Looking Around…..

For my last retrospective post I like to have a look around the blogosphere and see the books which have impressed other bloggers during the last twelve months. I always expect that there is going to be a modicum of consensus and that there would be the odd book which appears on Best Of the Year lists time after time, but this is rarely the case and it certainly is not so for this year when there’s a wide range of books being recommended but not often the same book in more than one list.

I follow around 70 blog sites and one trend I am seeing is that fewer and fewer bloggers seem to want to do this kind of end-of-year retrospective.  Personally, I love it and think it’s important to look back before cracking on with the new year.  So, I am very thankful to those who have reflected and singled out their best reads, despite reluctance to put them into any order.

I would like to think I could find one of my Top 10 books in another blogger’s list but for the second year running I have not been successful in discovering this. (No “Young Mungo”?  I’m staggered!).  In fact, many of the authors I was expecting to see were absent from other lists.  I couldn’t find mentions of these notables who put book out this year- Monica Ali, Hannah Kent, Kamila Shamsie, Ian McEwan, Donal Ryan, Jess Kidd, amazed to see no mentions of Joanna Quinn, whose debut novel “The Whalebone Theatre” felt such a great crowd-pleaser.    

Obviously, with so many books being published each year and bloggers having their own likes, contacts with publishers, different methods of getting the books they reviewed there are just too many great reads out there to provide much overlap.  However, there were three books which I did see cropping up.

One was from an author I did have in my Top 10, so we will start with her, Janice Hallett.  I really loved “The Appeal” but realise I was a bit late out of the blocks with this one and it was her 2022 publication “The Twyford Code” which was getting the nods (although Andrea at Andrea Is Reading did give “The Appeal” an honourable mention.)  Jen at Books on 7.47 did well to sum up the appeal of this author and her “devilishly clever plot that won me over.  A murder mystery that never stops throwing curve balls while giving nostalgic nods throughout.” Fi at Fi’s Bibliofiles says of it; “It manages to hide so many clues in plain sight and is incredibly subtle in its complexity.”  I think both these very well encompass Janice Hallett and I feel that what this author does to her readers is actually quite difficult to put into words.  Like me, Books On 7.47 has the new novel “The Mysterious Case Of The Alperton Angels” on her must read for 2023 list and Fi already had it as one of her favourite books she read in 2022, saving her review until the publication date in January.

Another title which impressed was the winner of the Novel Of The Year at the An Post Irish Book Awards “Trespasses” by Louise Kennedy which conquered over one of my Top 10 Books and previous winner of this award Donal Ryan.  Cathy at 746 Books describes it as being about “a woman caught between allegiance to community and a dangerous passion with an older man.” Karen at Booker Talk describes this debut as “an intense, engrossing tale of how small acts of kindness assume great political significance and put lives at risk.”   The third of these titles which kept popping up I had never heard of.  Australian blogger Kim at Reading Matters singled out “Limberlost” by Robbie Arnott as a tale of “kindness loss, love and family”.  Set in rural Tasmania in World War II, Cathy at 746 Books felt the need to give it a special mention even though she had not finished it at time of writing.  In what seems like an excellent recommendation she said “In a week where I have a lot to do all I wanted to do is read “Limberlost.” That’s good enough for me to put this book on my Want To Read list.  Cathy cannily has three lists of end of year recommendations, one from her To Be Read Pile, one of Irish authors and one of new reads.  Within her new reads picks there is one that I highlighted in my Books I Should Have Read in 2022 post, The Booker shortlisted “The Trees” By Percival Everett, which she feels should have won the Prize as well as “Trust” by Hernan Diaz which was the book that topped the number of US recommendations in Literary Hub’s round up of end of year lists alongside “Tomorrow And Tomorrow And Tomorrow” by  Gabrielle Zevin which was a favourite of Andrea Is Reading. (Andrea also singles out “Happy Go Lucky” by David Sedaris which has a sublimely creepy cover and reminds me yet again that this year should be the year I really crack on with this author’s work.)

I like older titles being incorporated in the lists.  The aforementioned Cathy reminded me of a book I really loved when I read it decades ago- William Trevor’s “Children Of Dynmouth” and I now want to re-read this as well as the copy of his short stories I have on my bookshelves.  There’s also an acknowledgement of the greatness of Larry McMurty’s “Lonesome Dove” which is described as “violent, frightening, funny, heartbreaking and transcends the genre” and which if a certain someone is reading this who has recommended this book to me so many times will no doubt tell me “See, I told you it was good!”

Lynne at Fictionphile picks four titles which all seem highly readable to me – “The Keeper Of Stories”- Sally Pope, “Mrs England”- Stacey Halls, “A Quiet Life” – Ethan Joella and “The Winners” – Frederick Backman.  Matthew at My Mashed Up Life goes for three – the critically acclaimed “Lessons In Chemistry” by Bonnie Garman (I knew I’d find this somewhere), French novel “Heatwave” by Victor Jestin (a tale of tormented adolescence and I do love these) and “How To Kill Your Family” by Bella Mackie, which I have sitting on my Kindle waiting to be read. 

I do love it when people can pick their absolute favourite because their enthusiasm does make me want to read it, even if it wouldn’t normally be on my radar.  Linda at Linda’s Book Bag plumps for “Echoes Of Love” by Jenny Ashcroft which she says “encompasses so many forms of love- and hatred- is authentic in time and place and has such relevance for what is happening in today’s world that I couldn’t fault it” and FictionFan’s Book Reviews ( a site which has given me so much pleasure since before I started reviewsrevues nearly 8 years ago) is so enthusiastic about sixteenth century Scottish set “Rose Nicolson” by Andrew Greig describing it as “one of the outstanding books of my long lifetime of reading” that I don’t know how anyone can avoid putting that onto a must-seek-out-list.

Anyway, I think that’s enough of looking back to 2022 and start to get on with the reading joys 2023 has in store.  Just want to thank these other bloggers for keeping up the good work.  Long may it continue!

