Top 10 Books Of The Year 2022 – Part Two – The Top 5

Here are my five favourite books that I read in 2022:

5. Once Upon A River – Diane Setterfield (Black Swan 2018)

(Read and reviewed in October)

This is the third novel from a British author I had not read before and what story-telling!  I found this tale of a drowned girl who comes back to life in the 1880s and its setting of a stretch of the Thames between Cricklade and Oxford absolutely captivating.  I said; “It is beautifully rich, imaginative, involving and operates on the thin line between myth and dark reality.  I was spellbound by this book.”  Looking forward to reading more by this author in 2023.

4. The Appeal – Janice Hallett (Viper Books 2021)

(Read and reviewed in January)

I knew I had missed out on something good when I put this book in my “What I Should Have Read in 2021” post.  I had felt it calling me from a table of new titles at Waterstones.  I liked the look of this book, even though it’s not the kind of book I read regularly.  At that time I decided not to merely judge it by its cover but when I saw it in the library in January this year I snapped it up.  It’s clever, funny, and so well structured.  In my review I said “If we are considering this debut in the “Cosy Crime” genre then this is the best “Cosy Crime” book I have ever read.” Her follow-up “The Twyford Code” appeared this year and was good but did not blow me away like this did.  Her new novel “The Mysterious Case Of The Alperton Angels” is out in January.

3. Great Expectations – Charles Dickens (1861)

(Read and reviewed in December)

A re-read but I had left it probably over 40 years.  The plot of this novel feels like it has been with me for the whole of my life, both from the book and film adaptations (apart from the ending which I always have trouble remembering).  In sections this is the best book I have ever read in my life but then there are sections that fall flat making it an uneven gem, but it is still a gem.  Perhaps it is a casualty of the way in which Dickens’ novels first appeared with a certain amount of padding mid-way through to keep the issues coming.  I feel that it should be Dickens’ best work- but it isn’t, but it is up there amongst his very best.  Pip, Miss Havisham, Estella, Joe, Magwitch – what characters!

2. Let’s Do It – Bob Stanley (Faber 2022)

(Read and reviewed in August)

Two books with the same title in my Top 10.  What are the chances?  Luckily, both have subtitles and this one explores “The Birth Of Pop” and it is my non-fiction pick for this year (I think I have to go back to 2010 and Vince Aletti’s “The Disco Files” to find a non-fiction work I have enjoyed as much).  This is a real labour of love and involved so much research for music journalist, founding member of Saint Etienne and DJ Bob Stanley.  Thousands of books have been published about the music industry post-Beatles (the author published a very thorough, critically acclaimed one “Yeah Yeah Yeah” himself about decade earlier – which I am currently reading) but this charts the development of popular music from its very origins to the point where Beatlemania came in.  Pop music is seen as transient and temporary but these developments inform everything that has come afterwards and so is a very important, totally fascinating history.  Beginning with Ragtime and Joplin’s “Maple Leaf Rag” the first million selling sheet music from 1899 he explores the major musical shifts and the major players with insight, humour and with love.  This book had me seeking out all sorts of artists on Spotify.  I felt Bob really knew what he was writing about and was able to convey his views so well and this for me was a real treat.  The Telegraph had this book at number 8 in their Books Of The Year list.

1. Young Mungo – Douglas Stuart (Picador 2022)

(Read and reviewed in April)

Well, this is unprecedented. I’ve never given my Book Of The Year to the same author before and here is Scottish writer Douglas Stuart doing it two years in a row with his first two novels.  “Shuggie Bain” – a Booker Prizewinner (and this would be a serious contender for best ever  Booker winner ever in my view) blew away all the competition for me last year and I do believe that “Young Mungo” is even better. It’s the best book I have read for 5 years.  It wasn’t Booker shortlisted and it didn’t get as much critical approval because some saw it as more of the same, but I really don’t understand that this is a criticism.  Some did get it- It is appearing in a healthy selection of Books Of The Year list – The Telegraph had it at number 34.  Emily Temple at Literary Hub produces an Ultimate Best Books list which counts the number of times books make the end of year lists in American publications and this makes it onto six lists, which earns it an Ultimate nod (the highest 14 was achieved by two novels Hernan Diaz’s “Trust” and Gabrielle Zevin’s ubiquitous “Tomorrow, And Tomorrow, And Tomorrow”).  I said “I never thought I’d feel more sympathy towards a character than Shuggie, but Mungo, with his facial tics, unsuitable attire and devotion to a mother whose actions are consistently poorly-judged tops it.” I also felt “I did finish this feeling emotionally purged finding moments that I did not really want to read on from but ultimately being totally unable to take my eyes off the book.”  That for me represents an ultimate reading experience. Congratulations to Picador for publishing my ultimate favourite two years in a row. Over at Bookshop.org you can find Douglas Stuart’s list of the books which inspired him during the writing of this novel

