Tag: Books published in 2019

Lie With Me – Philippe Besson (2019)

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This is a short, (148 pages in the paperback edition) nostalgic, yearning French work in which the narrator is startled by the appearance of a man in 2007 which takes him back to a tale of first love from 1984 before a final section set in 2016.  It’s an enigmatic work, seemingly simple, hiding a depth which the French do so well.  The title here holds a double meaning, which actually it doesn’t have in its original language where it is “Arrete Avec Tes Mensonges” (“Stop With Your Lies”).  The English title niftily gives it seduction as well as dishonesty.

I didn’t know how much it is a work of fiction or whether it strays into autobiography.  The puzzle here is created by the author’s dedication to a real life person who has the same name as the love interest.  Maybe it is all true, maybe purely from imagination, it doesn’t really matter.

What I do know, which is a surprise in itself, is that the English translation is by Hollywood A-Lister Molly Ringwald, star of many an 80’s teen comedy from “Breakfast Club” to “Pretty In Pink” to a main character recurring role as Archie’s mum in “Riverdale”.  I can only assume that she must have loved this book so much in French that she wanted to bring it to an international audience.  Her translation certainly feels authentic, full of French introspection, together with the odd cultural reference I had to look up.

As is common with books of this length, the tale is slight, a love story between two teenage boys kept secret before they go their separate ways after their schooldays.  I became more involved once we got into the two later sections, set more recently.  There’s a bit of a leap of faith plausibility-wise required but get beyond that and it becomes a well-handled study on the directions life takes us and I was drawn in by the sensitivity of it all.

I’m not sure whether I’ve ever really been blown away by an adult novel under 200 pages and this hasn’t changed things entirely.  I think that is more my problem than the author of novellas- perhaps my expectations of what I desire most from a reading experience demands greater length.  I’m still looking for the book to change my mind.  This, however, did have the potential to come close to doing that.

Lie With Me was published in the UK by Penguin Books in 2019.

Take It Back – Kia Abdullah (2019)

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I came into Kia Abdullah’s legal thrillers at Book 2 with “Truth Be Told” (2020) which blew me away and ended up in my Books Of The Year.  Stand-alone novel “Next Of Kin” (2021) made it two five star reads elevating Kia Abdullah, in my opinion, into the Premier League of contemporary crime-writers.

With a new novel not due until to the start of 2023 I thought I’d catch up with the one I missed out on which introduces Zara Kaleel, a Muslim woman who has given up her six figure lawyer’s post to work in counselling and support at Artemis House- a sexual assault referral centre.  Zara is struggling to adapt to all the changes in her life and one day Jodie arrives at the centre, 16 years old with the disfiguring disability of neurofibromatosis and tells Zara she has been raped by a group of four Muslim teenage boys.  This is a case which can only be explosive- with disability, faith and consent being the triggers and is one which places Zara into great conflict with the Muslim community and her family.  Justice for Jodie takes over Zara’s life but doesn’t reduce any of her demons.

The case does not feel quite as central stage as it is in the other two books.  The author takes time to establish Zara’s character as a strong determined woman who has defied expectations in terms of her career, faith and relationships which adds fuel to the fires of the rape case.  This focus does actually make it feel a little less intense than the subsequent novels but you can really appreciate the author is here honing the skills to knock readers for six in the future.

There’s twists and turns, some anticipated and some I certainly didn’t see coming and the court case is as engrossing as always.  I’m not sure if it felt totally resolved this time round which may grate on some crime readers.  I notice in my reviews of the other two books of hers I’ve read I cannot even bring myself to reveal any details of the cases and I have here because just the bare bones would open up a raft of ramifications whereas the cases in the follow-up books are more complex and you need to be within the narrative to get the full horrors of the implications.

So, whereas this is a really impressive legal thriller I think this author upped a level with Books 2, where Zara supports another case and Book 3, a stand-alone.  Here she is learning to write the crime novel masterpiece which she hits home with next time round.

Take It Back was published by HQ in 2019.

