Tag: Memoir

The House Of Hidden Meanings – Rupaul (2024)

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I read Rupaul’s first memoir “Lettin’ It All Hang Out” back in 1995 when it was first published and enjoyed it so much I read it a couple of times.  Thinking about that book whilst reading this (I no longer own a copy) I’m not sure how much Rupaul the person was present, it was very much Rupaul the brand, full of life tips, things he loved, alongside snippets from his past.

But what a brand Rupaul is and it’s one that has exploded since that publication.  At that time he already felt a trailblazer for reaching unprecedented levels of fame for a tall, black, American drag queen with a music and movie career but from 2009 he began “Rupaul’s Drag Race” and few would have imagined that this would bring him huge success, a worldwide franchise, umpteen awards and “Mama Ru” is no longer just a trailblazer but at the centre of something that has transformed society on a global scale.

But this is all for the future as “House Of Hidden Meanings” doesn’t take us that far.  If the last book of his I read was Rupaul the brand this is very much Rupaul the person.

Born in 1960 in San Diego this is the tale of a boy whose childhood was marked by a mother unable to cope with the breakdown of her marriage and a father who would not turn up for his son when Rupaul was sat on the front steps waiting for him.  His mother always believed her child would become famous and he knew he was different.  From his time in therapy Rupaul describes this as terminal uniqueness – “this sense of being so different from everyone that it felt like a death sentence.” The world had to catch up to allow this boy to find fame by being different and using that difference to make his mark upon the world.

It could have gone so wrong.  There’s a lot of substance abuse in this book and precarious situations which could have easily turned and when fame comes most of these issues do not go away.

I read this quickly in a couple of days.  I think when I heard Rupaul was writing this I was expecting a fuller story.  He really could have come up with a work as thick as the recent Streisand tome and it would still not be all told.  He can be sketchy on dates and the fame when it comes feels a little glossed over, he seems to rapidly go from club turns to hosting the Brits with Elton John and perhaps that is what it felt like at the time or perhaps he’s allowing some overlap to be picked up again in a later volume.

You can hear the voice of Rupaul throughout, his affirmations, his ability to analyse and crystallise situations, his self-help nuggets and the metaphors which don’t always hit home.  I’m still a little vague around the title but this is one of the real strengths of this work as you get the sense of the real Rupaul Charles shining through though I think I would have liked just a little more to have made this into the important biography I was hoping it was going to be.

The House Of Hidden Meanings was published in hardback by 4th Estate in the UK in 2024.

Too Much – Tom Allen (2022)

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I read Tom Allen’s first memoir “No Shame” in 2021, a work that had at its themes shame linked to acceptance of his sexuality and a deep fear of standing out. I described it as “ a well-written, funny, significant text.”

This follow-up I listed as one of my 2022 Should Have Reads and treating myself to a copy this Christmas have now got round to it.  (I still have only read two from this list..)

This is a lower-key affair compared to the debut with the central linking theme being grief as Tom lost his Dad in 2021 with a sudden fatal heart attack on a train being the cause.  Tom, at one point, describes this work as a series of essays and they explore their relationship, his dealing with loss and moments from the comedian’s life when he either followed or deviated from his fathers’ advice.  This approach does remove the need for a tight structure and chronologically and thematically it is a little over the place, but that doesn’t matter and it does mean the reader can dip in and out as each section works as a stand-alone piece.

I find Tom Allen very funny.  Having said that I didn’t find this book, unlike the last one, laugh-out-loud funny.  There’s a humorous poignancy which runs throughout and I did smile many times.  Sometimes there’s a tendency for performers who turn to writing to go through their act and I didn’t feel this at all, we see a softer side away from his on-stage brashness, which actually makes him one of the very best at dealing with audiences.  This desire to give us something slightly aside from the public persona bodes well for him as a writer.  I feel that this structure works effectively and there’s potential for him to be a kind of British David Sedaris.  Another likeable strong work and a moving and life-affirming tribute to his Dad.

Too Much was published by Hodder and Studio in 2022.

