Isle Of Wight Literary Festival – Part Two

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The second session at the IWLF I attended was with Jill Dawson whose latest novel “The Language Of Birds” I very much enjoyed this summer. I’m particularly glad I saw her (not only because at work when we tweeted what we were reading whilst I was half-way through it led very quickly to Jill following us at Sandown Library) but because she was able to clear up certain aspects which had not lain easily with me.

In my review, obviously, not knowing at the time that I would be seeing the author and in a way giving her a right to reply I picked up on the imagery that was going on in the title and within the text where there are references to bird communications, occasionally in human voices. I said “the relevance of this and the title of the novel has passed me by. It is not what I will remember this book for..” and then I went on to say what I would remember it for (read the review!) so I am delighted that Jill dealt with this very early on.

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Jill Dawson

I might just have been trying to read too much into the character Rosemary hearing birds speaking to her. It’s being used here as a symptom of schizophrenia. I’m more annoyed at myself at not picking up on the title. I suppose it shows what a well-adjusted twenty-first century man I am, forgetting that this novel is set in the 1970’s. “Birds” here is also being used in its context of the day referring to young girls and the “language of birds” the chat and perceptions of the two main female characters which was actually one of the aspects of the books which I had highlighted as really liking; “Mandy and Rosemary feel like two young girls new to the London of 1974.

This novel is a fictionalised account based upon the murder of nanny Sandra Rivett by Lord Lucan (with names changed). Although never formally charged because of his disappearance apparently we can legally say that he was the murderer as an inquest, in an unusual situation, deemed him to be so.

Jill Dawson, a patron of a charity supporting those suffering from domestic violence wanted in this novel to bring the focus back to the victim. Of the many reams of newspaper accounts on the absconding toff the woman he killed got short shrift. The statistics on domestic violence are still chilling. They work out that in 2017 a woman was killed by a partner or ex-partner every four days. Mandy was never a partner of the killer (nor was Sandra Rivett) it was a case of them being in the wrong place at the wrong time. The intended victim was Lardy Morven (or Lady Lucan in the real life case) who had endured domestic violence.

In the extract she chose to read aloud Jill Dawson focused on the class divide of the time where Mandy with no actual experience of being a nanny attends an interview and gets the job because it was assumed that young working-class women would just be able to do a job like that. Lady Morven herself couldn’t, she was falling apart at the seams. I must admit I’m not great at listening to extracts I tune in and out if they are out of context (I don’t read extracts at all) even if I am familiar where it comes in the plot, unless perhaps it’s the opening of a novel but I did like the extract the author chose because given the grimness of the case and the motives behind the book it did give a feel for those who had not read it of its lightness of touch, its real feel of the period and the vivacity of the main character which had all appealed to me.

There was an interesting discussion as to whether Jill Dawson felt things would improve in the future. She saw men’s greater participation in fatherhood as a plus (Dickie in the novel obviously feels strongly towards his children but they are viewed as possessions and the children are distant because that was what their relationship was- as indeed were many of our relationships with our fathers in the 70’s). What concerns here is an attempt to shift the culture towards women doing horrible acts, an example of which is “Killing Eve” and many recent novels and films which have posited women as assassins, which is not based on anything but may eventually lead to an acceptance by girls of violence as a solution just as boys can accept violence from their choice of playthings from early years. Jill said of the 99,000 people in UK prisons, 4,000 were women and only a minority of these have been convicted of violent crime. Our media and popular culture would suggest otherwise.

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I spent a couple of fascinating hours at the IWLF this year. It was the fact that I had already read and enjoyed the books featured that led me just the few miles to the venue, but I like to think I’d be back again next year as it seems to be going from strength to strength, probably once again avoiding the big names and focusing on the gems behind the headliners.

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Isle Of Wight Literary Festival 2019 – Part One

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I did something new last weekend and attended my first Literary Festival. I did go to the London Book Fair a few years ago but that was a much larger more impersonal commercial event which lacked the cosy meet-the-authors feel of the smaller festivals. This is the 8th year of the Isle Of Wight Literary Festival which takes place in Cowes, centred around Northwood House. This year spread over three days there were a diverse range of speakers including Alexander McCall Smith, Michael Morpurgo, Jo Brand, Jack Straw, Elly Griffiths, Sir Tim Waterstone, Dan Snow and Kate Adie. These were obviously the big crowd-pullers. Their talks took place in a marquee where the audience were herded around corrals and crammed in to listen to their heroes.
I, very sensibly I think, opted to attend two smaller events to hear authors who this year have thrilled me with their writing. The first of these was Kelleigh Greenberg-Jephcott whose fictional account of the later years of Truman Capote is certainly in contention for my Book of The Year and listening to Kelleigh talk about her work in the Ballroom of Northwood House on a very wet October Saturday has certainly made its challenge stronger.