Pursuit- Joyce Carol Oates (2019)

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My introduction to the work of this prolific American novelist was the five star rated “Blonde” (2000) which just missed out on my Top 10 Books Of The Year when I read it in 2020.  This fictionalised account of the life of Marilyn Monroe may soon see a boost in sales as a film adaptation is currently in post-production and due for release by the end of 2022.

Nineteen years on from “Blonde” and after publishing another 26 works in her own name (and a few under pseudonyms) came this literary thriller.  Unwordly Abby is hit by a bus the day after her wedding to Willem.  As she slowly recovers questions are asked if this was an accident.  Abby is haunted by dreams from her past, when she was known as Miriam, and her parents had disappeared.  Do these dream have any bearing on her encounter with the bus?

This is a quick read which I polished off in a couple of days.  The whole thing has a nightmarish quality which clouds the characters and left me unsure of what is going on.  Insight into proceedings tends to come and go and this had an almost soporific effect on this reader.  I felt very tired whilst reading it and yet I wasn’t bored, it was caused by the hypnotic effect of the tale Oates weaves here.  It is tantalising as the author pulls us in, moving the plot forward and then holds us back without revealing all the mysteries.  The trouble with this is that despite this manipulation of us as readers it means that I felt it is not particularly memorable.  I don’t think this is a book which will stay with me for long and this is a marked difference to how I felt about “Blonde”.  What is undeniable is that Joyce Carol Oates is a writer unafraid of experimentation with style and genre which has sustained her well during a long career.  Because of this diversity I can’t imagine that many readers would be blown away by her every publication. I feel that on this occasion I wasn’t totally on board but I am sure that I would find other books by her that would enthral me as much as “Blonde”.

Pursuit was published by Head Of Zeus in the UK in 2019.

The Long Call – Ann Cleeves (2019)

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This is the first Ann Cleeves novel I’ve read, despite having watched every episode of “Vera” which features her characters and is adapted from her series of 9 novels and 1 novella featuring Detective Chief Inspector Vera Stanhope, beautifully played by Brenda Blethyn.  I also had neither watched any of her other acclaimed tv adaptation, “Shetland” nor read any of those 8 novels, 1 Quick Read and 1 associated non-fiction work, but I have always wanted to.  There’s also two earlier series of novels featuring George and Molly Palmer-Jones (8 titles) and Inspector Ramsay (6 titles) so it is pretty incredible that I hadn’t got round to this prolific British author’s work.

This novel is an obvious staring place- a brand new series, “Two Rivers”, and one which has been recommended to me a number of times.  I’ve also seen it on lists of titles with positive LGBTQ+ representation embodied here in main character Detective Matthew Venn.  Set in coastal North Devon, which Cleeves has conveyed very effectively through her writing, Venn is embarking on married life with husband Jonathan following years of estrangement from his Christian Fundamentalist family who rejected him and his lifestyle.  Ostracised from the community he grew up amongst he has returned to the area to live and work.  Jonathan runs a community arts centre and when a body which turns up on the beach close to their home proves to be a volunteer from The Woodyard, Venn knows he has to tread carefully to avoid conflict of interests.

Matthew and Jonathan are well-established as characters with the policeman’s background giving a depth which could last for many cases.  His team, Jen Rafferty and Ross May also both have lots of potential.

There’s a lot going on in this novel and I very much liked that.  I felt, away from the crime, a community of memorable characters had been created and I felt part of their lives, which is an unusual experience for me within the crime fiction genre where I tend to feel less connected with characters’ lives. 

This is a strong opening title for a new series and with the second “The Heron’s Song” due to arrive on September 2nd 2021 whilst the paperback edition of this is still selling well I’d heartily recommend seeking this out.

The Long Call was published in September 2019 by Macmillan. The Pan paperback edition is also available.