Enchantment- Katherine May (2023)

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Katherine May has been having a hard time of it.  She feels exhausted, cannot concentrate on reading and is finding it hard to remember what used to bring her joy.  Recognise these feelings?  It’s burn-out, largely caused by the constant need to be aware during lockdowns which meant our fight or flight responses went all over the place and after much reflection Katherine May thinks she might have the answer.  It’s enchantment, in the sense of awe and wonder, a re-engagement with the natural world and a recollection of those things we, as individuals, once held special.

The author came to prominence with her 2020 best-seller “Wintering:  The Power Of Rest And Retreat In Difficult Times” which, like this book, is of the non-fiction genre now described as “hybrid memoir”.  I haven’t read that but I certainly felt I was in need of a little enchantment and was intrigued when I first heard about this book.  I think it might have thought it was going to be more along the self-help lines than it is, we get the author’s responses to “enchantment”, she tends to steer clear on advising us on how we can incorporate it into our lives.

It does seem reading this that the author was actually pretty well-centred and understood the magic of the natural world, it was just through lockdown she lost her way a bit.  It wasn’t, for example, possible for her to engage with her group of female sea swimmers, missing both the social aspects and the myriad of positive boosts that sea swimming brings to the initiated.  The author takes a very elemental approach looking at Earth (take off your shoes- I did this quite a bit during lockdown as a way of centring myself amidst the madness of the world), Water, Fire and Air, with a nod to Aether in the Epilogue.  She provides interesting perspectives and I do get where she is coming from but I think I needed a bit more support from her burnt-out self to pull it all together for my burnt-out self.  I also realised when reading this that I’m not that particularly burnt-out anymore but I think this book would have had great power coming out of lockdown although I do acknowledge that it took so long to get any real sense of normality back that this free approach to living and the environment was just not possible then.

What we need to do is commit “to a lifetime of engagement: to noticing the world around you, t0 actively looking for small distillations of beauty, to making time to contemplate and reflect.” Spending time sharing how the author achieves this was very involving and she is very strong at crystalizing the special moments in some captivating writing but perhaps for me, personally, the sense of transformation and inspiration I was hoping for was not quite there.

Enchantment was published in 2023 by Faber and Faber.

Desire: A Memoir- Jonathan Dollimore (Rowman & Littlefield 2021)

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This is a revised and expanded edition of a memoir which first appeared in 2017.  Then it was around 192 pages long, now it comes in at 232 so there’s a significant amount of new material.

On first publication it was critically very well received.  Jonathan Dollimore has a background in academia and is a leading light in gender studies and queer theory.  He has also packed a lot of social life into his time on earth, has suffered periods of depression and is a gay man who later on in life had a fifteen year relationship with a woman and is a father of two daughters.

His memoir is a combination of the academic and autobiographical elements interspersed with his journal writings at the time.  I’m not sure which of these areas has been the most expanded.  It’s all loosely hinged around a study of desire in all its forms including risk, a desire to live dangerously, lust and romantic desire, to occasional desires for death.  The writing is forthright and pulls no punches but it is this linking the memoir to this theme which doesn’t always work for me.  I would have liked this to have been tighter or abandoned.

I was more attracted to the autobiographical elements here- the motorbike loving teen whose life changed direction following a serious accident who becomes a significant figure in higher education (there’s little of this part of his life here) and becomes immersed in gay subculture in London, Brighton, New York and Australia at a time before, during and after HIV changed everything.  Modern autobiographical writing seems to have developed a distinct style over the last few years and its one where we can be offered intimate details yet held back at some distance at other points.  I’ve mentioned this quite a bit recently with Jeremy Atherton Lin’s “Gay Bar: Why We Went Out ” and Armistead Maupin’s “Logical Family” immediately springing to mind.  I’m not convinced it should be possible to read a memoir and end up not feeling that you know very much about the person writing it.  I prefer the writer to really let us into their lives which is why I was so bowled over by Dustin Lance Black and Grace Dent who both made my 2020 Books Of The Year list. Having said all this, Dollimore’s writing is seductive and kept me interested even when I was not totally following the points being made.