Top 10 Books Of The Year 2022 – Part Two – The Top 5

Here are my five favourite books that I read in 2022:

5. Once Upon A River – Diane Setterfield (Black Swan 2018)

(Read and reviewed in October)

This is the third novel from a British author I had not read before and what story-telling!  I found this tale of a drowned girl who comes back to life in the 1880s and its setting of a stretch of the Thames between Cricklade and Oxford absolutely captivating.  I said; “It is beautifully rich, imaginative, involving and operates on the thin line between myth and dark reality.  I was spellbound by this book.”  Looking forward to reading more by this author in 2023.

4. The Appeal – Janice Hallett (Viper Books 2021)

(Read and reviewed in January)

I knew I had missed out on something good when I put this book in my “What I Should Have Read in 2021” post.  I had felt it calling me from a table of new titles at Waterstones.  I liked the look of this book, even though it’s not the kind of book I read regularly.  At that time I decided not to merely judge it by its cover but when I saw it in the library in January this year I snapped it up.  It’s clever, funny, and so well structured.  In my review I said “If we are considering this debut in the “Cosy Crime” genre then this is the best “Cosy Crime” book I have ever read.” Her follow-up “The Twyford Code” appeared this year and was good but did not blow me away like this did.  Her new novel “The Mysterious Case Of The Alperton Angels” is out in January.

3. Great Expectations – Charles Dickens (1861)

(Read and reviewed in December)

A re-read but I had left it probably over 40 years.  The plot of this novel feels like it has been with me for the whole of my life, both from the book and film adaptations (apart from the ending which I always have trouble remembering).  In sections this is the best book I have ever read in my life but then there are sections that fall flat making it an uneven gem, but it is still a gem.  Perhaps it is a casualty of the way in which Dickens’ novels first appeared with a certain amount of padding mid-way through to keep the issues coming.  I feel that it should be Dickens’ best work- but it isn’t, but it is up there amongst his very best.  Pip, Miss Havisham, Estella, Joe, Magwitch – what characters!

2. Let’s Do It – Bob Stanley (Faber 2022)

(Read and reviewed in August)

Two books with the same title in my Top 10.  What are the chances?  Luckily, both have subtitles and this one explores “The Birth Of Pop” and it is my non-fiction pick for this year (I think I have to go back to 2010 and Vince Aletti’s “The Disco Files” to find a non-fiction work I have enjoyed as much).  This is a real labour of love and involved so much research for music journalist, founding member of Saint Etienne and DJ Bob Stanley.  Thousands of books have been published about the music industry post-Beatles (the author published a very thorough, critically acclaimed one “Yeah Yeah Yeah” himself about decade earlier – which I am currently reading) but this charts the development of popular music from its very origins to the point where Beatlemania came in.  Pop music is seen as transient and temporary but these developments inform everything that has come afterwards and so is a very important, totally fascinating history.  Beginning with Ragtime and Joplin’s “Maple Leaf Rag” the first million selling sheet music from 1899 he explores the major musical shifts and the major players with insight, humour and with love.  This book had me seeking out all sorts of artists on Spotify.  I felt Bob really knew what he was writing about and was able to convey his views so well and this for me was a real treat.  The Telegraph had this book at number 8 in their Books Of The Year list.

1. Young Mungo – Douglas Stuart (Picador 2022)

(Read and reviewed in April)

Well, this is unprecedented. I’ve never given my Book Of The Year to the same author before and here is Scottish writer Douglas Stuart doing it two years in a row with his first two novels.  “Shuggie Bain” – a Booker Prizewinner (and this would be a serious contender for best ever  Booker winner ever in my view) blew away all the competition for me last year and I do believe that “Young Mungo” is even better. It’s the best book I have read for 5 years.  It wasn’t Booker shortlisted and it didn’t get as much critical approval because some saw it as more of the same, but I really don’t understand that this is a criticism.  Some did get it- It is appearing in a healthy selection of Books Of The Year list – The Telegraph had it at number 34.  Emily Temple at Literary Hub produces an Ultimate Best Books list which counts the number of times books make the end of year lists in American publications and this makes it onto six lists, which earns it an Ultimate nod (the highest 14 was achieved by two novels Hernan Diaz’s “Trust” and Gabrielle Zevin’s ubiquitous “Tomorrow, And Tomorrow, And Tomorrow”).  I said “I never thought I’d feel more sympathy towards a character than Shuggie, but Mungo, with his facial tics, unsuitable attire and devotion to a mother whose actions are consistently poorly-judged tops it.” I also felt “I did finish this feeling emotionally purged finding moments that I did not really want to read on from but ultimately being totally unable to take my eyes off the book.”  That for me represents an ultimate reading experience. Congratulations to Picador for publishing my ultimate favourite two years in a row. Over at Bookshop.org you can find Douglas Stuart’s list of the books which inspired him during the writing of this novel

So, Douglas Stuart makes it onto my Hall of Fame for the second time.  Just for some context here are my other top titles going back to 2008

2022- Young Mungo – Douglas Stuart (2022) (UK)

2021- Shuggie Bain – Douglas Stuart (2020) (UK)

2020 – The Great Believers – Rebecca Makkai (2018) (USA)

2019 – Swan Song – Kelleigh Greenberg-Jephcott (2018) (USA)

2018- The Count Of Monte Cristo – Alexandre Dumas (1845) (France)

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Special mentions for the five 5* reads which did not make it into the Top 10. In any other year these would have been assured Top 10 places: The Manningtree Witches – A K Blakemore (2021); The Governor’s Lady – Norman Collins (1968) – narrowly missing out on a 3rd successive Top 10 title; Rainbow Milk – Paul Mendez (2020); Miss Hargreaves – Frank Baker (1939); Fire Island – Jack Parlett (2022)

Here’s to some great reading in 2023.

If you missed out on the other books on my Top 10 you can read about them here.