So, Douglas Stuart makes it onto my Hall of Fame for the second time.  Just for some context here are my other top titles going back to 2008

2022- Young Mungo – Douglas Stuart (2022) (UK)

2021- Shuggie Bain – Douglas Stuart (2020) (UK)

2020 – The Great Believers – Rebecca Makkai (2018) (USA)

2019 – Swan Song – Kelleigh Greenberg-Jephcott (2018) (USA)

2018- The Count Of Monte Cristo – Alexandre Dumas (1845) (France)

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Special mentions for the five 5* reads which did not make it into the Top 10. In any other year these would have been assured Top 10 places: The Manningtree Witches – A K Blakemore (2021); The Governor’s Lady – Norman Collins (1968) – narrowly missing out on a 3rd successive Top 10 title; Rainbow Milk – Paul Mendez (2020); Miss Hargreaves – Frank Baker (1939); Fire Island – Jack Parlett (2022)

Here’s to some great reading in 2023.

If you missed out on the other books on my Top 10 you can read about them here.

100 Essential Books – Once Upon A River – Diane Setterfield (Black Swan 2018)

I used to read this kind of atmospheric, richly told novel imbued with a hint of magic quite regularly but for every gem like “Jonathan Strange And Mr Norrell” by Susanna Clarke, “The Mermaid And Mrs Hancock” by Imogen Hermes Gower and “Things In Jars” by Jess Kidd there were many others that fell so short that they switched me off and stopped me selecting books of this type as often.

I think this is why I have not read any of Diane Setterfield’s novels up to now, if this, her third novel, is anything to go by I have really missed out. 

There is outstanding story-telling here.  The novel is set on a stretch of the River Thames between Cricklade and Oxford in the 1880’s centering on The Swan pub at Radcot.  It is here that story-tellers meet to regale each other with tales of local folk, events and particularly the mysteries of the river and on a Summer Solstice evening they become part of their own tales when a badly injured man appears with the body of a drowned girl.  Nobody knows who they are and things take a momentous turn when the dead girl comes back to life.

The repercussions of this spread along the Thames.  The event and the child herself proves a great pull for some residents and this is their tale.  It is beautifully rich, imaginative, involving and operates on the thin line between myth and dark reality.  I was spellbound by this book.  Excellent characterisation of those involved on that night and those who hear about it.  This is a confident skilful writer, who, very early on, like the best story-tellers will have readers entranced.  A definite five star read and I am looking forward to reading her earlier two novels.

Once Upon a River was published in 2018 by Doubleday and as a 2019 paperback by Black Swan.

Never Anyone But You – Rupert Thomson (2018)

I have read one Rupert Thomson novel before, his 2007 publication, the Costa nominated “Death Of A Murderer”, a novelised account featuring an unnamed central character who is Moors Murderer Myra Hindley which to be honest did not do a great deal for me.  This is a much better novel which once again has true life characters as the central protagonists. 

He is helped here by his subject matter.  Two extraordinary women Lucy Schwob and Suzanne Malherbe who are true soul mates and adopt the names Claude Cahun and Marcel Moore and in the inter-war years become notable in the literary and artistic worlds of Paris aligning themselves perhaps most closely to the Surrealist movement.  Before war is declared they move to their favourite holiday destination Jersey where, once occupied by Nazis, they begin their own acts of resistance not dissimilar to that in Hans Fallada’s marvellous novel “Alone In Berlin.”

