adapting to the new events and wanting their lives to go on as before.

I loved this book.  I loved the characters and the plot.  I enjoyed the short story “Rachel And The Paintbox” which would be a lovely back-story read for long-standing fans of this book.  The song lyrics were inessential but there again would be appreciated by those who have had this book in their lives for decades.

I cannot believe it has taken me this long to get round to it.  My advice to you is to celebrate its special birthday with me by discovering it for yourself, re-reading it or buying a copy for a younger member of the family.  This is a great read.

Originally published by Kestrel in 1981, the first Puffin paperback edition arrived in 1983 and this edition with the additional material was published in the UK on May 6th 2021. Many thanks to the publishers and Netgalley for the review copy.

Never Anyone But You – Rupert Thomson (2018)

I have read one Rupert Thomson novel before, his 2007 publication, the Costa nominated “Death Of A Murderer”, a novelised account featuring an unnamed central character who is Moors Murderer Myra Hindley which to be honest did not do a great deal for me.  This is a much better novel which once again has true life characters as the central protagonists. 

He is helped here by his subject matter.  Two extraordinary women Lucy Schwob and Suzanne Malherbe who are true soul mates and adopt the names Claude Cahun and Marcel Moore and in the inter-war years become notable in the literary and artistic worlds of Paris aligning themselves perhaps most closely to the Surrealist movement.  Before war is declared they move to their favourite holiday destination Jersey where, once occupied by Nazis, they begin their own acts of resistance not dissimilar to that in Hans Fallada’s marvellous novel “Alone In Berlin.”

The plot really does come alive in the war years with the continual threat of discovery adding much to the tension but the real strength here is the depiction of the relationship between the two women.  Suzanne narrates a tale which starts off in 1940 where a German attack disrupts her evening swim and then moves back to chronologically depict their lives together in a manner not too far off from established facts about the pair.

Their relationship is beautifully written.  Claude is not always easy to love and has a self-destructive streak which dismays her lover.  Throughout all the drama the tone is one of calm which works extremely well. 

I was seduced by on-cover recommendations from Sarah Waters “…an astonishing accomplishment” and Philip Pullman “..It’s a long time since I read a love story quite as convincing or truthful”, both writers I much admire but it was Thomson’s weaving of the tale and vibrant assured prose which really drew me in.

Never Anyone But You was published in 2018 by Corsair.

London Belongs To Me- Norman Collins (1945)

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This is a book I read as a teenager. I can remember the quite plain but striking blue covers of this British author’s work in the public library of my youth and I either read this just before or after an ITV adaptation from 1977 which featured a very memorable Patricia Hayes and which I loved. There’s also a 1948 film version which stars Alastair Sim and Richard Attenborough which is good but hasn’t lingered as long in my memory as the book and TV series.

These memories were brought to the forefront when I found Norman Collins listed as one of Christopher Fowler’s picks in his “The Book Of Forgotten Authors” (2017). Collins (1907-1982) was a fascinating, very twentieth century character. His writing career saw him working for the Oxford University Press, editor of “The Daily News”, a role which Charles Dickens (quite significantly) had taken before him and deputy chairman of Gollancz publishing firm. Moving to broadcasting in the early 1940s he moved up the ranks in the BBC to being in charge of the Radio Light Programme where he created the immortal “Dick Barton-Special Agent”. Not long after this novel was published he was Controller of the fast-growing world of television and in the early 1950’s helped set up the Independent Television Authority becoming one of the important early figures of ITV. Throughout this time he was publishing with a total of 16 novels and two plays of which the vast majority are now out of print. This book and his London set “Bond Street Story” are the most significant of his works.

Rereading this many years on I think it is excellent. I highlighted the Dickens reference earlier because Collins’ writing style is reminiscent of a mid-twentieth century Dickens, the way he pulls back as narrator, gives us overviews and then focuses back on a set of very memorable characters in this London setting feels appropriately Dickensian. It’s a real warm hug of a book focusing on a group of residents of 10, Dulcimer Street, Kennington over two years from Christmas 1938 to Christmas 1940.

It is a closely observed novel with no real ongoing narrative drive or issues other than the lives of the characters. This gives it a feel of early soap-opera and that again has the feel of Dickens. It doesn’t have the burning social issues of the Victorian novelist but it works beautifully as a commentary on everyday existence. With its focus on ordinary folk at a time of uncertainty making their preparations for war it is first class and its sense of impending doom whilst the everyday continues resonates with our recent events.

