Ohio resident Hanif Abdurraqib is a poet, essayist and music critic and is both critically acclaimed and a good commercial proposition in his homeland. This non-fiction work is something we’ve been seeing a fair bit of recently- a mash-up of memoir and analysis. At times it feels like a collection of essays but I don’t think it is. Linking the pieces together is the theme of the black performer in America and coming from that is the significance of dance. Saying it like this, however, is very much simplifying matters. Abdurraqib, being a poet sees things in terms of metaphor and the notion of dance and performance is used to touch on many aspects of the American experience, and especially the African-American experience.
Also, being a poet Abdurraqib does not see things the way many of us do, he has the ability to zoom in on a detail and expand out from that. It’s often a moment in a life he finds fascinating and what it tells us about that particular life and the environment in which it was lived and that in itself is intriguing. In terms of the performers examined there is a very good range and I find much of his writing illuminating. With Aretha Franklin, he examines her funeral, and what the “sending home” of the ritual says of a life and then moves backwards to the filmed version of her live gospel recording “Amazing Grace”- the biggest selling gospel live album of all time. With Whitney Houston he focuses on the response of the black audience and how that changed. There’s a lively section about the antagonism between two demonstrative performers, Joe Tex and James Brown. The issue of “blackface” is dealt with through William Lane known as Master Juba who Charles Dickens saw perform and how casual racism caused a latter day TV tribute by Ben Vereen to this black minstrel who performed in blackface to become meaningless because his performance was cut inappropriately.
People who have not fitted in to what was might expected of them are examined including Sammy Davis Jnr, Michael Jackson and the always amazing to read about Josephine Baker.
This is where this book is the strongest for me, a white British reader, I can see the common threads and follow the arguments. When the author veers away from this central theme I miss the tightness of the structure although I am still impressed by the writing.
And the writing is impassioned, creative, energetic and very often enthralling. Culturally, very few will get all the references initially because of the broad timescale Abdurraqib employs in this work. If this looseness of structure and digressive style which I have mentioned before (most recently in “Gay Bar” by Jeremy Atherton Lin) is going to become commonplace I’m just going to have to get used to it because to ignore it would mean missing out on impressive, quality writing.
A Little Devil in America was published in the UK by Allen Lane on 30th March 2021. Many thanks to the publishers and Netgalley for the advance review copy.