Hide – Matthew Griffin (2016)

This wasn’t really what I was expecting.  From the cover and from what I’d heard about this book I was anticipating a love story between two American men with a historical element which caused them to keep their love hidden within a tenderly written, possibly understated debut novel.

There wasn’t much of a historical element as this was old age breaking down the long-lasting relationship of Wendell and Frank in rural Virginia, two men who had rarely left the house they shared together in case people worked out their relationship.  When a health emergency hits Frank, Wendell claims he is his brother.

This is the tale of the deterioration of Frank’s health told in a first-person narrative by Wendell.  I can recognise the poignancy of these men and their hidden lives but I did have issues with the novel.  Firstly, it is without humour which, when the going is good made it a little dry and when things took a turn for the worse I was desperate for the author to introduce some lightness.  This is the second time I’ve thought this  recently, Andrew Holleran’s 2022 comeback novel “The Kingdom Of Sand” also featured the old age of gay men with the same relentlessly downbeat viewpoint.  Secondly, I felt their past needed more attention, we particularly learn very little about Wendell. I can understand this to a point as the title suggests, secrecy is paramount but it holds these characters at arm’s length.  Thirdly, Wendell is a taxidermist and we have some detailed accounts of his work which was really difficult reading for me, there was one section I had to scan rather than read and this is something I so rarely do. 

I toyed with a disappointed two star rating but then technically it works so well.  It is a well-crafted novel.  Matthew Griffin is a University Professor and graduate of the Iowa Writers Workshop and that proficiency shows.  There were quite a few moments when the present day was informed by the back story of the relationship explaining why they were reacting thus but I feel there was more opportunity to open up and give us more of these lives.  I’m sure this then would not have been the novel the author wanted to write but I personally think some more back-story on both individuals and their time together would have resonated with a wider audience and might have given a bit more balance to the air of despondency Griffin creates.

Hide was published by Bloomsbury in the UK in 2016.  I read the paperback edition from 2017.

A Rising Man – Abir Mukherjee (2016) – A Murder They Wrote Review

This is a book which often appears in best crime series debuts and mystery/thriller recommendations lists.  I did the unusual thing (for me) of reading the third in this series “Smoke And Ashes” when it came out in 2018 and with the recent publication of the fourth in paperback I thought I’d start off at the proper place – the beginning- especially as I enjoyed very much the book I did read.

“A Rising Man” introduces Police Captain Sam Wyndham, recently arrived in Calcutta in 1919 and billeted in a British run guest-house where the food he is served up puts him at greater risk from illness than if he took his chances on the streets of Calcutta.

He is called to a street murder of a senior Civil Servant and he meets up with Surendranath Banerjee, nicknamed “Surrender-not” by British officers unwilling to learn the correct pronunciation of his name, who becomes Wyndham’s sidekick in this series.  The pair set out to uncover the murderer amongst growing unrest in the local population which comes to a head when news of a massacre by British troops in Amritsar travels to Calcutta.

This novel won the 2107 Historical Dagger at the Crime Writers Awards so I was expecting big things.  I was impressed by it but I think I just slightly preferred “Smoke And Ashes” which felt a little pacier and by which time Abir Mukherjee had confidently established the characters.  Wyndham’s flaw is a predilection for opium as a result of the trauma of the war years and the loss of his wife in the flu epidemic straight afterwards, an addiction which he will certainly have the opportunity to explore in early Twentieth Century Calcutta.

This is a strong debut with a satisfactory conclusion and has set the series up appealingly and I am keen to seek out the other titles.

A Rising Man was published by Harvill Secker in 2016.  I read the 2017 Vintage paperback edition.

Keeping On Keeping On – Alan Bennett (2016) – A Real Life Review

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Bennett

Alan Bennett’s autobiographical and diary collections are no strangers to my end of year Top 3’s with his earlier volume of TV plays “Objects Of Affection” (1982) also being one of my favourite books the year I read it (2005).