Top 10 Books Of The Year 2022 – Part One (10-6)

I read 61 books this year which is a bit down on the last couple of years and short of my Good Reads goal of 70.  I retired from paid employment in 2022 and I thought that would mean I would have more time for reading – that obviously hasn’t proved to be the case.  Out of these 61 books, 15 got five star ratings which I think is the highest figure for top ratings I’ve ever given, which made picking the Top 10 from these very worthy books very difficult.  As always, if I’ve read it this year it is included, even if it was published in a previous year, or in the case of one of the titles below, due to be published in 2023.  There are 3 books on the list which were published in 2022, which seems to be the typical figure in these Top 10s. 

So, 61 books, 15 five star ratings, 31 four star reads and also 15 three stars.  59 of these have already been reviewed on the site and they can be found by scrolling through or using one of the two indexes – two titles, including one of the top 10 have not yet had their full reviews appear as I am holding out to nearer to the publication date in January 2023.  I spent quite a considerable time thinking about the books I’d  read this year in forming my Top 10 and once I had assigned positions I felt a little uneasy.  Last year I had a diverse list with a 50-50 gender split, 40% black authors and 30% identifying as LGBT+.  Although the latter figure stays the same there is a drop in both female and black writers (and no black female writers).  In fact, I thought the gender imbalance was unprecedented but this list matches my 2014 choices with which I launched reviewsrevues.com.  I’m not sure whether this is just a blip this year, I must admit some of the big female authored titles did not appeal to me, for example Bonnie Garmus’ “Lessons In Chemistry” was a title I’d had recommended to me and I know it’s one which will feature in many end of year lists but I couldn’t get beyond the very female orientated cover (nor the title actually).  I like to read a balance of books, fiction, non-fiction, newly published and backlisted titles written by a diverse range of authors and this will continue in 2023.  Three of the Top 10 are non-fiction and there are two debut novels and a chunky 50% of the authors have previously featured in my end of year best of lists, which may illustrate that in a year when I have had a lot of upheaval, moving house, relocating to a new area and leaving work I have been more likely to choose authors who have impressed me in the past. 

Here is the first part of the list 10-6.  Don’t be too shocked by the lack of female authors, there is more of a balance in the Top 5.  If you would like to read the full review (and I hope you do as these are the books I want to clamber onto rooftops and shout about) just click on the title.

10. The Queen Of Dirt Island – Donal Ryan (Doubleday 2022)

(Read in July, reviewed in August)

This is Irish author Donal Ryan’s second appearance in my Top 10.  His debut “The Spinning Heart” was my runner-up in 2013.  He has a real skill with characterisation.  In both the books of his which have blown me away he brings a whole community to life.  He is able to establish rich characters in a short space of time and he certainly does this here with his tale of four generations of a family from rural Tipperary.  It is set in the same location and with some of the same characters as “Strange Flowers” which won the Novel Of The Year Awards at the Irish Book Awards.  This was also shortlisted for the same award in 2022 but lost to “Trespasses” by Louise Kennedy.  I think it is a superior companion piece to “Strange Flowers” (and also works fine as a stand-alone).

9. My Revolutions – Hari Kunzru (Penguin 2007)

(Read and reviewed in December)

This is also British writer’s Hari Kunzru’s second appearance in my end of year Top 10, with his 2004 novel “Transmission” making it to number 3 in 2010.  This was perhaps my biggest reading surprise as I wouldn’t have thought this tale of radicalism in late 60’s/ early 70’s England would have appealed.  I was totally captivated by the story-telling and thought it was so rich a novel.  It skipped around in time, which I know some readers do not like but I think it worked really well here and each time-frame was as interesting as the others.  I described it as a book which explores “fighting for what you believe in and how easily idealism can become tainted so that the brave new world once thought possible goes increasingly out of reach.” In terms of scope I felt echoes of Ian McEwan’s 2022 publication “Lessons” but I think this is the stronger novel.

8. Let’s Do It – Jasper Rees (Trapeze 2020)

(Read and reviewed in April)

The authorised biography of Victoria Wood- this is a big book which I knew I was going to like, enough to get me forking out for a hardback edition.  Rees gets the split between the private and public person across so well and this was a big thing for Victoria, who privately was far removed from the bubbly confidence of perhaps the greatest British comedian of all time.  Rees celebrates her as a pioneer, which she undoubtedly was.  I described this as “the definitive biography of Victoria Wood, no one else need bother.

7. Dickens- Peter Ackroyd (Sinclair Stevenson 1990)

(Read and reviewed in March)

And talking of big books, this was my only 1000+ page read of the year, so thank goodness I loved it.  I suspected I was onto a winner as Ackroyd is my third most read author of all time and has made 6 previous appearances on my End of Year list (although not since 2010).  In fact, I had read this before in an edited edition but this full account of the life of Dickens is the real deal and made a greater impression.  It is just so thorough and really got me wanting to revisit the work of Dickens (as well as more Ackroyd).  It’s not actually the author’s best book- I’ll still give that to “London: The Biography” which was my book of the year in 2002 but it is extremely impressive and in the lengthy time it will take you to read this book (five weeks for me) you will be in the hands of a master biographer.

6. The New Life – Tom Crewe (Chatto & Windus 2023)

(Read in December. To be reviewed)

Advance warning for this outstanding debut which will be published in the UK on 12th January.  The author is a former editor of the London Review Of Books and he puts his literary awareness into play with this Victorian set novel which is described as “a daring new novel about desire and the search for freedom in Victorian England.”  My full review of this will follow in the New Year.  Expect comparisons to  “The Crimson Petal & The White” and “The French Lieutenant’s Woman”- two of my all-time favourites.

I hope this has whetted your appetite for my next post – The Top 5

100 Essential Books – Great Expectations- Charles Dickens (1861)

It’s been a good few years since I’ve read any Dickens novels (15 to be exact when I stumbled through “The Mystery Of Edwin Drood”) but I was certainly keen to do so after reading Peter Ackroyd’s majestic biography earlier this year.  I hadn’t read “Great Expectations” since I was at college and rediscovering this now has put Dickens back up into my Top 3 most-read authors (ironically leap-frogging over his biographer Peter Ackroyd). 

