I have a thing about piers. As soon as I step onto one with all that planking where the sea is visible through the slats I always get a rush of the sense of history of the place far more than I would with a building. I remember very clearly standing on the beach whilst a burning Brighton Pier blazed in an incredibly sombre recollection. I spent many late afternoons in Brighton watching the swallows swoop and swirl around the ruins of the structure. The pier in Shanklin where I now live was destroyed in the big storm of 1987, washed into the sea taking with it generations of history and memories. All this, the sense of history and the growth and decline Robert Lock has incorporated into this debut novel. And the swooping of the swallows has given this book its title and its starting point. This is why I was delighted that Legend Press sent me a review copy.
The swallows’ movements recall a number of historical points of the life of the pier and its inhabitants at an unspecified seaside resort. We begin magnificently in 1863 with the recent erection (pun intended) becoming the home of bawdy music hall comic Georgie Parr, an evocative characterisation and a life more than tinged with tragedy. We move to 1941 where the pier is used as an observational outpost and the swallows become involved in a wartime miracle. There’s a less successful mid-60’s section with the pier coming to the end of its golden era and onwards to the 1980’s where local archivist Colin Draper seeks to solve a pier-based mystery whilst coping with the declining health of his mother in a painfully sensitive, touching section and then on again to present day where loose ends are tied (perhaps a little too tightly).
The undeniable quality of this book lies in its great sense of time with the pier standing as a central focus to these very human lives. The writing is of a high quality and Robert Lock shows he has what it takes to become a significant writer of historical fiction. Plot-wise the combination of detective story with the odd touch of magical realism doesn’t quite flow quite as masterfully as other elements in the book but this is a strong debut and would be a thought-provoking quality holiday read. I polished off a chunk of it on the seafront in front of Ryde Pier and it felt very fitting to Robert Lock’s vision of the British seaside, past and present.
Murmuration was published by Legend Press on 12th July 2018 . Many thanks to the publishers for the review copy.
I came across Australian author’s debut series novel “She Be Damned” in October last year. It introduced sleuth Heloise Chancey, a well-off courtesan in Victorian London who first time round helped out an aristocratic private detective with a case. I was very much struck by Heloise’s potential to lead a series. She is a strong, complex character with the ability, because of her background, to move fairly effortlessly through the strata of Victorian society. The debut was highly readable and I’ve had good feedback from readers since both from my review and at the library where I work.
Legend Press have just published the second novel in the series. There’s some grisly throat-cutting of a child found in an outhouse of her family home in Stoke Newington and later and much closer to home to Heloise with the weapon likely to have been stolen from her property. Circumstances suggest that these could be linked to Heloise’s origins and that her maid, Amah Li Leen’s past may hold the key.
There are two main plot strands here and things for me notched up a gear when Heloise goes undercover on the Lovejoy family estate, with its distinct echoes of the real life 1860 case of the Kent family from Somerset, the subject of Kate Summerscale’s “The Suspicions Of Mr Whicher” (2008). I do think, however, that compared to last time round Heloise feels more subdued as a character. This case does not allow her to sparkle in the same way and there is less of a feel for the times.
Second novel in and I’m not still not totally convinced by Amah Li Leen, an enigmatic character with much back story. I think I know why this is and it’s due to the changes in narrative style. Heloise’s narration is first person yet for Amah’s contribution to the plot M J Tjia chooses to switch to third-person, often mid-chapter, which disrupts the flow. I found myself having to re-read sections where Amah was central and this was not happening when Heloise was in charge. In future novels I’d love to see a strengthening of the dynamics between these two characters. At the end of this novel a trip to Venice is proposed which could forge these bonds away from the restrictions of London society.
I thought that whereas the last novel felt quite Dickensian in its influence that here we have more of a Wilkie Collins vibe. In fact it had more of a different feel to its predecessor than I was expecting. I still think there is a lot of potential in this series to continue with lots of facets of both lead characters to be explored. It is establishing itself nicely and those who like a historical feel to their crime should seek it out.
Thanks to Legend Press who sent me a review copy and have included me into the book’s blog tour. For other opinions on MJ Tjia and related info, take a look at the other sites in the tour.
“If I have learnt one thing from my life in London, it is that sometimes it is necessary to descend to deceit, and that those who survive have the wit to know that.”