Perhaps Britain’s best-loved and most recognised living playwright whose work also encompasses the extraordinary screenplay adaptation based on the biography of Joe Orton “Prick Up Your Ears” perhaps in decades to come Bennett will be best remembered for his occasional sizeable publications of a mixture of diaries and other writings which have really established him at the top of best seller lists and are highly critically acclaimed. This is the third such collection following “Writing Home” (1994) – my 3rd best read of 1996 and “Untold Stories” (2005) my 2nd best read of 2006.

I was put off from buying this in hardback because of its size, waited for the paperback and bought it in the first few days after publication, put it on the shelf and forgot about it until I decided last week it was the perfect coming-to-the-end-of-lockdown (hopefully!) reading treat. It fitted the bill and is every much as enjoyable as the preceding volumes.

Diary-wise this encompasses the years 2005-2015 and inevitably reflects the slowing down of a man in his 70’s/80’s (although I’m sure Alan Bennett would be the first to say he was never exactly speedy). Here we get a lovely domestic life in London, regular trips to Yorkshire and the professional demands which continue to push him more to the forefront than he would naturally want to be. There is the filming of “The Lady In The Van” (which, to be honest, I didn’t love) and “The History Boys” (which I thought was a much better film) which is contained in its own separate diary found after the main one. There is also his work on his Benjamin Britten/WH Auden themed play “The Habit Of Art” which I don’t know much about probably because the subject matter does not appeal.

More than the professional it is the domestic side of life which I find most enthralling here. There’s always the feeling, perhaps more than anybody in his field, that we, the readers, know Alan Bennett and are comfortable in his company. I am sure this must infuriate this private man as much as it fascinates him. Of course, the vast majority of us will live our lives having never met him, it is the quality and style of his writing that fools us into thinking otherwise.

The diaries are definitely the star turn here (lots of eating of sandwiches and visits to old churches) but the collection of other writings once again flesh out what we know about him. Whereas his diaries are never going to be as showy or as unputdownable as the diary superstars (the posthumous collections of Noel Coward, Joe Orton and Kenneth Williams immediately springing to mind) they illuminate the man and go a long way to explaining why Alan Bennett is a British national treasure.

four-star

 

Keeping On Keeping On was published by Faber & Faber in 2016. I read the 2017 paperback edition.

The Dry- Jane Harper (2016) – A Murder They Wrote Review

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Here’s a book with extremely good word of mouth from readers returning one of our library copies.  It has people itching to tell others how much they enjoyed it.  Since the paperback edition arrived at the end of last year it has become one of our most borrowed books, so I’ve been patiently waiting for my turn.

 Jane Harper’s debut also gained much critical acclaim from reviewers and from her crime writer peers. (“One of the most stunning debuts I’ve ever read- David Baldacci; “Stunningly atmospheric- Val McDermid; “Enthrals from the very first page – CJ Box).  Writers of great repute were queuing up to say good things about this.  Needless to say, I had extremely high expectations.

 Aaron Falk, a policeman who specialises in financial crime, returns to the small Australian country town where he grew up to attend a funeral.  His closest childhood friend has apparently shot his wife and son and turned the gun on himself.  As the small community are shocked and outraged the dead man’s parents want answers.  Tensions are compounded by a lengthy drought which has brought this rural town to its knees and also by Falk’s return itself.  This is his first visit since a tragic incident which had rocked the community years before.  Everyone has secrets and it may be these which have just triggered the present-day tragedy.

This is a well thought out and carefully handled whodunnit with the additional tensions of a community in crisis.  Harper is a British author who has lived in Australia for the last decade and her sense of location is strong but also with a clear understanding of being an outsider.  In many ways and I’m not sure why the author it brought to mind was another Brit who has set his first two novels in small town America, Chris Whitaker. However, “The Dry” did not win me over as much as Whitaker’s excellent “All The Wicked Girls” (2017).  I have this year read another book which on publication was very much compared to “The Dry” and marketed to the same audience, “Retribution” written by Aussie farmer and ex-miner Richard Anderson.  I think in terms of plot handling and character development Harper’s novel is considerably stronger.