My criteria is a 4 star rating is appropriate if I feel the book is worthy of revisiting and I think this is a book which will both remain with me and repay re-reading at some point so this fulfils this criteria.  Dollimore has a good publishing team which will ensure this book gets seen.  I was invited to read this probably because of the other similarly slanted autobiographical works I’ve read and had difficulty accessing a digital copy.  They continued to maintain a conversation with me and sent me a physical copy.  I like it when publishers go out of their way to recognise us bloggers and I was rewarded with a read which often resonated strongly with me.

Desire: A Memoir was published in May 2021 by Rowman and Littlefield.  Many thanks to the publishers especially Tim in the Marketing Department for going over and beyond in ensuring I had a review copy.

Logical Family: A Memoir- Armistead Maupin (2017)

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Armistead Maupin’s ground-breaking “Tales Of The City” is the book series I can’t bear to finish.  I’ve read most of them more than once but the final volume “The Last Days Of Anna Madrigal” remains unopened on my shelves .  Taken as a series its significance is phenomenal.  Written by an out gay man from the mid 70’s onwards with a diverse cast of characters it was devised initially for daily serialisation in a San Franciscan newspaper.  The type of characters Maupin created had never appeared in such a mainstream work before.  The first TV adaptation enhanced his reputation and was a thing of absolute joy and cemented his position as a LGBT+ icon.

Probably my favourite work of his is outside the “City” collection, his 1993 stand-alone “Maybe The Moon” was my favourite read of 1994.  It feels like Armistead Maupin has been with me for my whole adult life and I think that may be the reason why the last “Tales Of The City” novel remains unread.

Not everything has worked.  The 2019 Netflix reboot chose to bring his characters to the modern day alongside the next generation.  I uncharacteristically gave up on this after a couple of episodes as I could feel it tainting my memories of the original.  And it was with this experience quite fresh in my mind that I began this memoir.  Published in 2017 it’s been a bit of an under the radar book.  I don’t recall that much heralding of it on publication so I imagine it may not have been as commercially successful as the publishers would have liked.

For me, it is very much a book of two halves.  Maupin talks of a logical family which is what many of us need to find to thrive away from our biological family.  He grew up in conservative North Carolina with a racist, homophobic father and that upbringing makes tough reading.  I don’t think Maupin helps us out much here as stylistically I found it a bit of a slog.  There’s lots  of references which would resonate for those in the American South of those days but it all felt rather alien to this European reader.  I felt that when he was writing about his biological family he kept us at arm’s length and I didn’t really enjoy that distance.

It is when he moves to San Francisco that he discovers himself and the writing here took off for me as it did in his professional career.  I especially enjoyed his perspectives on others he met up with- Rock Hudson, Christopher Isherwood and his partner Don Bachardy and Harvey Milk.  I was drawn deeply into this book then.  His relationship with his parents develops a new dimension when they visit San Francisco when his mother is fading from breast cancer and they meet with his friends at the time of the assassination of Harvey Milk in what becomes a beautifully written poignant account and a point where the logical and the biological blend temporarily.

Armistead Maupin is a truly inspirational individual and as it progresses his memoir does become inspirational.  I wondered when starting it whether this might be the book I would always remember him for, as I am partial to memoirs, but it isn’t but it might encourage me to finish that almost complete series I started reading over 40 years ago.

Logical Family was published by Doubleday in 2017.

The Broken House- Horst Kruger (Bodley Head 2021)

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This is the first English translation of a German memoir originally published in 1966 as “Das Zerbrochene Haus” and subtitled “Growing Up Under Hitler”.  In the Afterword the author (who died in 1999) reflects that it was a book which was developed backwards, in a way.  As a journalist in 1964 he was invited to attend the Auschwitz trials.  This forms the closing section of the book and is the most powerful and it was his attendance which caused Kruger to look back on his life.  In the 1960s he was stunned by how perpetrators of unthinkable crimes at the concentration camp had assimilated into society before having to answer for their actions at the trials.  I think if this book had been written more recently this central moment would have been the starting point but back in 1966 Kruger chose to employ a chronological approach which leads from his childhood outside Berlin, in Eichkamp, in an apolitical family where his environment would have made the rise of Adolf Hitler seem even more extraordinary.  Alongside this are the family dramas, the suicide of his oldest sister in 1939 and his own dallying with resistance and its repercussions.