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Kelleigh Greenberg-Jephcott

Swan Song” is a book which seems to have slipped a little under the radar, as when I read it I expected it to be one of the big publishing sensations of the year. It did get longlisted for the The Women’s Prize in Fiction but missed out on the shortlist and probably was never going to join the Booker longlist because it is so readable. Of the 24 or so people who attended her presentation it did seem only a handful had read it. I felt an urge throughout to let her know how much I had loved the book but kept quiet. When it came to question time I couldn’t frame my response to it as a question and what usually tends to happen is that people who haven’t read the book ask questions which is a little irritating for those who have made the effort, but then that is part and parcel of these sort of occasions as the author is there, in least in part, to shift and sign books and probably doesn’t want a roomful of people who already own a copy.

Kelleigh described her fascination with Capote beginning as a twelve year old when she read “Breakfast At Tiffany’s”. She fell in love with his raconteur style and his ability to use words as weapons. With a background in screenwriting she might have been expected to focus in on a more filmic aspect of Capote’s life but it was the story of a literary crime which kept drawing her attention, not the murder of the Clutter family which cemented Capote’s reputation as a leading American writer with his true crime classic “In Cold Blood” but his betrayal in 1975 of a group of women who he loved and who loved him. He did this by publishing thinly-veiled secrets they had told him over the years and mocked them mercilessly in an extract in “Esquire” of his unfinished novel. A crime, because it destroyed him and a number of them indirectly and was almost certainly the cause of a suicide of one woman he dished the dirt on.

As much of her love for the work of Capote triggered this novel Kelleigh found the pull of these society women irresistible and over time came up with the ingenious third person collective voices- the chorus of Capote’s “swans”.

I was fascinated by a bit of back-story of his ambitious mother who almost reached the social standing she believed was her due until her husband’s arrest for fraud led to her suicide. Could this have been an underlying motive for Capote’s literary mauling of these high society women? The six “swans” were pretty much hand-picked by Capote probably because of their potential as characters. If this was a calculated move he certainly played the long game, there was a 20 year delay during which he became very close to all of these women before spilling the beans and devastating their own (and also his own) lives.

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I’m sure I will be talking about this book again at the end of the year which will give you a chance in the meantime to seek it out and become as seduced by Kelleigh Greenberg-Jephcott’s writing as I have been.

100 Essential Books – The Count Of Monte Cristo – Alexandre Dumas (1844)

 

 

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For my final challenge in the Sandown Library Russian Roulette Reading Challenge I chose what felt like the momentous task of getting through 1243 pages of small, quite dense print in the Penguin Classics Paperback edition of this book which I had never read before.

One of the challenges drawn from the hat in this year long initiative was to ask a member of staff what their favourite novel was and then to read it. My co-worker Louise would offer this book as her most cherished but once potential readers saw its size they balked at the task (“What’s your second favourite read?”).  So disheartened was she by this reaction that I said if I made it to the last challenge then I would read it.  It has taken a month and the closing date for the challenge went by before I was mid-way through it but I am so glad that I took a month out of my reading commitments to experience this.

Written as a serial in the “Journal Des Debats”, beginning in 1844 Dumas was being paid by instalment and needed the money so kept things going.  To maintain the plot movement over this length is a considerable achievement and to keep the readers’ interest over the twists and turns of the tale is even more of an achievement and Dumas manages both.

Part of this success is down to the robust, lively translation from Robin Buss which dates from 1996 and feels different from the somewhat turgid older versions which derive largely from the Victorian period where the text is mistranslated, bowdlerised and aimed to meet the needs of those who desired to read it purely as adventure fiction.  On trips out, put off by the weight of my copy, I downloaded a cheap Kindle version which was an earlier translation and found myself largely stumbling through it.  It was a relief to get back to Buss’ version of the text.