The plot really does come alive in the war years with the continual threat of discovery adding much to the tension but the real strength here is the depiction of the relationship between the two women.  Suzanne narrates a tale which starts off in 1940 where a German attack disrupts her evening swim and then moves back to chronologically depict their lives together in a manner not too far off from established facts about the pair.

Their relationship is beautifully written.  Claude is not always easy to love and has a self-destructive streak which dismays her lover.  Throughout all the drama the tone is one of calm which works extremely well. 

I was seduced by on-cover recommendations from Sarah Waters “…an astonishing accomplishment” and Philip Pullman “..It’s a long time since I read a love story quite as convincing or truthful”, both writers I much admire but it was Thomson’s weaving of the tale and vibrant assured prose which really drew me in.

Never Anyone But You was published in 2018 by Corsair.

Jack Of Hearts (And Other Parts) – L C Rosen (Penguin 2018) – A Young Adult Fiction Review

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Now this is a tricky one. Many parents flicking through this after finding it on a young teen’s bookshelf would be horrified by its so casual attitude to sex in its many forms. It may indeed reach a new level of frankness in the YA fiction market because it’s not really about anything else. The sex is not integral to the plot the sex is the plot and I can imagine some parents of teens not wanting their offspring to read this. I think if I had read it as an adolescent it might have scared the living daylights out of me- so forthright are the main characters, but, let’s face it, times have moved on enough for Penguin to recognise this American work as worth publishing over here. It cannot hide its American origins and some may be consoled into considering that it’s not like this over here but it does deal with issues that all teens will face at some point.

Whereas a quick flick through may leave some horrified a close read reveals something much more significant between these covers – a work which certainly does not dumb down a myriad of issues and presents them in a very balanced, thoughtful way, which is surely just how we would like our teenagers to be.

Jack is a 17 year old pupil in a NY private school. As a flamboyant gay youth he finds himself at the centre of gossip and rumour amongst a set of children who already seem extremely liberal to British eyes. This encourages his friend Jenna to get him to write a sex advice column for her blog. That puts him into some conflict with the school administration and also results in him being a target for an infatuated schoolmate who begins to leave pink origami love letters in his locker. Jack’s range of experience seems extraordinary for one so young, the advice he gives in his column is reasoned and occasionally balanced by other characters (an ex of Jack’s berates him as he feels his promiscuity is pandering to those who wish to stereotype the gay students in the school) but I think they can strain on plausibility (are teenage high school children concerned about S&M?). This element of the narrative may rankle more if the over-riding message wasn’t that we should all be the type of person that we want to be or as Jack puts it in typical fashion; “It’s about making sure everyone around me sparkles with their own shade of glitter, that they feel as amazing as I do.”

 The author also had initial concerns about his material as he explains the genesis of this work in the Acknowledgements written in “a loud authentic voice that a lot of people don’t want young adult readers to hear.” That voice is Jack’s.

I have no issue with the voice nor characterisation and I’m sure everyone reading this (even the YA market it is meant for) will be occasionally shocked and feeling a tad uncomfortable but I think it’s a shame that the actual narrative drive- who is sending the love notes- feels a little trivial in the company of these characters. What makes me slightly uncomfortable is that Jack, who seems superficially at ease with himself, is at such a loss with this, showing a gulf between his physical and emotional maturity which makes me wonder if he should be giving it all away as freely as he does. If the author is meaning to convey this I wish it was made a little more explicit. It’s also annoying how long the characters take to choose their outfits!

This is a next level up from another YA novel I read not too long ago published 10 years ago “Will Grayson, Will Grayson” by John Green & David Levithan and there are similarities between Jack and the character of Tiny Cooper in that novel, both are positive, unapologetic, larger than life representations but with Jack we certainly feel we have moved on a decade. I personally think I would feel more at home in Tiny Cooper’s world from that novel than I would do in Jack’s. If anyone offers me a chance to relive my teenage years in a present day NY high school I would turn them down flat but it was fascinating spending time in this company. I have L C Rosen’s latest novel “Camp” lined up for a read. I wonder if in his second YA novel he will get a stronger balance between plot and issues. He certainly has the potential and writing skills to do so.

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Jack Of Hearts (And Other Parts) was published by Penguin in the UK in October 2018.

