Karen Maitland is an author I’ve been meaning to get round to for some time. I have a few of her books unread on my shelves, I’ve been tempted into buying them by the darkness suggested by their titles and cover design. This, her second of her to date nine fictional works is subtitled “a novel of the plague” which with its mid 14th Century setting suggests a read rich in atmosphere and gloom, perfect for these unseasonal Indian Summer days!
I like the premise of a group of individuals with varying backgrounds and dark secrets in their pasts bonding together to escape the plague. The disease stalking and occasionally overtaking them is superbly done and adds to the atmosphere and tension of the novel. I realised midway through that I’m never as much of a fan of the “road” novel as I think I am. For some reason I like characters to get to their destinations rather than just travel there, books which focus purely on a journey such as “Lord Of The Rings” as well as countless others have not appealed to me as much as I would have liked. (Already I’m thinking of exceptions to that statement, Steinbeck’s “The Grapes Of Wrath” immediately springing to mind). I think this is a personal quirk which can affect my enjoyment but is not a slight on the quality of the story-telling.
It is narrated by a character referred to by the others as “Camelot”, a peddler in ancient relics of dubious provenance. Amongst the group fleeing to safety is a couple of musicians, a couple approaching parenthood, a magician and a very strange child with a talent for interpreting runes. A couple of my favourite characters get bumped off before their time which I found a little disappointing.
Long medieval travels inevitably means story-telling and there are a number along the way which gives the work a Chaucerian feel. There’s a mystical element appropriate for the beliefs of the time where even the Church acknowledged the presence of werewolves and vampires.
It is a heady mix of history, crime with a touch of fantasy and horror but the elements do not quite come together in the way I was hoping they would. It’s been a valuable introduction to the work of Karen Maitland and I am sure I will enjoy other of her novels even more than this. “Company Of Liars” just misses out on a 4* rating because I save that for those books I would be keen to read again and this is one that I’ve read, enjoyed and am ready to move on from.
Company Of Liars was published by Michael Joseph in 2008. I read the 2009 Penguin paperback edition.
Ambrose Parry’s “The Way Of All Flesh” was one of my crime novel highlights of 2018. I found its Victorian Edinburgh setting refreshing and the combination of an unpredictable crime set-up and a seamlessly incorporated history of medicine at the time was extremely effective. Two strong lead characters also helped, implying a lot of potential for this series.
This was Ambrose Parry’s debut novel but writing under that name is highly established crime writer Chris Brookmyre in collaboration with his anaesthesia expert wife Marisa Haetzman. This follow-up moves things on around a year with Dr Will Raven coming to the end of a tour of Europe and a violent incident in an alleyway before returning him back to the more familiar ground of Edinburgh where he has accepted the job of being his mentor Dr Simpson’s assistant. Here, he meets up again with another of Simpson’s employees, Sarah, but this time her circumstances have changed and it seems the authors are committed to keeping this couple who seem destined for one another apart.
The character of Simpson is based upon a real-life doctor noted for his discoveries with chloroform, which featured largely in the first book. Here, there is still experimentation with its usage, at one point it is served up as an alcoholic beverage but medically, anaesthetics have become more established and the issue now seems to be how to keep a patient alive after work has been done on them internally. Infection is the new priority.
The crime aspect comes via a woman not so keen on keeping the patients she is nursing alive and her narrative is interspersed throughout the text. I felt initially that the crime was taking a back seat compared to the medical history side of things but this is just Parry setting things up very nicely for us. Once again there were unpredictable twists and the novel builds just the way I always hope a crime novel will do.
Once again this is good quality fiction which is very readable, characters are developed (although Dr Simpson himself is more in the background) and I really want to know what is next for Will and Sarah. This series, in the space of two novels has established itself very well indeed.
The Art of Dying is published in hardback by Canongate on 29th August 2019 . Many thanks to the publishers and Netgalley for the advance review copy.
“Revenge has a long memory”
My first re-read for some time is this historical thriller which was my Book Of The Year back when I read it as a new paperback in 2007. It has sat on my shelves since then and the reason I picked it up for a revisit was although revenge may have a long memory (a dominant theme in the book) I obviously do not as I could remember nothing about it other than I loved it. I wasn’t alone in my admiration as at the time it was shortlisted for the Costa First Novel Award but was beaten by the eventual overall winner Stef Penney for “The Tenderness Of Wolves”.