I have had a copy of this on my shelves for decades.  When I was 18 an Aunt bought me the introductory offer for a Charles Dickens book club from Heron Books.  I bought a few more myself over the next few months but became miffed that some of the bigger books were printed in two volumes and thus cost twice as much and so cancelled my subscription.  My aunt had thought it sensible that I should buy books that would last rather than paperbacks and she was right as my one chunky volume of “Great Expectations” has certainly lasted.

Once again my feelings about this, Dickens’ 13th and penultimate finished novel have been confirmed.  In the first part, really up until Pip goes to London, we not only have Dickens’ best writing and story-telling but one of the greatest opening sections of any novel ever.  (Ditto the 1946 film version which scared the living daylights out of me as child and may be one of the reasons why my response feels so entrenched).  The encounter on the marshes, the Christmas meal, the capture, Miss Havisham and Estella are all exceptional moments.  When Pip moves to London with his Great Expectations intact (or when John Mills becomes Pip in the film) the disappointment  begins to creep in.  His relationship with the Pocket family, Wemmick and his aged parent, Drummle and Startop would probably  involve me more in other of Dickens’ novels but here it feels like he is treading water, in reality, keeping the monthly editions churning.  Admittedly, as the plot thickens when Pip is faced with the truth about his fortunes things certainly pick up if not quite to the level of the sheer magnificence of the opening.

This does, however, taken as a whole, remain one of Dickens’ greatest works and deserves a lofty place in the canon of English Literature.  It is one of the great first-person narratives.  There is the controversy of the three endings which Dickens wrote, which I can vaguely recall but always find myself having to look up the information about that because I can’t seem to retain how they are different (although I do know how this aspect influenced John Fowles’ “The French Lieutenant’s Woman”).  The version I read favoured the third ending, although this is apparently not always the case in the published editions available.  I think, being of a cynical nature, I might have approved of the less happy ending which Wilkie Collins persuaded Dickens to revise- I’m not sure Estella could ever be trusted.

First published in 1861.  “Great Expectations” is available in many versions in all formats.

100 Essential Books – Once Upon A River – Diane Setterfield (Black Swan 2018)

I used to read this kind of atmospheric, richly told novel imbued with a hint of magic quite regularly but for every gem like “Jonathan Strange And Mr Norrell” by Susanna Clarke, “The Mermaid And Mrs Hancock” by Imogen Hermes Gower and “Things In Jars” by Jess Kidd there were many others that fell so short that they switched me off and stopped me selecting books of this type as often.

I think this is why I have not read any of Diane Setterfield’s novels up to now, if this, her third novel, is anything to go by I have really missed out. 

There is outstanding story-telling here.  The novel is set on a stretch of the River Thames between Cricklade and Oxford in the 1880’s centering on The Swan pub at Radcot.  It is here that story-tellers meet to regale each other with tales of local folk, events and particularly the mysteries of the river and on a Summer Solstice evening they become part of their own tales when a badly injured man appears with the body of a drowned girl.  Nobody knows who they are and things take a momentous turn when the dead girl comes back to life.

The repercussions of this spread along the Thames.  The event and the child herself proves a great pull for some residents and this is their tale.  It is beautifully rich, imaginative, involving and operates on the thin line between myth and dark reality.  I was spellbound by this book.  Excellent characterisation of those involved on that night and those who hear about it.  This is a confident skilful writer, who, very early on, like the best story-tellers will have readers entranced.  A definite five star read and I am looking forward to reading her earlier two novels.

Once Upon a River was published in 2018 by Doubleday and as a 2019 paperback by Black Swan.

Looking Around…….

For my last retrospective post, looking back over 2021 I like to have a look around the blogosphere and see the books which have impressed other bloggers during the last twelve months. I always expect that there is going to be a modicum of consensus and that there would be the odd book which appears on Best Of the Year lists time after time, but this is rarely the case and it certainly is not so for this year when there’s a wide range of books being recommended but not often the same book in more than one list.

I can usually find one of my Top 10 books in another blogger’s list but this year I have not been successful in discovering this. I might have thought that it was me, that I was out of touch, or that I’d read the wrong books this year but there are so many lists with no overlaps that I am certainly taking nothing personally!

There’s just a couple of titles I’ve seen appearing more than one list, both feature in the Top 5 of Jen at Books On The 7.47, Yaa Gyasi’s “Transcendent Kingdom” and Torrey Peters’ “Detransition, Baby” . Also on this list is one that I’ve highlighted as wanting to read (on my Looking Forward list for 2020), the Women’s Fiction Prize winning “Piranesi” by Susanna Clarke (I do it have sat on my Kindle waiting for me) as well as the non-fiction 2021 publication from an author I read for the first time this year, Bernardine Evaristo. and her “Manifesto: On Never Giving Up”. Megan Hunter’s “The Harpy” (I’m not sure if I’m thrilled or appalled by the front cover of this one) makes up a good-looking Top 5 here.

There have been a couple of nods to books that have made my Top 10’s in the past. Jessica at The Bookworm Chronicles has one of my former Books Of The Year “The Count Of Monte Cristo“, acknowledging that it took her 3 months to read in her Top 10, Jacqui Wine’s Journal has selected my 2016 #3 “Black Narcissus” by Rumer Godden, Bookish Beck has “Ethan Frome” by Edith Wharton (#7 in my 2014 list) on her Backlist reads and Kim at “Reading Matters” has “The Memory Police” by Yoko Ogawa my 2020 #4 in her list. She also has a couple of books that I read and enjoyed but which didn’t make my Top 10 this year, the Booker Prize winning “The Promise” by Damon Galgut, and “Mrs March” by Virginia Feito. These two are also on the Top 8 New Books list produced by Cathy at 746 Books who also has Ira Levin’s “A Kiss Before Dying” in her Books on her Shelf list. I really loved that when I read it as a teenager and must give that another go, especially as re-reading his “Rosemary’s Baby” was such a good experience. At “Reading Matters” I was also reminded me once again of a book that I’ve wanted it to read since I highlighted it pre-publication back at the start of 2019, Graham Swift’s Brighton Pier set “Here We Are”. There’s also a book from the 1930’s which I haven’t heard of before but which also is acknowledged at Jacqui Wine’s Journal “The Fortnight In September” by R C Sheriff based on a family holiday to Bognor, which sounds like it might be right up my street and worth investigating in 2022.