 What I would have liked a little more ramped up is the intensity of this lengthy drought (two years without water) and the heat playing a stronger part in the dynamics of these people rather than their present actions being motivated by the events of their past but I’m niggling here.  This is a very readable, strong debut which might not have matched those too high expectations I’d built up over the past year or so but it certainly fooled me with twists, was always involving and so highly satisfactory in the way the plot threads were all so well pulled together.

 fourstars 

The Dry was published by Little, Brown in 2016 in the UK.  I read the 2017 Abacus paperback version.

Commonwealth – Ann Patchett (2016)

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American author Ann Patchett is a former winner of the UK Orange Prize for fiction for 2002’s “Bel Canto”.  Her family-themed novels have seen her compared to two other Queen Annes, prize-winning titans of modern fiction both, Ms. Tyler and Ms. Enright.  With this, her seventh novel she gives them a good run for their money but doesn’t quite eclipse them in the quality fiction stakes.

 I have never read Ann Patchett before but this book I had earmarked to read since publication because of its impressive initial reviews (“Outstanding” (The Observer)/”Dazzling” (The Sunday Times).  When I pulled out “Read a book by an author whose surname begins with a P” from the Reading Challenge box at Sandown Library this seemed an obvious choice.

 I always think I’m going to feel alienated by the Americanness of tales about family life but Anne Tyler has really drawn me in with hers on more than one occasion.  It’s the quality of her writing that does it and this is necessary to convey the complexities of family relationships in a way which feels both honest and convincing.  With “Commonwealth” Ann Patchett also succeeds with this.

 We begin in 1964 at a Christening Party for Los Angeles Cop Fix Keating’s daughter Franny.  One of the guests falls for Franny’s mother and lives shift from this point.  Two families of step-children meet each summer including Franny and her sister Caroline and a tragedy further complicates family relations.  Fast forward to 1988 when Franny is working a waitress in Chicago and she meets a writer who takes her family’s story to use in his own work, also called “Commonwealth”.  Although Franny is probably the central character her parents’ generation of family together with her sister and step-siblings are all well fleshed out.

 Plot-wise there are not too many surprises, which is why, just on the showing of this novel I will put Anne Tyler slightly ahead but anyone who has enjoyed novels such as the bestselling “Spool of Blue Thread” (one of my essential reads) should certainly seek “Commonwealth” out.

fourstars

“Commonwealth” was published by Bloomsbury in 2016.

Top 10 Books Of The Year- Part 2 (The Top 5)

I’m continuing my count-down of the best books I read in 2017.

5. Everyone Brave Is Forgiven – Chris Cleave (Sceptre 2016) (Read and reviewed in April)

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It’s been a good year for writers called Chris, as there are two of them in my Top 10. This British novelist’s fourth novel spanned the years 1939-1942 and centred on war-torn London and Malta, gripped by a blockade which threatens starvation for civilians and soldiers. I said “this is an excellent novel from a great story-teller who deserves his position amongst the best of the novelists who have written about this time in our history.”

Current Amazon sales rating: 10,968 in Books (has been much higher!)

4. The Wicked Cometh – Laura Carlin (Hodder & Stoughton 2018) (Read and reviewed in November)

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Feel like I’m cheating a bit here as this hasn’t even been published yet (according to latest info the hardback is due on 1st Feb.) I was really drawn into the world of this debut novel set in Victorian London.  I said “I think she has got everything more or less spot on here and has written an authentic historical novel and a really good thrilling page-turner.” Still expecting this to achieve very healthy sales in 2018.

Current Amazon sales rating: 68,464 in Books (based on pre-orders).

3. The Underground Railroad – Colson Whitehead (Fleet 2016) (Read and reviewed in September)

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I read this when it appeared on the Man Booker longlist and felt it had to be in with a great chance of scooping the Prize.  In the US it had taken both the National Book Award and Pulitzer Prize.  Here, it shockingly failed to make the shortlist, probably overshadowed by British author Mohsin Hamid’s “Exit West” which touched on similar themes.  It was the best American novel I read this year.  I  felt “it ticks all the boxes for me, an involving, entertaining, well-written, imaginative, educational, unpredictable read.”