I can remember feeling that Michael Cox, a writer and academic known for anthologising Victorian short stories was a major new novel writing talent. Sadly, there was only to be one more novel, a sequel “The Glass Of Time” before he succumbed to cancer aged 61 in 2009. His debut was a work in progress for decades before reputedly a prescription for a steroid drug as preparation for treatment for tumours and loss of sight caused a significant burst of energy which resulted in him beginning to put this work together and saw him bring it and the sequel to completion following his temporarily successful treatment. This moving sequence of events of a writer driven to finish his magnum opus seems fitting for this large, intense, dark novel and this truly is a testament to the talents of Michael Cox.
The author’s feel for the Victorian period is evident throughout and it has real authenticity with strong elements of Wilkie Collins and Dickens making it a rich but in no way a quick read. It begins with a random murder carried out on the streets of London in 1854 by the narrator Edward Glyver whose confession we are reading. The reasons for this, the events leading up to and following this crime form the whole narrative. It is a tale of revenge and betrayal with the central location the country estate of Evenwood and the family who live here. The usual suspects of opium, prostitution, class and hypocrisy are all present but none of it feels any way cliched. This is because the author has really assimilated the period and obviously knows so much about it, garnered from years of research and this permeates the text in a natural and convincing way, particularly in the field of book collecting. An “editor’s” footnotes to the text gives the fiction a further air of authenticity as do other documents pertaining to the events in much the same way as Graeme Macrae Burnet’s “His Bloody Project” (2015).
I will admit there were times when I felt I was ploughing through this somewhat (as indeed I have done with many Victorian novels that I have ended up loving) and throughout I was concerned about how little I had remembered from last time round but like many of the novels from the period it emulates it did pull me right in and any effort in the reading was rewarded. On completion the feeling was of total satisfaction for a high quality reading experience. This novel does seem to have faded from public consciousness but I can’t help feeling that a sensitive tv or film adaptation could bring it back to the top of bestsellers lists.
I haven’t read the sequel from 2008 (this was so far under the radar that I didn’t even know it existed until researching for this but given the circumstances of the author’s health issues at the time this is not surprising) but have just ordered it hopefully to read while this novel is still fresh in my mind and I will not be parting with my (now quite well worn) paperback copy of “The Meaning Of Night” anytime soon.
The Meaning of Night was published in 2006. I read the 2007 John Murray paperback edition.
I have read both of Jess Kidd’s previous novels and I was delighted to interview her for NB issue #90 following the publication of her debut. It was this book “Himself” (2016) that I expressed a slight preference for – a novel set in 1970s Ireland which absolutely fizzled throughout although both books have been very strong. “The Hoarder” (2018) had a modern West London setting and like its predecessor combined a good mystery with vibrant language, colourful characterisation and a supernatural element.
All of these factors are present in her third novel, with its setting always of particular interest to me, Victorian England, yet it is not just for this reason that I think that Jess Kidd has written her best novel to date and all that potential she has shown up until now has come into fruition with this hugely entertaining novel.
Like all of Kidd’s main characters to date Bridie Devine can see ghosts but here it’s just one, a half-naked ex-boxer she encounters in a churchyard who remembers her from her past. This supernatural touch is something which obviously means a lot to the author and I felt in “The Hoarder” it did not work as well as it had in “Himself” but the pugilist Ruby is a great character and becomes Bridie’s sidekick on some private detective work.
A child has been kidnapped from a country house in Sussex but it is soon apparent that this is no ordinary child and a gallery of rogues, richly-drawn characterisations worthy of the best of Dickens, seem to be involved in her disappearance. Bridie enlists the help of her seven-foot maid Cora, the spectral Ruby and crossing-sweeper Jem to locate the child.
