Paterson Joseph is a noted British actor of stage and screen. I saw him most recently in the Suranne Jones starring BBC TV Drama “Vigil” playing the Commanding Officer of the beleaguered submarine. He has now joined the sphere of actors turning to fiction writing with very worthy intentions to fill some of the gaps of pre-Windrush Black British history by giving us a fictional account of the life of this notable 18th Century character, who became the first African man to vote in a British election. The author has been researching this life for twenty years, and has written and performed a one-man play. He has now rightly decided (if not only because of the gaps in what is actually known) to recreate the man known as Sancho as Historical Fiction.
What is done really well here is in the feel of the piece. Paterson Joseph has obviously submerged himself in the fiction of the time and without doubt in “Tristram Shandy”, the author of which, Laurence Sterne makes a brief appearance here. With a combination of a memoir intended for the main character’s son, diary entries and letters to and from his betrothed we get a real sense of Sancho and the world he inhabits.
Initially, as a child, a dress up doll/valet for three spinsters Sancho finds an entrée into society under the eye of the Duke of Montagu. It is a precarious arrangement and there are many turns of fortune for this black man in 18th Century London. Deemed at various times a novelty, a creative talent, a threat and a runaway slave Sancho has to wrestle with his own inconsistencies and this makes for fascinating reading. In the eyes of some he is seen as deserving of a place in high society for others he is the lowest of the low. How does a man come to terms with his own self-worth in such circumstances?
The early sections of this book are just splendid, as Sancho ages it grows more reflective, the tale shifts significantly to his wife-to-be Anne’s experiences in an epistolary section of the book which serves to contrast experiences outside of Britain but doesn’t work as well as the London-based writings. Throughout there is a feel of authenticity, even when the structure (as in all actual eighteenth-century novels I have read) feels jerky. There were areas of the life of Charles Ignatius Sancho which I felt could have been fleshed out more but I welcome the opportunity of getting to know this man through this novel. I am thinking this could be the best actor-turned-writer novel I’ve read since 1960’s icon and model Marsha Hunt’s “Joy” from 1990.
The Secret Diaries Of Charles Ignatius Sancho is published by Dialogue Books on 6th October 2022. Many thanks to the publishers and Netgalley for the advance review copy.