100 Essential Books – The Great Believers – Rebecca Makkai (2018)

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I’ve got round to another of the books I highlighted in my 2019 What I Should Have Read Post. This is a major prize-winner picking up the Carnegie Medal for Outstanding Adult Fiction, also the Stonewall Prize and gained prestigious shortlist nods for the Pulitzer Prize and US National Book Award. In the UK it has remained fairly under the radar, the paperback (which I read) was published in 2019 but that still didn’t lift this book to the commercial recognition it deserves. (Amazon currently has it as #2727 in Literary Fiction with a 4.4 rating from 509 reviews).

Two parallel narratives with one set in mid/late 1980’s Chicago and the other in Paris in 2015 with a handful of characters who feature in both. In the Chicago section the Boystown area is being decimated by the AIDS virus and Fiona is losing those she loved. The novel begins with the memorial for her brother Nico whose lifestyle was rejected by his family causing an irreparable rift between Fiona and her parents as she cannot cope with his lover and friends being excluded from saying goodbye.

In 2015, Fiona, now a mother herself, is searching for her missing daughter last known to be a member of a religious cult in the US before a sighting of her is flagged up in Paris. The Fiona in the later narrative is still clinging to the events of thirty years before which has affected her ability to parent. She is a flawed yet very real character.

In the eighties narrative it is her friend Yale who is central. In a relationship with activist and magazine publisher Charlie. Yale is far more conservative, working in funding for art and following a tip off from Fiona regarding her great-aunt’s collection seeks the acquisition which would make both Yale and the gallery he works for names.

I really enjoyed both plot lines (with a preference for the earlier narrative) which are superbly handled but the strength is really the relationships between the characters. The AIDS crisis is pushing them together as much as it is tearing them apart and the repercussions of this are ever-present in the later narrative and that is why this is such an excellent work.

You will find yourself invested in these characters, you will laugh with them, be totally frustrated by their actions as well as egging them on and will cry with them and for them and for all that to happen convincingly as far as I am concerned everything needs to be top-notch and here it is. Expect me to be recalling this book in my end of the year round-ups. I thoroughly recommend it.

Rebecca Makkai is a straight woman and there could have been potential criticism in this current climate of her immersing herself in a story which is not hers to tell, which should be the province of a gay male writer, especially with so much talk about appropriation but the fact that this has won a major LGBTQ literary award with The Stonewall Prize shows that this is not an issue. This is a novel for everyone, for those whose lives were touched by the events of the time where they will be brought back with chilling clarity, for those aware of them in some degree and perhaps even more importantly for those who were not even born then. It wasn’t easy reading about a killer virus whilst in lockdown due to another killer virus and I really did feel quite purged by the end but with the sense that I had received a tremendous reading experience. Rebecca Makkai has published three novels before this. I would certainly imagine this to be her masterwork to date but I will definitely be looking out for her other titles.

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The Great Believers was published in the UK by Fleet in 2018. I read the 2019 paperback edition.

The Last Romeo – Justin Myers (2018) – A Rainbow Read

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I’d missed out on this debut 2018 publication until I saw it recommended in a LGBTQ+ Book List. I looked for it in my local Waterstones, couldn’t find it, and then five minutes later spotted a pristine copy in an Oxfam bookshop. If I was still wavering, not sure if it was my kind of thing, I was propelled towards the till by on-cover recommendations by Jill Mansell and Adam Kay, author of “This Is Going To Hurt” (my most visited review of 2019) who describes it as “Funny, clever and warm.”

It spent a short time on my bookshelves and hadn’t even featured on my up and coming reads list until after reading the powerful “Another Country” in the first week of Coronavirus lockdown I decided the reads I had lined up might be too demanding for my current state of mind and anxiety levels and what I actually needed was something “funny, clever and warm”. This book virtually leapt into my arms off the bookshelf.

This was a perfect read in troubled times where most of the world is unable to go out of their houses at present. In those now far-off seeming pre-Corona days I might have just been a tad scathing on what is a gay male slant on Chick-Lit (Dick-Lit? is than an actual term? It certainly came into my mind whilst reading this) but its heart is certainly in the right place and it fulfilled my reading needs perfectly.