I do read quite a few of these gutsy Victorian set novels and I’m aware that when they are done well they are likely to feature in my end of year Top 10. The actual case within the novel recalled for me another female amateur detective Heloise Chancey in MJ Tjia’s series of novels but here with greater depth and the sheer vivacity of the language reminded me of Michel Faber’s “The Crimson Petal And The White” and (although set in late eighteenth century London) within its themes of “The Mermaid And Mrs Hancock” by Imogen Hermes Gower- both great favourites of mine, but this novel certainly has a life of its own.
I particularly like it when the history of a historical novel is incorporated seamlessly. Here we have the Victorian love of the unusual and freakish and the developments in medicine which attracted the honourable and the disreputable sitting beautifully in with what becomes a gripping mystery peopled with characters about whom I wanted to know so much more. I hope this novel will be the making of Jess Kidd and will get readers discovering both her other publications. The effervescence of her writing will stay with me for some time.
Things In Jars is published in hardback by Canongate on April 4th 2019. Many thanks to the publishers and Netgalley for the advance review copy.
Here’s a debut out in April with a big buzz about it which appeared in many highlights of 2019 listings (including my very own Looking Back Looking Forward … blog post) so I was delighted to get the chance to read an advance review copy.
This is Frannie Langton’s account of how she got away from being a slave at a sugar plantation in Jamaica in the first quarter of the nineteenth century and ended up in London on trial at the Old Bailey for the murder of her employers.
It is very much a novel of two parts. Although we know from the outset of Frannie’s predicament, the first half is set in Jamaica where as a child she was taken up from the plantation shacks to be a house girl, and then, after being taught to read and write by her bored mistress becomes a scribe and assistant for her master, Langton. He is involved in disturbing experimentation to discover the difference between the anatomies of whites and blacks.
Damaged by what she has experienced she turns up in London joining the household of one of Langton’s academic rivals where she is drawn by the attention paid to her by his French wife.
Through a first- person confessional interspersed with extracts from the court case we begin to piece together what has happened, but very slowly, as Sara Collins certainly keeps us dangling. This might actually frustrate some readers who’ll think they missed out on something important as part of the Jamaican narrative seems underwritten and only becomes significant much later on. All is eventually explained. Characterisation is rich and gutsy with some strongly developed minor roles. Pace is generally good although for me it dipped in the early London sequence when the relationship between Frannie and Marguerite takes a prominent role.
Readers loving Sarah Waters’ novels such as “Fingersmith”, “Affinity” and “Tipping The Velvet” should certainly be made aware of this novel and with Waters moving towards more modern history in her novels in recent years there seems to be a gap which authors are keen to fill. Two debuts from last year spring to mind Imogen Hermes Gower’s splendid “The Mermaid And Mrs Hancock” and Laura Carlin’s deliciously Gothic “The Wicked Cometh” which also has a female-female relationship as its focus. I don’t think Sara Collins’ work is quite as good as either of these top-notch novels but it is a close-run thing with the Jamaican slave dimension adding another level of complexity and richness. All in all, this is a superior historical crime novel that does live up to pre-publication expectations and should end up selling well.
The Confessions Of Frannie Langton is published on April 4th 2019 by Viking. Many thanks to the publisher and Netgalley for the advance review copy.
I have a thing about piers. As soon as I step onto one with all that planking where the sea is visible through the slats I always get a rush of the sense of history of the place far more than I would with a building. I remember very clearly standing on the beach whilst a burning Brighton Pier blazed in an incredibly sombre recollection. I spent many late afternoons in Brighton watching the swallows swoop and swirl around the ruins of the structure. The pier in Shanklin where I now live was destroyed in the big storm of 1987, washed into the sea taking with it generations of history and memories. All this, the sense of history and the growth and decline Robert Lock has incorporated into this debut novel. And the swooping of the swallows has given this book its title and its starting point. This is why I was delighted that Legend Press sent me a review copy.
The swallows’ movements recall a number of historical points of the life of the pier and its inhabitants at an unspecified seaside resort. We begin magnificently in 1863 with the recent erection (pun intended) becoming the home of bawdy music hall comic Georgie Parr, an evocative characterisation and a life more than tinged with tragedy. We move to 1941 where the pier is used as an observational outpost and the swallows become involved in a wartime miracle. There’s a less successful mid-60’s section with the pier coming to the end of its golden era and onwards to the 1980’s where local archivist Colin Draper seeks to solve a pier-based mystery whilst coping with the declining health of his mother in a painfully sensitive, touching section and then on again to present day where loose ends are tied (perhaps a little too tightly).