There is a sense of detachment throughout which may feasibly be from the translation but I would imagine it is from the original text which does affect the flow and holds the reader at arm’s length.  There is little of Kruger’s own participation in the hostilities, it jumps to the end of his war, and indeed, this is acknowledged by the author in the Afterword which was written in 1975 and reflects back on the work, but this absence of this part of his life does seem a little odd.

In parts, it is magnificent, especially the second half of the book where Kruger feels to be on more certain ground, the actual growing up under Hitler sections in Eichkamp can feel a little tentative but there admittedly would have been so much that the town’s inhabitants would have been unsure about at the time.  It is not quite the masterpiece I had hoped but the author provides many moments that will linger long in my memory.

The English translation of “The Broken House” is by Shaun Whiteside. The book is published on 17th June 2021. The hardback is published by Bodley Head, the e-book by Vintage Digital. Many thanks to the publishers and Netgalley for the advance review copy.

A Little Devil in America – Hanif Abdurraqib (2021)

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Ohio resident Hanif Abdurraqib is a poet, essayist and music critic and is both critically acclaimed and a good commercial proposition in his homeland.  This non-fiction work is something we’ve been seeing a fair bit of recently- a mash-up of memoir and analysis.  At times it feels like a collection of essays but I don’t think it is.  Linking the pieces together is the theme of the black performer in America and coming from that is the significance of dance.  Saying it like this, however, is very much simplifying matters.  Abdurraqib, being a poet sees things in terms of metaphor and the notion of dance and performance is used to touch on many aspects of the American experience, and especially the African-American experience.

Also, being a poet Abdurraqib does not see things the way many of us do, he has the ability to zoom in on a detail and expand out from that.  It’s often a moment in a life he finds fascinating and what it tells us about that particular life and the environment in which it was lived and that in itself is intriguing.  In terms of the performers examined there is a very good range and I find much of his writing illuminating.  With Aretha Franklin, he examines her funeral, and what the “sending home” of the ritual says of a life and then moves backwards to the filmed version of her live gospel recording “Amazing Grace”- the biggest selling gospel live album of all time.  With Whitney Houston he focuses on the response of the black audience and how that changed.  There’s a lively section about the antagonism between two demonstrative performers, Joe Tex and James Brown.  The issue of “blackface” is dealt with through William Lane known as Master Juba who Charles Dickens saw perform and how casual racism caused a latter day TV tribute by Ben Vereen to this black minstrel who performed in blackface to become meaningless because his performance was cut inappropriately. 

People who have not fitted in to what was expected of them are examined including Sammy Davis Jnr, Michael Jackson and the always amazing to read about Josephine Baker.

This is where this book is the strongest for me, a white British reader, I can see the common threads and follow the arguments.  When the author veers away from this central theme I miss the tightness of the structure although I am still impressed by the writing.

And the writing is impassioned, creative, energetic and very often enthralling.  Culturally, very few will get all the references initially because of the broad timescale Abdurraqib employs in this work.  If this looseness of structure and digressive style which I have mentioned before (most recently in “Gay Bar” by Jeremy Atherton Lin) is going to become commonplace I’m just going to have to get used to it because to ignore it would mean missing out on impressive, quality writing.

A Little Devil in America was published in the UK by Allen Lane on 30th March 2021.  Many thanks to the publishers and Netgalley for the advance review copy.