The bare bones of the story is likely to be well known through the myriad of adaptations in various media over the years.  Edmond Dantes is accused of treason on the eve of his wedding by men who seek to benefit from his downfall.  Imprisoned in the foreboding Chateau D’If he plots revenge on those who set him up and prevented him from proving his innocence.  The rest of the novel takes in the 25 years of seeking to attain that revenge.  It all goes much deeper than that, obviously, and there is actually less swash-buckling than I had anticipated.  Central to it all is Dantes who adopts the role of the Count of Monte Cristo, a character who will provoke mixed emotions from the reader as he is a profound, enigmatic creation and who provides the lifeblood of the book even when less well-drawn characters are brought more into focus.  It is his desire for vengeance which drives the reader onwards though some extraordinarily surprising moments in a plot that moves so fast it can at times leave the reader behind trying to piece together the significance of what has occurred.  Its length made it a challenge but it was so entertaining that I wasn’t going to give up and I feel on completion that a major gap in my reading history has been filled and that it was all a pretty amazing experience.

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The publication of The Count Of Monte Cristo first began in 1844.  If you are going to spend as much time to read it as it requires I suggest you do not choose an early translation.  I went for the 1996 translation by Robin Buss in the 2006 Penguin Classics anniversary edition.

 

 

 

Libraries Week 8th-13th October

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This week is National Libraries Week in the UK.  The theme this year is to promote wellbeing and is being promoted with the tagline “My Time.  My Space.  My Library”

Being a discerning and intelligent bunch reading this I hope I don’t have to tell you the key thing about libraries is use them or lose them.  With local councils continuing to make cutbacks library services  continue to be vulnerable.  If you haven’t visited your local library for a while this week would be an excellent time to put that right.

Before you go check out your local council’s websites as there may very well be special events going on to celebrate the week.  Libraries are no longer just about books and you may discover a whole range of activities which will get you socialising and lift spirits.  Here on the Isle of Wight, where, as I’ve mentioned many times before I am employed as a relief library assistant in a number of the libraries ,  this week we are offering activities such as talks about the history of libraries, art courses, Scrabble Club, initiatives to make poppies to commemorate the fallen of World War I in visual displays, reading , dancing, colouring, music and knitting groups as well as special rhyme times, story times, art activities, Lego and Minecraft challenges for children.  We will be running sessions to get people to use library resources online.  Many areas now offer an on-line book, magazine and audio books facilities free to use for library card holders (here we have recently moved over to Borrowbox and Press Reader which are proving very popular).

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On Saturday at Sandown Library I will be doing something which proved to be very successful last year.  I am holding a Readers Advisory Day.  Hopefully, people will be coming in for advice as what to read next and I’m planning to introduce them to their next favourite author.  I will let you know how I get on.  Those near enough to the Isle Of Wight can find information about the events I have just mentioned by following this link.

The rest of you will just have to look up your local council website to find out up-to-date information on events throughout the week.  Even if your area is not celebrating National Libraries Week why not visit your nearest library sometime during the week for your own celebration.  You might just find what you are looking for.

We have been provided with some fact around the use of libraries from the good people at http://www.librariesweek.org/facts.

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Be good to yourself.  Visit a library this week.  Let me know how you get on………………..

The Perfect Murder- Peter James (2010) -A Murder They Wrote Review

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My second Peter James novel I’ve read this year is a much slighter affair than “Dead Man’s Grip” which will be in contention for my Book of The Year this year.  “The Perfect Murder” takes my tally of James’ novels to eight which eases him into the anchor position of my Top 10 most read authors alongside Martina Cole and John Steinbeck.  This was because I selected “A Quick Read Novel” from the Sandown Library Russian Roulette Reading Challenge.  This was published for World Book Day in 2010 and can be polished off quite easily in an hour.  The whole Quick Reads enterprise is to tempt people back into reading primarily but it can also provide a cheap, easy read for fans of the author.  Last year I read Minette Walters’ “Chickenfeed” from the same series.  You are not going to get the very best work from an author but hopefully a sampler of what they do in order to tempt you into finding out more.

“The Perfect Murder” is a stand-alone novel set like James’ Roy Grace series in Brighton, although on this occasion it could have been set anywhere.  Victor and Joan Smiley, a rather elderly-seeming pair of forty-somethings are so stuck in the rut of their marriage that the only way out seems to be murder and both are planning to bump the other one off.

Characterisation is broadly drawn yet effective and there are twists to the tale, some of which I didn’t see coming, some I did.  There is a danger when writing these Quick Reads to order that the more limited vocabulary and length these demand can mean that the actual defining style of the author does not come through.  I think this is, to an extent, a valid point in both the James and Walters novellas I’ve read but the Brighton location and very Peter James front cover goes some way to rectifying this.

I know that Peter James has produced at least one collection of short stories and here he displays that he has the knack of conveying a sinister involving tale in a succinct fashion.