Margaret at “Books Please” went for another book I really enjoyed which didn’t quite make my Top 10 cut Ambrose Parry’s “Corruption Of Blood“. Also in her list is one which my very good friend and work colleague and Video Blog partner Louise had been recommending I read all this year, (she is always brimming with excellent recommendations as can be seen on our World Book Night YouTube posting which can be found here), I also know this is by Graham Norton’s favourite author, Mary Lawson, and her Booker longlisted “Town Called Solace”.

Many of the bloggers I’ve looked at seem reluctant to pick out their ultimate book of the year. Those that have include Bookish Beck who has gone for “Living Sea Of Waking Dreams” by Richard Flanagan, who I have still never read, Linda’s Book Bag has “Always In December” by Emily Stone, Andrea Is Reading has gone for the book which was also the Daily Telegraph’s Book Of The Year “Crossroads” by Jonathan Franzen, which seems to have generally split those I know who have read it, so it might be The Marmite Book Of The Year (love it or hate it). Fiction Fan’s Book Review’s Literary Fiction pick is Patrick McGrath’s “Last Days In Cleever Square”. There’s a dead heat at “Novel Deelights” between “Wolf Den” by Elodie Harper and “Project Hail Mary” by Andy Weir.

On JacquiWine’s Journal’s aforementioned recommendations there ‘s one from my Books I Should Have Read In 2021 post “Mayflies” by Andrew O’Hagan as well as one I’ve recently bought “Passing” by Nella Larsen which brings back the quandary I am in as to which I should do first, read the 1929 novel or watch the 2021 critically well-received film adaptation which is on Netflix in the UK. Another that is waiting on my Kindle is a book which made Fictionphile’s Top 4, “Last House on Needless Street” by Catriona Ward together with a book the aforementioned Louise has said really gripped her between Xmas and New Year “The Searcher” by Tana French, an author I must certainly investigate this year.

So many links in this post! I think it’s important to link up some of us who are out there promoting great reads at the start of the year. Right, let’s get on with some reading!!

Looking Back…..Looking Forward

This is my end of year report, looking back at the 10 titles I had eagerly anticipated last year and seeing how many of them I actually got around to reading as well as picking ten more choices for 2022. In 2020 I got round to reading five out of the ten titles , in 2019 three out of the ten and four out of ten the year before. Let’s see how I did in 2021.

Memorial – Bryan Washington (Atlantic Books)

I read this in January, the month it was published, and it was my first five star read of the year and narrowly missed out on my end of year Top 10. I’d read Washington’s prize-winning short story collection “Lot” but this cranked up to a higher gear for me. The central male couple straddle cultures and the set-up leaves Black American Benson with his partner Mike’s Japanese mother, who he had never previously met, whilst Mike goes to Osaka to be with his dying father who had deserted the family years before. Cue much family tension and bonding over cooking.

The Prophets- Robert Jones Jnr (Quercus Books)

An astonishing debut which ended up as number 2 in my end of year list with its haunting appeal hanging over me from January for the rest of 2021. I said “it could very well become a contender for the twenty-first century Great American novel.” I hope this becomes a big seller in paperback when it is published later this month.

Girl In The Walls- A J Gnuse (4th Estate)

This was a four star read for me in March. Debut writers are really having to be original and inventive to stand out from the crowd and Gnuse certainly did this with his creepy thriller. 11 year old Elise lives in the space of a house she formerly lived in, now owned by a new family and their teenage boys. Nobody suspects she is there until a younger boy turns up unannounced to the house. This is a high-quality commercial thriller which will really have readers holding their breath.

Lamplighters – Emma Stonex (Picador)

This is a book that seems to have done quite well sales-wise since I read it in February. I’ve asked a few people who read it their opinion and it feels that it doesn’t quite match the expectations which readers have when starting it. I found it entertaining but it did not blow me away and I gave it a three star rating. The 1970’s lighthouse setting is great, as claustrophobic and intense as you might expect. A modern day narrative strand sets out to explain what is set up as a classic locked-room mystery. I said at the time; “After months of lockdown I think we are all in a better position to appreciate better Stonex’s writing and have stronger ideas of these lives than we would have done a year or two ago, making this a very commercially apposite proposition.”

Hot Stew-Fiona Mozley (John Murray)

I rated this three stars in March, an enjoyable urban tale which is very different from the author’s Booker shortlisted debut “Elmet” and I applauded the author for that. Early reviews compared to it to a modern day Dickens, I said of this. “It’s all likeable and in a way I can appreciate those that are seeing this as modern day Dickens but it all feels a little unresolved which Dickens would not be.”

Many Different Types Of Love – Michael Rosen (Penguin)

Read this in March and gave it a five star rating with it ending up at number 4 in my Books of The Year. I said “This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic.” Moving, funny and with loads of heart from Rosen and those who cared for him.

Kitchenly 434- Alan Warner (White Rabbit)

This one passed me by. It got good reviews so I will hopefully get round to this butler and rock star tale. This year saw a well-received film adaptation of the book of Alan Warner’s I’ve read which I love “The Sopranos” retitled “Our Ladies” which suffered from multiple rescheduling because of the pandemic which I also haven’ t seen but hope to do so.

Harlem Shuffle – Colson Whitehead (Fleet)

Like Fiona Mozley, here was an author who did something very different, with this book I rated three stars in September, an understated crime novel which featured on quite a few end of the year lists but I think perhaps my own expectations were a little too high which led to me feeling a tad disappointed. I said “I found plot development a little stop-start and the novel does not flow as well as I would have hoped.” 

People Person – Candice Carty-Williams (Trapeze)

This was scheduled for September but didn’t materialise. I’ve seen it listed on the BBC news website “Books To Look Forward To In 2022” and it is now due for publication at the end of May.