And there’s great characters. The kindly, stolid, central Mr Josser, struggling home with a retirement gift clock at the very beginning, the canny canary-loving Miss Coke and the charlatan spiritualist Mr Squales will linger on in the memory. There’s a German spy who pops in for the odd vignette who seems a little out of place and the adenoidal glutton Mr Puddy’s speech patterns might have worked better in its day but he is still a character to be reckoned with. There’s also the unsettled youth Percy Boon whose involvement in a crime is the closest the novel gets to a central thread involving all the characters in some way.

At over 700 pages of quite small print in the Penguin Modern Classics paperback edition this is lengthy but it’s a real treat and I felt quite sad coming to the end. If Norman Collins has other books of this quality in his canon (Christopher Fowler’s favourite is “The Governor’s Lady”) then this is a seriously under-rated author due for a revival with this five star twentieth century classic leading the way.

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London Belongs To Me was first published in 1945. I read the Penguin Modern Classics paperback edition.

Little Gods – Anna Richards (2009)

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I remember this book coming out with a big buzz around it (gosh, was that really 11 years ago?) A debut novel with an on-cover recommendation from Ali Smith and comparisons to John Irving and Michael Chabon this British author looked set for very good things.

All too often it doesn’t always go to plan. This book is still in print but there doesn’t appear to have been any further publications by this author in the intervening years.

Right towards the end of the book Anna Richards puts her title into context. “Love makes little gods of us all. It awards the power to shatter the existence of someone who, by loving, has made themselves glass.” There are a lot of emotionally fragile characters in this novel.

I say emotionally because physically main character Jean is a robust giant of a woman whose sheer physical presence unnerves people. An unwanted child, her mother Wisteria is almost a caricature of a neglectful mother and has no redeeming features which makes for some difficult reading early on. Jean is redeemed in the early days of World War II when an explosion destroys her house and allows her to start again with her best pal from the sweet shop, Gloria. Their tale turns in a very unpredictable fashion, unsurprisingly, as it is set in very unpredictable times, which takes the women to new situations in the post-war years. Richards is determined not to allow us to get comfortable with these characters in this well-structured work. Jean, especially, is pushed onwards into these new situations even before she can adapt to her present. Plot-wise this can at times be a little frustrating as it shifts the tone of the novel but Jean is a great character who the reader wills on to succeed.

It’s bold and brash, not always rooted in a sense of location which can give it a kind of fairy-tale feel and this can be both enthralling and distancing. That is, until life deals Jean another bitter blow and we are hurtled back to reality. I enjoyed it and feel it is a highly promising debut which would re-read well, which is often my criteria for a four star rating. I think it would go down well as a reading group choice as there would be so much to discuss.

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Little Gods was first published by Picador in the UK in 2009

The Paris Library – Janet Skeslien Charles (Two Roads 2020?)

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Not an author I’d heard of before this and I thought it was due for imminent publication but checking on Amazon it seems to have been pushed back to February 2021 which may mean it is one of the casualties in how the publishing industry is having to deal with COVID-19. If this is the case then this is very advance notification of a book seriously worth your consideration.

Janet Skeslien Charles is the American author of “Moonlight In Odessa” (2011). At one point she worked as programmes manager at The American Library in Paris and it was this institution which is the inspiration for this novel.

Written in two narrative strands, one set during World War II and the other in Montana in the 1980s, both strands feature Odile, who obtains her dream job when she gets to work at The American Library in Paris in 1939. The real-life Library was set up during the previous war from two million American donations with it becoming revolutionary in being one of the first to allow subscribers to browse the open shelves and introducing story-times for children. By 1939 it was a much loved, over-subscribed establishment and its war years are dealt with here very impressively. The author has placed Odile alongside real-life characters who actually did do their utmost to keep the library functioning in Occupied Paris led by the extraordinary Dorothy Reeder (good name for a librarian). Skeslein Charles has turned these staff members into vibrant characters and placed them in a plot which certainly mirrors actual events.

Alongside this we see an older Odile, now living in the US, largely through the eyes of her young neighbour Lucy who is fascinated by the elegance of her neighbour becoming quite the Francophile amidst her small-town American life. I was very involved in both strands and this was a very involving read. I loved Odile’s obsession with the Dewey Decimal System which has her constantly categorising and found the relationship between her older self and the younger Lucy touching and convincing. I loved the whole aspect of the establishment doing what it could to support its subscribers and once again the importance of libraries is brought home as well as in the non-fictional “The Library Book” by Susan Orlean (2019). I also loved the way the fiction was weaved through a fascinating historical situation that I did not know about.

I hope that if this book is to be delayed until the New Year that it can be launched with enough momentum to give it a chance of achieving the sales it deserves.