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The Perfect Murder was published by Pan Books in 2010.

Frederica – Georgette Heyer (1965)

 

heyerI’ve been meaning to read some Georgette Heyer since reading about her in Christopher Fowler’s “Book Of Forgotten Authors”.  Certainly less forgotten than most of the featured writers, she is regularly taken out in the libraries where I work and was a great favourite of my partner’s mother who was known to stay up the whole night whenever she re-encountered one of Heyer’s titles.

Selecting “a member of staff’s favourite author” from the Sandown Library Russian Roulette Reading Challenge gave me a chance and I chose one of her later historical novels published 44 years into her lengthy career.  I think I was fully expecting a strong Jane Austen influence and that is very much present in this Regency tale.

 After settling down with the endearing opening where the Marquis of Alverstoke tries to avoid hosting a ball to introduce young female relatives to “the ton” at the start of “the Season” and whilst doing encounters distant family members who he is pushed to feeling responsible for I did find myself getting restless.  Much talk of balls and society and possible suitors was making this feel a bit of a dense slog.  It was, however, livened by the odd set piece- a runaway dog, a Pedestrian Curricle ride.  I did begin looking out for unintentional double entendres, which is a sign I’m wandering when reading classic and historical novels- a childish habit I know.  This was because I was finding Frederica Merriville’s attempts to get her stunning sister, Charis, paired up with an eligible man a little too predictable.  However, mid-way through this book did come into its own with the stunning Charis (probably the least interesting character in the novel) taking a back seat as the two younger Merriville boys, Jessamy and Felix take a more central role.  There is real drama in an expedition to watch a hot air balloon and it is from this point that this novel really lifts off (pun intended!).

 I can’t say I got a real feel for the Regency London setting but there’s no denying the amount of research Heyer must have put into her works to get it sounding right.  There’s a joyous use of contemporary slang and terms, many unfamiliar but which do not need further explanation.  Characterisation really won me over and I couldn’t help but feel that if Jane Austen herself had produced this work that she’d feel rather proud of it.  It’s certainly a long way from Mills and Boon historical novels and to be honest I wasn’t expecting it to be.  It’s actually a book that demands hunkering down with making it a better autumn/winter at home read rather than an on the beach one.  I think if time and duties had allowed me to read it in a more concentrated way I would have got more out of it, certainly from the sections I was finding heavy going.  I actually think my late mother-in-law might have had the right idea.

 I now know that there is a lot to enjoy in Georgette Heyer and there are a lot of books to discover.  She wrote 38 historical novels, 12 detective novels and 4 contemporary novels.  Next time I might see how she fares in the world of crime.

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Frederica was first published in the UK in 1965.  I read the 2013 Arrow paperback reissue.

One For The Money – Janet Evanovich (1994) – A Murder They Wrote Review

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Selected because I drew “Read A Book From A Female Point Of View” from the Sandown Library Russian Roulette Reading Challenge this is my first Janet Evanovich.  It is also her first book to feature Bounty Hunter Stephanie Plum – a series the author certainly decided to run with as there are now twenty-four novels together with four which fall out of the numbered sequence of the main series (at least the reader will know what order to read them in!).  Book #25 “Look Alive Twenty Five” is due in November 2018.

Back at book number 1 we meet an unemployed Stephanie persuaded by her mother to go for a filing job at her cousin Vinnie’s Bonding Company.  With that position unavailable Stephanie persuades her relative to take her on as a “skip tracer”, tracking FTA’s (individuals who have failed to appear at court).  At this point I thought I was going to be thrown by the complexities of the American legal system but here we get a somewhat hapless inexperienced but enthusiastic bounty hunter attempting to find her place in this dangerous environment.

Cousin Vinnie gives Stephanie a week to track and capture New Jersey’s currently Most Wanted, cop Joe Morelli who has gunned down a man in suspicious circumstances and gone on the run.  The potential pay-off for finding him will sort out Stephanie’s financial problems.

Her main difficulty is that she is clueless about how to proceed and this sets up much humour alongside the crime which is a good part of this series’ appeal and is the reason this author gets such good feedback from crime readers of both genders.  I was concerned, especially with the cover of this Penguin reprint that it might be fairly standard chick-lit with a gun and although Stephanie’s ineptitude does mean she has much in common with many light romantic fiction heroines the crime aspect is well done, actually really quite thrilling which gives the whole thing a different and very satisfying complexion.