The undeniable quality of this book lies in its great sense of time with the pier standing as a central focus to these very human lives. The writing is of a high quality and Robert Lock shows he has what it takes to become a significant writer of historical fiction. Plot-wise the combination of detective story with the odd touch of magical realism doesn’t quite flow quite as masterfully as other elements in the book but this is a strong debut and would be a thought-provoking quality holiday read. I polished off a chunk of it on the seafront in front of Ryde Pier and it felt very fitting to Robert Lock’s vision of the British seaside, past and present.
Murmuration was published by Legend Press on 12th July 2018 . Many thanks to the publishers for the review copy.
I came across Australian author’s debut series novel “She Be Damned” in October last year. It introduced sleuth Heloise Chancey, a well-off courtesan in Victorian London who first time round helped out an aristocratic private detective with a case. I was very much struck by Heloise’s potential to lead a series. She is a strong, complex character with the ability, because of her background, to move fairly effortlessly through the strata of Victorian society. The debut was highly readable and I’ve had good feedback from readers since both from my review and at the library where I work.
Legend Press have just published the second novel in the series. There’s some grisly throat-cutting of a child found in an outhouse of her family home in Stoke Newington and later and much closer to home to Heloise with the weapon likely to have been stolen from her property. Circumstances suggest that these could be linked to Heloise’s origins and that her maid, Amah Li Leen’s past may hold the key.
There are two main plot strands here and things for me notched up a gear when Heloise goes undercover on the Lovejoy family estate, with its distinct echoes of the real life 1860 case of the Kent family from Somerset, the subject of Kate Summerscale’s “The Suspicions Of Mr Whicher” (2008). I do think, however, that compared to last time round Heloise feels more subdued as a character. This case does not allow her to sparkle in the same way and there is less of a feel for the times.
Second novel in and I’m not still not totally convinced by Amah Li Leen, an enigmatic character with much back story. I think I know why this is and it’s due to the changes in narrative style. Heloise’s narration is first person yet for Amah’s contribution to the plot M J Tjia chooses to switch to third-person, often mid-chapter, which disrupts the flow. I found myself having to re-read sections where Amah was central and this was not happening when Heloise was in charge. In future novels I’d love to see a strengthening of the dynamics between these two characters. At the end of this novel a trip to Venice is proposed which could forge these bonds away from the restrictions of London society.
I thought that whereas the last novel felt quite Dickensian in its influence that here we have more of a Wilkie Collins vibe. In fact it had more of a different feel to its predecessor than I was expecting. I still think there is a lot of potential in this series to continue with lots of facets of both lead characters to be explored. It is establishing itself nicely and those who like a historical feel to their crime should seek it out.
Thanks to Legend Press who sent me a review copy and have included me into the book’s blog tour. For other opinions on MJ Tjia and related info, take a look at the other sites in the tour.
“If I have learnt one thing from my life in London, it is that sometimes it is necessary to descend to deceit, and that those who survive have the wit to know that.”
This novel is not due to be published until February 2018 but I’m giving you plenty of warning as you should be adding it to your to-be-read-lists for it is an absolute gem of a novel. Regular readers will know that I have a huge soft spot for big, Dickensian style Victorian-set novels like Sarah Waters’ “Fingersmith” and Michel Faber’s “Crimson Petal And The White”. I’ve been a little disappointed by some offerings in this area over the last year so (particularly the much-acclaimed “The Essex Serpent”) and others including Australian author M J Tjia’s crime series debut “She Be Damned”(2017) and Canadian Steven Price’s doorstep sized “By Gaslight” (2016) showed promise but neither quite pulled off the authentic feel of London in the nineteenth century. If they did not live up to my expectations this debut from Derbyshire resident Laura Carlin certainly does. I think she has got everything more or less spot on here and has written an authentic historical novel and a really good thrilling page-turner.