Diary Of A Suburban Lady – Lucy Mangan (Souvenir Press)

Retitled “Are We Having Fun Yet?”, I certainly did when I read it in September and rated it four stars. Written in diary format, I said  “It is a very commercial work, written in a genre where fans will be loyal and supportive, it feels fresh and contemporary, so it’s a shrewd move which could sell very well indeed.” The paperback is due in June.

Woo-hoo! That’s 8 out of 10 read and one of those I couldn’t read because it hasn’t been published yet. Here are ten more titles which have attracted my attention pre-publication and I will certainly be looking out for in 2022.

The Heretic – Liam McIllvanney (Harper Collins) ( due out on 20th January)

Follow-up to Scottish Crime Book Of The Year “The Quaker” which I read back in 2018 which introduced DI Duncan McCormack in a late 60’s Glasgow setting. This location was the setting for my current Book of The Year. Could McIlvanney’s Glasgow make it two in a row? This book shifts forward in time to the mid 70’s. Last time round I was impressed by the feel of the period and the character of McCormack so this is certainly one I want to read.

Devotion – Hannah Kent (Picador) (due out on 3rd February)

It’s been five years since Hannah Kent’s last novel “The Good People“. “Devotion” is her third, I’ve read both her others and have given them four star ratings. Set in Prussia in 1836, I’ve found Kent’s previous works to “be saturated with the feel of the times” so expect real authenticity in its setting. We are being promised “a stunning story of girlhood and friendship, faith and suspicion, and the impossible lengths we go to for the ones we love.

Love Marriage – Monica Ali (Virago) (due out on 3rd February)

This is Monica Ali’s 4th novel. I haven’t read her, inexplicably, since her most famous novel, 2003’s “Brick Lane” ended up as runner-up of my favourite reads of 2004. Featuring doctors as the main characters this is being touted as “a story about who we are and how we love in today’s Britain – with all the complications and contradictions of life, desire, marriage and family. What starts as a captivating social comedy develops into a heart-breaking and gripping story of two cultures, two families and two people trying to understand one another.” That description certainly get the thumbs up from me.

Flicker In The Dark – Stacy Willingham (Harper Collins) (due out on 3rd February)

A debut book already picked up for a television adaptation. This is a tense, edge of the seat thriller. I don’t actually read that many of these but there is something about this Louisiana swamps set serial killer tale which I find very appealing. I like small town mentality in my thrillers, where everyone knows everything about everybody and apparently this book will really deliver on this. Author Jeffery Deaver has said of it; “Author Willingham takes us on an unstoppable journey through the psychology of evil, and of courage (in many senses), all told in a pitch-perfect literary style.”

A Good Day To Die – Amen Alonge (Quercus Books) (due out on 17th February)

Another debut with a big buzz, the first in a British crime series which will feature a character called Pretty Boy and his desire for revenge. It’s being talked about as a British version of “The Wire” and we can expect it to be gritty, brutal yet full of dry humour. The author is currently training to be a solicitor but might find himself needing to change the day job if this book really takes off in the way some suspect it will.

Mother’s Boy – Patrick Gale (Tinder Press) (due out on 1st March)

A Cornish historical novel from a writer who can really impress me and who is a great storyteller. I think, judging by what I’ve read it is a fictional account of the life of poet Charles Causley focusing on his war experiences. His last novel, 2018’s “Take Nothing With You” was the best of his books I have read and featured in my 100 Essential Books strand. I hope this will be as good.

Mouth To Mouth- Antoine Wilson (Atlantic Books) (due out on 3rd March)

Lots of praise for this American author’s first novel already. The story of an author who wants to find out more about a man’s life he saved. Andrew Sean Greer who wrote “Less” which won him both a Pulitzer Prize and a four star review from me says it is; “the best book I’ve read in ages. Narratively ingenious, delicately written, intriguingly plotted, it is literature of the highest quality. I see you now, dear Reader, with this novel in your hand and already losing track of time “ That is an impressive recommendation.

Memphis – Tara M Stringfellow (John Murray) (due out on 7th April)

A debut from African-American writer who here explores three generations of a Memphis family. It comes with a recommendation from my runner up for Book Of The Year author Robert Jones Jnr who describes it as having “an endearing and unforgettable cast of characters who find strength in vulnerability, safety in art, and liberation in telling the truth.

Young Mungo – Douglas Stuart (Picador) (due out on 14th April)

The author of my Best Book of 2021 looking to make it two in a row. A love story between two men from working class Glasgow- one Catholic and one Protestant. The publishers are promising “a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.” Considering how well everything was handled in the Booker winning “Shuggie Bain” I have high hopes for this one.

Theatre Of Marvels – Lianne Dillsworth (Penguin) (due out on 28th April)

A debut from a Black British author. I love a Victorian London setting and anything with a hint of the Gothic and here the author is said to come up with the goods in her tale of an actress from Crillick’s Variety Theatre. The author has an MA in Victorian Studies and early reviews are praising her ability in bringing the setting and location to vivid life. There’s a real buzz about this author and this book which will continue to build up to publication.

That’s 10 books to look out for all in the first four months of the year with that date of 3rd February looking like a good one for book-lovers. Here’s to lots of good reading in 2022!

Top 10 Books Of The Year 2021- The Top 5

Happy New Year! I’m celebrating the start of 2022 by having a look back at my favourite reads of 2021. Those I rated between 10 and 6 can be found here. On with the Top 5!

5. The Echo Chamber – John Boyne (Doubleday 2021) (Read and reviewed in July)

No stranger to my end of year Top 10, John Boyne wrote my 2017 book of the year “The Heart’s Invisible Furies” (2017) was runner-up in 2018 with “The Boy In The Striped Pyjamas” (2006) and also made it to 4th that same year with his 2018 “A Ladder To The Sky“. These were all very different books and this biting comic satire was also very much a departure and inspired by social media response of his YA novel “My Brother’s Name Is Jessica“. This is an author who loves to take risks and I like that. Reviews, have unsurprisingly, because it is such a departure, been a little mixed and I can understand why some people have thought this fell short of what they were expecting from Boyne. I however, stand by my description of it as “a great comic novel of our time which should provide a great tonic for these strange times we live in“.