I’ve never been a huge fan of first-person American crime fiction when that first person has been some macho action or hard-boiled detective but Stephanie’s point of view is irresistible as her attempts to convey crime noir falls apart as she gets herself into deeper and deeper scrapes.  I wasn’t expecting to enjoy this as much as I did. although I should have known this was Evanovich’s strength and that she really wins readers over.  I often see library borrowers bring back the one book they’ve tried and then check out an armful from the series.  I will certainly be interested in finding out how Stephanie gets on.  Don’t be put off by what might on the surface seem formulaic, this is a winner both in terms of commercial sales and critical acclaim (this first book won the Crime Writer’s Association John Creasey Award).  It all starts here……..

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One For The Money is published by Penguin Books in the UK.  Originally appearing in 1994 I read the 2004 paperback version.

Isle Of Wight Pride 2018

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This weekend was the second ever Isle Of Wight Pride Celebration. It took place in Ryde amidst glorious sunshine. The Island has had a reputation of being backward- looking, set in the past. This was not helped by our previous MP of long-standing, a man who had control of one of the largest constituencies in the UK and who voted against any proposals in government to give equal rights to his LGBT+ constituents. When last year a Pride gathering was proposed, an event which would bring about a boost to the fading island economy there was some backlash from journalists in the local press which made news worldwide and was used as further evidence of how unready the island seemed to face the present day. The MP then sealed his own fate by informing a group of sixth formers that gay people were a danger to society and when one of these posted her outrage on Twitter it was not long before this MP resigned, at last accepting that he was out of step with the modern world.

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The Pride parade went ahead and hundreds thronged the streets, families, well-wishers who all entered the spirit of the event. The organisers, flushed by the success and positive feelings from a community who we were often informed were not keen on the idea of Pride by those in power decided to go one further and applied to become the hosts of UK Pride, a prestigious event which would bring many more over to the island. Other towns and cities applied but the bid for the Isle of Wight was the successful one and through hard work and dedication of a small group of people UK Pride at the Isle of Wight took place. Everyone was aware that it needed to be more than just a one day event and there has been many fund-raisers and events which have stressed the cultural and political importance of being able to accept and be accepted for your identity. The hashtag- I Own My Destiny has become the theme for the events. My partner Karl organised art exhibitions which displayed work from those artists on the island who identify as being LGBT+ and also from those who were finalists in a UK Pride art competition. His short interview with Solent Radio can be found here.

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 The 15,000 tickets went incredibly quickly and a parade through the streets of Ryde was cheered by the thousands more who came to see it.  We stood to watch the parade on Union Street, which is steep and heads down to the seafront. As well as the floats and marchers representing many different organisations there was a 150m rainbow flag which looked absolutely fantastic as it billowed down the steep hill, being lifted by the breeze and covering the whole street as far as the eye could see. This was a breath-taking moment.

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Celebrations continued on the beach for those lucky enough to be ticket-holders. Pride on the Isle Of Wight is apparently the only Pride event to take place on a beach in the world. This is a little bit of a risk if the weather is not so good but Saturday was fabulous and we enjoyed a sun-drenched afternoon watching performers, wandering around the stalls and soaking the atmosphere of a truly inclusive event at which there were people of all ages and very positively, lots of families. It seems a little mean to single out certain performers but there were three which will stick in my mind. The crowd was really lifted by a Dolly Parton tribute act Kelly O’Brien who went down an absolute storm, as did Britain’s Got Talent 2016 semi-finalist Danny Beard who has a great voice and whose version of “Bohemian Rhapsody” was terrific. Promoting EuroPride 2019 in Vienna was its ambassador and top of the bill act, Eurovision song contest winner Conchita who charmed the audience and who also really can sing live.

 

Danny Beard and Conchita – two of the main stage performers

It was a great day, superbly organised and must put Isle Of Wight Pride, on just its second year in the list of the best Prides in the UK alongside London, Brighton, Birmingham and Manchester. It brought in a lot of tourists who were prepared to spend money boosting the island economy (unlike the IOW Festival) and most importantly showed that the Isle of Wight is a relevant place, no longer rooted in the past, but with a vision of the future.
I’ll leave you some words from the official guide publication.

“We really want to capture the essence of Pride, celebrating how far we have come, but realising who much there is still to do. Pride has always been about fighting for rights, for the right to be yourself without fear or prejudice. The right to be in control of your own life and to OWN your destiny.”

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On a hot afternoon in Ryde this weekend this was achieved.