Gay Bar: Why We Went Out – Jeremy Atherton Lin (Granta 2021)- A Rainbow Read

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I really liked the premise of this non-fiction work.  Jeremy Atherton Lin explores, largely via memoir, the significance of the gay bar in the forging of the LGBTQ+ community, bringing with it a sense of belonging.  At a time when bars and pubs and nightclubs have greatly diminished in number and where the survival of those left is threatened by extended lockdowns and coronavirus restrictions it is important that we recognise these venues as part of our LGBTQ+ history, our present and hopefully, our future.

The author focuses on those places he knows well beginning in more or less present day South London, moving to the Los Angeles of his college days, back to London where he meets his long-term partner, referred to as Famous Blue Raincoat, to San Francisco where the two set up home together returning to London once civil partnerships becomes legal here, with a brief sojourn to the bars of Blackpool.

This book is strongest when it is dealing with history.  Initially, we are plunged graphically into the sleaze of the cruising bars in Vauxhall and then on to the Royal Vauxhall Tavern, an institution for generations, which does deserve its own thorough examination and the author does well to bring this extraordinary venue to life.  I used to frequent it regularly over 30 years ago and memories and the unique feel of the place is evoked by Jeremy Atherton Lin’s writing.

The focus on all the bars is great, I enjoyed the author’s perception of them at the time when he was frequenting them.  It is no fault of his, obviously, but you often get the sense that he has missed the boat, time-wise.  The LA of his college days is a pale shadow of its heyday, ravaged by the decimation of the gay population through AIDS and in most of the other areas he is visiting places past their prime.  This is due to chronology but in many ways it feels typical of the gay bar set-up, on a quiet night there will always be someone to tell you how busy it was the night before!

The author broadens his focus to encompass, well everything, and this is where the book slips for me.  He has much to say about the gay experience and it is extremely worth saying but it’s a scattergun approach of digressions and the books loses the structure I was enjoying so much initially.  It becomes a mish-mash of history, of gay culture, of memoir, of essay.  I would have got more out of the memoir aspect if I felt I knew more about the author and Famous but I was kept very much at arm’s length, which for biography doesn’t work that well for me.

 I do think that there is a tremendous book hidden in here with some extremely quotable passages which sum up the gay nightlife experience better than I’ve ever read.  Here are a couple of examples:

“It dawned on me that many of the people we used to know to say hello to we never really knew.  We just enjoyed recognizing faces.”

“Gays can relax in a gay bar, people will say, but I went out for the tension in the room.”

“We once flattered ourselves that all popular culture was subversively designed to amuse gay men.  It’s become apparent gay men are there to make popular culture amusing to everybody else”.

And with February’s LGBT+ History Month just behind us he quotes Michael Warner from “The Trouble With Normal” (1999), which is another reminder why our stories still need to be told;

“In the queer world memory is very fragile.  You don’t learn from your parents how the gay world is structured.  So there’s not a whole lot of intergenerational transfer.”

I think that this is a significant work but for me it was a little overpowering in its structure, the many elements did not mesh as well as I had hoped, so it just misses out on being a book I would want to keep on my bookshelves.  Just occasionally I wonder if I am too harsh in my judgements and that time will see a book linger in my memory, displaying a lasting power that I had not anticipated.  This might be one such book where I could become convinced to revise my opinion.  The audience for it is niche but that audience would certainly be drawn in by Jeremy Atherton Lin’s attack and relish of his subject.

Gay Bar was published by Granta on 4th March 2021.  Many thanks to the publishers and Netgalley for the advance review copy.

A Dutiful Boy- Mohsin Zaidi (2020) – A Rainbow Read

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With February being LGBT+ History Month in the UK it is still important that stories are being heard.  Coming out tales and the path to self-acceptance still have a fairly essential part to play for each new generation and in recent years we have seen accounts from those under-represented whose lives and backgrounds add a different dimension.  Some very welcome additions to this genre of writing have come from the Muslim community with 2019’s award winning “Unicorn” by Amrou Al-Kadhi and now this account subtitled “A memoir of a gay Muslim’s journey to acceptance” by LGBT+ activist and top criminal barrister Mohsin Zaidi. This is another of the titles that I have now got round to from my What I Should Have Read In 2020 post.