After a break-up from a six year relationship with a controlling partner, 34 year old James decides to plunge back into single life and record his dates on a blog in which he anonymously rates and reviews hook-ups until he finds true love again – his “last Romeo”. James works on a gossip magazine and tries to keep his work and blog separate but soon finds the blog begins to overshadow his work, his life and relationships with others. James is a typical hero for this kind of novel, flawed and prone to jumping in feet first and with a blinkered tendency to see the world primarily from his point of view. He’s very much a modern metropolitan man and Justin Myers works a bit of magic in making him likeable and relatable. Without this, the book will fail. James certainly does try the readers’ patience with his inability to empathise with others but it does set up amusing situations. The narrative switches from first person to examples of James’ blog posts in which this unreliable narrator becomes further unreliable.

Journalist Justin Myers set up his own anonymous dating blog in a career trajectory not too unlike his main character which led to this first novel so he does know what he is talking about when he sets James up into various predicaments. It can only work from a gay male perspective, transferring this into chick-lit with a female character would resonate in a very different way, but with a list of questions for reading groups at the back of the paperback publishers Piatkus are pushing for a wider audience. It felt like a breath of fresh air in my reading schedule and I now feel I can go back to my planned list of less fun fare with my anxiety levels lowered. Just what the doctor would have ordered if it was possible to get an appointment!

four-star

The Last Romeo was published by Piatkus in 2018.

I’ll Be Gone In The Dark -Michelle McNamara (2018) – A Murder They Wrote Review

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I have an uneasy relationship with the true crime genre. I’ve mentioned this before and I think it all boils down to one book which so disturbed me – the account of Muswell Hill killer Dennis Nilsen in Brian Masters’ “Killing For Company” (1985). However, a couple of times in the last week I have held a copy of this in my hands and contemplated buying it and re-reading it. (I lent my copy to someone years ago and it never came back). So far I’ve held back the temptation but the reason for Masters’ book shifting back into my focus is this 2018 true crime publication.

I’ve also been thinking about true crime in relation to author Carol Ann Lee whose five star account of the Bamber killings “Murder At White House Farm” has deservedly ascended the best seller lists since the impressive recent ITV reconstruction of the case. When this book came out nearly five years ago I reviewed it and Carol Ann became an early interviewee in my Author Strikes Back Thread. I asked her for recommendations and I was convinced that reading-wise I would begin a true crime spree but this hasn’t happened. However, the on-paper bizarre mash-up of an arson case and a love letter to the public library system Susan Orlean’s “The Library Book” made it into my current Books Of The Year Top 10 but that’s been about it. I only read “I’ll Be Gone In The Dark” because friend Louise whose book opinions I very much value (she put both “Count Of Monte Cristo” and “Sanditon” my way) told me this was her Book Of The Year and I highlighted it in my “Looking Around….” Post.

Michelle McNamara’s obsession (and it was an obsession) was an individual who committed around 50 sexual assaults and at least 10 murders in California in a decade long frenzy (mid 1970’s -mid 80’s). Michelle dubbed him “The Golden State Killer” and he featured heavily in her true crime blog before she began to put this work together. She sadly died aged 46 in 2016 before completing the work.

This, unavoidably, does give the book a haphazard sketchy structure which did mean I kept having to refer back to the list of known victims and crime locations. The sheer number of offences and the lengthy period of time the killer was active also made for at times a stilted and repetitive read and affects the flow but I really can’t just judge this on how I feel it read as a book (I was also very aware of a surprising number of linguistic differences with many terms I was unfamiliar with) but the motives behind the work is what makes this extraordinary.

Michelle McNamara over the years became an expert on the case, came to have access to evidence even investigators did not have and pooled much of this vast amount of material for the first time. The thing I just cannot get out of my head as a British reader in 2020 is how was this man not apprehended at the time? There were a wealth of traits and characteristics that led nowhere. It’s hard I suppose for us looking back to what were largely pre-DNA days to appreciate how much luck was needed to solve cases and luck was certainly not with the many investigators. They could not seem to tap into the extraordinary level of planning that must have foreshadowed many of these crimes and the structure of US state policing at the time means evidence was not shared nor links made. If this was fiction we would deem it unbelievable.