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The Paris Library is currently scheduled (according to Amazon and I can’t find any information about it yet on the publishers site) to be published in the UK in February 2021. Sorry about confusion here but we might get quite a bit of that over the next few months. Many thanks to Netgalley and John Murray Press/Two Roads for the advance review copy.

The Four Symbols – Giacometti & Ravenne (Hodder & Stoughton 2020) – A Running Man Review

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The Adventure genre has calmed down somewhat since its mid noughties peak when Dan Brown and a host of similarly slanted authors dominated best-seller lists.  I read quite a few of these at the time but found they became too samey,  I wearied of reading about symbols of great powers but hidden meanings, Nazis, a myriad of locations and often confusing plot lines.

I was, however, tempted by this title I selected from a list of upcoming publications, the first of a trilogy entitled “The Black Sun”.  I thought its French slant (this is a translation)  might just breathe new life into a genre which was in danger of becoming stale.  Eric Giacometti worked as a journalist and was involved in the uncovering of French medical scandals before teaming up with Jacques Ravenne and writing according to the blurb “over 15 books together” (I really don’t know why this is such a vague statement!).  This was originally published as “La Triomphe Des Tenebres” and has been translated by Mauren Bauchet-Lackner.

Have the authors breathed new life into this genre?  Well, here we have Nazis chasing symbolic artefacts which will give them ultimate power in a novel which switches from location to location just as each section starts to get good.  So, the answer to that is sadly no.

A discovery in a Tibetan cave encourages the outbreak of World War II and leads to a belief by some in power that if similar treasures are tracked down the Third Reich will become unstoppable.  In the way of the Nazis is a French mercenary, Tristan, fresh from his involvement in the Spanish Civil War, a British SOE team and French resistance fighters.  The action feels distinctly stop-start to begin with and there are some examples of Nazi sadism that the authors certainly do not shy away from.

The success of books in this genre lies for me in whether the author makes me care about multiple plot strands and shifting location settings and the secret behind getting me to care is often in characterisation.  To begin with I found everybody cardboardy but by the end I was beginning to be drawn in enough by them to make me interested in the next part of the trilogy, but the characters, good and bad did take a while to establish themselves which may cause readers to fall by the wayside.

This was a very flooded market ten years ago so whether a title which isn’t fundamentally different from what we were reading then will resonate much in the UK today is another matter.  I think it being the first part of a trilogy might help as readers may come to feel invested in the authors’ perceptions of the War Years.

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The Four Symbols will be published by Hodder & Stoughton as an e-book on 14th May 2020 and as a paperback on 3rd September.  Many thanks to the publishers and Secret Readers for the advance review copy.

The Animals Of Lockwood Manor – Jane Healey (Mantle 2020)

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With Sarah Waters absent from fiction since 2014’s “The Paying Guest” here comes the latest author who has incorporated the feel and themes of some of her work into their debut novel. This also reminded me slightly of Sara Collins’ 2019 debut “The Confessions Of Frannie Langton” and that as well as selling well was one of the most critically acclaimed titles of last year scoring the Costa First Novel Award. Jane Healey here has produced a commercial literary novel which has the potential to do well.

Set largely in the early years of World War II museum director Hetty Cartwright is evacuated together with a sizeable collection of stuffed mammals to Lockwood Manor where recently widowed Major Lord Lockwood lives with his daughter Lucy. Hetty has much to prove in the male world of museums and she attempts to do this professionally in this large country house populated by a dwindling staff who view the extra work caused by the displays as a nuisance. Someone begins tampering with the collection but is it human or supernatural? The Major’s wife had been turned mad by the house which had proved to be too alien for her Caribbean upbringing (shades of “Jane Eyre” and “Rebecca”) and her surviving daughter fears for her own sanity in the stifling atmosphere which proves conducive to nightmares.

Narrated alternately by Hetty and Lucy there is generally a good feel for the period but I think the author could have ramped up the tension of life in the house but as the novel progresses I feel that this is lost a little with the focus moving to the relationship of the two leading female characters (incidentally, I felt exactly the same about “Frannie Langton.”)

I found it easy to read, polished it off quite quickly and was involved throughout and enjoyed the turns of the plot but it never managed to crank up to the higher gear which would have made this more memorable. For me the standout book I’ve read in recent years of this type is still Laura Carlin’s “The Wicked Cometh” and as diverting as this is I don’t think it came up to that debut’s standard.

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The Animals Of Lockwood Manor is published by Mantle on March 5th 2020.  Many thanks to the publishers and Netgalley for the advance review copy.