The Black Flamingo – Dean Atta (2019) – A Rainbow Read

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This is another welcome addition to the canon of LGBT+ literature for young adults which feels like it is meant to last for more than the current generation discovering it.  The author’s unique selling point here is that he has produced a verse novel, now this might sound off-putting, but actually makes the work really accessible.  It’s written plainly, no meanings hidden behind poetic language, in fact, many readers might not realise they are reading verse at all, but will be drawn in by the movement and rhythm of the piece. The varied lay-out of the book is also impressive.

This is the fictional tale of Michael, who with his Black Jamaican/Greek-Cypriot heritage feels that he is a different person for different members of the family.  This is a boy who yearns for a Barbie for his 6th birthday and as a teenager adopts another persona, The Black Flamingo, to reinforce his sense of identity in a sheen of fabulousness.  Within Atta’s vibrant language we have the tale of a boy growing up, his London childhood, his school days and a move to Brighton University exploring aspects of himself; his black culture, his Greek-Cypriot identity, his sexuality and finding answers through the medium of drag.

To read this is also to become involved in the history which has helped Michael accept himself and at one point he thanks the performers and activists who mean much to him.  This is the second time I’ve seen this done recently- Robert Jones Jnr in his outstanding “The Prophets” has hundreds of acknowledgements but Michael’s list has a British bias and I would hope that those reading this would find out more about the names they are not familiar with.

Dean Atta has published critically acclaimed adult poetry with themes of race, gender and self-development which are all relevant here.  The Independent On Sunday featured him amongst their list of the most influential LGBT+ people in the UK.  This feels a highly significant work from him which will continue to enhance his reputation.  It should feature prominently in YA reading lists.  I really enjoyed being drawn into Michael’s world.

The Black Flamingo was published  in hardback by Hodder and Stoughton in 2019 and in paperback in March 2020.

Top 10 Books Of The Year 2020 – Part One (10-6)

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It’s time to begin to put this strange old year to rest by having a look back to see which books made the greatest impression upon me in 2020.  This was a year when more of us turned to reading as a means to escape from what was going on in our everyday lives.  My Top 10 is not just based upon books published this year. (3 out of the 10 were, which is the same proportion as last year), if I read it during 2020 it is up for inclusion.

This year I read 68 books which is certainly up on last year where I slumped down to 56 but mid 60’s is generally the figure so it is not up considerably especially considering the length of lockdown and the time I had to spend working from home this year.  Some of that time I was too pre-occupied to really get into my reading, which is something we have also heard time and time again this year.  I have read more 5* reads this year, 13, in fact, which means that some of my five star reads will miss out on a Top 10 placing, with 36 4* and 19 3*.  Gender-wise, my Top 10 is showing a win for the women as last year’s 60-40 split is reversed.  There are 2 non-fiction titles (both autobiographical) amongst the list and two of the authors have featured in previous year Top 10’s.

Right, here is the first part of the list, numbers 10-6.  If you would like to read the full review (and I hope you do as these are the books I’m really prompting you to find out more about) just click on the title.

10. Such A Fun Age- Kiley Reid  (Bloomsbury Circus 2020) (Read and reviewed in December)

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I did say about this book ” I would be hard pushed to come up with a suggestion for a better debut novel this year” and here is the proof  with this being the only 2020 debut novel in the list.  It is a book which deals with big issues with warmth and humanity and great characterisation.  It has just been issued in paperback in the UK and is currently hovering outside the Top 100 in Amazon’s chart.  I’m still expecting it to be a big seller going into 2021 in this format.  It feels contemporary, commercial and literary which seems to me to be a winning combination.

9. Truth Be Told – Kia Abdullah (HQ 2020) – Read and reviewed in August.

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The best new thriller I read this year.  This novel, which has issues of consent at its centre had me finding places to read away from everyone at work during lunchtimes, so can be seen as a perfect book for self-isolation!  I found I was using my hand to cover up text I hadn’t read on the page in case it gave something away too soon! This is Kia Abdullah’s second novel.  In 2021 I will certainly seek out her 2019 debut “Take It Back”.