Current Amazon sales rating: 81 in Books (this has been a big seller)

2. Owl Song At Dawn – Emma Claire Sweeney (Legend 2016) (Read and reviewed in February)

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Pipped at the post by the very last book I read in 2017 this came very close to being the first British novel to be my book of the year since 2012 (also incidentally the last time a female author was at the top).  The fact that this is a debut novel makes it all the more outstanding.  I first heard of this when it was shortlisted by Nudge and newbooks for the BookHugger book of the year.  It went on to win beating a set of books from a very good list which also included my year end Top 10ers by Jodi Picoult and Helen Dunmore.  Dull February days were enlivened by this heartwarming novel.  An unsentimental, humorous tale of a Morecambe guest house which is being used as a holiday home for guests with disabilities and their carers.  Great central character, Maeve who is pushing 80 and has to come to terms with regrets in her past.  It wasn’t a typical read for me but it works so well on so many levels.

Current Amazon sales rating: 328, 095 in Books

And the reviewsrevues Book of The Year is………….

1.The Heart’s Invisible Furies – John Boyne (Black Swan 2017) (Read and Reviewed in December)

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It just had to be this book.  It is Irish author John Boyne’s 10th adult novel (and there are 5 for younger readers). I haven’t read him before but I was blown away by the whole thing right from the first few pages.  I wrote a lengthy review (click on the title to read it) just to justify why it impressed me so much.  “I said It may very well be my favourite books of this decade.” I think this is a book which has a reputation which will grow and grow. Perhaps the only thing I wasn’t totally convinced by is the front cover of the paperback edition, but that’s probably nothing to do with the author.

Current Amazon sales rating: 743 in Books

John Boyne joins a select bunch of authors.  Here are my favourites from the last ten years, which probably tells you a considerable amount about me as a reader.

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Happy New Year and let’s hope there’s lots of great reading in 2018!

 

 

 

 

Top 10 Books Of The Year – 2017- Part 1 (10-6)

In 2017 I managed to read 67 books which is thirteen down on my record breaking score last year but exactly the same number as I read in 2015.  Everything I’ve read has been reviewed on this site and this year I’ve awarded 10 books the maximum five stars, 31 four stars and 26 three stars, which seems to be to be a good spread.  I’ve not read anything which disappointed me enough to get a two star or one star read. I’ve read a lot more books as they are published or  soon after and looking at my Top 10 it is the first year ever where all the books have either been published in 2016 (with the paperback appearing this year), 2017 and in one not-yet-published case 2018.  I think that shows how good writing is at the moment.  I’ve not narrowed the list down to only those which appeared this year.  If I read it this year, then it’s eligible.  (The earliest dated book I read this year was 1931 and Margery Allingham’s “Police At The Funeral” but she hasn’t made the list).

What I haven’t done this year at all is re-read any books (I used to re-read about 10 books a year).  With publishers sending me books and with Netgalley pressures the re-reads have been pushed out, which is a shame as I love re-reading favourites and this is something I’ll need to rebalance in 2018.  Choosing the books for my Top 10 has actually been easier this year because of those 10 five star reads, so all I needed to do was allocate positions for my annual review of my year in books .  Anything that doesn’t make the top 10 gets culled from the bookshelves or off the Kindle, which means this year I’m losing a lot of very good books (but you can’t keep them all, I know I’ve tried in the past!)

Although I’ve read books before by two authors on my Top 10 list for all of them it is their first appearance on the list, so as far as I am concerned, these are likely to be the authors’ best books.  Those also a couple of debut novelists there.  The books are all fiction for the second year running and last year I had a fifty-fifty gender split this year the women have the edge with a 60/40 domination.  All of the titles have been  reviewed on this site- click on the titles to link to the full review.

10. Exposure- Helen Dunmore ( Windmill 2016) (Read and reviewed in January)

exposureThis was the second of Helen Dunmore’s novels I have read but her first appearance on my Best Of The Year list.  Set in 1960 in an England paranoid about the Cold War and high profile spy cases this is a thrillingly written thriller which focuses on this paranoia affecting a family when a secret file goes missing.  Helen Dunmore sadly passed away in June this year, aged 64, not long after the publication of her last book “Birdcage Walk” which I am yet to read.  She has left a legacy of 15 novels which demand to be discovered.