4. Many Different Types Of Love – Michael Rosen (Penguin 2021) (Read and reviewed in March)

This was the best non-fiction work I have read this year. I’m not sure how ready I am to read about the Covid-19 pandemic, it might still be a little too much too soon but I was certainly prepared to make an exception for this collection of prose poems from a writer I very much admire who nearly became a Covid death statistic. His writings on his illness and recovery are interspersed with extracts from a diary those caring for him maintained to show him how much they cared. I said of this “These people were exhausted, often redeployed from their usual job and no doubt stressed beyond belief but they made the time to communicate with this comatose man in this way and these diary entries form an extremely moving section of the book.” There’s much humour in the darkness and when I read this on the anniversary of the first lockdown I felt strongly that; “When we are moaning about lockdown restrictions and posing conspiracy theories it’s important to feel the voice of those affected and Michael Rosen’s experience speaks for the thousands who have been similarly affected and for those thousands we have lost.” This was a title I had highlighted from the start of the year and I did think it would end up as one of the year’s biggest sellers, with numbers comparable to Adam Kay. This hasn’t happened which suggests that maybe we are not all totally ready for this yet but it will be a lasting testament both to the man and the times in which we have been living.

3. The Vanishing Half – Brit Bennett (Dialogue 2020) (Read and reviewed in June)

Here’s one I kept flagging up before I got round to reading it. I featured it in my “What I Should Have Read In 2020” post and in my “Looking Around” post so I was building up the expectations. It delivered. Two twin girls escape their small time life for a new home in New Orleans. One eventually returns to her home town whilst the other is “passing” as a white woman in a decades-spanning saga. I felt that “There are so many discussion points in this novel regarding identity that one might expect it to feel issue-driven but no, plot and characterisation are both very strong and that together with its immersive readability provides an extremely impressive rounded work.” Over the past year I’ve selected it for reading groups and have recommended it probably more than any other book. I always ask what people think of it and it’s always a thumbs up- however, there are often reservations voiced about the ending, and I do agree with them.

2. The Prophets – Robert Jones Jnr (Quercus 2021) (Read and reviewed in January)

An astonishing debut. When I read it I was convinced that this would be my book of the year and posted it within my “100 Essential Books” strand. It’s a book which has got the odd nod from awards committees but hasn’t swept the board winning awards as I had expected it to. I was convinced a Booker nomination would be assured but it was not even longlisted. The paperback is expected in the UK in late January and hopefully this will generate the serious sales this book deserves. I said this slave plantation-set novel “could very well become a contender for the twenty-first century Great American novel.” Don’t just believe me, check out the Amazon reviews where it has 61% five star and 22% 4 star which is excellent going for a book which is demanding, poetic and at times overwhelming. Extraordinary.

1. Shuggie Bain – Douglas Stuart (Picador 2020) (Read and reviewed in April)

2020 was the year that the Booker Prize judges got it exactly right. I’d become a little wary after the year they awarded it to “Lincoln In The Bardo” (I must stop harping on about that!). I featured this in my “What I Should Have Read In 2020” but this year this book’s reputation has continued to grow as more and more people have fallen in love with it. It’s another I’ve selected for reading groups throughout the year and admittedly, some people are never going to give it a go, put off by its working class Glasgow 1980’s setting but those who do generally praise it to the skies. And deservedly so, as this study of a relationship between Shuggie and his mother has provided us with two of the most memorable characters in modern fiction. I said “It’s gritty and raw but at its heart is an incredible beauty and humanity which even when the reader is dabbing away tears of sadness, frustration or laughter is life-affirming.”  I cannot wait for this Scottish author’s second novel “Young Mungo” which is due in April. This is the first time in nine years I have awarded my Book Of The Year to a UK writer. Douglas Stuart deserves his place in my own special Hall Of Fame. Here are my other top titles going back to 2008.

2021- Shuggie Bain – Douglas Stuart (2020) (UK)

2020 – The Great Believers – Rebecca Makkai (2018) (USA)

2019 – Swan Song – Kelleigh Greenberg-Jephcott (2018) (USA)

2018- The Count Of Monte Cristo – Alexandre Dumas (1845) (France)

2017 – The Heart’s Invisible Furies – John Boyne (2017) (Ireland)

2016- Joe Speedboat – Tommy Wieringa (2016) (Netherlands)

2015- Alone In Berlin- Hans Fallada (2009 translation of a 1947 novel) (Germany)

2014- The Wanderers – Richard Price (1974) (USA)

2013- The Secrets Of The Chess Machine – Robert Lohr (2007) (Germany)

2012 – The Book Of Human Skin – Michelle Lovric (2010) (UK)

2011 – The Help- Kathryn Stockett (2009) (USA)

2010- The Disco Files 1973-78 – Vince Aletti (1998) (USA)

2009- Tokyo – Mo Hayder (2004) (UK)

2008- The Book Thief – Markus Zusak (2007) (Australia)

Special mentions for the three five star reads which did not make it into the Top 10. “Next Of Kin” by Kia Abdullah (2021) just missing out on two consecutive Top 10 recommendations by the narrowest of margins, Bryan Washington’s “Memorial” (2021) and “Love After Love” by Ingrid Persaud (2020).

Here’s to some great reading in 2022.

Top 10 Books Of The Year 2021- Part One (10-6)

So, here we go, time to look back on another strange year to see which books made the greatest impression upon me in 2021.  This Top 10 is not just based upon books published this year. (3 out of the 10 were, which seems to be par for the course as that has been the same proportion for the last couple of years). If I read it during 2021 it is up for inclusion.

This year I read 64 books which is a typical figure but a bit down on my Good Reads goal of 70. Like last year 13 books have made the five star rating level, which means once again that some of my five star reads will not make it onto my Top 10 of the Year. There were 28 four star reads and 23 books I rated three stars. Like last year there was nothing I rated below three stars. I think with all this reviewing experience I’m less likely to choose to read duff books. Gender-wise, my Top 10 has a 50-50 split. It is perhaps a more diverse list than previous years with 40% black authors and 30% identifying as LGBT+ Like last year there are two non-fiction titles and like last year they are broadly speaking, autobiographical. Three of the authors have featured in previous year Top 10’s. There are two debut novels.