Young people have been going missing from the London streets for some time and eighteen year old Hester, the narrator of the novel, has fallen on hard times. An incident in Smithfield Market leads her to an association with a family who could provide her with a future or who may bring about further downfall. The story builds beautifully, and although the situations and characters may feel familiar for Dickens fans Carlin puts it all together in a way which is inventive, thrilling and feels new. It is rich in atmosphere throughout.
At the heart is a relationship between Hester and the daughter of the family, Rebekah Brock, who has been persuaded Pygmalion-like to educate Hester in a plan arranged by her brother Calder, a leading light of The London Society for the Suppression of Mendicity and it is this connection between the two women which will attract all Sarah Waters fans to this novel.
Like Dickens, secrets are revealed gradually by characters brought in to move the plot along and Hester’s account turns into a quite extraordinary tale of grim London existences underneath the cloak of the respectable and socially acceptable. The last third sees the plot move up a gear considerably as revelations follow one after another and the danger Hester puts herself into had me holding my breath. The plot twists keep coming giving the real feel of a Dickens serialisation
This novel is proof alone that Carlin is a major new talent and her brand of literary historical fiction should provide her with big sales. I absolutely loved it.
The Wicked Cometh is due to be published by Hodder and Stoughton on 1st February 2018. Many thanks to the publishers and Netgalley for the advance review copy.
The first in a set of ten Bernard Knight books I purchased from “The Book People” quite a while ago has at last been taken down from the bookshelf and read.
It is the opener to Knight’s “Crowner John Mystery” series about Exeter based King’s Coroner Sir John de Wolfe. Set at the end of the twelfth century this is the first medieval novel I’ve read for quite a while. I overdosed on Bernard Cornwell’s a while back and decided I needed a break from the hard existence, the mud and the travelling to and fro but all that is certainly present and correct in Knight’s novel.
He has set up a good character here for a historical crime series and you can tell there’s certainly a lot of mileage in Crowner John (the other nine books on my shelves also tell me that, not to mention the other five which take the series up to 15 with a prequel to this novel 2012’s “Crowner’s Crusade” being the latest). Whilst reading this I was reminded of another historical sleuth Gordanius The Finder in the Roma Sub Rosa series by Steven Saylor, set in Ancient Rome which I must pick up on again.
In 1194 it was decreed that all counties should appoint coroners. This caused conflict in areas between the existing law officials, the sheriffs, with duties being split between the two. In Knight’s Devon circumstances have meant that John de Wolfe is the only crowner for the county and this professional tension is further notched up as the sheriff is his brother-in-law and there is no love lost between the two. Home life is already strained by John’s relationship with his wife, the sheriff’s sister Matilda, which causes John to look elsewhere for comfort.
It did take me a while to get into this book and in common with a number of historical crime novels it is based around a number of set pieces on the legal practices of the time. Here it is the ability of an accused person to seek sanctuary for forty days from a church; the process of “amercement” whereby a village can be fined for not following the legal powers granted to the coroner to the letter and, most memorably in this book, Trial by Ordeal. This old practice was eventually abolished by the Pope some twenty years after this novel was set and here it is used to prove guilt. It was a barbaric ritual where the accused would have to complete a task, which would likely lead to serious maiming or their death but may prove innocence, if for some reason the inevitable medical repercussions did not occur. This is rather like the well-known treatment of witches in ducking stools where if they lived they were found guilty but if they drowned they were deemed blameless. John is opposed to such practices which are still deemed to be worthy by the Church and his brother-in-law.
A body of a recently returned Crusader is found in the village of Widecombe and Crowner John together with sidekick Cornishman Gwyn of Polruan and clerk Ralph, a defrocked priest are required to hold an inquest to ascertain responsibility for the death. Bernard Knight was himself a Home Office pathologist who carried out thousands of autopsies so he is certainly writing what he knows. The historical aspect of his old job is obviously a passion and he certainly brings twelfth century Devon to life. He had been writing novels since the early 60’s, a number as Bernard Picton, but it is from here onwards that he really begins to make his name. This is a good, solid introduction to a historical crime mystery series.
The Sanctuary Seeker was published in 2008 by Pocket Books, an imprint of Simon & Schuster.