Through her determination to unmask the Golden State Killer it is Michelle McNamara herself who shines through this work and it is this which will see it as an important and perhaps ultimately game-changing addition in the realm of true crime writing.

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I’ll Be Gone In The Dark was published in 2018 in the UK by Faber & Faber.

Top 10 Books Of The Year 2019 – The Top 5

Right, let’s crack on with this.  Here is the rest of the countdown.

5. The Meaning Of Night – Michael Cox (2006) (Read and reviewed in July)

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Amazingly the only book I re-read this year, just a couple of years ago I had read enough re-reads to give them their own separate Top 10 but I cannot ignore this book and so my Book Of The Year from 2007 makes it into the Top 5 for this year.  It is a strange one, I read it and totally love it but after I finished it the events in the novel seem to rapidly fade from my memory and I struggle to remember what it was about even when I can remember books I enjoyed much less in greater detail.  This has happened twice which makes me think there is some kind of ethereal quality to this which causes it to dissipate once finished.  It’s a great Victorian revenge novel and I said of it “On completion the feeling was of total satisfaction for a high quality reading experience. This novel does seem to have faded from public consciousness but I can’t help feeling that a sensitive tv or film adaptation could bring it back to the top of bestsellers lists.” Maybe that will happen in 2020.

4. Shadowplay – Joseph O’Connor (Harvill Secker 2019) (Read in December not yet reviewed)

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I highlighted this in my earlier 2019- What I Should Have Read post and managed to squeeze it in before the end of the year.  A full review of this will follow but this is a splendid historical novel, shortlisted for Best Novel at the Costas, with Bram Stoker, the creator of Dracula the main character and here part of a long-lasting love triangle with actress Ellen Terry and actor and theatre impresario Sir Henry Irving.

3. Sanditon – Jane Austen and Another Lady (Corgi 1975) (Read and reviewed in December)

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I can’t say I’ve ever been tempted to read a novel which has been finished by someone else after the original author had died before completion, particularly one that was completed 150 years later.  This was all changed by the ITV adaptation which was one of this year’s television highlights as far as I was concerned and a recommendation from my friend and colleague Louise who felt I should read how it should have ended (well how “another lady” wanted it to end anyway).  I always thought the joins between the two authors would be obvious but I thought this was done seamlessly and ended up enjoying this more than when I re-read “Pride And Prejudice” a couple of years back.

2. Little – Edward Carey (Gallic 2018) (Read and Reviewed in June)

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Another splendid historical novel with that added bit of quirkiness which I so often find appealing.  This is a fictionalised account of the early life of Madame Tussaud.  Punctuated throughout with little pencil drawings which adds much to the experience.  I said of this “Through a first-person narrative Carey has created an enthralling character I will probably remember forever.  Written with gusto and an eccentric energy “Little” will not be beaten down however bad circumstances get.  There’s a naivety and optimism which fuels this novel- she is certainly no “Little Nell” yet the skill of storytelling here will suggest comparisons to Charles Dickens.”

1.Swan Song – Kelleigh Greenberg-Jephcott (Hutchinson 2018) (Read and reviewed in April)

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This sublime account of the later years of Truman Capote and an act of literary betrayal towards his friends was always going to be in with a strong shot of being at the summit this year.  Debut author Kelleigh Greenberg-Jephcott’s position was further cemented when I went to see her talk about this book at this year’s Isle Of Wight Literary Festival following its publication in paperback.  I said of it “I was hooked from the moment I saw printed on the back cover; “They told him everything.  He told everybody else.”  It is a novel fuelled by gossip which makes it sound tacky but it is so beautifully written and every word seems considered and measured.”  I can’t remember ever falling for a book written in the third person (by a chorus of the betrayed women) but here it worked just brilliantly.

So Kelleigh Greenberg-Jephcott joins my Hall Of Fame for producing the book which has given me the most pleasure this year.  She becomes the first American author to do since 2014.   Here is my list of my favourite books going back to 2008.

2019 – Swan Song – Kelleigh Greenberg-Jephcott (2018) (USA)

2018- The Count Of Monte Cristo – Alexandre Dumas (1845) (France)

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Happy New Year and let’s hope there’s lots of great reading in 2020!