Current Amazon sales rating: #4592 in Books

9. The Golden Age – Joan London ( Europa 2016)  (Read in March, reviewed here in May)

goldenageAustralian author Joan London won awards in her homeland with her third novel and here was longlisted for the Wellcome Prize which focuses on books having an emphasis on health.  This was set in a polio hospital in the early 1950’s.  I described it as  “a beautifully observed, quiet novel which belies its grim subject matter and becomes a life-affirming testament to hope and love.”

Current Amazon sales rating: 202,593 in Books.

8. Small Great Things – Jodi Picoult (Hodder & Stoughton 2016) (Read and reviewed in January)

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The first of this American author’s 23 novels I have read.  Her fans have told me it’s not quite like her other books but there seems to be a general consensus that this is her best.  Picoult is a superb storyteller and I thought this “feels relevant, up to the minute and especially with the America their electorate has recently chosen for them, totally convincing.  There are so many layers to the conversations that readers could have about this book.  I cannot imagine a more ideal reading group book has been published in the last few years.”

Current Amazon sales rating: 136 in Books (probably the biggest commercial hit on my list- this was a big seller when it arrived in hardback and then again in paperback).

7. All The Wicked Girls – Chris Whitaker (Zaffre 2017) (Read in June, reviewed in July)

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Chris Whitaker is great and you should all be buying his books.  He just missed out on my Top 10 last year with his debut “Tall Oaks” and when his latest American set crime novel arrived I was convinced he would be topping best-seller lists.  He impressed me here with “how authentic the author’s creation of small town America feels, in terms  of speech, the environment, their cultural references and lives.  The prejudices and obsessions of  a small community is so effectively conveyed and I found the whole thing totally involving.”  Chris is a great friend to us bloggers.  I have interviewed him twice and he is the only author this year to make a comment on my review.  I have been told by other bloggers how enthusiastic he is about us all when appearing at book talks.  Oh, and his comment to me, just in case you haven’t seen it : “I love you, Phil. (I worry I don’t tell you that enough)”.  It wasn’t his flattery I succumbed to but the quality of his novel!The best crime novel I read this year.

Current Amazon sales rating: 61,735 in Books (it’s great commercial fiction which should be in Amazon’s best sellers).

6. Home Fire – Kamila Shamsie (Bloomsbury Circus 2017)  (Read and reviewed in September)

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Honestly, it is unlikely that I would have read Kamila Shamsie’s modern retelling of the Antigone myth had it not been longlisted for the Man Booker prize.  I was amazed it did not make the shortlist as I ask everyone who returns a library book copy whether they have enjoyed it and it universally gets the thumbs up.  The author, in this, her seventh novel has recast the ancient Greek characters as a Muslim family from Wembley. I said of this “Shamsie is educating, entertaining and gripping her readers in a manner which explores the potential of the plot in eye-opening, thought-provoking ways.  This feels like a very important novel for our times and yet has an age-old story as its framework.” A bag of M&Ms has a lot to answer for in this book.

Current Amazon sales rating: 2,197 in books

Next post – My Top 5 reads from 2017

Days Without End- Sebastian Barry (2016) – A Man Booker Longlist Review

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Sebastian Barry has already been one of this year’s big literary prizewinners with the Costa Novel and Book Of The Year Awards for this.  I very much liked the story-line and it is impressively written, is selling well and will give the Man Booker judges much food for thought.

 Beginning in the mid nineteenth century Irish emigrant Thomas McNulty, aged around 15, meets the younger John Cole, a boy with Native American heritage.  With tough experiences in their young pasts, poor and road-weary with “the same look of the arse out of his trousers that I had too” the pair strike up a friendship in the difficult adult male environment of Missouri; “We were two woodshavings of humanity in a rough world.”  The boys become female impersonators entertaining miners in a saloon in Daggsville where women are in short supply before enlisting in the military.  Initially hunting down Native Americans they later become caught up in the Civil War.