8. The French Lieutenant’s Woman – John Fowles (Vintage 1969) – Read and reviewed in July

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I treated myself to a new copy of this book which I first read aged 18 and which had a place on my bookshelves ever since when I spent a day in Lyme Regis in the summer of 2019.  Knowing I wasn’t going anywhere in 2020 I treated myself to a re-read just to put myself back into Fowles’ depiction of this Devon town in the nineteenth century.  This was one of those books which I encountered at just the right time of my life for it to make a huge impression.  I have read it a number of times since my teenage years but probably not for a couple of decades.  I said of it this time “It is a very intelligent work which does make demands of the reader and on this re-reading I must admit it does occasionally seem a little too clever for its own good (perhaps that was also true of the me who read this many years ago!) and occasionally a little inaccessible.” It still very much deserves its place in my Top 10 but not right towards the top which I might have expected when I started to re-read it this summer.

7. Mama’s Boy – Dustin Lance Black (John Murray 2019) (Read in August, reviewed in September)

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Screenwriter, Oscar-winner, Activist and husband to Olympic Diver Tom Daley revisits his past focusing on his relationship with his extraordinary mother.  She survived through sheer determination never letting disability and pain from a childhood bout of polio grind her down.  She sought support through the Mormon Church which caused conflict in the young Dustin Lance Black who knew from an early age he would never be accepted by the Church and perhaps by his family because of his sexuality.  I said of it “at times I felt tearful, angry, baffled, delighted the list goes on and this is why this book ticks every box for how a memoir should be written.  Relationships are complex and this illustrates that perfectly.”

6. Hungry – Grace Dent (Mudlark 2020) – Read and reviewed in November

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This was the pick of the 2020 published books I read.  It works brilliantly as a memoir on two levels -firstly, it catalogues the author’s relationship with food growing up and to read about food seems to transport me back there more successfully than a time machine would and like the previous title it’s a beautifully conveyed record of a family relationship, here especially with her father who begins to slip away with dementia.  It is also laugh-out-loud funny throughout.  I said of it “I haven’t enjoyed a food-based memoir as much since Nigel Slater’s “Toast” (which has made #3 on my Top 10 list on two occasions) and like that book it is the people fuelled by the food who really are memorable.”

Next Post : The Top 5

Lot- Bryan Washington (2019)

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This critically acclaimed collection of linked short stories is the winner of the 2020 Dylan Thomas Prize (given to the best work by a writer under the age of forty), was a New York Times Top 10 Book Of The Year and was publicly lauded by Barack Obama.  I don’t often seek out the short story format in my reading choices but I do have Washington’s debut novel “Memorial” due out in the UK in early 2021 on my reading schedule and I was interested in finding out more about this writer before I begin his novel and short stories are often a good way to get to know a writer.

In “Lot” we have 13 stories ranging from 3 pages in length to around 30 pages for the collection’s closer “Elgin”.  All are set in regions of urban Houston, which is where the author resides.  The majority of them feature the same characters at different parts of their lives, a narrator Nicolas, his brother Javi and sister Jan and their parents, a Latino father and Black mother. The family run a restaurant and the young Nicolas is coming to terms with his sexuality in a very macho culture. 

Occasionally the stories stray away from this family grouping.  One I found very involving was the more mystical “Bayou” where a couple of teens discover a creature of legend – the Chupacabra and see it as a potential means of escape from their existence and also the equally impressive “Waugh” where a young street hustler finds his own way out and attempts to save a recently diagnosed HIV+ friend.  Looking for escape is a common theme but most often the characters are so embroiled in their everyday existence that they do not take it.

This is a selection of powerful, often brutal stories which certainly have me looking forward to reading Washington’s debut novel.

“Lot” was published in 2019.  I read the 2020 Atlantic paperback edition.

100 Unhip Albums That We Should Learn To Love – Ian Moss (2019)

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I was seduced by the cover.  Taken in by the 70’s glamour girl posturing which adorned many a budget sound-alike album bearing titles such as “Top Of The Pops” and “Hot Hits” which provided a cheap facsimile of a hit record collection for the cash strapped youngster.  I was both fascinated and appalled by these albums and owned quite a few which got binned quickly once I started to get into record buying.