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The Outcast – Sadie Jones (2007)

 

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From the hat of the Sandown Library Russian Roulette Reading Challenge I pulled out “Ask a member of library staff their favourite book” and with there being only two of us working that day, my only option was to ask my friend and colleague Louise for a recommendation. I knew full well it would be “Count Of Monte Cristo” (just too long for now but I will get round to it one day) but as an alternative she asked me if I’d read “The Outcast”. Yes, was my initial response but then I began to doubt and checking my records it seems as if I hadn’t. Nor had I seen the 2015 BBCTV two part adaptation.  But the book seemed so familiar as if it had been sitting on my shelves at home, but it wasn’t. This gave me a curious initial relationship with this book, a kind of half-baked déjà vu. Its strong familiarity must have been because ten years ago it was everywhere and one that I’d earmarked for reading but for some reason had slipped through the net.

It was just the sort of book that I would seek out and with inside cover comparison to Ian McEwan ( “Atonement” feels the closest match and that is one of my Essential Reads) I was delighted to fit this into my reading schedule.

It is a tale of English repression, a stifling tale, impressively written. At the start of the novel it is the summer of 1957 and Lewis Aldridge, aged 19, is released from prison and returns home to his father and step-mother. Lewis is the Outcast of the title and this is his story. It is an easy gripping read but Sadie Jones’ very accessible style hides the emotional complexity that runs throughout. Lewis’ return to his home in Waterford, Surrey, reopens a wealth of emotions amongst family and neighbours, all keen to put on a public face of conformity whatever dark deeds and mistreatment of others is going on. We discover why Lewis has become the outcast and why his attempt to fit back into this community seems doomed to failure.

I did really like this but it just felt a little relentless on the piling on of the difficulties for Lewis, both within and outside his control and at times I just longed for greater contrast from its pervasive claustrophobia. This sounds a little churlish because it feels so close to being a classic novel but it just doesn’t quite pull it off and I think this was because of the frustration I felt towards the characters.  It is, however, a fairly extraordinary debut and one which took the 2008 Costa Award for best debut. In the ten plus years since this appeared Sadie Jones has certainly slipped under my radar because I wasn’t aware of her other titles- three further novels with a 5th scheduled for 2019. Reading this does feel like I’ve filled a small hole in my literary experiences, however, and I would certainly seek out more by this author.

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The Outcast was first published in 2007. I read the 2008 Vintage paperback version.

 

The Boy At The Top Of The Mountain – John Boyne (2015) – A Kid-Lit Review

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I’m more than happy to delve into the back catalogue of the writer of my current Book of The Year “The Heart’s Invisible Furies”. This book choice was thanks to me drawing from the Sandown Library Russian Roulette Reading Challenge: “Read A Book With A Red Cover”. I do have John Boyne’s newest adult title “A Ladder To The Sky” lined up to read next, thanks to Netgalley, but I thought I’d explore his writing for a younger audience first.

I am still to read “The Boy In The Striped Pyjamas” but I know enough about it (and I’ve seen the film version) to realise that there are parallels here. We begin in Paris in 1936 with 7 year old Pierrot living with his widowed mother. In the first few pages we get shell shock, domestic abuse and suicide all related to his German father unable to adapt to living in post-World War I France. Tragic circumstances pile up forcing Pierrot to leave France for Austria and a home at the top of Obersalzberg.

I actually didn’t know where this book was going (I read nothing about it beforehand) so I’m determined not to give away much plot for there are twists a plenty to satisfy its intended audience.

This is a great novel for an enquiring developing mind. It is a complex book, emotionally speaking.  Perhaps elements of the plot might seem contrived if written for the adult market but it would all make sense for a younger audience and has a moral depth that I’m certainly unused to in Junior Fiction. Pierrot develops from being an extremely likeable character to something of a monster and this feels unusual and chilling. His actions become increasingly difficult to explain away even in a society where the old rules no longer apply. All this would resonate with every reader, child or adult.

There are throughout references to a children’s classic of an earlier generation “Emil And The Detectives” which I certainly loved as a child and Boyne’s novel should have an equally long life for future generations. He has written a powerful, compelling novel which I found difficult to put down and read in a day (which is unusual for me- even for a children’s book) and as in “The Heart’s Invisible Furies” he brought me close to tears on a number of occasions. The characters are memorable and the plot, as in “The Boy With The Striped Pyjamas” would be impossible to forget- and nor should we. It would be a great and lasting purchase for a sophisticated child/young adult.  This is a children’s book now in its third year after publication and its reputation should continue to grow.

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The Boy At The Top Of The Mountain was published by Doubleday in 2015.