This novel is not due to be published until February 2018 but I’m giving you plenty of warning as you should be adding it to your to-be-read-lists for it is an absolute gem of a novel. Regular readers will know that I have a huge soft spot for big, Dickensian style Victorian-set novels like Sarah Waters’ “Fingersmith” and Michel Faber’s “Crimson Petal And The White”. I’ve been a little disappointed by some offerings in this area over the last year so (particularly the much-acclaimed “The Essex Serpent”) and others including Australian author M J Tjia’s crime series debut “She Be Damned”(2017) and Canadian Steven Price’s doorstep sized “By Gaslight” (2016) showed promise but neither quite pulled off the authentic feel of London in the nineteenth century. If they did not live up to my expectations this debut from Derbyshire resident Laura Carlin certainly does. I think she has got everything more or less spot on here and has written an authentic historical novel and a really good thrilling page-turner.
Young people have been going missing from the London streets for some time and eighteen year old Hester, the narrator of the novel, has fallen on hard times. An incident in Smithfield Market leads her to an association with a family who could provide her with a future or who may bring about further downfall. The story builds beautifully, and although the situations and characters may feel familiar for Dickens fans Carlin puts it all together in a way which is inventive, thrilling and feels new. It is rich in atmosphere throughout.
At the heart is a relationship between Hester and the daughter of the family, Rebekah Brock, who has been persuaded Pygmalion-like to educate Hester in a plan arranged by her brother Calder, a leading light of The London Society for the Suppression of Mendicity and it is this connection between the two women which will attract all Sarah Waters fans to this novel.
Like Dickens, secrets are revealed gradually by characters brought in to move the plot along and Hester’s account turns into a quite extraordinary tale of grim London existences underneath the cloak of the respectable and socially acceptable. The last third sees the plot move up a gear considerably as revelations follow one after another and the danger Hester puts herself into had me holding my breath. The plot twists keep coming giving the real feel of a Dickens serialisation
This novel is proof alone that Carlin is a major new talent and her brand of literary historical fiction should provide her with big sales. I absolutely loved it.
The Wicked Cometh is due to be published by Hodder and Stoughton on 1st February 2018. Many thanks to the publishers and Netgalley for the advance review copy.
The first in a set of ten Bernard Knight books I purchased from “The Book People” quite a while ago has at last been taken down from the bookshelf and read.
It is the opener to Knight’s “Crowner John Mystery” series about Exeter based King’s Coroner Sir John de Wolfe. Set at the end of the twelfth century this is the first medieval novel I’ve read for quite a while. I overdosed on Bernard Cornwell’s a while back and decided I needed a break from the hard existence, the mud and the travelling to and fro but all that is certainly present and correct in Knight’s novel.
He has set up a good character here for a historical crime series and you can tell there’s certainly a lot of mileage in Crowner John (the other nine books on my shelves also tell me that, not to mention the other five which take the series up to 15 with a prequel to this novel 2012’s “Crowner’s Crusade” being the latest). Whilst reading this I was reminded of another historical sleuth Gordanius The Finder in the Roma Sub Rosa series by Steven Saylor, set in Ancient Rome which I must pick up on again.
In 1194 it was decreed that all counties should appoint coroners. This caused conflict in areas between the existing law officials, the sheriffs, with duties being split between the two. In Knight’s Devon circumstances have meant that John de Wolfe is the only crowner for the county and this professional tension is further notched up as the sheriff is his brother-in-law and there is no love lost between the two. Home life is already strained by John’s relationship with his wife, the sheriff’s sister Matilda, which causes John to look elsewhere for comfort.
It did take me a while to get into this book and in common with a number of historical crime novels it is based around a number of set pieces on the legal practices of the time. Here it is the ability of an accused person to seek sanctuary for forty days from a church; the process of “amercement” whereby a village can be fined for not following the legal powers granted to the coroner to the letter and, most memorably in this book, Trial by Ordeal. This old practice was eventually abolished by the Pope some twenty years after this novel was set and here it is used to prove guilt. It was a barbaric ritual where the accused would have to complete a task, which would likely lead to serious maiming or their death but may prove innocence, if for some reason the inevitable medical repercussions did not occur. This is rather like the well-known treatment of witches in ducking stools where if they lived they were found guilty but if they drowned they were deemed blameless. John is opposed to such practices which are still deemed to be worthy by the Church and his brother-in-law.
A body of a recently returned Crusader is found in the village of Widecombe and Crowner John together with sidekick Cornishman Gwyn of Polruan and clerk Ralph, a defrocked priest are required to hold an inquest to ascertain responsibility for the death. Bernard Knight was himself a Home Office pathologist who carried out thousands of autopsies so he is certainly writing what he knows. The historical aspect of his old job is obviously a passion and he certainly brings twelfth century Devon to life. He had been writing novels since the early 60’s, a number as Bernard Picton, but it is from here onwards that he really begins to make his name. This is a good, solid introduction to a historical crime mystery series.
The Sanctuary Seeker was published in 2008 by Pocket Books, an imprint of Simon & Schuster.