Right, here is the first part of the list, numbers 10-6.  If you would like to read the full review (and I hope you do as these are the books I’m really prompting you to find out more about) just click on the title.

10. Bond Street Story – Norman Collins (Collins 1959) (Read and reviewed in July)

Good luck with finding this one as like nearly all of this British author’s (1907-82) work it seems to be out of print. It’s the second year in a row for Collins and even though this is not quite up there with last year’s #2 read “London Belongs To Me” (which is more readily available as a Penguin Modern Classics) this tale of lives in a London Department store, the family who own it, the staff who work there is still a captivating read. I’m going to be on the look-out for more Collins to read next year. Perhaps some enterprising publisher could commemorate the 40th anniversary of his death by re-publishing more of his work.

9. Goodnight Mister Tom – Michelle Magorian (Puffin 1981) (Read and reviewed in May)

I took advantage of this children’s classic’s 40th anniversary reprint to read this for the first time. I know this is a special book for many people, in my day job at the library we often get adults requesting it to read to their children and I think it is now established as an important book in children’s fiction. I said of it; “It was one of those books where my vague ideas about it had cemented into what I believed was fact but I was often wrong.  I knew it was a tearjerker but what I had always thought occurred never actually happens.  The twists and turns of the plot were quite a revelation for me.” If you’ve never read it I urge you to seek it out, if you have read it you will know you probably want to read it again.

8.The Whites – Richard Price (Bloomsbury 2015) (Read and reviewed in February)

I’ve now read two Richard Price books and both have made it on to the Top 10, this is another under-rated author. His 1974 debut “The Wanderers” was my 2014 Book Of The Year and 41 years later he is still churning out gems. The title refers to those who have got away with murder which obsess a group of NYPD members past and present. It’s hard-boiled American crime, which I don’t always go for but characterisation here is so strong. Stephen King summed it up perfectly when he described this book as “grim, gutsy and impossible to put down.”

7. Dreamgirls: My Life As A Supreme – Mary Wilson (Arrow 1987) (Read in January posted in February)

This was a re-read of a book I have read I have read a couple of times before but not for years. I think it is one of the best showbusiness autobiographies, with just the right balance of career and private life and the career is extraordinary. It was written alongside ghost-writers Patricia Romanowski and Ahrgus Juilliard but benefits because Mary was a keen diarist and that ability to access details is evident. Tragically, on the day I set aside to post this review the news was announced that Mary had suddenly died (authors and publishers, don’t let this put you off asking for books to be reviewed, the two events are not related!) I did wonder whether that would result in this book being given a new lease of life but that has not happened.

6. Sing, Unburied, Sing- Jesmyn Ward (Bloomsbury 2017) (Read and reviewed in August)

Critically acclaimed in her homeland. Mississippi resident Jesmyn Ward made history with this book when she became the first Black American writer as well as the first woman to win a second National Book Award for fiction. This is a powerful, haunting read. I described it as “a Southern-set contemporary novel enriched with the rhythms and the sense of folklore, rhythms, spiritual beliefs and history of the community”. The reason why this had such a powerful effect on me as a reader is due to the quality of the writing and story-telling which really drew an initially resistant me in.

Next post: The Top 5

100 Essential Books – The Prophets – Robert Jones Jnr (Quercus 2021)

I was looking forward to reading this.  It is an extraordinary debut novel from gay black American author Robert Jones which could very well become a contender for the twenty-first century Great American novel.

It is a historical work set in the Halifax family’s cotton plantation in Vicksburg, Mississippi and over the years the slave plantation is a location I have visited quite a few times in fiction but I don’t think that many have made so much of an impression upon me as this.

In a barn live and work two teenagers, Samuel and Isaiah, who have become lovers.  Set apart from both the rest of the slaves and the members of the white household but observed by both they are true outsiders.  The response to these boys searching for happiness in such a grim existence is commented on by other characters, often in sections that relate to Books of the Bible.  They are also observed by a chorus of ancestral voices who powerfully and poetically comment on proceedings. 

The boys, unbeknown to them, have been part of an economic experiment by the white master, Paul Halifax, who has put them in an environment of hard physical work away from the cotton-picking to make studs of them, to provide him with a strong stock of future slaves.  The problem is, the boys are only interested  in one another.  Along comes another slave Amos, granted rights of preaching who uses his sermons to turn the slaves against the boys known to all as “The Two Of Them”.  Others in the plantation cannot comprehend what Amos is against thinking that happiness should be taken wherever it is possible to find it.  Samuel and Isaiah’s combustible situation is exacerbated by the sexually frustrated white mistress and her son returned from a “liberal” education up North.

The plot, in its bare bones here, seems a tad melodramatic, but oh my, how well Jones brings it alive, developing characters quickly and effectively and by having these two young men at the centre of a love story which feels bound to be ultimately tragic.

Amongst this Jones also superbly intersperses tales from previous generations- of the plantation’s ancestors, of plunder, of slave ships encompassing the black American history to this point into one superb novel.

When reading this it was a comment I had seen by Marlon James which kept coming to mind.  He said of this book; “The Prophets shakes right down to the bone what the American novel should do, and can do.  That shuffling sound you hear is Morrison, Baldwin and Angelou whooping and hollering both in pride and wonder.” 

What a marvellous thing to say about another author’s book but it is so appropriate.  And this is a debut novel!  At the end Robert Jones Jnr acknowledges hundreds of people by name, those black writers, educators, public figures, musicians, performers, friends who have inspired him, an awe-inspiring roll-call which might have seemed over the top if Jones did not have the goods to deliver.  With this enthralling, heart-breaking, poetic, challenging, very accessible yet difficult novel he certainly has.  The only thing I am not totally on board with is the cover which has a self-published self-help book vibe about it but certainly do not judge this by that. It is possible that I may have already read my Book of The Year.

The Prophets was published by Quercus in the UK in hardback on 5th January 2021.  Many thanks to the publishers and Netgalley for the advance review copy.