These albums, although featuring talented session musicians and singers, were the ultimate in unhip and I must admit to feeling slightly misled by Ian Moss’ publishers using this format for the albums on show here which tend to be more undervalued than unhip.  Musical tastes very much align with age, as anyone who can remember watching BBC TV’s “Top Of The Pops” with parents will testify and Moss is a few years older than me and so naturally our tastes differ with him having a bit of a penchant for blues influenced British rockers which have never done anything for me.  However, he is certainly eclectic with his choices here taking in both the obscure and the mainstream and encompassing many musical styles (Rock n’ Roll, Jazz, Soul, Punk, Disco, Northern Soul, Reggae, Folk are amongst the genres represented here).  It’s all written with a great deal of respect (although he really doesn’t like Oasis) as each of the 110 albums (where did the 100 in the title come from?) are valued and re-assessed.

Ian Moss is a Manchester man who says his Top 5 Manchester acts are Roy Harper, 10CC, Buzzcocks, The Fall and The Prick Jaggers (me neither on the last one but Moss is a huge fan) with a collection as described in the foreword  as being in a home which is “a living museum to the music of the last 75 years.” The driving force  behind this book “celebrates musical diversity and encourages wider listening.” Our musical purchases as represented here only match a handful of times (great to see him describe the much under-rated Imagination’s debut as “a near flawless album that owed nothing to the rule book and all to inspiration and imagination.” I wore my vinyl copy of that album out.) One of the joys of reading this sort of book nowadays is (and I know I’ve said this before) that you can instantly go to Spotify and start listening.  Not everything here is available, some is just too obscure but I have highlighted three of his recommendations (David Essex, ELO and Bim Sherman, the last of whom I have never heard of) for future listening.  I enjoyed being allowed a glimpse into Ian Moss’ record collection even though this was not the cheese-fest I imagined (and hoped for) when I saw the book’s cover.

100 Unhip Albums was published by Empire Publications in 2019. I read the Kindle edition.

Mama’s Boy – Dustin Lance Black (2019) – A Real Life Review

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In the UK Dustin Lance Black is best known for being the husband of Olympic diver and national treasure Tom Daley but anyone expecting this memoir to be an examination of their relationship is going to be disappointed.  Tom barely features (although his importance in Black’s life is both acknowledged and shines through).  The author who won an Oscar for his screenplay “Milk” in 2009 even pushes himself and his career left of centre as this memoir has a different principal character- his mother Rose Anne.

Hers is a story of survival through sheer determination.  She contracted polio as an infant and spent her whole childhood in hospitals, away from home, defying doctors and not allowing anything to limit her life choices.  Medical opinion said childbirth would kill her yet she had three sons and Dustin (Lance to friends and family) certainly inherited similar drive.  Mother found support in the strong community of the Mormon Church but by the age of six, young Lance knew his sexuality would cause a major conflict which he truly believed their relationship would never recover from.

The author’s drive led him to a highly promising film career and that Oscar for “Milk” (If you have never seen this film it is magnificent) yet he eschews this to devote time to activism, becoming one of the leading players in overturning California’s discriminatory gay marriage ruling, developing from a chronically shy, almost mute introverted child to speaking on huge public platforms and dealing with threats and bigotry.

But it is the relationship between mother and son which sparked a whole range of emotions in me – at times I felt tearful, angry, baffled, delighted the list goes on and this is why this book ticks every box for how a memoir should be written.  Relationships are complex and this illustrates that perfectly.  Time moves on and the boy turns into a man but there’s still the pull of family and mother and it is recorded in a strikingly honest way.  If this was a novel I’d really be praising the author in his skill at getting us to really know the characters.  I have read some memoirs with no great sense of even the person writing it but this is certainly not the case here.

I think it is hard for us Brits to understand the pull of religions like The Church Of The Latter Day Saints in parts of America and some of the workings of the US legal system seem bewildering but the rest of the world is now well used to being bewildered by America.