Top 10 Books Of The Year – 2019- Part One (10-6)

Even though we’re not quite at the end of the year I now know that I am unlikely to finish the book I am currently reading so it’s time to look back again to the 10 books which made the most impression on me during the year.  These are not necessarily published this year (just 3 out of the 10 were) if I read it this year then it was up for inclusion.  The total number of books I finished in 2019 is 56, which is down on previous years where I usually hit the mid to late 60’s mark, apart from the golden year of 2016 when I read 80.  I’m not sure why this figure is down so this year probably due to a change of commitments.  Out of those 56 nine of them I classed as five star reads which nicely fills up most of my Top 10 places, the spread of the other star ratings is 28 at 4*,15 3* and 4 at 2* (didn’t have any two star reads last year where the spread was (12/32/22)- I must have been feeling a bit stingier this year.

It does seem like quite a bit of my reading has been books which I missed out in 2018, obviously a bit of a vintage year as 50% of the titles were published then.  Gender wise the men have pushed ahead with a 60-40 split putting an end to last year’s perfect balance.  Nobody makes the list more than once this year and there are two authors who are no strangers to my end of year Top 10.  It does seem, however, and perhaps it is no surprise given the state of the world currently, that for much of 2018 I have been rooted in the past as all of the fiction choices are set in earlier times with a significant chunk (4) being set in the Victorian era or earlier.  Right, let’s get on with the list.  The full reviews for each title can be found be clicking on the link.

10. The Library Book -Susan Orlean (Atlantic 2019)  (Read and reviewed in August)

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My non-fiction pick of the year is this extremely memorable book which works both as a love letter towards libraries and their continued importance and as a true crime work where the author explores the fire which destroyed the Los Angeles Central Library in 1986.  It wasn’t just because I work in libraries that I found this work so inspirational although it was one of the reasons behind me applying for (and getting) a promotion.  Susan Orlean reinforces everything I believe about libraries although the systems in place in the UK seem decidedly impoverished compared to the USA.  I said “The book itself was inspired by Orlean’s memories of going to a public library with her mother when she was a child and them bonding over their piles of chosen books. This seems to me a valuable inspiration for a fascinating work.”

9.Things In Jars – Jess Kidd (Canongate 2019) (Read and reviewed in March)

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I’m up to date with Jess Kidd having read all three of her novels and this marks her first time in my end of year Top 10 with her best book yet.  This built on the supernatural elements which have been present in all her works yet with its nineteenth century setting it seemed to work better here than it has in the past.  I said of this “Here we have the Victorian love of the unusual and freakish and the developments in medicine which attracted the honourable and the disreputable sitting beautifully in with what becomes a gripping mystery peopled with characters about whom I wanted to know so much more.”

8. Bridge Of Clay – Markus Zusak (Doubleday 2018) (Read and reviewed in July)

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We had to wait years for it to arrive but Australian author Zusak manages to get his follow up publication to my 2008 Book of The Year, “The Book Thief” into my Top 10.  I would have thought that a publication from an author of a modern classic after a lengthy wait would have been a major literary event but it seemed to creep under the radar somewhat when it arrived in hardback last year and this year in paperback.  That made me initially a little anxious but I needn’t have been.  I said “Its chatty, scattered narrative actually masks the emotional depth of the content.  It was only looking back as I neared the end that I realised how much I knew about the characters’ lives and how involved I had become, a testament to a great novel.” I read a library copy and then had to go out and buy it to have it readily on hand for a re-read.

7.The House Of Impossible Beauties – Joseph Cassara (Oneworld 2018) (Read in July, reviewed in August)

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2018 was the year when the New York Drag Balls of the late 70’s and 80’s went mainstream in the UK thanks to TV series such as “Pose” and “Rupaul’s Drag Race” and at least a couple of novels of which this was the best.  In my review I compared it to what else was out there (as well as the documentary “Paris Is Burning”, available on Netflix, from where Cassara’s characterisations are developed) and concluded “Perhaps more than “Pose” it shows the struggles in terms of coping with discrimination, poverty, prostitution and mortality but like the television series it is all done with great humanity and compassion and more than a fair share of glitter.”