Written as a present tense account (which is something I’ve grumbled about in the past) this is McNulty’s tale of a relationship which blossoms into love in the most unlikely of circumstances.  This love is at the heart of the book and is portrayed positively and despite these unlikely circumstances, plausibly.  There is a touch of the “Brokebank Mountains” here but the love is underplayed and feels more real as a result.  Mostly, however, this is an adventure tale of battlegrounds, survival and injustices meted out towards the non-white populations of the developing America.

It’s a personal taste thing but I preferred the sections of the book away from the battlefield with the boys in the business of “entertaining” and functioning as a family with their adopted daughter.  In the army sections I found, yet again, that the present tense narrative style put it a little all on one level, and I wearied at times.  I am niggling a little because I did very much enjoy it and the novel is certainly shortlist worthy but I’m not sure that I would be pushing this big literary prizewinner to scoop the actual award.

Irish novelist Sebastian Barry has won the Costa Book Of The Year on two occasions (also “Secret Scripture” in 2008) and has been twice shortlisted for the Man Booker.  “Days Without End” is his ninth novel, could this be the one to “do the double”?

 fourstars

 

Days Without End was published in paperback by Faber & Faber in February 2017.  The hardback edition was first published in October 2016.

Autumn- Ali Smith (2016) – A Man Booker Shortlist Review

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Ali Smith is attempting to make her 4th appearance on the Man Booker Shortlist with this longlisted title, her first novel since winning the Baileys Prize and the Costa Novel Of The Year with “How To Be Both” (2014).  That was the only novel I have read by her to date and although I applauded its technical expertise I caught a whiff of style over substance and found it ultimately a little disappointing because I lacked a consistent emotional attachment, which is what I’m always on the lookout for when reading.  Smith is a brave writer whose non-linear narratives can lead to a distancing and if slightly off-balance risks becoming a tad pretentious and ending up with a book of segments of writing (in her case often superb) rather than a coherently flowing piece.

 With that in mind, theories based purely on “How To Be Both”, I hasten to add, I was a little bit unsure about beginning my Man Booker longlist reading with this book.  Coincidentally for the last couple of years the first book I’ve read off the list has ended up scooping the prize, (I’m sure the judges are not bearing this in mind!) so I wanted this to be good.

 And it is.  For me, it is considerably better than the award-laden “How To Be Both”.  The reason?  I got that emotional attachment towards the relationship between the two main characters very early on and this relationship is a thread which runs throughout the novel.

 It’s not going to be easy summing this up in a few words.  A young girl befriends an elderly male neighbour who educates and stimulates moulding her into the adult she becomes.  Now a woman, Elisabeth visits him in his care home where he resides as a semi-comatose centenarian.  From the stories he has told her about the Art world she realises he knew Pauline Boty, a 1960’s female pop artist who Elisabeth bases her dissertation upon.  The time of these care home visits coincides with the Brexit vote and the uncertainty and tensions which fills the country comes across superbly.  Meanwhile Elisabeth’s mother has her own life changes ahead of her when she takes part in a TV antiques programme.

 The writing is often sumptuous, occasionally powerfully poetic as in a section about the mood of the country in the days following the vote and incredibly realistic as the characters grapple with the frustrations of modern life.  A section early on in the novel where Elisabeth attempts to use the Post Office Check and Send Service for a passport is a joy to read and is the section which really pulled me into the narrative, where I remained for most of the novel.  It is also highly visual, not least by its encompassing of art and story into the narrative.

 Smith is both a poet and a storyteller and her sheer unpredictability is both impressive and challenging.  The reader needs to yield to her skills as there is no way to ascertain how the novel will pan out.  There are digressions, plot twists, memories and dreams which make it a narcotic experience in more ways than one.  On this occasion I found her writing addictive and read it quite quickly, it will repay re-reading.  There’s the whole “Autumn” theme which I haven’t touched on which is part of the novel’s life-blood.  If this is the standard of the longlist it is going to be a good few weeks for me and a tough choice for the judges.  This is so close to being a five star read (How To Be Both I rated three stars) and is certainly shortlist worthy.

fourstars Autumn was published by Hamish Hamilton in 2016

The House Of Birds -Morgan McCarthy (Tinder Press 2016)

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A couple of reviews recently have had me agonising over my star ratings and as this is one of the culprits I thought I’d lay out, for the first time, I believe, the thinking behind those five stars.