I thought this was a marvellous book, a little intense and very thorough but I would imagine that would match the nature of the author pretty well.  It is written with great sensitivity and his desire to introduce his mother to the world demands a large readership.  I don’t think this book has yet got the attention it deserves.  Its nature suggests a lasting classic which should continue to inspire generations.  It has been shortlisted for the Polari Prize (as have a number of the books I have read “”Life As A Unicorn” (retitled since I read it) and “The Confessions of Frannie Langton for first book awards and “This Brutal House” in the main category alongside this book).  This is an award to celebrate the best in LGBTQ+ writings and “Mama’s Boy” would be a very deserving winner.

Mama’s Boy was published in 2019 by John Murray.

Me – Elton John (2019) – A Real Life Review

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realives

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One of my should have read in2019 choices  was this long-awaited autobiography which appeared in many Christmas stockings over the festive period. It also appeared on lots of “best of” year lists with both The Guardian and The Daily Mail heralding it as the celebrity memoir of the decade.

None of this is surprising given Elton John’s stature and celebrity. The focus of many biographies over the years 2019 also saw the well-received “Rocketman” film so this book from Elton’s perspective is very timely. I wickedly cannot resist the observation that the title is short of a few words and that “Me Me Me Me” might have been more fitting!

In the dedication Elton thanks Alexis Petridis, rock music journalist, who has obviously ghost-written the work. I don’t know what the share of the work was between them but Elton must have done enough to be acknowledged as the sole author on the cover and for copyright purposes.

We all know quite a bit about Elton John although the worldwide level of success he has enjoyed makes for staggering reading. I like that he is a chart nerd who knows the positions his records have achieved and lots of statistics about his career. But, also, with Elton it is the things we don’t know that appeals. This, together with his celebrated frankness and fondness for gossip is what made this such a tantalising prospect. I was a bit disappointed that since publication so much of this has been shared within the media and in his TV interview with Graham Norton that it has lost a lot of its power to surprise. I wasn’t quite able to hold with The Telegraph’s opinion that it was “as eye-popping as his wardrobe.”

Where I do agree with The Telegraph’s verdict is how “self-aware” it is and that is pretty amazing for someone who has lived in a mad celebrity world for close to 50 years where you would imagine all sense of reality would be strained. Perhaps much of this sensitive reflection has come about through therapy and treatment for his much reported-on addictions. The great appeal is that Elton knows everyone and has done everything someone in his world can do and luckily he is able to convey much of this to his readers.

The only area of his life he purposely plays down is his inexplicable first marriage to Renate which seems so out of character. Here he respects his ex-wife’s continued determination never to publicly discuss matters to do the same. Other relationships are more thoroughly explored, the “open secret” of his relationship with manager John Reid, at a time when an admission of homosexuality could have damaged his career, with husband David Furnish and their children and perhaps most fascinatingly with his mother who famously hired an Elton John tribute act for her 90th birthday party because she knew the real thing would not turn up. Now, here is a complex, difficult woman who Elton himself could never fathom. Both she and his father were prone to the same explosive temperament as the singer which has made Elton something of a figure of fun in the past as tales of his petulancy became commonplace. Another complex relationship is the one with lyricist Bernie Taupin. I never knew they were as close as they were, at one point, before fame kicked in sharing bunk beds in a bedroom in Elton’s mum’s house. I did know about the long-distance writing partnership this evolved into. This was for me, most memorably lampooned by Matt Lucas and David Walliams in one of their “Rock Profiles” where Matt as Elton turns lyrics Taupin has just faxed over into a song incorporating the “PS: Can you tape “Lovejoy” for me tonight?” That, joking aside, is pretty close as to how this legendary partnership came to function.

I’m no huge Elton John fan, if I was I think I would find this book pretty amazing. For the general music/celebrity bio fan it is a highly memorable, rich, entertaining read and it  livened the early days of the New Year.

fourstars

Me was published in hardback by Macmillan in October 2019