6. Take Nothing With You – Patrick Gale  (Tinder 2018) (Read in February, reviewed in March)

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This marks British author Patrick Gale’s fourth appearance in my end of year Top 10’s out of the nine books of his I have read which must mean that he has settled into being one of my most favourite authors.  Previous end of year positions have been 4th for “Facts Of Life” (1995) in 1996, 9th for “Rough Music” (2000) in 2001 and 6th for “A Perfectly Good Man” (2012) in 2013.  His latest matches this position and I can’t help but note that the books of his I really like I miss out on at the time and catch up with in the following year.  This has the most modern setting of any of the books on this year’s list with one narrative strand actually being set in the present (gulp!) with the main character contemplating his past whilst receiving treatment for cancer, but it was the past that Gale really drew me into with his story of Eustace, the young gifted cellist.  I said “I fell in love with the boy growing up in his parents’ old people’s home in Weston-Super-Mare in the 1970s with ambitions to be a musical great if only his mother and father and society will let him realise his dreams. It is haunting, nostalgic and sensitive and has all the qualities to make it an essential read.”

Find out the Top 5 in my next post.

The House Of Impossible Beauties – Joseph Cassara (2018) – A Rainbow Read

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I feel like I’m on familiar ground here. Since publication I’ve been aware of this title and was delighted to see it chosen as an end of year pick by Cathy @ 746 Books as featured in my “Looking Around…” post in January. Familiar because this is the third work I have experienced this year that has taken as its source the 1990 documentary “Paris Is Burning”, which I have also re-watched this year and which once again blew me away (it’s on Netflix). Actually, it may very well be the 4th because the whole set-up of “Rupaul’s Drag Race” is indebted to the 1980’s New York Drag Balls scene which is the subject of this documentary but more explicitly this year we’ve had the Ryan Murphy TV series “Pose” which aired on BBC2 to much acclaim. British author Niven Govinden’s take on this with his 2019 novel “This Brutal House” and now American author Cassara’s debut which was published last year.

Comparisons are inevitable especially as the source material and all of the off-shoots have so far all impressed. Govinden’s novel had as its centre a silent protest against official incompetence in a narrative stream of great energy and rhythm in what was very much a literary take where the plot was less essential than the language and its cast of characters seeking their own family groupings for support and safety. This is also very much the case in “Pose”, character led with great performances and an unprecedented visibility of trans actors but had the Drag Balls themselves more as its focus.

Cassara has focused even closer on the characters, here, the real-life House Of Xtravaganza family, mothered by Angel and comprising of runaways; her lover Hector, transsexual Venus, “banjee boys” Daniel and Juanito and the older observer Dorian, characterisation which will feel familiar to those who have watched “Paris Is Burning” from where their stories are developed.

“The House Of Impossible Beauties” has a wider chronological spread from 1976-1993 which for gay New Yorkers means it has an essentially epic sweep featuring a remarkable period of their history. This encompasses the defining of identity in the hedonistic days of disco, to the forging of their own groupings through the “families” and Drag Balls in the early 80’s leading to a move towards their own self and society’s acceptance and having that shattered through the years of the AIDS epidemic and its aftermath.

I think the subjects Cassara deals with are always going to draw me in. This novel is sparky, touching, funny, fiery and yet becomes increasingly tinged with the inevitability of tragedy. Cassara has both followed the plotlines of the Xtravaganzas as featured in “Paris Is Burning” and broadened their existence with his fictional twists. Perhaps more than “Pose” it shows the struggles in terms of coping with discrimination, poverty, prostitution and mortality but like the television series it is all done with great humanity and compassion and more than a fair share of glitter. That is why, like “Pose” this is an important piece of work, which in terms of the journey the author puts the reader through does outshine the slightly later-to-be published “This Brutal House”. For this reason I am awarding it five stars but take note, this is enough now. No more Drag Balls or “Paris Is Burning” inspirations for a while. I am very happy having this novel, “Pose” and “This Brutal House” all representing this era because they are all high quality works, let’s not oversaturate this particular market.

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The House Of Impossible Beauties was published by Oneworld in 2018.