A five star novel is one that will stay with me for a very long time. It’s a book I would not want to part with which has made a significant impression. Usually, I would say I read just a very small number of these each year. Examples of five star books recently reviewed here are: “Everyone Brave Is Forgiven” by Chris Cleve, “The Golden Age” by Joan London and “Owl Song At Dawn” by Emma Claire Sweeney. I’m not usually alone with my praise in these books. Just these three titles here have gained awards and plaudits. It’s not just me who rate them so highly.

A four star novel is one which I really enjoyed and which I would very much like to remain on my bookshelves. It is one I can certainly see myself enjoying as much on a re-read. It might not be an all-time classic but it certainly gave me considerable pleasure. Examples of four star books reviewed here recently are “Queer City” by Peter Ackroyd, “The Mayfly” by James Hazel and “Crimson & Bone” by Marina Fiorato.

A lot of what I read I would consider three star. This is the “default” rating when I start to read a book. This is the largest category in terms of breadth. It’s a good book that I enjoyed but probably wouldn’t need to keep to read again. These are the books I tend to pass on, often recommending them to their new owner. As I don’t give half star marks (too confusing) this is quite a big category, from books which I didn’t quite feel got into top gear, to perfectly satisfactory genre-type fiction, to books which are really quite good but didn’t blow me away. Examples of three star books reviewed here recently are “Don’t Wake Up” by Liz Lawler, “Next” by Michael Crichton and “The Silkworm” by Robert Galbraith.

Two star books have disappointed me in some way or I’m a long way from the intended audience and it hasn’t really worked for me. I won’t give up on the author but on this occasion there have been issues. Examples of two star books reviewed here (and they are thinner on the ground are “There Once Lived A Lady Who Tried To Kill Her Neighbour’s Baby” by Ludmilla Petrusheskaya, “The Evenings” by Gerard Reve (and I admit these two might both be translation issues) and “Being Elizabeth Bennet” by Emma Campbell Webster.

One star books don’t usually get to the review stage and it’s unlikely that I will read anything else by the author. I’m better at weeding books out now so I don’t get to read too many of these. The book is just not for me………

Just occasionally I feel these divisions let me down and some books do not fit neatly into the ratings and I end up feeling stingy. This is one of those occasions.

Morgan McCarthy’s fourth novel (the first I’ve read by her) starts off a little slowly but then starts to weave its magic and at times I believed I was reading a book with four or five star potential but on completion it just didn’t end up doing anything which either surprised or thrilled me so much that I would want to keep it to re-read it, so given that and my above criteria, it ends up as a three star novel but if asked did I enjoy it and would I recommend it the answer would be a definite yes to both.

I thought I was being brave choosing to read a book with this title. A simmering ornithophobia (particularly indoors) would leave me going into a cold sweat over a “house of birds”. If just one comes into the house I’m off like a rocket (especially in a cat’s mouth), but no worries, this refers to a bird-embossed wallpaper which I can certainly cope with. Kate inherits a house under contested circumstances and boyfriend Oliver, who has quit his high-pressured London job, moves back to the Oxford of his childhood to project manage renovations. He finds sections of a diary which relates to the house’s past in a dual narrative which moves from the 1920’s to the present day. The most effective relationship in the novel is that between Oliver and the long-dead Sophia who causes the young man to question his life and its lack of direction. His involvement in the legal aspects tying up the house threatens his current relationship.

Morgan McCarthy does absolutely nothing wrong in terms of plot or characterisation. I just felt it was all a little tightly controlled and careful to really get me frothing at the mouth. As in the majority of these dual-narrative different time-zone novels I found myself responding more to the older strand but I did find Oliver a vibrant, worthwhile character who did come alive and whose male perspective to Sophia’s 1920’s quandaries was refreshing. Some of the other characters did not feel as real.

In many ways this is a treasure trail which leads towards the truth and is involving for most of its duration and effectively handled. I will certainly be seeking out this author’s earlier novels.

threestars

The House Of Birds was published by Tinder Press in 2016. Many thanks to Bookbridgr and the publishers for the review copy.