The most striking thing about the author is his tenacity and ability to never give up when the odds are very much stacked against him.  From a devout Shia Islam background with Pakistani parents and growing up in Walthamstow he showed early educational promise. As his family was unable to navigate the private school system he found himself in a secondary school where achievement was denigrated by his peers but somehow ended up as the first person from his school to go to Oxford University, studying Law.  There this East London Pakistani boy floundered amongst the rich and privileged before finding his own tribe – a group of friends who had some idea of where he had come from and who he was but they did not know the secret that he thought he would never be able to reveal, that he was gay.

For Mohsin, having the family find out would bring shame and probable disowning with his family’s disgrace spreading out into their wider community even affecting his younger brothers’ marriage prospects.  In order to function he has to shift away from his family’s values and religious beliefs to find his true self before opening himself back up to the cataclysm he believed was waiting for him should his sexuality be revealed.

It’s an incredibly difficult option, especially given the closeness of the relationship with his family which he at one point describes in a really effective metaphor. “Baby carriers provide the option of placing the infant so that he or she faces the parent or looks out, facing the world.  I imagined that most parents would choose to let their child see the world, whereas mine preferred I see only them.”

We know from the subtitle that there will be some movement towards resolution but it takes years and when it does come in some powerful scenes which signpost the way I found myself misting up.

I do feel that Mohsin Zaidi has fitted so much into his 35 years that there is a tendency at time to skim over the surface.  There are points in the book where I wanted more detail which would help us to really connect with the man/boy behind the situations.  I could tell here was a logical brain used to laying out the facts as befitting his professional status and his is a very welcome voice in British gay writing.

At times he can really hit home with a couple of sentences and I am going to leave the last words to him which makes for sobering reading and explains once again why our stories and LGBT+ History Month are so important.  Commenting on reports that the perpetrator of the 2016 Orlando gay bar shootings which killed 49 had pledged allegiance to ISIS prior to the event and was motivated by his disgust of his own sexual urges Mohsin says: “I had felt this hatred once.  Maybe if we weren’t raised to hate ourselves it would be easier not to hate the world.”

A Dutiful Boy was published in hardback by Square Peg in 2020.

Hungry – Grace Dent (Mudlark 2020) – A Real Life Review

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I know who Grace Dent is.  I occasionally read her restaurant reviews in The Guardian and in other publications over the years and she generally makes me laugh.  I know her as a talking head on nostalgia programmes reminiscing about a biscuit or forgotten gem of Children’s TV. I don’t know much more than that about her but my interest was certainly piqued by the arrival of this work.  Subtitled “A memoir of wanting more”, when I finished it I was the one who was certainly wanting more.

Grace won me over from the Epigraph which conveys the wisdom of Coronation Street’s Ena Sharples circa 1965; “When I was a little lass, the world was half a dozen streets, an’ a bit of waste land, an’ the rest was all talk.”  Grace’s all talk is an upbringing in Carlisle and the importance food played in her working class Cumbrian home runs throughout as she develops a palate from the tinned Fray Bentos pie to unimaginably posh food at top London restaurants.  As Grace moves into a world of journalism, London magazines, working with Piers Morgan (life’s not always a bowl of cherries, I suppose) she remains the girl who swung around lampposts waiting to be called in for her tea.

Her relationship with family is beautifully conveyed, especially her parents and particularly her Dad as he begins to slip away from them with dementia which as the book moves towards the present day has a potent pull on Grace’s priorities. 

It is full of superb observations on life and the recalling of the 80’s and 90’s is palpable.  I relished her reflections, such as the most significant person in eighties Cumbria being the woman who worked in the big Asda in Carlisle with the price reduction gun.  I like a memoir where the writer carries you along establishing points of common contact and yet telling their own story and I think Grace Dent does this brilliantly here. 

I haven’t enjoyed a food-based memoir as much since Nigel Slater’s “Toast” (2003) and like that book it is the people fuelled by the food who really are memorable.

Hungry was published by Mudlark on 29th October 2020.  Many thanks to the publishers and Netgalley for the review copy.